Tennessee Jed -> | 1982-04-12 | Grateful Dead

View NotesPatch Info:
Audience Recording (shnid=9508) supplies:
Sugaree (0:49 - 0:56)
Sugar Magnolia (complete track)
Satisfaction (complete track)

Notes:
-- Set 2 is seamless
-- This is a remastered pitch corrected version of shnid=32014
-- Thanks to Joe B. Jones for his help with the pitch correction

SOURCE 2 OF 13

2:43:19

SBD

Rating:

4.67 / 3 ratings

Transferrer:

Charlie Miller and Bill Tetzeli

SHNID:

gd1982-04-12.sbd.miller.tetzeli.fix-32014.35160.reflac.flac16

Source:

SBD -> Cassette Master -> Reel -> Dat (48k)

Lineage:

Dat (Sony D8) -> VX Pocket 440 -> Sharp MV10 -> Samplitude Professional v8.01 -> FLAC ->CEP -> FLAC

Taper Notes:

View Notes---------------------------------------------------------------------------------------------------
Fix of shnid 32014

The AUD patches on the original source were not pitch corrected, so I downloaded the AUD from archive (shnid 9508) and did the pitch correction, then redid the patches in CE Pro. The patches were pitch corrected to match the SBD, the Satisfaction encore was pitch corrected to match the electronic keyboard on my laptop.

Bill Tetzeli ([email protected])
7:50 PM 6/20/2006

SOURCE 3 OF 13

gd1982-04-12.sbd.miller.32014.sbeok.flac16

Source:

SBD -> Cassette Master -> Reel -> Dat (48k)

Lineage:

Dat (Sony D8) -> VX Pocket 440 -> Sharp MV10 -> Samplitude Professional v8.01 -> FLAC

Taper Notes:

View NotesPatch Info:
Aud Cassette Master (from LMA) supplies a 2 Second patch in Sugaree and all
of Sugar Magnolia and Satisfaction. Patch was speed corrected by Jay Ashley.

Notes:
-- Seamless transition between Discs 2 and 3.

SOURCE 4 OF 13

Matrix by Dave Usborne

SHNID:

gd1982-04-12.138011.mtx.dusborne.flac16

Source:

2 source matrix by Dusborne;Soundboard (shnid:95638), Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k),Transfer Info:Dat (Sony D8) -> VX Pocket 440 -> Sharp MV10 -> Samplitude Professional v8.01 ->FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; amd Audience (shnid:113826), AUD: 2x Nakamichi CM300's > Sony TC-D5M > TDK MA-90's. Set up behind the stage, recorded from the rear-facing P.A. system. Taped by Joe Morrone;

Lineage:

MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644

SOURCE 5 OF 13

Scott Clugston and Charlie Miller

SHNID:

gd1982-04-12.141258.fob.beyer.m160.streeter.miller.clugston.flac2496

Source:

Source Info: Frank Streeter's Master FOB Audience Cassettes; Beyer M160 mics > Sony D5; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24/96)> Adobe Audition 3.0 (.wav 24/96) > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Frank Streeter for the master FOB recording
- Thanks to Charlie Miller for the transfer
- Thanks to the folks responsible for the shnid137410 source which supplies a 3:07 patch in the "Drums" > "Space" transition
- Technical difficulties resulted in the channels cutting out intermittently,as a result, "Iko Iko" from 4:23 thru the first 0:30 of "New Minglewood Blues", the first 1:11 of "Peggy O", the crowd and first 0:04 of "CC Rider" (0:18 total) are in mono
- Other One space included in "The Other One"
- Transitions smoothed

Mastered by Scott Clugston
March 2, 2018

SOURCE 6 OF 13

Scott Clugston and Charlie Miller

SHNID:

gd1982-04-12.141257.fob.beyer.m160.streeter.miller.clugston.flac1644

Source:

Taper Notes:

View NotesNotes:
- Thanks to Frank Streeter for the master FOB recording
- Thanks to Charlie Miller for the transfer
- Thanks to the folks responsible for the shnid137410 source which supplies a 3:07 patch in the "Drums" > "Space" transition
- Technical difficulties resulted in the channels cutting out intermittently,as a result, "Iko Iko" from 4:23 thru the first 0:30 of "New Minglewood Blues", the first 1:11 of "Peggy O", the crowd and first 0:04 of "CC Rider" (0:18 total) are in mono
- Other One space included in "The Other One"
- Transitions smoothed

Mastered by Scott Clugston
March 2, 2018

SOURCE 7 OF 13

gd1982-04-12.144614.aud.lamarre.berger.flac2496

Source:

source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell xl-II90's

Lineage:

nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac

SOURCE 8 OF 13

gd1982-04-12.144613.aud.lamarre.berger.flac1644

Source:

source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell xl-II90's

Lineage:

nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac

SOURCE 9 OF 13

gd1982-04-12.137411.aud.schley.flac1644

Lineage:

Set 1 (1982 1st-gen) and Set 2 (MAC) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2016

Taper Notes:

View NotesLineage is noted as best as can be recalled at this time...
Craig L. kindly provided the 1st-gen back-up tape used for Set 1.
Patches from ID-113824; Iko 0:00 > 0:19, Minglewood 0:00 > 0:10,
C.C.Rider 0:00 > 0:22, Women 0:00 > 0:20, and Drums 7:56 > 9:32.
Thanks Jon Pasternak & Charlie McGuth for organizing this project!

SOURCE 10 OF 13

gd1982-04-12.137410.aud.schley.flac2448

Lineage:

Set 1 (1982 1st-gen) and Set 2 (MAC) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 12/2016

Taper Notes:

View NotesLineage is noted as best as can be recalled at this time...
Craig L. kindly provided the 1st-gen back-up tape used for Set 1.
Patches from ID-113824; Iko 0:00 > 0:19, Minglewood 0:00 > 0:10,
C.C.Rider 0:00 > 0:22, Women 0:00 > 0:20, and Drums 7:56 > 9:32.
Thanks Jon Pasternak & Charlie McGuth for organizing this project!

SOURCE 11 OF 13

gd1982-04-12.nak300.morrone.113826.flac1644

Source:

AUD: 2x Nakamichi CM300's > Sony TC-D5M > TDK MA-90's. Set up behind the stage, recorded from the rear-facing P.A. system. Taped by Joe Morrone.

Lineage:

MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 05/2011

Taper Notes:

View NotesNot clear what caps were used on the CM300's, was likely 
the CP1's. There's a slight buzzing heard in the P.A. at times 
during the second set. No patch available for tape flip during 
Drums, small cross-fade added at 7:15. This recording has aprx 
three minutes more Drums/Space than ID-9508.

CDRs: D1 s1t01 > s1t10, D2 s2t01 > s2t05, D3 s2t06 > s2t10

SOURCE 12 OF 13

gd1982-04-12.nak300.morrone.113824.flac2448

Source:

AUD: 2x Nakamichi CM300's > Sony TC-D5M > TDK MA-90's. Set up behind the stage, recorded from the rear-facing P.A. system. Taped by Joe Morrone.

Lineage:

MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 05/2011

Taper Notes:

View NotesNot clear what caps were used on the CM300's, was likely 
the CP1's. There's a slight buzzing heard in the P.A. at times 
during the second set. No patch available for tape flip during 
Drums, small cross-fade added at 7:15. This recording has aprx 
three minutes more Drums/Space than ID-9508.

SOURCE 13 OF 13

gd82-04-12.aud.glyde.9508.sbeok.shnf

View NotesAUD>MC>DAT>CDR; via Paul; Seeded to etree by Glyde