1977-05-28 | Grateful Dead

View NotesSource: Matrix (SBD/AUD mix)
Ratio ~ Phi

SBD: shnid=4983 (via Darrin Sacks via Seth Kaplan & Jack Warner)
Lineage: SBD>MSR>DAT>CD  
Bettyboard 7 inch master reel @ 7 ips > DAT(zero gen)> 
CDR(zero gen) (via sony pcm r-700 dat playback > 
hhb cdr-800) > CDR (first gen) > EAC > .Shn
Patch AUD source: Sony ECM 99a's->Sony TC-152 (Steve Rolfe FOB)

AUD: shnid=18439 - recorded by Jerry Moore (via David Minches)
Source: Sony ECM-33Ps>Sony TC-153 mounted on pole 1st tier of seats off floor
Lineage: AUDMC > Nak Dragon> ART DI/O> Egosys Waveterminal 2496> 
Cool Edit 2000> Feurio/mkwACT
Patch source: Senn 441/Nak 550 (supplies Bertha -> Good Lovin') 

General Notes:

BCJ/Jerry Moore matrix - great combo.  A great show to end the tour
in epic May - love the 18 1/2 minute Sugaree.

Editing Notes:

- Dynamics
Waves L2 was used for minor limiting (-0.7 threshold), and no EQ was
used on the two primary sources.  For the patch AUD source (d1t01+02)
a little high end shelf was employed to get it closer to Moore's AUD.

- Pitch/Synch 
AUD synched to the SBD.

AUD Pitch Adjustment ranges (in cents):
d1t01 > d1t02: +11 to +14 - patch AUD
d1t02 > d1t04: +12 to +13
d1t05 > d2t02: +19 to +21
d2t03 > d3t06: +08 to +11
d3t07 > d3t09: +12 to +15

- Envelope Edits
The following are places where the SBD and AUDs had splices, holes or
incomplete coverage in reference to the final matrix timeline. Tuning
and crowd noise holes are not mentioned - only incomplete music sections.  
Full coverage is achieved.

AUD:
d3t02 (08:19 - 08:25) - missing 
d3t07 (10:01 - 10:09) - missing

SBD:
d1t01 (05:19 - 05:21) - missing 
d3t02 (10:48 - 11:14) - missing (SBD patch AUD used - Rolfe/Moore mtx)
d3t08 (02:44 - 03:17) - missing (SBD patch AUD used - Rolfe/Moore mtx)

Many thanks to Betty Cantor Jackson for recording the SBD source and
to Seth Kaplan (editing/conversion), Jack Warner (AUD patches) and Darrin 
Sacks for getting it out there.
Special thanks to Jerry Moore for another stellar AUD recording, David 
Minches for editing and converting it, and Matt Vernon for providing the
details.

Enjoy!
- Chappy

SOURCE 2 OF 11

3:12:30

SBD

gd77-05-28.sbd.obv.31952.sbeok.shnf

Source:

Soundboard patched with Audience

Lineage:

Bettyboard 7 inch master reel @ 7.5 ips > DAT(zero gen) > Sony PCM R-700 > HHb CDR-800 > CDR > CDR (first gen) > EAC > SHN

Taper Notes:

View NotesMild Continuous Noise filter to reduce tape hiss.
Equalized to cut bottom slightly and boost mid highs.
Patched 2 sec dropout in Bertha with the AUD source. Also redid the Playin'>
Terrapin AUD patch. Some tune ups patched from AUD for completeness and the 
patch in OMSN redone. AUD patches adjusted to match sbd as best as possible.
All editing done with Diamond Cut DC6 software.

SOURCE 3 OF 11

gd1977-05-28.sbd.ashley-bertha.12827.sbeok.flac16

Source:

SBD>MSR>DAT>CD>>WAV>>DAW(Bertha)>>CDA

Taper Notes:

View NotesDigitally Remastered on a custom built, Dual-DAW, nicknamed Bertha, by [email protected] on 8-22-2001.



Lineage Prior to Bertha Remaster:

Bettyboard 7 inch master reel @ 7 ? ips > DAT(zero gen)> 
CDR(zero gen) (via sony pcm r-700 dat playback > 
hhb cdr-800) > CDR (first gen) > EAC > .Shn


Notes of Seth Kaplan for work done prior to Bertha Remaster:

Approximate 2 second splice in Bertha. 
2 second gap/dropout @ 05:19 through 05:21 in Bertha was 
eliminated and the first thirty seconds or so of Bertha were 
normalised in Cool Edit due to low levels.  
Reel flips in between Playing in the Band & Terrapin Station 
& during One More Saturday Night have been patched by Jack Warner 
from an AUD source with the following lineage:
Steve Rolfe's MAC>DAT>CD: Sony ECM-99As>Sony TC-152
(Extraction and.shn encoding by Seth Kaplan via EAC and MKW.
Accurate extraction and properly aligned sector boundaries 
verified via EAC and .shntool)

Thank you to Seth Kaplan and Jack Warner for their fine work.
jay

SOURCE 4 OF 11

gd77-05-28.sbd.sacks.4983.sbefail.shnf

Source:

Soundboard

Lineage:

Bettyboard 7 inch master reel @ 7 Â½ ips > DAT (zero gen)> CDR (zero gen) (via sony pcm r-700 dat playback > hhb cdr-800) > CDR (first gen) > EAC > .Shn

Taper Notes:

