Lucifer's Eyes | 1981-12-31 | Grateful Dead

Ted Leo and the Pharmacists

Ryley Walker

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	6	1

Playback	Listens	Hours
48h	237	23
7d	821	76
30d	3.9k	365

128 shows

192 tapes

Scott Metzger

Playback	Listens	Hours
48h	6	30m
7d	0	0m
30d	87	10

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	0	0m
7d	37	4
30d	54	7

28 shows

28 tapes

Sigur Rós

Playback	Listens	Hours
48h	8	51m
7d	14	2
30d	57	7

Playback	Listens	Hours
48h	99	8
7d	230	18
30d	1.6k	137

Playback	Listens	Hours
48h	164	25
7d	433	68
30d	2.7k	430

Playback	Listens	Hours
48h	136	30
7d	300	68
30d	1.1k	274

Playback	Listens	Hours
48h	3	14m
7d	69	4
30d	306	18

87 shows

95 tapes

Stanton Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	21	3

Playback	Listens	Hours
48h	82	18
7d	74	17
30d	762	120

Playback	Listens	Hours
48h	110	26
7d	265	60
30d	1.8k	384

Playback	Listens	Hours
48h	115	14
7d	175	24
30d	2.1k	280

667 shows

1,139 tapes

String Cheese Incident

18.9k

Playback	Listens	Hours
48h	1.4k	214
7d	3.8k	610
30d	18.9k	3.1k

1,281 shows

2,074 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	0	0m
7d	1	8m
30d	47	5

Playback	Listens	Hours
48h	12	3
7d	26	5
30d	218	39

Playback	Listens	Hours
48h	6	53m
7d	53	7
30d	164	21

Playback	Listens	Hours
48h	108	12
7d	175	20
30d	857	90

727 shows

1,114 tapes

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	710	86
7d	2.3k	277
30d	13.4k	1.6k

Playback	Listens	Hours
48h	7	20m
7d	28	1
30d	201	9

52 shows

58 tapes

The Big Wu

Playback	Listens	Hours
48h	24	3
7d	293	36
30d	2k	245

Playback	Listens	Hours
48h	15	2
7d	98	14
30d	402	63

473 shows

627 tapes

The California Honeydrops

595

Playback	Listens	Hours
48h	1	8m
7d	42	6
30d	595	74

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	11	2

Playback	Listens	Hours
48h	136	20
7d	492	70
30d	2.7k	392

Playback	Listens	Hours
48h	9	2
7d	12	1
30d	382	32

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	0	0m
7d	11	57m
30d	20	2

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	2	7m
7d	6	20m
30d	19	1

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	6	36m

Playback	Listens	Hours
48h	5	1
7d	126	21
30d	413	70

Playback	Listens	Hours
48h	3	23m
7d	39	4
30d	120	14

Playback	Listens	Hours
48h	413	22
7d	394	24
30d	1.1k	65

Playback	Listens	Hours
48h	47	3
7d	139	10
30d	1.3k	92

Playback	Listens	Hours
48h	19	3
7d	45	9
30d	334	67

Playback	Listens	Hours
48h	135	15
7d	161	15
30d	926	94

Playback	Listens	Hours
48h	51	8
7d	224	32
30d	1.7k	262

Playback	Listens	Hours
48h	375	35
7d	1.2k	114
30d	6.4k	641

1,451 shows

1,648 tapes

The Walkmen

Playback	Listens	Hours
48h	0	0m
7d	3	12m
30d	66	6

18 shows

19 tapes

The War on Drugs

Playback	Listens	Hours
48h	49	4
7d	156	16
30d	1k	105

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	0	0m
7d	1	9m
30d	10	2

Playback	Listens	Hours
48h	110	11
7d	226	31
30d	1.3k	138

Playback	Listens	Hours
48h	88	6
7d	150	10
30d	919	62

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	44	4

Playback	Listens	Hours
48h	494	72
7d	1.1k	162
30d	7.7k	1.1k

464 shows

464 tapes

Turkuaz

Playback	Listens	Hours
48h	0	0m
7d	19	2
30d	58	6

Playback	Listens	Hours
48h	69	13
7d	249	42
30d	1.8k	288

Playback	Listens	Hours
48h	432	68
7d	782	115
30d	4.9k	741

Playback	Listens	Hours
48h	35	3
7d	25	2
30d	359	30

Playback	Listens	Hours
48h	129	8
7d	288	21
30d	1.8k	130

Playback	Listens	Hours
48h	766	65
7d	2.2k	183
30d	14k	1.1k

623 shows

1,138 tapes

White Denim

Playback	Listens	Hours
48h	0	0m
7d	14	1
30d	75	6

Playback	Listens	Hours
48h	10.2k	1.2k
7d	23.9k	2.8k
30d	138.1k	16.3k

Playback	Listens	Hours
48h	59	8
7d	180	23
30d	882	123

1,416 shows

2,242 tapes

Yonder Mountain String Band

11.1k

Playback	Listens	Hours
48h	696	67
7d	1.7k	153
30d	11.1k	1k

Playback	Listens	Hours
48h	54	8
7d	343	50
30d	1.1k	161

18 shows

24 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	4m

Playback	Listens	Hours
48h	207	37
7d	398	71
30d	1.7k	306

461 shows

665 tapes

Zoofunkyou

Playback	Listens	Hours
48h	0	0m
7d	1	9m
30d	17	3

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	1.6k	186
7d	2.3k	286
30d	30.9k	4.3k

