Row Jimmy | 1992-06-11 | Grateful Dead

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Grateful Dead

2,065 shows

17,411 tapes

Phil Lesh and Friends

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Animal Liberation Orchestra

Bela Fleck and the Flecktones

Bernie Worrell Orchestra

Blueground Undergrass

Circles Around The Sun

G. Love and Special Sauce

Godspeed You Black Emperor!

Hard Working Americans

Horseshoes and Hand Grenades

Infamous Stringdusters

Jazz Mandolin Project

206 shows

254 tapes

Jeff Austin and Chris Castino

12 shows

14 tapes

Jeff Austin And Friends

Jerry Joseph and the Jackmormons

1,091 shows

1,461 tapes

Jerry's Middle Finger

185 shows

221 tapes

Joe Russo Presents: Hooteroll? + Plus

2 shows

5 tapes

Joe Russo's Almost Dead

King Gizzard & the Lizard Wizard

New Riders of the Purple Sage

389 shows

568 tapes

North Mississippi Allstars

Pigeons Playing Ping Pong

String Cheese Incident

1,247 shows

1,996 tapes

Surprise Me Mr. Davis

Ted Leo and the Pharmacists

The California Honeydrops

Yonder Mountain String Band

1992

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Philadelphia, PA, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Hamilton, Ontario, Canada

Hamilton, Ontario, Canada

Auburn Hills, MI, USA

Auburn Hills, MI, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Sam Boyd Silver Bowl, U.N.L.V.

Sam Boyd Silver Bowl, U.N.L.V.

Sam Boyd Silver Bowl, U.N.L.V.

East Rutherford, NJ, USA

East Rutherford, NJ, USA

Star Lake Ampitheater

Burgettstown, PA, USA

Star Lake Ampitheater

Burgettstown, PA, USA

Deer Creek Music Center

Deer Creek Music Center

Buckeye Lake Music Center

McNichols Sports Arena

McNichols Sports Arena

Compton Terrace Amphitheatre

Compton Terrace Amphitheatre

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland, CA, USA

2:56:05

9 tapes

Sources

SOURCE 1 OF 23

2:26:02

SBD

Taper:

Don Pearson and Dan Healy

Transferrer:

All Transfers and Mastering by Charlie Miller [email protected] June 23, 2021

SHNID:

gd1992-06-11.154484.sbd.cm.miller.t.flac16

Source:

SBD > DAT Master (Panasonic SV-3700/48k) > Cassette (Tascam 122mkIII/TDK SA-X100)

Lineage:

Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24

Taper Notes:

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- DAT > Cassette transfer by Dick Latvala
-- This is 152717 2496 > 1644

SOURCE 2 OF 23

2:26:02

SBD

Taper:

Don Pearson and Dan Healy

Transferrer:

All Transfers and Mastering by Charlie Miller [email protected] June 23, 2021

SHNID:

gd1992-06-11.152717.sbd.miller.flac2448

Source:

SBD > DAT Master (Panasonic SV-3700/48k) > Cassette (Tascam 122mkIII/TDK SA-X100)

Lineage:

Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24

Taper Notes:

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- DAT > Cassette transfer by Dick Latvala

SOURCE 3 OF 23

gd1992-06-11.sbd.miller.90105.sbeok.flac16

Source:

SBD -> Dat -> Cassette Master (TDK SA-X100) D

Lineage:

Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) ->

Taper Notes:

View Notes-- Set 2 is seamless

SOURCE 4 OF 23

gd92-06-11.sbd.ladner.8069.sbeok.shnf

Source:

sbd> dat> cass> dat> cdr> wav> shnv3

Taper Notes:

View Notessbd> dat> cass> dat> cdr> wav> shnv3; via cozmic chuck, neo_levo

SOURCE 5 OF 23

Charlie Miller, Mark Goldey

SHNID:

gd1992-06-11.168984.fixed.165916.me88.mc.rogosa.flac1644

Source:

2x Senn ME88s (stand, OTS) > TCD-D3 > line out > TC-D5 (Dolby B) taped by Dan Rogosa

Lineage:

Transfer: MC (MX-90, 100) > Nak CR-7A (no Dolby) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 11 (pitch correction, levels, DDI Codec (Dolby B @ -27.9 dBFS), patch, resample, Lin dither) > FLAC 1644

Taper Notes:

View NotesThis file set is from Dan Rogosa's master cassettes, with a short patch in space from his DAT recording from the same mics, SHNID # 165914.  The audio has been pitch corrected to match the DAT.

