Tuning | 1988-07-02 | Grateful Dead

San Francisco, CA, USA

Metropolitan Sports Center

East Rutherford, NJ, USA

East Rutherford, NJ, USA

East Rutherford, NJ, USA

Hartford Civic Center

Hartford Civic Center

Hartford Civic Center

Summer 1988

Buckeye Lake Music Center

Saratoga Performing Arts Center

Saratoga Springs, NY, USA

Oxford Plains Speedway

Oxford Plains Speedway

Laguna Seca Recreation Area

Laguna Seca Recreation Area

Laguna Seca Recreation Area

Autzen Stadium, U. of Oregon

Oakland-Alameda County Coliseum

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Bayfront Center Arena

St. Petersburg, FL, USA

Keifer Lakefront Arena

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

7/2/88

Stuck Inside of Mobile with the Memphis Blues Again

Victim or the Crime ->

FIN

Sources

SOURCE 1 OF 33

Don Pearson and Dan Healy

All Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net October 10, 2020

gd1988-07-02.150701.UltraMatrix.sbd.cm.miller.flac16

UltraMatrix SBD > Cassette Master (TDK SA-X)

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24

Don Pearson and Dan Healy

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- Multiple masters were used to make this show complete
-- This file set is 16 bit @ 44.1

SOURCE 2 OF 33

2:49:17

SBD

Taper:

All Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net October 10, 2020

gd1988-07-02.150683.sbd.miller.flac2496

UltraMatrix SBD > Cassette Master (TDK SA-X)

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24

gd1988-07-02.138738.set2.dts.tobin.flac16

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- Multiple masters were used to make this show complete

SOURCE 3 OF 33

DTS-Audio-CD 5.1 Mix; Set 2 Only SBD (shnid = 86817) SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid = 12844) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - dts mixing by Kevin Tobin

gd1988-07-02.138737.set2.mtx.tobin.flac16

View NotesDTS-Audio-CD 5.1 Mix

---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 04-JUL-2017 - Trader Little Helper
- Tagged 04-JUL-2017 - Tag&Rename
---------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production

SOURCE 4 OF 33

Matrix 2 Source Mix Set 2 Only - SBD (shnid = 86817) SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid = 12844) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin

gd1988-07-02.138736.set2.5-1.tobin.flac1648

View NotesSBD + AUD Matrix 2 Source Mix

---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 04-JUL-2017 - Trader Little Helper
- Tagged 04-JUL-2017 - Tag&Rename
---------------------------------------------------------

Brokedown House Production

SOURCE 5 OF 33

flac16/48kHz; 5.1 LPCM Surround Sound (48k) Set 2 Only - SBD (shnid = 86817) SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid = 12844) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - surround mixing by Kevin Tobin

gd1988-07-02.sbd.miller.86817.sbeok.flac

View Notes5.1 LPCM Surround Sound Mix (48k)

SOURCE 6 OF 33

SBD -> Dat (48k) D

Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC

gd1988-07-02.mtx-v2.haugh.92583.flac16

View NotesPatch Info:
SBD -> Cassette Master -> Dat (44.1k) supplies:
Start of show through Row Jimmy
Notes:

-- Set 2 is seamless
-- "We Want Phil" chant after West L.A. Fadeaway
-- Thanks to Steve Rolfe for the patch source

SOURCE 7 OF 33

SBD (80840) + AUD (31211)

gd1988-07-02.mtx-v2.dts.haugh.92582.flac16

View NotesDC offset was corrected on the FOB.

AUD source disc 2 to Disc 3 was not seamless.  A reverse fade and
then removal of overlapping material.

The following songs patched from Cassette Master SBD: Tuning, Aiko,
Jack Straw, West L.A. Fadeaway, Let Phil Sing, Memphis Blues, Let
Mickey Sing and Row Jimmy.  The cassette SBD used for the patch
material is very good and the source change is hard to detect.

d1t07 "Let Mickey Sing Chant" is just from the AUD source.  This
was crossfaded, EQ'ed with some volume adjustments to blend better.
This patch turned out very well and is hard to detect.