Playback	Listens	Hours
48h	787	112
7d	3.8k	591
30d	12.9k	1.8k

Playback	Listens	Hours
48h	3.3k	434
7d	7k	941
30d	38.6k	5.1k

Playback	Listens	Hours
48h	1.9k	247
7d	8.8k	1.2k
30d	46.1k	6.1k

Playback	Listens	Hours
48h	3.1k	403
7d	10.9k	1.4k
30d	43k	5.8k

Playback	Listens	Hours
48h	8.7k	1.2k
7d	10.6k	1.4k
30d	51.1k	6.7k

Playback	Listens	Hours
48h	2.2k	268
7d	7k	879
30d	48.5k	6k

Playback	Listens	Hours
48h	1.3k	157
7d	3.2k	379
30d	20.2k	2.3k

Playback	Listens	Hours
48h	2.1k	243
7d	14k	1.7k
30d	43k	4.8k

Playback	Listens	Hours
48h	811	93
7d	2.5k	286
30d	12.7k	1.4k

Playback	Listens	Hours
48h	10.2k	1.2k
7d	9.2k	1.1k
30d	28.5k	3.3k

Playback	Listens	Hours
48h	1.2k	150
7d	9.5k	1.1k
30d	27.2k	3.3k

Playback	Listens	Hours
48h	1.3k	161
7d	3.3k	418
30d	20.6k	2.7k

Playback	Listens	Hours
48h	1.2k	153
7d	3.6k	445
30d	42.4k	5.3k

Playback	Listens	Hours
48h	1.7k	213
7d	5.1k	632
30d	30.4k	3.8k

Playback	Listens	Hours
48h	2.4k	284
7d	15.5k	1.8k
30d	70.9k	8.3k

Playback	Listens	Hours
48h	1.3k	176
7d	3.8k	536
30d	21.2k	3k

Playback	Listens	Hours
48h	1.7k	233
7d	4.7k	643
30d	38k	5.1k

Playback	Listens	Hours
48h	7.3k	1k
7d	22.8k	3.2k
30d	253k	35k

Playback	Listens	Hours
48h	12.1k	1.7k
7d	43.2k	5.8k
30d	99.8k	13.5k

Playback	Listens	Hours
48h	425	46
7d	972	102
30d	6.3k	646

Playback	Listens	Hours
48h	9.3k	1.3k
7d	9.1k	1.2k
30d	88.3k	11.2k

Playback	Listens	Hours
48h	3.7k	491
7d	13.7k	1.9k
30d	90.5k	11.6k

Playback	Listens	Hours
48h	2.4k	302
7d	6.7k	845
30d	58.6k	7.2k

Playback	Listens	Hours
48h	1.9k	208
7d	4.4k	484
30d	33.7k	3.9k

Playback	Listens	Hours
48h	1.3k	163
7d	4k	478
30d	38.8k	4.2k

Playback	Listens	Hours
48h	999	149
7d	3.9k	555
30d	28.5k	4.3k

Playback	Listens	Hours
48h	542	70
7d	1.6k	199
30d	7.7k	976

Playback	Listens	Hours
48h	76	11
7d	318	43
30d	1.7k	232

Playback	Listens	Hours
48h	515	33
7d	1k	67
30d	8.2k	549

Playback	Listens	Hours
48h	34	2
7d	78	5
30d	638	38

1981

Los Angeles and San Francisco, CA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	4	19m

