03 The Eyes PDX 2-28-16 | 2016-02-28 | Jerry Joseph and the Jackmormons

View NotesREMASTERED 5/12/16, this had originally been done on my old computer as it was starting to give up the ghost.  With the other 5 shows from this run being done on new equipment I decided a redo was in order.  I wanted to ensure I had the best mix and to keep the quality of the mix as good as possible.  The differences between the old and new mixes are not huge.  The new mix has better definition of the instruments and sounds clearer, cleaner and more upfront to my ears anyway.  

Recording/mixing/mastering: Kirk Davis
RECORDING:
ADK TL(~2.5' high, stage corners, card setting) > Grace Design Lunatec V3 > Alesis HD-24(@24/48)
SBD(direct outs) > Alesis HD-24(@24/48)
ADK A51s > Leslie cabinet: ADK A51S-High; ADK A51S-Lows > Sound Devices MP-2 > Alesis HD-24(@24/48)
RE-mastered(5-12-16)
MIXING:
Adobe Audition[CS5.5]; delay; guitar suite; Normalize; hard limiter
Izotope Alloy-1; Alloy-2; Ozone-3, 
MASTERING:
Adobe Audition[CS5.5]; Izotope Alloy-1; Waves L1; Izotope Rx Advacned[v2.0](resample & dither) > CD Wave(tracking) > Tag and Rename[v3.4.6](track naming > Traders Little Helper(level 8 flac) 
NOTES: 
Set-1 guest guitar was not into seperate track.  Guitar was picked up by stage right mic at corner of stage.  Both Organ and Piano were run through the Leslie cabinet. Izotope Rx advanced used to control bass spikes/clips(possible string slap on pick ups?)
Most noise removed where possible, but some spikes might remain under music and still be heard in quiter parts. Mixing & mastering programs not listed in order of use. Exact settings & parameters used available on request.

SOURCE 2 OF 4

1:58:46

SBD

JMO2016-02-28.JMO2016-02-28-24bit-remaster

View NotesRecording/mixing/mastering: Kirk Davis
RECORDING:
ADK TL(~2.5' high, stage corners, card setting) > Grace Design Lunatec V3 > Alesis HD-24(@24/48)
SBD(direct outs) > Alesis HD-24(@24/48)
ADK A51s > Leslie cabinet: ADK A51S-High; ADK A51S-Lows > Sound Devices MP-2 > Alesis HD-24(@24/48)
RE-mastered(5-12-16)
MIXING:
Adobe Audition[CS5.5]; delay; guitar suite; Normalize; hard limiter
Izotope Alloy-1; Alloy-2; Ozone-3, 
MASTERING:
Adobe Audition[CS5.5]; Izotope Alloy-1; Waves L1; Izotope Rx Advacned[v2.0](resample & dither) > CD Wave(tracking) > Tag and Rename[v3.4.6](track naming > Traders Little Helper(level 8 flac) 
NOTES: 
Set-1 guest guitar was not into seperate track.  Guitar was picked up by stage right mic at corner of stage.  Both Organ and Piano were run through the Leslie cabinet. Izotope Rx advanced used to control bass spikes/clips(possible string slap on pick ups?)
Most noise removed where possible, but some spikes might remain under music and still be heard in quiter parts. Mixing & mastering programs not listed in order of use. Exact settings & parameters used available on request.

SOURCE 3 OF 4

JMO2016-02-28.JMO2016-02-28.multitrack

Source:

Multitrack > Alesis HD-24

Lineage:

"see notes"

Taper Notes:

View NotesRecording/mixing/mastering: Kirk Davis

ALESIS HD-24:
ADK TL(~2.5' high, stage corners, card setting) > Grace Design Lunatec V3 > Alesis HD-24[@24/48]
SBD(mono sum) > Alesis HD-24[@24/48]
SBD(direct outs) > Alesis HD-24[@24/48]
Leslie hi/low: ADK A51S > Sound Devices MP-2 > Alesis HD-24[@24/48]  

Mixing/Mastering: Adobe Audition CS5.5(not in order, not on all tracks)
Delay; reverb; hard limiter; Graphic EQ; Guitar suite; Izotope Alloy; Izotope Ozone, Waves L1, Blockfish 

NOTES: Bass track had clicks/clips that were removed using Izotore RX Advanced Declick/Decrackle setting.  Softened but kept track sound as close to original as possible.  
Set-1 guest guitar was not into seperate track.  Guitar was picked up by stage right mic at corner of stage.  
Both Organ and Piano were run through Leslie cabinet.

SOURCE 4 OF 4

JJJ2016-02-28.aud.flac

Source:

Audience

Lineage:

Tascam DR-40 (internal mics) > Audacity > TLH > FLAC