2008-06-16 | moe. | Relisten

Bands

Featured

Phil Lesh and Friends

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Bands

American Babies

Animal Collective

Animal Liberation Orchestra

Aquarium Rescue Unit

Assembly of Dust

Barefoot Manner

Bela Fleck and the Flecktones

Benevento Russo Duo

Bernie Worrell Orchestra

Billy & the Kids

Blueground Undergrass

Camper Van Beethoven

Choice And Company

Circles Around The Sun

Dark Star Orchestra

Dave Harrington

Dead and Company

Deep Banana Blackout

Del McCoury Band

Derek Trucks Band

Donna the Buffalo

Drive-By Truckers

ekoostik hookah

Electric Beethoven

Everyone Orchestra

Forgotten Space

From Good Homes

G. Love and Special Sauce

Godspeed You Black Emperor!

God Street Wine

Greensky Bluegrass

Greyboy Allstars

Hard Working Americans

Horseshoes and Hand Grenades

Hot Buttered Rum

Infamous Stringdusters

Jazz Mandolin Project

Jeff Austin and Chris Castino

Jeff Austin And Friends

Jeff Austin Band

Jerry Joseph and the Jackmormons

Jerry's Middle Finger

Joe Russo Presents: Hooteroll? + Plus

Joe Russo's Almost Dead

Keller Williams

King Gizzard & the Lizard Wizard

Kitchen Dwellers

Leftover Salmon

Marco Benevento

Marcus King Band

My Morning Jacket

New Riders of the Purple Sage

North Mississippi Allstars

Perpetual Groove

Pigeons Playing Ping Pong

Pink Talking Fish

Quality Cinema Band

Rumpke Mountain Boys

Smashing Pumpkins

Sound Tribe Sector 9

Steve Kimock Band

String Cheese Incident

Surprise Me Mr. Davis

Tedeschi Trucks Band

Ted Leo and the Pharmacists

The California Honeydrops

The Clock Reads

The Decemberists

The HippoCampus

The Mountain Goats

The New Mastersounds

The War on Drugs

The Wood Brothers

Trampled by Turtles

Umphrey's McGee

Widespread Panic

Powered by PanicStream

Yonder Mountain String Band

Shows

2008

TWIST AND SHOUT RECORDS

Borders (in-store Acoustic performance)

Overland Park, KS

Minneapolis, MN

Lifestyle Communities Pavilion

New World Records

Electric Factory

Philadelphia, PA

Orpheum Theatre

Unknown Location

Tennessee Theater

The State Theatre

State College, PA

Sherman Theater

Stroudsburg, PA

Northampton, MA

Lakewood Theater

Meridian Blue Room

New Orleans, LA

Neighborhood Theatre

Neighborhood Theatre

Neighborhood Theatre

Shoreline Ballroom

Hilton Head, SC

WorkPlay Sound Stage

three sisters park

chillicothe, IL

three sisters park

chillicothe, IL

Three Rivers Arts Festival, Pittsburgh, Pa.

Unknown Location

Wolf Trap Filene Center

Borgata Hotel Casino & Spa - The Music Box

Atlantic City, NJ

Saranac Brewery

Saranac Brewery

Governors Island

New York's Governors

Highline Ballroom

Jacksonville Beach, Florida

Verizon Wireless Ampitheatre and Encore Park

Nelson ledges, Garretesville, OH.

Unknown Location

Stone Pony - Outdoor Stage

Asbury Park, NJ

stone Pony - Outdoor Stage

asbury Park, NJ

Ives Concert Park

Cape Cod Melody Tent

Cape Cod Melody Tent

Ft. Collins, CO

Unknown Location

Moonlight Gardens, Coney Island

Lifestyles Community Pavilion

Main Stage - Snow Ridge

Main Stage - Snow Ridge

Main Stage - Snow Ridge

6/16/08

Queen Of Everything

Runaway Overlude >

Blue Jeans Pizza >

./-al.nouncements-

Threw It All Away

FIN

View on archive.org

Sources

SOURCE 1 OF 4

moe2008-06-16.mk4.nbox.r09.16bit

Schoeps mk4(FOH@SBD/DFC/DIN) > actives > Nbox+ > Edirol R-09(24/48) > SDHC

SDHC > USB > Wavelab 5.0a(+3.1dB Gain/Fades/Resampler 192/UV22HR Dither) > CD Wave > flac16(level 8) > tagged using Foobar2000/Tag&Rename

View NotesNOTES
Set I was an acoustic show benefiting the Headcount Organization

SOURCE 2 OF 4

8.50 / 8 ratings

moe2008-06-16.flac16

Schoeps MK41(DINA)>kcy>Sonosax SX-M2/LS>Hydra Silver XLR Interconnects >Sound Devices 722(24/96)

wave editor (resample/Dither)>Sound Studio (Track)> Xact(Flac)

SOURCE 3 OF 4

10.00 / 2 ratings

Scott Bernstein

Scott Bernstein

moe2008-06-16.tlm170.early.balcony.split.flac16

Neumann TLM-170 (card, split 30" in balcony)->Sound Devices 722(@24/96). FLAC File processing in SoundForge Audio Studio 10.0b (volume normalization; L/R channel time alignment, removing 20 samples from the right channel at the beginning of the recording; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ with Ultra noise shaping, High dither settings); Tracked in CDWav.