1:36:29

1 tape

12/31SBD

505

Playback	Listens	Hours
48h	9	54m
7d	78	11
30d	505	70

7:38:41

20 tapes

12/30SBD

133

Playback	Listens	Hours
48h	4	20m
7d	8	54m
30d	133	15

2:51:35

10 tapes

12/28SBD

109

Playback	Listens	Hours
48h	3	28m
7d	47	5
30d	109	12

2:42:56

13 tapes

12/27SBD

114

Playback	Listens	Hours
48h	28	4
7d	2	17m
30d	114	15

2:45:44

12 tapes

12/26SBD

Fiesta Hall, San Mateo County Fairgrounds

163

Playback	Listens	Hours
48h	8	2
7d	36	5
30d	163	22

3:00:44

10 tapes

12/12SBD

San Mateo, CA, USA

Playback	Listens	Hours
48h	0	0m
7d	8	38m
30d	39	3

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

1:27:53

2 tapes

12/09SBD

Events Center, U. of Colorado

Boulder, CO, USA

252

Playback	Listens	Hours
48h	41	5
7d	54	7
30d	252	31

6:06:35

12/07SBD

Des Moines Civic Center

Des Moines, IA, USA

Playback	Listens	Hours
48h	1	9m
7d	50	5
30d	83	9

Playback	Listens	Hours
48h	0	0m
7d	58	7
30d	182	23

Indianapolis, IN, USA

380

Playback	Listens	Hours
48h	15	2
7d	63	8
30d	380	46

Playback	Listens	Hours
48h	1	8m
7d	13	1
30d	679	81

2:56:21

Assembly Hall, U. of Illinois

12/02SBD

Champaign, IL, USA

242

Playback	Listens	Hours
48h	0	0m
7d	8	58m
30d	242	28

Playback	Listens	Hours
48h	39	6
7d	51	7
30d	218	29

Playback	Listens	Hours
48h	34	4
7d	24	3
30d	104	14

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	15	2

Playback	Listens	Hours
48h	93	12
7d	113	15
30d	832	111

Playback	Listens	Hours
48h	14	2
7d	42	5
30d	256	34

Amsterdam, Netherlands

279

Playback	Listens	Hours
48h	7	29m
7d	51	4
30d	279	26

Amsterdam, Netherlands

138

Playback	Listens	Hours
48h	3	27m
7d	42	4
30d	138	14

Playback	Listens	Hours
48h	4	24m
7d	0	0m
30d	105	13

Playback	Listens	Hours
48h	0	0m
7d	8	53m
30d	120	14

Amsterdam, Netherlands

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	13	59m

Playback	Listens	Hours
48h	0	0m
7d	1	12m
30d	130	17

Playback	Listens	Hours
48h	0	0m
7d	27	4
30d	66	9

Playback	Listens	Hours
48h	12	1
7d	23	3
30d	69	10

Playback	Listens	Hours
48h	11	1
7d	60	7
30d	247	32

Playback	Listens	Hours
48h	0	0m
7d	4	26m
30d	71	9

Playback	Listens	Hours
48h	1	9m
7d	31	4
30d	132	17

Playback	Listens	Hours
48h	0	0m
7d	3	22m
30d	94	13

Playback	Listens	Hours
48h	14	2
7d	12	1
30d	67	8

2:37:48

5 tapes

9/26SBD

War Memorial Auditorium

Buffalo, NY, USA

160

Playback	Listens	Hours
48h	1	13m
7d	6	43m
30d	160	19

2:33:29

10 tapes

9/25SBD

Stabler Arena, Lehigh U.