SOURCE 8 OF 33

SBD (80840) + AUD (31211)

View NotesDC offset was corrected on the FOB.

AUD source disc 2 to Disc 3 was not seamless.  A reverse fade and
then removal of overlapping material.

The following songs patched from Cassette Master SBD: Tuning, Aiko,
Jack Straw, West L.A. Fadeaway, Let Phil Sing, Memphis Blues, Let
Mickey Sing and Row Jimmy.  The cassette SBD used for the patch
material is very good and the source change is hard to detect.

d1t07 "Let Mickey Sing Chant" is just from the AUD source.  This
was crossfaded, EQ'ed with some volume adjustments to blend better.
This patch turned out very well and is hard to detect.

SOURCE 9 OF 33

Jeff M and Bill Tetzeli

gd1988-07-02.sbd.jeffm.tetzeli.fix-2328.74652.reflac.flac16

SBD>Master Cassette>DAT

DAT>CDR>EAC>SHN>WAV>?>WAV>FLAC

SOURCE 10 OF 33

gd88-07-02.DTS.matrix.dan.21434.sbeok.shnf

5.1 DTS Mix

SBD + AUD: FOB Schoeps CMC42s (8ft. spaced omni) > PCM F1/SL2000, then PCM 601ES > DAT > CDR; SBD > Dat > Sonic Solutions > CDR

gd88-07-02.sbd-matrix.dan.21211.sbeok.shnf

View Notes<b>Lossies (including stream version) removed because 5.1 channel files do not properly encode to 2 channel MP3's - the result is static.</b>

Source: SBD + AUD '5.1 DTS'; FOB Schoeps CMC42s (8ft. spaced omni) > PCM F1/SL2000, then PCM 601ES > DAT > CDR; SBD > Dat > Sonic Solutions > CDR

SOURCE 11 OF 33

SBD + AUD Matrix Mix

gd88-07-02.sbd.jeffm.2328.sbeok.shnf

View NotesSource: SBD + AUD 'Matrix Mix' 

Source 1) FOB Schoeps CMC42s (8ft. spaced omni) > PCM F1/SL2000, then PCM 601ES > DAT > CDR 

Source 2) SBD > Dat > Sonic Solutions > CDR

Both sources were extracted using EAC and time aligned/mixed/shn'ed by dan@am-dig.com using Cool Edit 2k (see additional notes in text file)

SOURCE 12 OF 33

SBD> Master Cassette> DAT> CDR> EAC> SHN

Scott Clugston, Charlie Miller

View NotesSBD> Master Cassette> DAT> CDR> EAC> SHN; via Jeff M.

SOURCE 13 OF 33

gd1988-07-02.163570.senn.me80.hessberg.miller.clugston.flac2496

Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496

Scott Clugston, Charlie Miller

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Joel Werner for the Nakamichi 700 source which supplies a 0:37 patch in the "Drums > Space" transition
- Pitch corrected

Mastered by Scott Clugston
December 2021

SOURCE 14 OF 33

gd1988-07-02.163569.senn.me80.hessberg.miller.clugston.flac1648

Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496

Joe Noel and Charlie Miller

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Joel Werner for the Nakamichi 700 source which supplies a 0:37 patch in the "Drums > Space" transition
- Pitch corrected

Mastered by Scott Clugston
December 2021

SOURCE 15 OF 33

gd1988-07-02.145666.fob.akg460.ackerman.miller.noel.t-flac16

Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5

Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k)

Charlie Miller and Joe Noel

View NotesEdited & Mastered by Joe Noel
WAV > Audacity > FLAC 24/96
April 21, 2018

This file set is 16 bit @ 44.1

Patch info:
- shnid 140674 (Neumann U89) supplies
- s1t06; start - 01:30 (banter)
- s2t06; 00:03 - 00:17
- s2t11; 08:54 - 09:51 (crowd)

