1977-10-01 | Grateful Dead

View NotesNotes:
- Thanks to the folks responsible for the WBOTB project who supplied the primary source
- Thanks to Matt Smith for the AKG D224E audience source and transfer
- Thanks to Charlie Miller for coordinating this effort
- Master Audience Cassette; AKG D224E source supplies "Promised Land" in its entirety, as well as the first 4:21 of "They Love Each Other"
- Master Audience 10" Reel; AKG D224E source supplies a 0:24 patch in "Drums"

Mastered by Scott Clugston
January 10, 2018

SOURCE 2 OF 7

2:42:27

SBD

gd1977-10-01.123211.sbd.miller.flac16

Source:

SBD -> Master Reel -> PCM -> Dat

Lineage:

Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC

Taper Notes:

View NotesNotes:
-- Set 2 is seamless
-- Most of the static in Estimated Prophet has been cleaned up
-- Tape flip in Drums

SOURCE 3 OF 7

gd1977-10-01.123090.sbd.miller.flac16

Source:

SBD -> Master Reel -> PCM -> Dat

Lineage:

Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC

Taper Notes:

View NotesNotes:
-- Disc change is seamless
-- Most of Promised Land is missing
-- Front half of They Love Each Other is missing
-- Most of the static in Estimated Prophet has been cleaned up
-- Tape flip in Drums

SOURCE 4 OF 7

Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert. Thanks to trailmix for providing the lineaged master DAT for transfer..Transferred and mastered by ChrisL.

SHNID:

gd1977-10-01.sbd.cantor.gmb.86234.sbeok.flac16

Source:

Betty Board (see comments)

Lineage:

See info file

Taper Notes:

View NotesSource:  7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1).
Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert.
Thanks to trailmix for providing the lineaged master DAT  for transfer.

Transfer and mastering:
Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8).   Recording, editing and mastering with Wavelab 5.0.  All cables were Mogami Gold 0.3m pro-audio XLR cables.  All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply.   Transferred and mastered by ChrisL.
Seeded by the Green Mountain Bros. at bt.etree.org, July 2007.

Comments:
- Most of "Promised Land" is missing with cuts at the beginning and end.  Also the mix fluctuates and is largely bass and drums.
- First few minutes of "They Love Each Other" are absent.
- Popping/distortion on master DAT during first 1:20 or so of "Estimated Prophet" attenuated with manual redrawing of waveform.  Some audible artifacts remain, though the end result is an improvement.  These are on the master DAT and all previous circulating sources and are not related to transfer.  A few similar sounding pops were present at the end of the track preceding it (IMHBTR) and on previous circulating sources (though not commented on in the db) and were also attenuated.
- Reel flip in Drums crossfaded.
- High pitched whine @ 15600 KHz (inaudible to probably >90% of Jerry-experienced deadheads, but not their kids/grandkids) was attenuated using Waves Q10 Supernotch on 24/96 fileset.

SOURCE 5 OF 7

Bertha Remaster of the Betty Board source

SHNID:

gd1977-10-01.sbd.cantor.ashley-bertha.10689.sbeok.shnf

Source:

SBD>>MR>>PCM>>DAT>>CDA>>DAW(Bertha)>>CDA

Taper Notes:

View NotesDigitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com on April 16, 2002.

SOURCE 6 OF 7

MR>P2>D1; 7in two track BBD reel w/ DBX-1 @7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder >analog in PCM501ES , PCM501ES analog out > Fostex D5 @ 48 kHz

Taper Notes:

View Notes<a href="http://www.oakland.edu/~crouch/wbotb.htm" rel="nofollow">WBOTB</a> source;
Complete show; source tape: MR>P2>D1; 7" two track BBD reel w/ DBX-1 @
7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder >
analog in PCM501ES , PCM501ES analog out > Fostex D5 @ 48 kHz; Promised
Land cut on either end; TLEO cuts in; Estimated has some mic distortion
for ~1.5 min. Note that this distortion sounds remarkably like a poor DAE.
That is not the problem here; <b>note</b> txt and md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 5/99 shn set

SOURCE 7 OF 7

2:34:20

Transferrer:

Charlie Miller and Matt Smith and Scott Clugston

SHNID:

gd1977-10-01.140589.akg.d224e.smith.miller.clugston.flac1644

Taper Notes:

View NotesNotes:
- Thanks to Matt Smith for the AKG D224E audience sources
- Thanks to Charlie Miller for coordinating this effort

Mastered by Scott Clugston
December 19, 2017