Bethlehem, PA, USA

Playback	Listens	Hours
48h	0	0m
7d	7	54m
30d	82	10

Playback	Listens	Hours
48h	0	0m
7d	47	6
30d	128	16

Playback	Listens	Hours
48h	38	8
7d	54	9
30d	361	65

Playback	Listens	Hours
48h	0	0m
7d	19	2
30d	159	20

Playback	Listens	Hours
48h	0	0m
7d	6	60m
30d	102	14

3:05:00

Compton Terrace Amphitheatre

8/30SBD

Tempe, AZ, USA

Playback	Listens	Hours
48h	0	0m
7d	1	9m
30d	49	6

Playback	Listens	Hours
48h	0	0m
7d	39	5
30d	224	30

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	8	39m

2:49:23

6 tapes

8/16SBD

McArthur Court, U. of Oregon

Eugene, OR, USA

127

Playback	Listens	Hours
48h	0	0m
7d	9	1
30d	127	16

2:36:13

7 tapes

8/15

Portland Memorial Coliseum

Portland, OR, USA

118

Playback	Listens	Hours
48h	2	16m
7d	22	3
30d	118	15

2:42:04

2 tapes

8/14

Seattle Center Coliseum

Seattle, WA, USA

148

Playback	Listens	Hours
48h	7	51m
7d	74	8
30d	148	16

Salt Lake City, UT, USA

254

Playback	Listens	Hours
48h	15	2
7d	30	4
30d	254	32

3:00:43

McArthur Court, University Of Oregon

8/06SBD

Eugene, OR

Playback	Listens	Hours
48h	29	4
7d	6	47m
30d	96	12

2:38:05

1 tape

7/14

McNichols Sports Arena

Denver, CO, USA

Playback	Listens	Hours
48h	23	3
7d	28	4
30d	83	11

3:05:13

5 tapes

7/13SBD

McNichols Sports Arena

Denver, CO, USA

377

Playback	Listens	Hours
48h	42	5
7d	125	15
30d	377	45

2:42:10

Alpine Valley Music Theatre

7/11SBD

East Troy, WI, USA

240

Playback	Listens	Hours
48h	14	2
7d	54	7
30d	240	31

2:52:10

7 tapes

7/10

St. Paul Civic Center

St. Paul, MN, USA

143

Playback	Listens	Hours
48h	85	9
7d	67	7
30d	143	16

Playback	Listens	Hours
48h	0	0m
7d	84	10
30d	126	15

2:47:11

6 tapes

7/07SBD

Kansas City Municipal Auditorium Arena

Kansas City, MO, USA

249

Playback	Listens	Hours
48h	12	1
7d	60	7
30d	249	30

Oklahoma City, OK, USA

400

Playback	Listens	Hours
48h	34	4
7d	37	5
30d	400	49

Playback	Listens	Hours
48h	94	12
7d	187	24
30d	697	89

Playback	Listens	Hours
48h	65	8
7d	38	4
30d	171	19

San Francisco, CA, USA

1.5k

Playback	Listens	Hours
48h	27	2
7d	60	5
30d	1.5k	127

1:14:07

4 tapes

5/17SBD

Onondaga County War Memorial

Syracuse, NY, USA

575

Playback	Listens	Hours
48h	33	4
7d	71	8
30d	575	70

3:00:18

Barton Hall, Cornell University

5/16SBD

Ithaca, NY, USA

1.6k

Playback	Listens	Hours
48h	20	2
7d	214	27
30d	1.6k	205

5:45:53

14 tapes

5/15SBD

Athletic Center, Rutgers U

New Brunswick, NJ, USA

787

Playback	Listens	Hours
48h	56	8
7d	226	29
30d	787	103

2:55:55

8 tapes

5/13SBD

Providence Civic Center

Providence, RI, USA

276

Playback	Listens	Hours
48h	6	53m
7d	56	7
30d	276	36

2:43:06

16 tapes

5/12SBD

Veterans Memorial Coliseum

New Haven, CT, USA

402

Playback	Listens	Hours
48h	9	1
7d	74	10
30d	402	52

2:59:53

18 tapes

5/11SBD

Veterans Memorial Coliseum

New Haven, CT, USA

423

Playback	Listens	Hours
48h	5	39m
7d	76	10
30d	423	54

Playback	Listens	Hours
48h	6	46m
7d	35	5
30d	368	48

Playback	Listens	Hours
48h	16	2
7d	46	7
30d	428	62

Playback	Listens	Hours
48h	0	0m
7d	1	3m
30d	21	2

Playback	Listens	Hours
48h	0	0m
7d	33	4
30d	317	41

2:58:28

15 tapes

5/05SBD

Glenns Falls Civic Center

Glenns Falls, NY, USA

340

Playback	Listens	Hours
48h	22	2
7d	44	5
30d	340	45

Philadelphia, PA, USA

291

Playback	Listens	Hours
48h	0	0m
7d	56	6
30d	291	33

Philadelphia, PA, USA

338

Playback	Listens	Hours
48h	25	3
7d	37	5
30d	338	46

Playback	Listens	Hours
48h	82	11
7d	251	33
30d	1.2k	155

Playback	Listens	Hours
48h	36	4
7d	53	6
30d	487	56

Playback	Listens	Hours
48h	2	8m
7d	20	1
30d	185	13

Playback	Listens	Hours
48h	35	5
7d	153	21
30d	943	130

Playback	Listens	Hours
48h	7	57m
7d	28	3
30d	477	67

Playback	Listens	Hours
48h	0	0m
7d	22	2
30d	239	32

Playback	Listens	Hours
48h	61	8
7d	240	31
30d	1k	134

Playback	Listens	Hours
48h	66	7
7d	178	19
30d	809	83

3:01:07

Veterans' Memorial Coliseum

3/14SBD

Hartford, CT, USA

889

Playback	Listens	Hours
48h	46	5
7d	96	11
30d	889	104

2:49:00

18 tapes

3/13SBD

Utica Memorial Auditorium

Utica, NY, USA

280

Playback	Listens	Hours
48h	18	3
7d	52	8
30d	280	41

Playback	Listens	Hours
48h	20	3
7d	99	13
30d	448	60

2:43:32

Cole Field House, U. of Maryland

3/10SBD

Madison Square Garden

New York, NY, USA

592

Playback	Listens	Hours
48h	15	2
7d	77	10
30d	592	81

3:01:43

15 tapes

3/09SBD

Madison Square Garden

New York, NY, USA

1.3k

Playback	Listens	Hours
48h	25	3
7d	195	27
30d	1.3k	181

6:05:22

13 tapes

3/07SBD

College Park, MD, USA

362

Playback	Listens	Hours
48h	22	3
7d	52	6
30d	362	43

Playback	Listens	Hours
48h	10	2
7d	30	4
30d	116	18

Playback	Listens	Hours
48h	4	29m
7d	17	3
30d	124	20

Playback	Listens	Hours
48h	30	2
7d	15	1
30d	176	14

Playback	Listens	Hours
48h	70	9
7d	89	12
30d	519	71

Playback	Listens	Hours
48h	17	2
7d	107	12
30d	431	52

Playback	Listens	Hours
48h	33	4
7d	87	11
30d	521	64

Playback	Listens	Hours
48h	34	5
7d	82	12
30d	292	44

Playback	Listens	Hours
48h	34	5
7d	76	11
30d	520	73

Playback	Listens	Hours
48h	0	0m
7d	93	7
30d	411	33

1:16:35

2 tapes

Sources

Taper: Dan Healy and Joani Walker

4:08:04

SBD

Taper:

Dan Healy and Joani Walker

Scott Clugston and Charlie Miller and Paul Scotton

gd1981-12-31.143571.sbd.healy.walker.scotton.miller.clugston.flac2496

Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B)(TDK MA-R C90)

Master Cassettes (Dolby B)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496

Dan Healy and Joani Walker

View NotesNotes:
- Thanks to Joani Walker and Paul Scotton for the master soundboard cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Joan Baez acoustic set with The Grateful Dead
- Thanks to Joani Walker, Paul Scotton and Charlie Miller for the shnid96106 soundboard source which supplies a 0:12 patch in "Terrapin Station"
- Thanks to Mark Severson for the shnid96611 Nakamichi 700 source which supplies a 0:08 patch in "Goin' Down The Road Feeling Bad"
- "CC Rider", "Big Boss Man", "New Minglewood Blues" and "Iko Iko" with Matthew Kelly
- "It Must Have Been The Roses", "Beat It On Down The Line", "Don't Ease Me In" and "It's All Over Now,Baby Blue" with Joan Baez
- "The Other One > Not Fade Away > Going Down The Road Feeling Bad" with John Cippolina
- Other One space included in "The Other One"
- Thanks to Joe B. Jones for verifying the pitch

Mastered by Scott Clugston
October 2018

Taper: Dan Healy and Joani Walker

Scott Clugston and Charlie Miller and Paul Scotton

gd1981-12-31.143570.sbd.healy.walker.scotton.miller.clugston.flac1648

Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B)(TDK MA-R C90)

Master Cassettes (Dolby B)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496

gd1981-12-31.mtx.tobin.126611.flac16

View NotesNotes:
- Thanks to Joani Walker and Paul Scotton for the master soundboard cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Joan Baez acoustic set with The Grateful Dead
- Thanks to Joani Walker, Paul Scotton and Charlie Miller for the shnid96106 soundboard source which supplies a 0:12 patch in "Terrapin Station"
- Thanks to Mark Severson for the shnid96611 Nakamichi 700 source which supplies a 0:08 patch in "Goin' Down The Road Feeling Bad"
- "CC Rider", "Big Boss Man", "New Minglewood Blues" and "Iko Iko" with Matthew Kelly
- "It Must Have Been The Roses", "Beat It On Down The Line", "Don't Ease Me In" and "It's All Over Now,Baby Blue" with Joan Baez
- "The Other One > Not Fade Away > Going Down The Road Feeling Bad" with John Cippolina
- Other One space included in "The Other One"
- Thanks to Joe B. Jones for verifying the pitch

Mastered by Scott Clugston
October 2018

Transferrer: Kevin Tobin

Matrix 3 Source Mix - SBD (shnid=96107) flac24; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shn id 96611)

Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. + VID (no shn id) low generation video found on the internet for a video project - matrix mixing by Kevin Tobin

Joani Walker and Paul Scotton

View NotesSBD + AUD Matrix 3 Source Mix(48%-SBD/52%-AUD)

---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 03-JAN-2014 - Trader Little Helper
- Tagged 03-JAN-2014 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -0.5
AUD 0

SET TWO

Stereo Matrix
SBD -0.5
AUD 0
---------------------------------------------------------
BHP note: Both audio sources were very close to the video and only minor patching was needed mostly between songs in the first set. I also trimmed a little "Dead Air" between some of the songs so that the show could fit properly on a DVD.