View NotesBettyboard 7 inch master reel @ 7 Â½ ips > DAT (zero gen)> CDR (zero gen) (via sony pcm r-700 dat playback > hhb cdr-800) > CDR (first gen) > EAC > .Shn; with AUD patches from Steve Rolfe's FOB; see info file for details; via Seth Kaplan, Jack Warner, Darrin Sacks, Bob Fishman; d3 tracked for 80 min, can shift encore for 74

SOURCE 5 OF 11

Jerry Moore and Tim Dalton

Transferrer:

Scott Clugston and Charlie Miller

SHNID:

gd1977-05-28.141832.sony.ecm33p.moore.dalton.miller.clugston.flac1644

Source:

Jerry Moore's Master Audience Cassettes; Sony ECM-33P mics > Sony TC-158SD (Maxell UD-XLII with dolby B) > PCM

Taper Notes:

View NotesNotes:
- Thanks to Tim Dalton for the source PCM
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Chappell for the shnid97017 matrix source which supplies "Bertha > Good Lovin'", a 0"16 patch in "Playin' In The Band", as well as a 0:02 and 0:03 patch in "Wharf Rat"
- Transitions smoothed

Mastered by Scott Clugston
April 26, 2018

SOURCE 6 OF 11

3:07:50

SHNID:

gd1977-05-28.167735.ShureSM57.Sublette.noel.goldey.t-flac2496

SOURCE 7 OF 11

gd1977-05-28.152477.ecm99a.warburton.smith.sirmick.flac24

Source:

Sony ECM 99A > Sony TC 152 > Master Cassette - recorded by Jimmy Warburton fron about 70" centre.

Lineage:

1st transfer: Master cassette > Sony TC 152 > Teac a2300sd > Reel - transferred by Jimmy Warburton 2nd transfer: Reel > Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > flac24

Taper Notes:

View NotesComments:

- This show was released as "To Terrapin"

Notes:

- Pitch adjusted
- Jerry Moore's recording was used to patch a tape flip and for continuity before the encore.
- Very loud claps have been attenuated.

Thanks to Jimmy Warburton for providing his recording.

Thanks to Matt Smith for the transfer.

edited and mastered
SIRMick
May 2021

SOURCE 8 OF 11

gd1977-05-28.152476.ecm99a.warburton.smith.sirmick.flac16

Source:

Sony ECM 99A > Sony TC 152 > Master Cassette - recorded by Jimmy Warburton fron about 70" centre.

Lineage:

Taper Notes:

View NotesComments:

- This show was released as "To Terrapin"

Notes:

- Pitch adjusted
- Jerry Moore's recording was used to patch a tape flip and for continuity before the encore.
- Very loud claps have been attenuated.

Thanks to Jimmy Warburton for providing his recording.

Thanks to Matt Smith for the transfer.

edited and mastered
SIRMick
May 2021

SOURCE 9 OF 11

2:17:32

Taper:

Concert recording by Rich Petrunis.

Transferrer:

Transferred by Andrew F. 05/2021

SHNID:

gd1977-05-28.152419.aud.petrunis.flac2448

Lineage:

1st-gen > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.

Taper Notes:

View NotesWith thanks to John and Rich Petrunis for sharing their tapes!

SOURCE 10 OF 11

gd1977-05-28.aud.wise.goodbear.77267.sbeok.flac16

Source:

Panasonic AM/FM Stereo 'boom box like' w/condenser mics) > CM (Cassette Masters) > various equalizers & editors > CD or DAT

Taper Notes:

View NotesWelcome To:

+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+
Teddy GoodBear's Grateful Dead Audience Tree #2
    (In association with The Family Tree)
+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+

Idea Man and founder: Teddy GoodBear

Conspirators and playground keepers:
David Sorochty - administrator for batch #1
Mark Grason - administrator for batch #2
Teddy GoodBear, Hanno Bunjes & Al Zeffer: co-administrators
Mike Hall - administrating consultant
Tim Buller - web site consultant
Rick Raver - CD label creator
Redbeard & Douglas E. Hornig - FTP admins
Jim Blackwood - radio distribution consultant
David Sorochty - web page coordinator
Mike Hall & Teddy GoodBear - web page contibutors
--------------------------------------------------------------------------------
If anybody is looking for HQ sbd sounding tapes, these are NOT those tapes. However,
most are rare & generally what circulates in aud's are generations from my masters or
from another taper's tapes at the time, like Barry Glassberg. I'm one of those people that
prefer SOME 'energetic' aud's over sbd's & these IMO are "energetic". I'm working on
getting the remainder of say 5/3/77 (and any other better copies out there from this run)
from Barry's masters, and other masters, in order to have the complete best 'aud' copies of
these shows.

The tapes that come from MY masters are:

Panasonic AM/FM Stereo 'boom box like' w/condenser mics) > CM (Cassette Masters) >
various equalizers & editors > CD or DAT   
----------------------------------------------------------------------

SOURCE 11 OF 11

David Minches and Matt Vernon

SHNID:

gd77-05-28.moore.minches.18439.sbeok.shnf

Source:

Audience: Sony ECM-33P's

Lineage:

Sony ECM-33P's > Sony TC-153 > Nak Dragon > ART DI/O > Egosys Waveterminal 2496 > Cool Edit 2000 > Feurio > mkwACT > SHN

Taper Notes:

View NotesSource: Recorded by Jerry Moore; Sony ECM-33Ps>Sony TC-153 mounted on pole 1st tier of seats off floor
Patch source: Senn 441/Nak 550                                  
Lineage: AUDMC played back on Nak Dragon> ART DI/O> Egosys Waveterminal 2496> 
Cool Edit 2000> Feurio/mkwACT by David Minches