Notes:
- Thanks to Ray for sharing his archive
- Thanks to Charlie for bringing it all home
- Grateful for the Silberman FOB that supplies the patch
- tape pauses & flip (s1) cross faded
- there was not enough room for a proper crossfade before the encore, so a touch of crowd was added

SOURCE 16 OF 33

gd1988-07-02.141757.FOB.AKG.Ackerman.Miller.Noel.t-flac2496

Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k)

Robert Bryant patched out of Oade Brothers; From Gastwirt Collection

View NotesPatch info:
- shnid 140674 (Neumann U89) supplies
- s1t06; start - 01:30 (banter)
- s2t06; 00:03 - 00:17
- s2t11; 08:54 - 09:51 (crowd)

Notes:
- Thanks to Ray for sharing his archive
- Thanks to Charlie for bringing it all home 
- Grateful for the Silberman FOB that supplies the patch 
- tape pauses & flip (s1) cross faded
- there was not enough room for a proper crossfade before the encore, so a touch of crowd was added

SOURCE 17 OF 33

1:10:31

Taper:

Charlie Miller and Joe Noel

gd1988-07-02.140673.s1.FOB.Schoeps.Bryant.Gastwirt.Miller.Noel.t-flac1644

Set 1 from Robert Bryant (from an Oade Bros. patch) FOB; Recording: Schoeps MK2 spaced omni's > Sony F1 > PCM > DAT; Charlie Miller

DAT (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered in Audacity 2.0.6 by Joe Noel: wav > Flac 16/44; Checksum & tags created in xACT

View NotesPatch info:
- source # 140674 (Neumann's)
- s1t12; - 4:06 - end 

Notes:
- dc offset removed
- Hey Now!
- the trifecta of GD stage banter

SOURCE 18 OF 33

2:44:07

gd1988-07-02.167978.beyerm201.holbrook.flac2448

SOURCE 19 OF 33

2:44:07

gd1988-07-02.167977.beyerm201.holbrook.flac1644

SOURCE 20 OF 33

gd1988-07-02.159377.OTS-Nak300.pasterrnak.vernon.flac2448

OTS Nakamichi CM300/CP-4/Marantz PMD 420/Maxell XLII 90

Transfer: Nak DR3/SD 722/24/48

View NotesTracked by Matt Vernon using Audacity

This is a 24bit 48khz file set

SOURCE 21 OF 33

2:40:59

gd1988-07-02.159376.OTS-Nak300.pasterrnak.vernon.flac1648

SOURCE 22 OF 33

gd1988-07-02.158161.Nak300.carpenter.flac2448

Nak 300s -> Sony TCD5M ( no dolby )-> Maxell MX 90s

Nakamichi CR3a -> M-Audio 192-6-> Wavelab Elements 11 -> Wav 24bit 48khz -> CD Wave -> TLH -> analysis, SBE, flac, checksums

gd1988-07-02.156917.nak700.werner.flac1644

View NotesNote: any patches not conforming to 24bit has been re-sampled to 24bit using R8brain

SOURCE 23 OF 33

Nakamichi CM-700's w/-15db attenuation > Sony TC-D5M (Mark) > Sony TC-D5M (me, dolby B ?) FOB, about 25-30 feet from stage, just left of center, slightly in the Phil zone. Mics on stand, about 6 feet high.

Transfer: Nakamichi CR-7A > Edirol R-09HR or Sony PCM-M10. 24bit@44.1kHz

PCM Archived and Transferred by Stucco

View NotesTapers Notes:  This was nothing short of an outstanding show.  The setlist was incredible, the playing was at the top of their game, and the sound was spectacular.  The stars aligned that day!
WARNING: The low end (bass), AKA The Phil Zone, in Terrapin Station and Morning Dew should be respected unless you want to blow your speakers.