Brokedown House Production

Taper: Joani Walker and Paul Scotton

gd1981-12-31.sbd.fix.walker-scottor.miller.96107.flac24

SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90)

Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24

Joani Walkerand Paul Scotton

View NotesPatch Info:
(FOB) Nakamichi 100 -> Cassette Master -> Cassette (shnid=85628) supplies:
Terrapin Station (12:47 - 13:03)
Goin' Down The Road Feeling Bad (6:54 - 7:01)

Notes:
-- This has fixed levels on s3t02, s3t03 and s3t04
-- Joan Baez is backed by The Grateful Dead during her acoustic set
-- C C Rider, Big Boss Man, Minglewood and Iko with Matthew Kelly
-- Roses, BIODTL, Don't Ease Me In and Baby Blue with Joan Baez
-- The Other One, Not Fade Away and GDTRFB with John Cippolina
-- This is an upgrade to all previous circulating copies
-- Patch source was EQ'd and pitch corrected
-- Thanks to Joani Walker and Paul Scotton for the tapes
-- Thanks to Joe B. Jones for his help with the pitch correction
Joan Baez Acoustic Set:
s1t01 - Land Of A Thousand Dances
s1t02 - Do Right Woman
s1t03 - The Boxer
s1t04 - Tunisian New Year Song
s1t05 - Me

Taper: Joani Walkerand Paul Scotton

gd1981-12-31.sbd.fix.walker-scotton.miller.96106.sbeok.flac16

Joani Walker and Paul Scotton

View NotesPatch Info:
(FOB) Nakamichi 100 -> Cassette Master -> Cassette (shnid=85628) supplies:
Terrapin Station (12:47 - 13:03)
Goin' Down The Road Feeling Bad (6:54 - 7:01)

Notes:
-- This has fixed levels on d3t02, d3t03 and d3t04
-- All sets are seamless
-- Joan Baez is backed by The Grateful Dead during her acoustic set
-- C C Rider, Big Boss Man, Minglewood and Iko with Matthew Kelly
-- Roses, BIODTL, Don't Ease Me In and Baby Blue with Joan Baez
-- The Other One, Not Fade Away and GDTRFB with John Cippolina
-- This is an upgrade to all previous circulating copies
-- Patch source was EQ'd and pitch corrected
-- Thanks to Joani Walker and Paul Scotton for the tapes
-- Thanks to Joe B. Jones for his help with the pitch correction
Joan Baez Acoustic Set:
d1t01 - Land Of A Thousand Dances
d1t02 - Do Right Woman
d1t03 - The Boxer
d1t04 - Tunisian New Year Song
d1t05 - Me

Taper: Joani Walker and Paul Scotton

gd1981-12-31.sbd.walker.scotton.miller.96090.flac24

SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90)

Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24

Joani Walker and Paul Scotton

View NotesPatch Info:
(FOB) Nakamichi 100 -> Cassette Master -> Cassette (shnid=85628) supplies:
Terrapin Station (12:47 - 13:03)
Goin' Down The Road Feeling Bad (6:54 - 7:01)

Notes:
-- Joan Baez is backed by The Grateful Dead during her acoustic set
-- C C Rider, Big Boss Man, Minglewood and Iko with Matthew Kelly
-- Roses, BIODTL, Don't Ease Me In and Baby Blue with Joan Baez
-- The Other One, Not Fade Away and GDTRFB with John Cippolina
-- This is an upgrade to all previous circulating copies
-- Patch source was EQ'd and pitch corrected
-- Thanks to Joani Walker and Paul Scotton for the tapes
-- Thanks to Joe B. Jones for his help with the pitch correction
Joan Baez Acoustic Set:
s1t01 - Land Of A Thousand Dances
s1t02 - Do Right Woman
s1t03 - The Boxer
s1t04 - Tunisian New Year Song
s1t05 - Me

Taper: Joani Walker and Paul Scotton

gd1981-12-31.sbd.walker-scotton.miller.96082.sbeok.flac16

SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90)

Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16

gd1981-12-31.143774.mtx.tobin.flac1644

View NotesPatch Info:
(FOB) Nakamichi 100 -> Cassette Master -> Cassette (shnid=85628) supplies:
Terrapin Station (12:47 - 13:03)
Goin' Down The Road Feeling Bad (6:54 - 7:01)

Notes:
-- All sets are seamless
-- Joan Baez is backed by The Grateful Dead during her acoustic set
-- C C Rider, Big Boss Man, Minglewood and Iko with Matthew Kelly
-- Roses, BIODTL, Don't Ease Me In and Baby Blue with Joan Baez
-- The Other One, Not Fade Away and GDTRFB with John Cippolina
-- This is an upgrade to all previous circulating copies
-- Patch source was EQ'd and pitch corrected
-- Thanks to Joani Walker and Paul Scotton for the tapes
-- Thanks to Joe B. Jones for his help with the pitch correction

Transferrer: Kevin Tobin

SBD + AUD Matrix 2 Source Mix (44/16)

gd1981-12-31.sbd.gans.33660.sbeok.flac16

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 18-NOV-2018 - Trader Little Helper
- Tagged 18-NOV-2018 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Transferrer: David Gans

SBD -> Cassette Master (Dolby B)

Cassette Master (Dolby B) -> Sonic 24bit -> SBM2 -> CD -> EAC -> FLAC

View Notes-- Thanks to Joani Walker and Paul Scotton for the tapes

Source 10 of 20

Master reels->cass->DAT

DAT->CD-R->EAC(x2 w/wav compare)->shn

gd81-12-31.acoustic.warren.14040.sbefail.shnf

View NotesJoan Baez sits in on the acoustic set (disc 1) and the Baby Blue encore.
Matt Kelly sits in on Big Boss Man and New Minglewood Blues.
John Cipollina sits in post-drums on disc 3.
Bill Graham flies in on a joint at midnight.

