Mexicali Blues (04:46) | 1988-03-26 | Grateful Dead

2:40:24
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1988-03-26.mtx.dts.tobin.95931.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix


Audio Source Information
SBD1 (shnid=91158)
Recording Info:
SBD -> Cassette Master (TDK SA-X90)

Transfer Info:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 (3 Discs Audio / 2 Discs FLAC)

All Transfers and Mastering By Charlie Miller
[email protected] April 1, 2008

Notes:
-- Set 2 is seamless
-- 2 different SBD Cassette Masters were used to make this show complete
-- Thanks to Joe B. Jones for his help with the pitch correction

SBD2 (shnid=7164)
Matrix Analog Cass Master-> DAT-> CDR
Comments:
Loud "static burst" in Mexicali Blues. 3 dropouts in The Wheel.

Problems in The Wheel and Mexicali, as noted above, fixed. The Wheel was edited to be correct; Mexicali contains a patch from 0:27 to 0:31 from Stephen Porter's audience cassette (Nak 300/Sony D5 > Nak BX-300 > CD).

By Peter Braverman ([email protected]), 1/1/2002.

AUD1 (shnid=33950)
Source: Sennheiser ME-80's (taper section) > Sony TCD5M > Sony D-6 TDK MAX Master Cassette
Transfer: TDK MAX Masters > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1
Transfer completed on April 16, 2006
Recorded and transferred by Dean Grabski ([email protected]}

AUD2 (no shnid)
1st or 2nd generation VHS supplied by Dan Sisler
---------------------------------------------------------
- DTS Mixing by [email protected]
- FLAC conversion 20-NOV-2008  
---------------------------------------------------------
Audio Patches:

1) At the beginning of Set 1, 56.472 seconds were missing from the AUD1 source and was filled in with audio from the SBD1 source.

2) 3 seconds into Hell In a Bucket, 02.291 seconds were missing from the AUD1 source and was filled in with audio from the SBD1 source.

3) Between Sugaree and Stir It Up, 1 minute and 07.316 seconds were missing from the AUD1 source and was filled in with audio from the SBD1 source.

4) Between New Minglewood Blues and Peggy-O, 19.296 seconds were missing from the AUD1 source and was filled in with audio from the SBD1 source.

5) Between Peggy-O and Mexicali Blues, 30.769 seconds were missing from the AUD1 source and was filled in with audio from the SBD1 source.

6) Also between Peggy-O and Mexicali Blues, 03.618 seconds were missing from the AUD1 source and was filled in with audio from the SBD1 source.

7) Between Big River and Row Jimmy, 1 minute and 20.686 seconds were missing from the AUD1 source and was filled in with audio from the SBD1 source.

8) Between Row Jimmy and Stuck In Mobile With The Memphis Blues Again, 12.677 seconds were missing from the AUD1 source and was filled in with audio from the SBD1 source.

9) 2 minutes 18 seconds into Space, 4 minutes and 26.518 seconds were missing from the AUD1 source and was filled in with audio from the SBD2 source.

10) Between One More Saturday Night and Knockin' On Heaven's Door, 3 minutes and 05.537 seconds were missing from the AUD1 source and was filled in with audio from the AUD2 source.

11) As this matrix\dts was made to use with video of set 1, both AUD\SBD sources were synced to video source for set 2. The SBD speed was almost identical to video so it was used as reference for set 1. The AUD1 source ran slightly fast at about 2% or 2 seconds per minute minute.
-------------------------------------------------------
Front  
Left Channel SBD  -0db
Right Channel SBD -0db

Center
Mixed to mono -0db SBD

Surround
Left Channel -0db AUD
Right Channel -0db AUD

Sub/LFE
Mixed to mono -0db SBD
--------------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.
Brokedown House Production