1980-10-25 | Grateful Dead | Relisten

Bands

Featured

Powered by Phish.in

Bands

American Babies

Animal Collective

Animal Liberation Orchestra

Aquarium Rescue Unit

Assembly of Dust

Barefoot Manner

Bela Fleck and the Flecktones

Benevento Russo Duo

Bernie Worrell Orchestra

Billy & the Kids

Blueground Undergrass

Camper Van Beethoven

Choice And Company

Circles Around The Sun

Dark Star Orchestra

Dave Harrington

Dead and Company

Deep Banana Blackout

Del McCoury Band

Derek Trucks Band

Donna the Buffalo

Drive-By Truckers

ekoostik hookah

Electric Beethoven

Everyone Orchestra

G. Love and Special Sauce

Godspeed You Black Emperor!

God Street Wine

Greensky Bluegrass

Greyboy Allstars

Hard Working Americans

Horseshoes and Hand Grenades

Hot Buttered Rum

Infamous Stringdusters

Jazz Mandolin Project

Jeff Austin and Chris Castino

Jeff Austin And Friends

Jeff Austin Band

Jerry Joseph and the Jackmormons

Jerry's Middle Finger

Joe Russo Presents: Hooteroll? + Plus

Joe Russo's Almost Dead

Keller Williams

King Gizzard & the Lizard Wizard

Kitchen Dwellers

Leftover Salmon

Marco Benevento

Marcus King Band

My Morning Jacket

New Riders of the Purple Sage

North Mississippi Allstars

Perpetual Groove

Phil Lesh and Friends

Pigeons Playing Ping Pong

Pink Talking Fish

Rumpke Mountain Boys

Smashing Pumpkins

Sound Tribe Sector 9

Steve Kimock Band

String Cheese Incident

Surprise Me Mr. Davis

Tedeschi Trucks Band

Ted Leo and the Pharmacists

The California Honeydrops

The Clock Reads

The Decemberists

The HippoCampus

The Mountain Goats

The New Mastersounds

The War on Drugs

The Wood Brothers

Trampled by Turtles

Umphrey's McGee

Widespread Panic

Powered by PanicStream

Yonder Mountain String Band

Shows

Sources

SOURCE 1 OF 8

6.80 / 5 ratings

gd80-10-25.aud.wiley.8726.sbefail.shnf

Audience Recording

View NotesAUD>MC>DAT>CDR; Seeded to etree by Tim W

SOURCE 2 OF 8

8.00 / 2 ratings

Keith Gatto & Pete Jaeger

Flac by Michael Turi, eq by Dan McDonald

gd1980-10-25.120163.fob-nak700.gatto-jaeger.dan.flac16

Nak 700's > Sony D-5 > AMC; Recorded Dead front center loge by Keith Gatto & Pete Jaeger; AMC > DAT > CDR > EAC > FLac (EAC > Flac by Michael Turi); Equalization: Used a multifilter with the following order: 20-band EQ with linear increases from 0-500 Hz. One subharmonic synthesizer set at 125 Hz. Two expanders (dynamic noise in expander mode) to increase the dynamic range. May, 2012-Dan McDonald

View NotesThis recording, like the other Gatto-Jaeger recordings of this run, has excellent high-end energy, but was
lacking a bit in the lower frequencies. The recorder was paused between most non-sequential songs creating 
abrupt tansitions, most noticable in the first set. The second set contained several sonic anomalies scattered
throughout. Several songs were not ideally tracked with a couple of songs in the third set combined into
one track. I asked Dan if he could boost the base without affecting the mid-range and high-end and clean up
the transitions and anomalies. 

Dan's Change Log:
101- OK
102- Cross-faded about 2 seconds
103- Cross-faded about 3 seconds
104- Cross faded about 2 seconds; Quasi-fadeout (-12.42dB) for track 4 
105- cross-fade to track 6
106- Trimmed about 1/4 sec. of silence from end
107- Trimmed 1/4 sec. of silence from end 107; crossfaded 3 secs
108- faded out 107 and let 108 start as it was because music was already cut for beginning of track 108
109- clapping at first note of Dire Wolf so faded out HHTH applause for about 3 sec then a fast fade in to DW.
110- Did a slightly faster fadeout