A previous seed of this recording, SHNID 165916, had a strange quirk:  side A lacked treble and sounds muddy and distant compared to side B.  After sending my Dragon out for restoration, a better transfer was made.

Enjoy!

--mhg :: 2023-10-27

SOURCE 6 OF 23

Charlie Miller, Mark Goldey

SHNID:

gd1992-06-11.168983.fixed.165915.me88.mc.rogosa.flac2496

Source:

2x Senn ME88s (stand, OTS) > TCD-D3 > line out > TC-D5 (Dolby B) taped by Dan Rogosa

Lineage:

> EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 11 (pitch correction, levels, DDI Codec (Dolby B @ -27.9 dBFS), patch) > FLAC 2496

Taper Notes:

View NotesThis file set is from Dan Rogosa's master cassettes, with a short patch in space from his DAT recording from the same mics, SHNID # 165914.  The audio has been pitch corrected to match the DAT.

A previous seed of this recording, SHNID 165915, had a strange quirk:  side A lacked treble and sounds muddy and distant compared to side B.  After sending my Dragon out for restoration, a better transfer was made.

Enjoy!

--mhg :: 2023-10-27

SOURCE 7 OF 23

31:04

SHNID:

gd1992-06-11.165916.me88.mc.rogosa.flac1644

SOURCE 8 OF 23

2:26:44

SHNID:

gd1992-06-11.165915.me88.mc.rogosa.flac2496

SOURCE 9 OF 23

2:27:57

SHNID:

gd1992-06-11.165914.me88.dat.rogosa.flac1648

SOURCE 10 OF 23

2:30:33

Taper:

Taped By Jeff Travitz

Transferrer:

Transfers by Pete Ebel April 5, 2020

SHNID:

gd1992-06-11.149565.ts.schoeps34.travitz.ebel.flac16

Source:

TS: Schoeps CMC3 MK4-> Panasonic SV255-> DAT

Lineage:

Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1)

Taper Notes:

View NotesNotes:
* All Tracks Are Seamless
* Appears the PA was not on to start Bertha

SOURCE 11 OF 23

59:52

Taper:

Most Likely Taped By Clay Brennecke

Transferrer:

Transfers by Pete Ebel April 5, 2020

SHNID:

gd1992-06-11.149564.set1.fob.BK4011.ebel.flac16

Source:

FOB B&K 4011-> Sony D10 Pro II-> DAT

Lineage:

Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1)

Taper Notes:

View NotesNotes:
* All Tracks Are Seamless
* Appears the PA was not on to start Bertha
***Set #1 Only***

SOURCE 12 OF 23

gd1992-06-11.139452.akg568.flac2448

Source:

AKG 568s -> Oade Power Supply > Casio DA-7 Portable DAT Deck -> Sony PCM-R500 Deck -> Hosa ODL-312 Optical AES/EBU Link -> Audacity on a Macintosh, all digital end-to-end. Front row tapers, center section; Taped by Bob Block, tracked and seeded by bltz

Taper Notes:

View NotesA previously unreleased original master audience DAT.

SOURCE 13 OF 23

gd1992-06-11.137755.aud.lamarre.berger.flac24

Source:

source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90/100’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger

SOURCE 14 OF 23

gd1992-06-11.137754.aud.lamarre.berger.flac16

SOURCE 15 OF 23

gd1992-06-11.137459.nak300.boedicker.flac16

Source:

Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck>Sony WM-D6C Cassette Deck (Maxell MX-90 Minute Metal Tapes,1st Set,Sony SR-100 Minute Metal Tapes,2nd Set)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8, Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,1st Row Official Taping Section

SOURCE 16 OF 23

gd1992-06-11.134957.Nak300CP4.Fitzy.Keo.Flac2496

Source:

Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Fitzy 
for recording and sharing his source for this 
show!One small section in Foolish Heart had 
a three second spike in recording levels, some 
higher recording levels in I Need A Miracle 
and Around and Around.All and all another 
excellent share from the Fitzy collection 
of masters and the Grateful Dead's summer 
1992 Tour!!!!!!!!!!!!!
AS ALWAYS ENJOY!!!!!

SOURCE 17 OF 23

gd1992-06-11.134956.Nak300CP4.Fitzy.Keo.Flac1644

Source:

Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Fitzy 
for recording and sharing his source for this 
show!One small section in Foolish Heart had 
a three second spike in recording levels, some 
higher recording levels in I Need A Miracle 
and Around and Around.All and all another 
excellent share from the Fitzy collection 
of masters and the Grateful Dead's summer 
1992 Tour!!!!!!!!!!!!!
AS ALWAYS ENJOY!!!!!