View NotesThis was an early, acoustic set, which was open to a very limited number people who purchased VIP tickets which benefitted HeadCount.  <a href="http://www.headcount.org" rel="nofollow">Click for more information on Headcount or to register to vote</a>

No taping was allowed at this show, but I did anyway and just recently got permission from Jon Topper, moe.'s manager to post this recording.

You get the benefit of an April 2010 mastering in SoundForge 10, which has improved Izotope resampling and MBit+ Dithering over SoundForge 9 which I was using at the time, as well as the knoweldge which I didn't have almost 2 years ago that when you run split mics you might need to time align the channels (in this case it was extremely minor -- 20 samples or 1/4,800th of a second), but I did it just because I care and hope you appreciate.

Happy Birthday to Eric Vandercar who got to do the "...but To fly?" part of Moth.

In my opinion, this recording sounds spectacular -- the balcony split resulted in great stereo separation, very crisp highs, minimal crowd noise, and is extremely dynamic -- it could be the best moe. recording I've ever made (and I've been taping them since 1995).

There is a higher quality 24 bit version of this recording available at <a href="http://www.archive.org/details/moe2008-06-16.tlm170.early.balcony.split.flac24" rel="nofollow">http://www.archive.org/details/moe2008-06-16.tlm170.early.balcony.split.flac24</a>

The electric sets of this show are available from the same recording set up at <a href="http://www.archive.org/details/moe2008-06-16.tlm170.balcony.split.flac16" rel="nofollow">http://www.archive.org/details/moe2008-06-16.tlm170.balcony.split.flac16</a>

Check out my photos from this show:
<table style="width:194px;"><tr><td align="center" style="height:194px;"><a href="http://picasaweb.google.com/scotthbernstein/MoeHighlineBallroom20080616?feat=embedwebsite" rel="nofollow"><img src="//web.archive.org/web/2im_/http://lh5.ggpht.com/_0mw6qNhGecI/SGFozdcjBBE/AAAAAAAAMXo/4wPdoxX73ak/s160-c/MoeHighlineBallroom20080616.jpg" width="160" height="160" style="margin:1px 0 0 4px;" alt="MoeHighlineBallroom20080616.jpg" /></a></td></tr><tr><td style="text-align:center;font-family:arial, sans-serif;font-size:11px;"><a href="http://picasaweb.google.com/scotthbernstein/MoeHighlineBallroom20080616?feat=embedwebsite" style="color:#4D4D4D;font-weight:bold;text-decoration:none;" rel="nofollow">moe. Highline Ballroom 20080616</a></td></tr></table>

Recorded, Mastered, and Tracked by Scott Bernstein

SOURCE 4 OF 4

Scott Bernstein

Scott Bernstein

moe2008-06-16.tlm170.early.balcony.split.flac24

Neumann TLM-170 (card, split 30" in balcony)->Sound Devices 722(@24/96). FLAC File processing in SoundForge Audio Studio 10.0b (L/R channel time alignment, removing 20 samples from the right channel at the beginning of the recording); Tracked in CDWav.

View NotesThis was an early, acoustic set, which was open to a very limited number people who purchased VIP tickets which were to benefit HeadCount.  <a href="http://www.headcount.org" rel="nofollow">Click for more information on Headcount or to register to vote</a>

No taping was allowed at this show, but I did anyway and just recently got permission from Jon Topper, moe.'s manager to post this recording.

You get the benefit of an April 2010 mastering with only the slightest tweak to this 24 bit recording, using the knowledge which I didn't have almost 2 years ago that when you run split mics you might need to time align the channels (in this case it was extremely minor -- 20 samples or 1/4,800th of a second).  It's probably not audible, but I did it anyway and hope you appreciate.

Happy Birthday to Eric Vandercar who got to do the "...but To fly?" part of Moth.

In my opinion, this recording sounds spectacular -- the balcony split resulted in great stereo separation, very crisp highs, minimal crowd noise, and is extremely dynamic -- it could be the best moe. recording I've ever made (and I've been taping them since 1995).

There is a normal CD quality 16 bit version of this recording available at <a href="http://www.archive.org/details/moe2008-06-16.tlm170.early.balcony.split.flac16" rel="nofollow">http://www.archive.org/details/moe2008-06-16.tlm170.early.balcony.split.flac16</a>

The electric sets of this show are available from the same recording set up at <a href="http://www.archive.org/details/moe2008-06-16.tlm170.balcony.split.flac24" rel="nofollow">http://www.archive.org/details/moe2008-06-16.tlm170.balcony.split.flac24</a>

Check out my photos from this show:
<table style="width:194px;"><tr><td align="center" style="height:194px;"><a href="http://picasaweb.google.com/scotthbernstein/MoeHighlineBallroom20080616?feat=embedwebsite" rel="nofollow"><img src="//web.archive.org/web/2im_/http://lh5.ggpht.com/_0mw6qNhGecI/SGFozdcjBBE/AAAAAAAAMXo/4wPdoxX73ak/s160-c/MoeHighlineBallroom20080616.jpg" width="160" height="160" style="margin:1px 0 0 4px;" alt="MoeHighlineBallroom20080616.jpg" /></a></td></tr><tr><td style="text-align:center;font-family:arial, sans-serif;font-size:11px;"><a href="http://picasaweb.google.com/scotthbernstein/MoeHighlineBallroom20080616?feat=embedwebsite" style="color:#4D4D4D;font-weight:bold;text-decoration:none;" rel="nofollow">moe. Highline Ballroom 20080616</a></td></tr></table>

Recorded, Mastered, and Tracked by Scott Bernstein