201- faded in; anomaly at 5:28 Interpolated so it's not noticeable now.
202- anomalies at 8:02 & 8:10 (8:02 has a funny sound; fixed the tape start, but not the odd sound; 
     fixed by cutting out about 1/4 second and interpolating the two pieces; 8:10 fixed the same way)
203- OK
204- anomalies at 5:54, 6:16, 6:29, & 6:52  Interpolated
205- anomalies at 8:55 & 9:04 (crossfaded the first, cut the second out)
206- anomalies at 7:55, 8:51 & 9:03 interpolated
207- OK
208- OK
209- abrupt ending faded out

301- There were two level changes, and a gradual increase in level, so I added 2dB to the second change, 
     4 dB to the first change, and then added a linear increase from 3 to 0dB for the first few seconds.  
     Still starts abruptly, but the music sounds about right after it starts.
302/303- blank space cut out; cut to two tracks
304- Crossfade
305- OK
306- anomaly or cut at 8:39 looks like digi-mess from the transfer.  Blocky spots and blank spaces.  
     Only option was to cut it out or paste over from another spot.  About 1 second removed.
307/308- Split into 2 tracks
309- Ok
310- OK
311- Redid fade
312- faded in; cut a small section of blank space at the end of song.

Tagging notes:
Show information is embedded within the header of each flac file. 
It will display on any player capable of directly playing flac files. 
If converted to wav during processing, all tags will be stripped, 
however audio data will remain unaffected. 
If you must transcode to a lossy format, do so directly Flac > Lossy.
Use ffp to validate audio integrity.
Md5 values will change if tagging is altered.
B. Proctor 5-18-12

SOURCE 3 OF 8

4.00 / 2 ratings

gd1980-10-25.nak700.rolfe.miller.93804.sbeok.flac16

Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-I & UDXL-II/Dolby B)

Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16

View NotesPatch Info:
Audience Recording (shnid=8726) supplies:
Very short patch at end of Black Peter (forgot to note the times)

Notes:
-- All disc changes are seamless
-- Recorded front row balcony
-- Thanks to Steve Rolfe for lending me his masters

SOURCE 4 OF 8

All Transfers and Mastering by Charlie Miller [email protected] October 24, 2020

gd1980-10-25.157769.ToLayMeDown.t.flac1644

SBD > (16-track) Reel Master > Cassette

Cassette (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/192k) > Samplitude Pro X5 Suite (24-bit/96k) > FLAC/24

View NotesNotes:
-- Two different mixes of To Lay Me Down made for Reckoning on February 20, 1981
-- This is 150759 2469 > 1644

SOURCE 5 OF 8

gd1980-10-25.fob.sonyecm280.wise.miller.102405.flac16

(FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B)

Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16

View NotesNotes:
-- All disc changes are seamless
-- Recorded By Jim Wise
-- Thanks to Jim Wise for lending me his master cassettes
-- Thanks to Joe B. Jones for his help with the pitch correction

SOURCE 6 OF 8

Tim Friend;Joe Morrone

gd1980-10-25.nak300.morrone.friend.116768.flac2448

AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell UDXLII. Set up in second mezzanine few rows back, mics hand-held by Tim Friend, recording by Joe Morrone.

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 tagged. Transfer by Andrew F. 10/2011

View NotesNotes: Big mic-bumps near the start of Deep Elem and Ripple. ID-93804 
patch in Deep Elem 0:00 > 0:07, ID-102405 patch in Drums 2:40 > 3:57.

SOURCE 7 OF 8

Tim Friend;Joe Morrone

gd1980-10-25.nak300.morrone.friend.116769.1644

AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell UDXLII. Set up in second mezzanine few rows back, mics hand-held by Tim Friend, recording by Joe Morrone.

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 tagged. Transfer by Andrew F. 10/2011

View NotesNotes: Big mic-bumps near the start of Deep Elem and Ripple. ID-93804 
patch Deep Elem 0:00 > 0:07, ID-102405 patch Drums 2:40 > 3:57.

CDRs layout: D1 s1t01 > s2t03, D2 s2t04 > s3t04, D3 s3t05 > s3t14.

SOURCE 8 OF 8

All Transfers and Mastering by Charlie Miller [email protected] October 24, 2020

gd1980-10-25.150759.sbd.miller.flac2496

SBD > (16-track) Reel Master > Cassette

Cassette (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/192k) > Samplitude Pro X5 Suite (24-bit/96k) > FLAC/24

View NotesNotes:
-- Two different mixes of To Lay Me Down made for Reckoning