Source 11 of 20

Soundboard

SBD > MR > CASS > DAT > CDR > EAC > SHN

gd81-12-31.sbd.bertha-ashley.12784.sbeok.shnf

View NotesAcoustic set only (w/ Joan Baez); SBD > MR > CASS > DAT > CDR > EAC > SHN via Chris Warren

Source 12 of 20

Soundboard

SBD> MR> PCM> DAT> CDR> SHN> DAW (Bertha)> CDA

gd1981-12-31.msbd.serafin.7041.sbefail.shnf

View NotesJay Ashley (Bertha) remaster of Jay Serafin's <a href="http://db.etree.org/shninfo_detail.php?shnid=7041" rel="ugc nofollow">4 TRACK RTR</a> source; SBD> MR> PCM> DAT> CDR> SHN> DAW(Bertha)> CDA; Note- Joan Baez set missing

Transferrer: Jay Serafin

SBD > 4 track RTR @ 7.5 i.p.s. monitor mix > 16-bit PCM GD Archive > SSSB

View NotesRELEASED ON:	11/22/01

LINEAGE: Monitor Mix SBD > 4 TRACK RTR @ 7.5 IPS (Dolby B) > PCM  > D > SSSB (Dolby B decoded); NRPS opened; *=w/Joan Baez; **=w/Matt Kelly; ***=w/John Cippolina; Bill Graham flies in on a giant joint; LAST "Dark Star": 01-20-79 [232]; any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, EQ, and quantization noise elimination (when down-converting audio to 16-bit / 44.1kHz for CD-R mastering), were all performed using 24-bit / 96 kHz digital realm processing at Serafin Station Studio B [this show was released 11/01]

JAY'S PERSONAL COMMENTS:

NOTE: This is NOT the version of the show which is in circulation now; that copy is the "regular SBD" mix, while this version is the Monitor Mix version (differences in mix and volume for each instrument and vocalist).  This information was verified by my Marin County source, who sent me this version to work on and release.

It was told to me, by my Marin County source, that Phil wanted each band member to hear how the slightly different way they played a lot of the electric songs actually sounded, and then it would be decided whether to keep playing them in this manner, revert back to the "old ways", or to try a different approach.  You can hear this on the "staggered chorus vocals" on Shakedown Street, the opening of Me & My Uncle, CR&S, Playin' In The Band (the opening is distinctly "old school"), as is Dark Star), etc.  You'll notice that the vocals are slightly more prominent in the mix, as well as they're "dry"... no reverb, delay, etc., and no compression/limiting, so you'll hear it when Jerry (especially) and Bobby back off from their microphones a little bit, or go off their "pickup axis"... their voices kind of trail off slightly.  It's more realistic that hearing them at their C&L form, as you can mentally picture Jerry moving back slightly when he's ending a line in a sing.  The kick drums, and some of the toms, aren't as much in the mix either, as they could be hear more by the musicians on stage naturally, and didn't need to be in the mix as much.  You can hear, on Disc 1 Track 6, where the sound crew started to put the effects onto Jerry's vocals, but they got the "wave off", and stopped it.  So, you can hear what the "normal mix" would have been, compared to this monitor mix.  You'll also hear some of the levels of the instruments being raised and lowered, slightly and slowly, as not to be abrupt and annoying.

The Ken Kesey opening of Electric Set II (Countdown to Midnight) has Ken really, and literally, freaking out on stage when the band begins to play BEFORE the stroke of midnight!  Ken's trying to tell the "You're starting too soon", but to no avail. This isn't a "knock" on Ken, but simply an example of how he was on stage sometimes. And it was the day Ken dies is when I was working on that part of the show... the master had a LOT of volume problems (cycling up and down), and I was having a very tough time getting the parts to match up without having to delete a lot of the Countdown (only 15 seconds were lost, due to the mixing console getting knocked out of whack).  But when Ken died, it was almost like he was "guiding me", and the solutions came to me so clearly, it was unreal.  Personally, I do think that Ken had his hand in me getting the Countdown correct.  Thanks, my friend!

The BAD NEWS: The Acoustic Set was not being on the masters I received from my MC source. The good news is that all 3 of the Electric Sets are complete. The encore is from the regular SBD mix, and as such, has a slightly different audio difference. I did make every attempt to match the encore's EQ curve to that of the show itself, with very good results.  Only 2 reel changes were needed in this recording, and they were during lulls or very low-volume sections of the show. Only one cross-fade, which was between songs, is evident, as I didn't have a lot of "working room" to do a longer cross-fade.  This is the end of Good Lovin' into the Encore.  But, it was better than the original, and is the best I could do.  

The RTR (especially the Encore, which was quite noisy) was a bit on the hissy side, even with the Dolby B (or because of it, take your pick!).  The hiss has been brought down to "damn near inaudible", and it's only the opening couple of seconds of Dark Star where you actually can hear the hiss in the audio.  So, this is a VERY CLEAN show, audio-wise, and very energetic to boot.

