1980-12-13 | Grateful Dead | Relisten

Bands

Featured

Powered by Phish.in

Bands

American Babies

Animal Collective

Animal Liberation Orchestra

Aquarium Rescue Unit

Assembly of Dust

Barefoot Manner

Bela Fleck and the Flecktones

Benevento Russo Duo

Bernie Worrell Orchestra

Billy & the Kids

Blueground Undergrass

Camper Van Beethoven

Choice And Company

Circles Around The Sun

Dark Star Orchestra

Dave Harrington

Dead and Company

Deep Banana Blackout

Del McCoury Band

Derek Trucks Band

Donna the Buffalo

Drive-By Truckers

ekoostik hookah

Electric Beethoven

Everyone Orchestra

G. Love and Special Sauce

Godspeed You Black Emperor!

God Street Wine

Greensky Bluegrass

Greyboy Allstars

Hard Working Americans

Horseshoes and Hand Grenades

Hot Buttered Rum

Infamous Stringdusters

Jazz Mandolin Project

Jeff Austin and Chris Castino

Jeff Austin And Friends

Jeff Austin Band

Jerry Joseph and the Jackmormons

Jerry's Middle Finger

Joe Russo Presents: Hooteroll? + Plus

Joe Russo's Almost Dead

Keller Williams

King Gizzard & the Lizard Wizard

Kitchen Dwellers

Leftover Salmon

Marco Benevento

Marcus King Band

My Morning Jacket

New Riders of the Purple Sage

North Mississippi Allstars

Perpetual Groove

Phil Lesh and Friends

Pigeons Playing Ping Pong

Pink Talking Fish

Rumpke Mountain Boys

Smashing Pumpkins

Sound Tribe Sector 9

Steve Kimock Band

String Cheese Incident

Surprise Me Mr. Davis

Tedeschi Trucks Band

Ted Leo and the Pharmacists

The California Honeydrops

The Clock Reads

The Decemberists

The HippoCampus

The Mountain Goats

The New Mastersounds

The War on Drugs

The Wood Brothers

Trampled by Turtles

Umphrey's McGee

Widespread Panic

Powered by PanicStream

Yonder Mountain String Band

Shows

Sources

SOURCE 1 OF 10

9.40 / 20 ratings

gd80-12-13.nak700.miller.13412.sbeok.shnf

Audience Recording: Nak 700

(FOB) Nak 700 -> Cm -> Reel -> Dat > shn

View NotesComplete; (FOB) Nak 700 -> Cm -> Reel -> Dat shn encoding Charlie Miller

SOURCE 2 OF 10

9.00 / 12 ratings

gd1980-12-13.nak300.walker-scotton.miller.88964.sbeok.flac16

Nakamichi 300 -> Cassette Master (Sony D5M/Maxell UDXL-II90)

Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16

View NotesNotes:
-- Encore moved to end of 1st Set to fit show onto 2 discs
-- Encore can be re-joined with Set 2 seamlessly
-- Drums/Space with Airto Moriera, Flora Purim and Greg Errico
-- Recorded By Joani Walker near the sbd area
-- Thanks to Joani Walker and Paul Scotton for the tapes

Patch Info:
(FOB) Nakamichi 700 -> Cassette Master -> Reel -> Dat (shnid=13412) supplies:
Drums (10:45 - 10:52)

SOURCE 3 OF 10

8.22 / 9 ratings

gd1980-12-13.sbd.miller.91939.sbeok.flac16

SBD -> Cassette Master -> Reel -> Dat (48k) D

Dat (Sony D8) -> Sound Devices 744T -> Samplitude Professional v10.02 ->

View NotesPatch Info:
Nakamichi 300 -> Cassette Master (shnid=88964) supplies:
Minglewood Blues (5:42 - 6:44)
Scarlet Begonias (0:00 - 4:46)
Fire On The Mountain (9:16 - end of track)
Black Peter (8:33 - 8:49)

Notes:
-- Encore moved to end of 1st Set to fit show onto 2 discs
-- Encore can be re-joined with Set 2 seamlessly
-- Drums/Space with Airto Moriera, Flora Purim and Greg Errico
-- Patch source recorded By Joani Walker near the sbd area
-- Thanks to Rob Eaton for lending me his Dats
-- Thanks to Joe B. Jones for his help with the pitch correction

SOURCE 4 OF 10

9.20 / 5 ratings

Ron Goldshine ;John Musgrave ;Mark the B-Man ;Mike Martin

gd1980-12-13.124551.aud.goldshine.sennheiser-mkh406.flyingm.flac16

Recorded from the 15th row dead center on the floor with the microphones about 10 feet apart; Source: 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes); Copy of masters: Sony D5M (w/ Dolby, Bias @ 120us) > Akaii GX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes)

Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz > AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) > NERO (bass extrapolation of -3dB @ 120 Hz used to restore low frequencies lost with incorrect playback bias setting) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor; Recorded by: Ron Goldshine and John Musgrave