SOURCE 18 OF 23

gd1992-06-11.nak.boedicker.116122.flac16

Source:

Source:Sony D6 Cassette Master(Dolby B On)>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Cd Wav Editor>Traders Little Helper>Flac Level 8. Sector Boundaries Aligned Using Traders Little Helper. Taped 1st Row Official Tapers Section.Taped By Dave Boedicker

Taper Notes:

View NotesNotes:

1)Quality Is About A For The Most Part(Subjective Of Course).Nice Crisp And Clear Sound

2)Tape Flip After"Queen Jane ApproximatelY"(No Music Missed On Next Song "Dire Wolf")

3)Tape Flip After "Drums"

Enjoy!!!!

SOURCE 19 OF 23

gd1992-06-11.nak300.baker-keo.sirmick.110979.sbeok.flac16

Source:

Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D6 > MAC (1 x Maxell MX-S100 + 1 x MX-S90);

Lineage:

MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > iZotope RX Advanced > CD Wave > TLH > Flac 16; taped by Baker and transferred by Keo

Taper Notes:

View Notes- PA mix problems at the start of "Bertha"
- Tape flip after "Dire Wolf" crossfaded

Patches:

- "Foolish Heart" due to excessive distortion in this source 3:53 - 3:58
- "Space"  1:16 - 4:27

patch source: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DG-Dat tape.
                       Mics on 7-foot stand in OTS. (shnid 86034)


Comments:

Thanks to Mr. Baker for the source tapes! As with all the Knickerbocker Arena shows the boys played their best and 
this capture came out sweet IMO! Once again big thanks to St Alan for making it possible for me to get this show to
SIRMick and to SIRMick for his mastering work for all to listen to and Enjoy!

Keo


Thanks to Baker, Keo and St. Alan without whom.......


edited and mastered
SIRMick
December 2010

SOURCE 20 OF 23

gd1992-06-11.nak300.baker-keo.sirmick.110978.flac24

Source:

Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D6 > MAC (1 x Maxell MX-S100 + 1 x MX-S90);

Lineage:

MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > CD Wave > TLH > Flac 24 taped by Baker and transferred by Keo

Taper Notes:

View Notes- PA mix problems at the start of "Bertha"
- Tape flip after "Dire Wolf" crossfaded

Patches:

- "Foolish Heart" (due to excessive distortion in this source) 3:53 - 3:58
- "Space"  1:16 - 4:27

patch source: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DG-Dat tape.
                       Mics on 7-foot stand in OTS. (shnid 86034)

Comments:

Thanks to Mr. Baker for the source tapes!  As with all the Knickerbocker Arena shows the boys played their best and 
this capture came out sweet IMO!  Once again big thanks to St Alan for making it possible for me to get this show to
SIRMick and to SIRMick for his mastering work for all to listen to and Enjoy!

Keo

Thanks to Baker, Keo and St. Alan without whom.......

edited and mastered
SIRMick
December 2010

SOURCE 21 OF 23

gd1992-06-11.nakcm300.andrewf.86035.flac1648

Source:

Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DG-Dat tape. Mics on 7-foot stand in OTS.

Lineage:

MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (48kHz) > CD-Wave > TLH > FLAC.

Taper Notes:

View Notes- PA mix problems at the start of Bertha. 
- Soundforge used to make fades. 
- TLH used for FLAC compression, and making checksums. 
- Taped and transferred (June 2007) by Andrew F.

SOURCE 22 OF 23

gd1992-06-11.nak300.andrewf.86034.sbeok.flac16

Source:

Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DG-Dat tape. Mics on 7-foot stand in OTS.

Lineage:

MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (48kHz) > CD-Wave > R8Brain (44.1kHz) > TLH > FLAC

Taper Notes:

View NotesNotes:
- PA mix problems at the start of Bertha.
- To fit show onto two CDR's, end disc one after Foolish Heart.
- Break between d2t05 and d3t01 is seamless.
- Soundforge used to make fades.
- TLH used for SBE-OK, FLAC compression, and making checksums.
- Taped and transferred (June 2007) by Andrew F.

SOURCE 23 OF 23

gd92-06-11.aud.vernon.18581.sbeok.shnf

Source:

Audience Recording