1978-10-18 | Grateful Dead | Relisten

Bands

Featured

Phil Lesh and Friends

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Bands

American Babies

Animal Collective

Animal Liberation Orchestra

Aquarium Rescue Unit

Assembly of Dust

Barefoot Manner

Bela Fleck and the Flecktones

Benevento Russo Duo

Bernie Worrell Orchestra

Billy & the Kids

Blueground Undergrass

Camper Van Beethoven

Choice And Company

Circles Around The Sun

Dark Star Orchestra

Dave Harrington

Dead and Company

Deep Banana Blackout

Del McCoury Band

Derek Trucks Band

Donna the Buffalo

Drive-By Truckers

ekoostik hookah

Electric Beethoven

Everyone Orchestra

Forgotten Space

From Good Homes

G. Love and Special Sauce

Godspeed You Black Emperor!

God Street Wine

Greensky Bluegrass

Greyboy Allstars

Hard Working Americans

Horseshoes and Hand Grenades

Hot Buttered Rum

Infamous Stringdusters

Jazz Mandolin Project

Jeff Austin and Chris Castino

Jeff Austin And Friends

Jeff Austin Band

Jerry Joseph and the Jackmormons

Jerry's Middle Finger

Joe Russo Presents: Hooteroll? + Plus

Joe Russo's Almost Dead

Keller Williams

King Gizzard & the Lizard Wizard

Kitchen Dwellers

Leftover Salmon

Marco Benevento

Marcus King Band

My Morning Jacket

New Riders of the Purple Sage

North Mississippi Allstars

Perpetual Groove

Pigeons Playing Ping Pong

Pink Talking Fish

Quality Cinema Band

Rumpke Mountain Boys

Smashing Pumpkins

Sound Tribe Sector 9

Steve Kimock Band

String Cheese Incident

Surprise Me Mr. Davis

Tedeschi Trucks Band

Ted Leo and the Pharmacists

The California Honeydrops

The Clock Reads

The Decemberists

The HippoCampus

The Mountain Goats

The New Mastersounds

The War on Drugs

The Wood Brothers

Trampled by Turtles

Umphrey's McGee

Widespread Panic

Powered by PanicStream

Yonder Mountain String Band

Shows

1978

Swing Auditorium

San Bernardino, CA, USA

Golden Hall, Community Concorse

San Diego, CA, USA

Golden Hall, Community Concorse

San Diego, CA, USA

Shrine Auditorium

Los Angeles, CA, USA

Shrine Auditorium

Los Angeles, CA, USA

Arlington Theater

Santa Barbara, CA, USA

Bakersfield Memorial Auditorium

Bakersfield, CA, USA

Fresno, CA, USA

Sacramento Memorial Auditorium

Sacramento, CA, USA

Stockton Civic Auditorium

Stockton, CA, USA

McArthur Court, U. of Oregon

Eugene, OR, USA

Chicago, IL, USA

Chicago, IL, USA

Chicago, IL, USA

Dane County Coliseum

Madison, WI, USA

Milwaukee Auditorium

Milwaukee, WI, USA

Uni Dome, U. of Northern Iowa

Cedar Falls, IA, USA

Curtis Hixon Convention Hall

The Sportatorium

Pembroke Pines, FL, USA

Veteran's Memorial Coliseum

Jacksonville, FL, USA

Atlanta, GA, USA

Atlanta, GA, USA

Cameron Indoor Stadium, Duke U.

Durham, NC, USA

Cassell Coliseum, Virginia Polytechnic U.

Blacksburg, VA, USA

William and Mary College Hall

Williamsburg, VA, USA

Huntington Civic Center

Huntington, WV, USA

Pittsburgh, PA, USA

Veterans' Memorial Hall

Columbus, OH, USA

Rupp Arena, Lexington Center

Lexington, KY, USA

Nashville Municipal Auditorium

Nashville, TN, USA

Horton Field House, Illinois State U.

Normal, IL, USA

Thompson Arena, Dartmouth College

Hanover, NH, USA

Patrick Field House, U. of Vermont

Burlington, VT, USA

Field House, Rensselaer Polytechnic Institute

Onondaga County War Memorial

Syracuse, NY, USA

Veterans Memorial Coliseum

New Haven, CT, USA

Springfield Civic Center

Springfield, MA, USA

Philadelphia, PA, USA

Providence Civic Center

Providence, RI, USA

Chicago, IL, USA

Chicago, IL, USA

Campus Stadium, UC Santa Barbara

Goleta, CA, USA

Autzen Stadium, U. of Oregon

Eugene, OR, USA

Arrowhead Stadium

Kansas City, MO, USA

St. Paul Civic Center

St. Paul, MN, USA

Omaha Civic Auditorium

Red Rocks Amphitheatre

Morrison, CO, USA

Red Rocks Amphitheatre

Morrison, CO, USA

Studio (Shakedown Street Rehearsal)