View NotesClean Up notes:
The pauses between songs are found on my cassette (I should have known better)
Some editing was done to smooth these transitions out better
Tape flips were spliced as needed, the amplitude was increased and DC offsett correction was applied
The second set recording started late and the beginning of Scarlet Begonias is missing
It was an unfortunate coincidence that with these edits the second set fits on 1 cd

For historical reference only and not intended for resale or any commercial use.
Enjoy
-M-
Flying M Productions - (May 2013) - This source is new to circulation (never shared previously from this recorder)


Fan Recordings for Collectors
Trade Freely But Please Do Not Sell

SOURCE 5 OF 10

9.00 / 2 ratings

Matrix by Dave Usborne

gd1980-12-13.136725.mtx.dusborne.flac16

3 source matrix by Dusborne;Soundboard (Shnid:91939) Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony D8) -> Sound Devices 744T -> Samplitude Professional v10.02 ->Cool Edit Pro v2.0 -> FLAC; Audience 1 (Shnid:88964) Recording Info: Nakamichi 300 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) ->Samplitude Professional v9.12 -> FLAC/16; and Audience 2 (Shnid:124551) Recorded by: Ron Goldshine and John Musgrave; 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes)My Copy of masters: Sony D5M (w/ Dolby, Bias @ 120us) > Akaii GX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes))

Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz >AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) >NERO (bass extrapolation of -3dB @ 120 Hz used to restore low frequencies lost with incorrect playback bias setting) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor

View NotesMatrix by dusborne

05-31-2016
------------------------------------------------------------------------------------------------------------



Tagging notes:
Show information is embedded within the header of each flac file. 
It will display on any player capable of directly playing flac 
files. If converted to wav during processing, all tags will be 
stripped, however audio data will remain unaffected. If you must 
transcode to a lossy format, do so directly Flac > Lossy.
Use ffp to validate audio integrity.
Md5 values will change if tagging is altered.

SOURCE 6 OF 10

8.00 / 1 rating

gd80-12-13.set2-sonyecm280.clugston-revell.1633.sbeok.shnf

Audience Recording: Sony ECM-280 mics

Sony ECM-280 mics > Sony D5> DAT > CDR

View Notesset 2; Master Audience Cassette; Sony ECM-280 mics > Sony D5> DAT > CDR; via Scott Clugston, Lee Revell

SOURCE 7 OF 10

Mason B. Taylor

gd1980-12-13.128617.naks.mason.flac16

Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones

View NotesDrums/Space with Airto Moriera, Flora Purim and Greg Errico

"Mason B. Taylor was a taper from Chicago that recorded concerts by many bands in the Chicagoland area and on Dead tours. He used a Nakamichi 550 with Nakamichi 300 mics with shotgun capsules for most of his earlier recordings. In later years he used Sony D-5 and Sony D-3 cassette recorders with Nakamichi 300 mics.

Mason captured spectacular musical moments and loved to share them with his closest friends. In honor of Mason and all the love he put into his recordings we are now able to share these moments with those who can appreciate them most.

As the shows get uploaded we would love for you to share your stories about the epic times the music evokes so we can all dial back into that moment when the magic was happening.

Thanks to Mason’s family and his Chicago and Cleveland friends for opening up Mason’s Jar…"

SOURCE 8 OF 10

gd1980-12-13.155955.akg451E.milliard.JEMS.vol127.flac16

SOURCE 9 OF 10

Scott Wiseman and Scott Clugston

gd1980-12-13.157569.akg.se5.wiseman.miller.clugston.flac1648

Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)

Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496

View NotesNotes:
- Thanks to Scott Wiseman for the source cassettes and transfer
- Thanks to Charlie Miller for coordinating this effort
- Thanks to Charlie Miller for the Nakamichi 700 source which supplies some crowd and first few notes of "To Lay Me Down" (0:12 total), some crowd and beginning of "Scarlet Begonias" (1:02 total), as well as a 0:24 patch in "Drums"
- Pitch corrected
- "Drums" with Airto Moriera and Flora Purim

Mastered by Scott Clugston
October 2021

SOURCE 10 OF 10

Scott Wiseman and Scott Clugston

gd1980-12-13.157570.akg.se5.wiseman.miller.clugston.flac2496

Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)

Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496

View NotesNotes:
- Thanks to Scott Wiseman for the source cassettes and transfer
- Thanks to Charlie Miller for coordinating this effort
- Thanks to Charlie Miller for the Nakamichi 700 source which supplies some crowd and first few notes of "To Lay Me Down" (0:12 total), some crowd and beginning of "Scarlet Begonias" (1:02 total), as well as a 0:24 patch in "Drums"
- Pitch corrected
- "Drums" with Airto Moriera and Flora Purim

Mastered by Scott Clugston
October 2021