9.33 / 3 ratings

James Bartoli

ymsb2009-04-08.akg3mic.flac16

3 mic post-mix: {([2] AKG c460b/a60m/ck3 (~ 7.5' high, pointed at stacks, ~ 25cm spearation, on stand ROC next to house SBD) -> 'vintage' mod. pres) + ([1] AKG c452eb/a51/ck22 (~ 7.5' high, center omni, on stand ROC next to house SBD) -> 'transparent' mod. pre)} -> Busman V/T mod. Edirol R-4 Pro @ 24bit/44.1KHz

Busman V/T mod. Edirol R-4 Pro -> MacBook Pro/Digital Performer 5.1 (import tracks, set 3 track mix, para EQ (-24dB/octave @ 57.5Hz on center omni + -12dB/octave @ 53.5Hz on master fader), peak normalize, bounce to disc, split tracks, dither to 16bit/44.1khz) -> .aiff -> xACT v1.58 -> FLAC (level 8)

Derek Davis

Derek Davis

ymsb2009-04-08.matrix.flac16

Schoeps mk4v's(DINish)>kc5>m222>nt222>744 + SBD>xlr's>744

744t>Wavelab 5>CD Wave>Wavelab 5>Flac

James Bartoli

ymsb2009-04-08.akg3mic.flac24

3 mic post-mix: {([2] AKG c460b/a60m/ck3 (~ 7.5' high, pointed at stacks, ~ 25cm spearation, on stand ROC next to house SBD) -> 'vintage' mod. pres) + ([1] AKG c452eb/a51/ck22 (~ 7.5' high, center omni, on stand ROC next to house SBD) -> 'transparent' mod. pre)} -> Busman V/T mod. Edirol R-4 Pro @ 24bit/44.1KHz

Busman V/T mod. Edirol R-4 Pro -> MacBook Pro/Digital Performer 5.1 (import tracks, set 3 track mix, para EQ (-24dB/octave @ 57.5Hz on center omni + -12dB/octave @ 53.5Hz on master fader), peak normalize, bounce to disc, split tracks) -> .aiff -> xACT v1.58 -> FLAC (level 8)