Ok... on with the "Set by Set" breakdown of the show:
The opener, Shakedown Street, is LONG!  Very refreshing to hear an extended set of solos, and it set the tone for the remainder of the night.  Close to 16 minutes, it's rockin' and smokin' from the first chord.  I really liked the "staggered chorus vocals" towards the end of the song.   It's hard to explain in words, but you'll hear it... similar to how a group of people would sing "Row, Row, Row Your Boat").  This was one of those "new ways" ideas of Phil's, it was new to me, and I thought it gave the song that little extra touch...  it took the usually "monotonous" way the 3 vocalists would do the chorus, and made it sound "brand new" again.  An "old time" opening to Me & My Uncle > Mexicali was nice to hear.  Reminiscent of the early '70's "C&W Style" the Boyz did a lot of their songs in.  Again, not disappointing at all.

Cold Rain & Snow, sort of the same "older opening", and again, nice on the ears.  Big Boss Man -> Minglewood was a nicely staged segue.  Well done, and on the unusual side.  Don't Ease Me In had NOT segue to it, which was NOT ordinary.

Onto Set II...
The Ken Kesey opening had quite a lot of SBD problems, as the audio was constantly fluctuating feeding the RTR deck.  That was all edited out, rather than trying to alter the volume, as there was simply too much to do (and to make it sound right, as there were audible effects changes going on).  About 30 seconds of this opening track were edited out, and only a couple of Ken's words wound up "on the cutting room floor".  A very "Space-oriented" early Countdown To Midnight started early, and Ken simply was in a panic.  I could picture him running around the stage trying to keep everyone from starting the song!  The band, by my calculations, started Aiko about 25 seconds too early... oh well, that's life in a live show.  Aiko had nothing special to offer, in my opinion, just a slight party feel to it.  Playin' In The Band, well it was too short for my personal taste.  They went into the Playin' Jam after just 3 minutes into the song.  But it was a GOOD and HOT Jam, a bit over 11 minutes.  The PITB Jam into Terrapin was nice, with Bobby leading the segue, not Jerry.  Jerry was on the mark for his solos and riffs in Terrapin, and the audience was not left "wanting" at all.  A good and smooth segue back into Playin' (again, 3 minutes!) was just wonderful.  The band started to drift off going into Drums (which starts on Disc 3), so there was almost silence, so real segue.  You can hear the instruments being unplugged before Mickey and Billy got their groove on.

Drums began with the audience ambience microphones turned on, and there was a very noticeable jump in the volume.  This was a good place to start Disc 3, since there weren't any other members playing their instruments at the time.  Drums is slightly "overloaded", because of the levels of the up front monitors kept feeding into the percussion mics, and the audience ambience just added to this.  So, on the very low-frequency sections of Drums, there's noticeable (albeit slight) distortion.  It detracts from the enjoyment a little, but there's nothing I could do about this.  The ambience mikes were lowered down once Space began, and by the time Space was over, they were only slightly on.  This is the opposite of what was going on before Drums, where I believe the ambience mikes were totally turned off.

In keeping with this "new style" tryout, TOO wasn't set off with the usual Phil riff, but more of a subtle opening.  I wasn't upset with this, but it did surprise me, especially with it being New Year's Eve.  I wanted to hear a good, resounding Phil riff and a couple of Phil Bombs thrown in for good measure, but all of us were denied this.  Ah, such is life.  The remainder of Electric Set II, which was TOO > NFA > GDTRFB > Morning Dew (great energy, and very good "dynamics") were not disappointing.  These were mostly their current forms of the songs, so I need not go into details of these songs.

A slight break (I believe it was about 15 minutes) took place, and the Dead set up for the 3rd electric set.  And we would not be denied for good music.

SET III:
I had to keep looking (literally!) at my editing sheets to remind myself of the year... Dark Star's keyboards were almost identical to the typical Keith riffs and fills, except that it was Brent on the electric piano.  This 14+ minute song was a dream!  You could picture Keith playing, rather than Brent, and Jerry was just letting it rip.  Hard on the vocals, well done with his solos and fills, he spanned his repertoire of playing.  The verses were short, leaving the audience a lot of music to absorb.  This is a Dark Star which you want to play over and over again, as it was a 1970's style version.  Well received (remember, the audience mikes were still on slightly!) and very much enjoyed, the audience had to be disappointed to hear it end.

The DS > Bertha segue was SHORT... and I mean THREE MEASURES SHORT!  No, this wasn't a tape splice, this is how it was.  And because of the lack of compression and limiting, Jerry was really belting out the vocals, and I was in heaven.  Damn, this man could sing when he wanted to, and this Bertha is one of my all-time favorites!

Upon first (and maybe 2nd or 3rd) listening, you would think that I started Track 3 (Good Lovin') way too soon.  But the GL riffs were in there, buried in the rest of the music.  So, I start the songs where the actual song becomes apparent, not from any "teaser".  Bobby, worn and weary from this night, mustered up his energy and did a Pigpen-energy Good Lovin'.  Weir was not going to leave the audience disappointed, and he dished up this song in high-octane-Dead style.

The most unusual thing about the Electric sets: NOT A SINGLE BRENT SONG.  Those of you who are Brent fans are going to be disappointed that all you get are his backup vocals (which were very good), and his style of playing that night (which was VERY good).  I don't know why it was this way, but since I haven't heard the Acoustic opening set at all, I don't know how much Mydland contributed in that set.

Now comes the "downer of the night".  Probably the most disappointing Baby Blue I have ever been graced with listening to.  I'm sorry if this offends anyone, but the combo of Jerry and Joan Baez DOES NOT WORK.  Here's a man who keeps his vocals short and sweet, and a folk singer who stretches out each word in that (sometimes unbearable) falsetto/vibrato voice of hers.  Picture in your mind the worse Donna/Jerry vocal duet, multiply it by about 500, and that's the Baby Blue for the closer.  It simply didn't work.  My mind kept telling me to leave the song out, and just lie about it not being in the masters I got, but my Marin County source would be a little upset (my source doesn't tell me how to write my comments, I'm just given information I would have not known by listening to the show) if the entire show wasn't released.  My personal feeling: just end your listening of this great show before the encore starts.