SOURCE 24 OF 33

2:55:31

Taper:

Mastering by Jim Blackwood, gsarchivist at LL; with help from Jamie Waddell

gd1988-07-02.150323.aud.CMC42s.FOB.flac16

FOB Schoeps CMC42s (8ft. spaced omni) > PCM

Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11

SOURCE 25 OF 33

Nick Carbonetta and SirMick

gd1988-07-02.147158.sennme80.porter.carbonetta.sirmick.flac24

Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter

Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24

Joe Noel and Kris Wescott

View NotesNotes:

- Pitch corrected.
- Tape flip in Set II was patched with 140674 - thanks to all involved.

Thanks to Stephen Porter for his masters.

Thanks to Nick Carbonetta fot the transfers.

edited and mastered
SIRMick
July 2019

SOURCE 26 OF 33

gd1988-07-02.142977.Senn.Porter.Wescott.Noel.t-flac1648

flac16/48kHz; Recording by Stephen Porter: Sennheiser Me80 > Sony D5 > Master Cassette (Maxell XLII-S 90); Transfer by Kris Wescott: Master Cassette > Nakamichi CR7a (dolby on) > Korg mr1000 1 bit @ 5.6 mhz > WAV 1648

View NotesPatch info:
- shnid 140674 (Neumann U89) supplies
- s1t07; start - 00:55 (banter)
- s2t06; 05:35 - 06:28 & 6:44 - end
- s2t07; start - 00:28

Notes:
- Little Feat opened.
- Thanks to Stephen for sharing his master cassettes.
- Thanks to Kris for the transfer.
- Grateful for the Silberman FOB that supplies the patch. 
- tape pauses (s1) cross faded.

SOURCE 27 OF 33

John Ammons and Joe Noel

gd1988-07-02.140674.FOB.Neumann.Silberman.Ammons.Noel.t-flac1644

Jeff Silberman Master FOB Recording: Neumann U89 spaced omnis -> Technics SV-100 -> PCM; John Ammons

Tascam DA20 Mark II -> Roland SRC-2 -> Mac Mini > Audacity 3.0 @ 44K -> WAV; Edited & Mastered in Audacity 2.0.6 by Joe Noel: wav > Flac 16/44; Checksum & tags created in xACT

gd1988-07-02.Nak300CP4.Fitzy.Keo.124845.Flac1644

View NotesPatch info:
- source #140673 (Schoeps Bryant/Oade)
- first three tracks
- Source #92583 (matrix) supplies
- s2t03; 1:09 - 1:18 & 6:22 - 6:31

Notes:
- Hey Now!
- If you were within the Oxford city limits, you were in the Phil Zone.

SOURCE 28 OF 33

Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

gd1988-07-02.Nak300CP4.Fitzy.Keo.124844.Flac2496

View NotesComments:Another Huge Thanks out to Fitzy for
recording and sharing his source for this show!
I remember this one like it was yesterday, from 
long wait in the car in the blistering heat to
the show, the excellent sound and performance
from this days music and the after show events 
and non stop party which went on all night long!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

SOURCE 29 OF 33

Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename

gd1988-07-02.124766.AT835.laurentis.flac16

View NotesComments:Another Huge Thanks out to Fitzy for
recording and sharing his source for this show!
I remember this one like it was yesterday, from 
long wait in the car in the blistering heat to
the show, the excellent sound and performance
from this days music and the after show events 
and non stop party which went on all night long!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

SOURCE 30 OF 33

Taper: M. Laurentus; FOB In front of left stacks. AT835B's- AT 8202’s-SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac

SOURCE 31 OF 33

gd1988-07-02.nak300.morris.crazyfingers.106588.flac16

(FOB) Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/TDK MA 90)

Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)

SOURCE 32 OF 33

gd1988-07-02.nakcm304.beyerm101.suraci.82762.sbeok.flac16

Nak CM304's+VBeyer M101>Sony Mixer>Sony D5M

Nak CR5A>Lunatec V3>SD722

View Notes*Setup at right front corner of board

Notes: This is the 16Bit version. 24 Bit is archived on DVDA.

SOURCE 33 OF 33

2:41:05

Nakamichi 100's > Marantz 430-PDM [Maxell metals w/ dbx] Sony 59 ES > wavelab > cd wave > flac