Red Rocks Amphitheatre

Morrison, CO, USA

Red Rocks Amphitheatre

Morrison, CO, USA

East Rutherford, NJ, USA

Gizah Sound and Light Theater

Giza Sound and Light Theater

Giza Sound and Light Theater

Giza Sound and Light Theater

Winterland Arena

San Francisco, CA, USA

Winterland Arena

San Francisco, CA, USA

Winterland Arena

San Francisco, CA, USA

Winterland Arena

San Francisco, CA, USA

Winterland Arena

San Francisco, CA, USA

Boston Music Hall

Boston, MA, USA

Boston Music Hall

Boston, MA, USA

Chicago, IL, USA

Rambler Room, Loyola College

Chicago, IL, USA

Chicago, IL, USA

Cleveland Music Hall

Cleveland, OH, USA

Community War Memorial Auditorium

Rochester, NY, USA

Landover, MD, USA

Capitol Theater

Late Show Port Chester, NY, USA

Veterans Coliseum

Jai-Alai Fronton

Curtis Hixon Convention Hall

Boutwell Auditorium

Birmingham, AL, USA

Nashville Municipal Auditorium

Nashville, TN, USA

Atlanta, GA, USA

Memorial Coliseum, Mississippi State Fairgrounds

Jackson, MS, USA

Houston, TX, USA

Dallas County Convention Center Arena

Dallas, TX, USA

Golden Hall, Community Concorse

San Diego, CA, USA

Golden Hall, Community Concorse

San Diego, CA, USA

Pauley Pavilion, UCLA

Los Angeles, CA, USA

Winterland Arena

San Francisco, CA, USA

Sources

SOURCE 1 OF 7

6.00 / 1 rating

Matrix by Dave Usborne

gd1978-10-18.135504.mtx.dusborne.flac16

2 source matrix by Dusborne;Soundboard (Shnid:89335)Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.01 -> FLAC,All Transfers and Mastering By Charlie Miller;Audience (shnid:100701)Analog Audience Source: AUD Master Cassettes (MAC)Analog

2 x AKG D224e => Sony TC-158 >> MAC; Analog Sound Preservation: MAC >> Nakamichi CR-7a => Korg MR-1000 DSF >> Korg AudioGate >> WAV [24/96],Taped By: Reinhart Holwein,Transfer By: Bob Menke Mastering By: Adam Egert

View NotesTagging notes:
Show information is embedded within the header
of each flac file. It will display on any player 
capable of directly playing flac files. 
If converted to wav during processing, all tags 
will be stripped, however audio data will remain 
unaffected. If you must transcode to a lossy format, 
do so directly Flac > Lossy.
Use ffp to validate audio integrity.
Md5 values will change if tagging is altered.

Dave Usborne 04-14-2016

SOURCE 2 OF 7

7.75 / 8 ratings

gd1978-10-18.sbd.miller.89335.sbeok.flac16

SBD -> Master Reel -> PCM -> Dat (44.1k)

Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.01 -> FLAC

View Notes-- Set 2 is seamless
-- Many flaws cleaned up
-- Drums/Space with Lee Oskar on harmonica
-- This source does not have cuts in PITB and I Need A Miracle
-- Mojo Jam during the Mind Left Body Jam
-- Patch material supplied by Pat Lee and transferred by Matt Smith
-- Patch was recorded by Reinhart Holwein on a Sony TC-158 cassette

SOURCE 3 OF 7

gd1978-10-18.sbd.nugs.21244.sbeok.flac16

SBD>Master Reel>Cassette>DAT>WAV

View NotesDespite some minor flaws, this is the best representation of what went
down at Winterland in October of 1978 (short of an official Vault
release which we can only hope for). All five shows come from
soundboard sources of varying degrees of quality. Some sets are
spliced together from various sources, with an audience patch at the
end of 10/21/78 Stella Blue. There are some cuts due to cassette
flips.

SOURCE 4 OF 7

9.13 / 30 ratings

gd78-10-18.sbd.shakedown.298.sbeok.shnf

SBD > Master Reel > PCM-1 > DAT > CD> EAC > SHN

View NotesSBD > Master Reel > PCM-1 > DAT > CD> EAC > SHN; via [email protected]; known flaws (from MR): Sugaree, Miracle cut; PITB, WR spliced

SOURCE 5 OF 7

Reinhart Holwein

gd1978-10-18.166110.aud.remaster.acetboy.flac1644

This is a remaster of the Reinhart Holwein shn #100701

View NotesThis is a remaster of shn #100701.
Thanks to the taper and the MOTB people and all who bring this stuff to share.
All of the work I do is in ocenaudio and Harrison Mixbus.
Everything I do is basically about levels.  Keeping them the same in both channels
throughout the frequency range.  When I speak of levels I mean RMS levels.  Average levels.
I also tighten up phase issues when needed. Clear up any gaps that may be found.
If original files are high res, I have done most of the work at the higher sample frequency
and bit depths.  Then towards the end I've converted to 44.1 16 bit.
There is a very short patch from the soundboard during Wharf Rat.
I've adjusted it a bit to draw less attention to itself.  lol
If there was another audience recording now I would have used that for the patch.

About the screen grabs:

One can not see everything I do in these images but it shows something about
how the audio has changed between before and after.

If I'm working from high res files the before FFT and Spectral images look
quite a bit different inherently.  But you can still see how they differ otherwise.

acetboy 2023-10-18

SOURCE 6 OF 7

Reinhart Holwein

Bob Menke and Adam Egert

gd1978-10-18.fob.akgd224e.holwein.motb-0093.100702.flac16

2 x AKG D224e => Sony TC-158 >> MAC

MAC >> Nakamichi CR-7a => Korg MR-1000>> DSF >> Korg MR-1000 => Korg AudioGate >> WAV [16/44.1]

SOURCE 7 OF 7

9.00 / 2 ratings

Reinhart Holwein

Bob Menke and Adam Egert

gd1978-10-18.fob.akgd224e.holwein.motb-0093.100701.flac24

2 x AKG D224e => Sony TC-158 >> MAC

MAC >> Nakamichi CR-7a => Korg MR-1000 DSF >> Korg AudioGate >> WAV [24/96]