All I can say about this show:  very 70's style in many ways, high energy, Kesey was being Kesey, and the Dead did not disappoint the audience that night.  It's a wonderful NYE show in many ways, and I hope you enjoy it as much as I did.

PERSONAL RATINGS: (on a 1 to 10 scale with 10 being excellent)
Audio Mix: 10
Audio Quality: 10
Energy Level: 9.8
Show "Completeness": 10 (not counting the missing Acoustic Set)
Song Selection: No Brent songs
Surprises: The openings of many of the songs reverted back to the 1970's era style of playing... this monitor mix (rare), and the show as a whole

**
timesheet.txt: 

Grateful Dead
12/31/81 
Oakland Auditorium Arena   Oakland, CA

"This show is dedicated to the memory of Ken Kesey, who passed away while I was editing Disc 2 at the time... he "guided me" through a very tough section which contained a large number of master volume changes! I'll shake his hand again someday, and tell him 'Thanks for the help'... and I know Ken will just give me that knowing wink of his..."
Jay Serafin, owner/chief engineer, Serafin Station Studio B

Source 14 of 20

3:48:54

SBD

Master Reels > cass > dat > cdr

Taper: Jim Voss

Scott Clugston, Charlie Miller

gd1981-12-31.156059.fob.senn421.voss.miller.clugston.flac2496

Jim Voss's Master FOB Audience Cassettes: Sennheiser 421 mics (14th row)> Sony D5

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496

Scott Clugston, Charlie Miller

View NotesNotes:
- Thanks to Jim Voss for the master FOB cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Mark Severson for the Nakamichi 700 source which supplies a 0:07 patch in the "Terrapin Station > Playin' In The Band" transition, as well as an 0:08 patch in "Drums"
- Joan Baez is backed by The Grateful Dead during her acoustic set
- "CC Rider", "Big Boss Man", "New Minglewood Blues" & "Iko Iko" with Matthew Kelly
- "It Must Have Been The Roses", "Beat It On Down The Line", "Don't Ease Me In" & "It's All Over Now, baby Blue" with Joan Baez
- "The Other One", "Not Fade Away" & "Goin' Down The Road Feeling Bad" with John Cippolina
- Other One space included in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
February 2022

Taper: Jim Voss

gd1981-12-31.156058.fob.senn421.voss.miller.clugston.flac1648

Jim Voss's Master FOB Audience Cassettes: Sennheiser 421 mics (14th row)> Sony D5

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496

View NotesNotes:
- Thanks to Jim Voss for the master FOB cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Mark Severson for the Nakamichi 700 source which supplies a 0:07 patch in the "Terrapin Station > Playin' In The Band" transition, as well as an 0:08 patch in "Drums"
- Joan Baez is backed by The Grateful Dead during her acoustic set
- "CC Rider", "Big Boss Man", "New Minglewood Blues" & "Iko Iko" with Matthew Kelly
- "It Must Have Been The Roses", "Beat It On Down The Line", "Don't Ease Me In" & "It's All Over Now, baby Blue" with Joan Baez
- "The Other One", "Not Fade Away" & "Goin' Down The Road Feeling Bad" with John Cippolina
- Other One space included in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
February 2022

Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

4:06:10

5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

gd1981-12-31.143777.5-1.tobin.flac1648

5.1 LPCM Surround Sound Mix (48k)

gd1981-12-31.143773.PandP-aud.tobin.flac1644

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 18-NOV-2018 - Trader Little Helper
- Tagged 18-NOV-2018 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Transferrer: Kevin Tobin

Patched and pitch corrected audience (44/16)

anonymous taper, Jamie Poris, Mark Severson

View NotesMajor patch during Iko Iko. Speedwise the audience was a very fast when compared to other recordings - 1.5 seconds per minute.

Brokedown House Production

Taper: anonymous taper, Jamie Poris, Mark Severson

4:05:04

Taper:

Jamie Waddell and Brian Green

gd1981-12-31.nak700.anon-severson-poris.LMPP.96611.flac16

Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's)

MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither

gd1981-12-31.nak100.field.gmb.85628.sbeok.flac16

View NotesNotes:

- there is a considerable sonic change from D3T02 to D3T05. I've tried to polish this up a little, but it's still very prominent.
Seeing how this is the only aud circulating right now, I've opted not to patch with the soundboard.

- This is a great, full sounding pull of a historic show. Many thanks to Mark for capturing it and lending his masters to LMPP to get them out.

Tapers Notes

- Jaime built the mic mixer and we all taped from the free throw line on the floor at the Oakland Auditorium. The mic's went from the mixer into my Sony TC-D5M. There was also a patch bay, but I don't remember how many decks were plugged in. I went to 10 New Years runs / shows from 1977 to 1990 and the 1981 run was my favorite.

---------------------------------------------------------

- Taped by Mark Severson, he who wishes to remain anonymous, and Jamie Poris

- Transferred by Bgreen. ( AKA "The Boss" )

- Editing and Mastering: Jamie Waddell ([email protected]) on the GEMS Edit Station.
Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither.  As always, Eternal gratitude for Bluedakota.

- First seeded to www.shnflac.net December 2008 (New Years Eve)

- A cooporative effort of Live Music preservation Project, The Gems Team, and  great group of Tapers

- contact [email protected] with questions/concerns

www.livemusicpreservationproject.com

Taper: Matt Field

FOB Nak 100's > D-5 > D-5 > Maxell UDXL I cassettes