gd82-08-04 t16 Not Fade Away | 1982-08-04 | Grateful Dead

View NotesNotes:
- Thanks to Frank Streeter for the 1st generation Reels 
- Thanks to Tim Dalton for the PCM source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Executive Crew and Kyle Holbrook for the shnid138621 Beyer M201 source which supplies an 0:11 patch in "Row Jimmy", the crowd and first few notes of "Looks Like Rain" (0:15 total), the crowd and beginning of "Never Trust A Woman" (0:26 total), the crowd and beginning of "Estimated Prophet" (0:06 total), a 0:12 patch in "Terrapin Station", a 0:21 patch in the Jam/Space out of "Terrapin Station", as well as a 0:22 patch in the "Not Fade Away > Black Peter" transition
- First few notes of "Feel Like A Stranger" clipped
- Set break announcement clipped
- NFA space included in "Not Fade Away"
- Pitch corrected

Mastered by Scott Clugston
April 7, 2018

SOURCE 2 OF 7

2:26:37

SBD

gd1982-08-04.sbd.morst.93839.flac16

Source:

SBD > ?

Lineage:

? > PCM > played through HHb CDR800 for digital signal lock > DAT (probably Panasonic SV3500 or SV3700). DAT > PCM-M1 > S/Pdif > Protools 4.1.1 > Audiomedia III PCI card > Powermac G3/266 > Protools 4.1.1 > AIFF > Powermac G4 MDD/ Dual 1.42 > Audacity 1.2.6 (tracking in 1/75 second increments) > AIFF\'s > xACT 1.64 > FLAC

Taper Notes:

View NotesNotes-
First Stagger Lee since 12-04-79

d1t08 Missing first vocal line (Looks Like Rain)
d2t01 Minor cut in start of track (Estimated)
d2t02 Cut @ :33 (Terrapin)
d2t03 Cut at start (Space)
d2t06 Cut at very end of jam (NFA)

set 2 is over 80 minutes so I have set the file names to place Never Trust a Woman at the end of disc one.

Based on the locations of the cuts, it would seem that this was mastered originally with set 1 on a C90 or C100 cassette, and set 2 on a C100. 

With the exception of the uninterrupted CC Rider here, this source seems to have the same defects as gd82-08-04.sbd.willy.7388.sbeok.shnf, but based on the complete CC Rider, I will consider this to be an upgrade to that source.

Everyone who appreciates the upgrade should thank Shane C. for requesting this in trade from my collection!

SOURCE 3 OF 7

gd82-08-04.sbd.willy.7388.sbeok.shnf

Source:

Soundboard

Lineage:

SBD>MasterCass>DAT>CD

Taper Notes:

View NotesSBD>MasterCass>DAT>CD; via Scott Whitford; Seeded to etree by Willy

SOURCE 4 OF 7

2:34:40

Taper:

Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz!

Transferrer:

Transferred by Andrew F. 08/2021

SHNID:

gd1982-08-04.153018.beyer.tompkins.flac2448

Source:

FOB Beyers mics > Sony TC-D5M > TDK MA-90's.

Lineage:

Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.

Taper Notes:

View NotesNote: Brief mic-cable drop-outs in Stranger and Mama/Mexicali,
cross-faded to mono for those passages. Patches from ID-138621
covers first 19 seconds of NTAW, and first 30 seconds of Space.

SOURCE 5 OF 7

gd1982-08-04.138621.beyerm201.holbrook.flac2448

Source:

<b/>flac24 48khz</b> Source Audience Master Recording: Beyer M 201c Location: 25 feet from RT stacks (on axis with RT stack)|side section about 15 rows off floor

Lineage:

Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II Dolby B ONPlayback: Nakamichi LX-5 -> Tascam DR680 @ 24/48Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with overall bass boost below 400Hz, & some mid cut. set 2 equalized with less bass boost.Taped by: Executive Crew: Kyle Holbrook & Olvy JohnsonTransferred by Kyle Holbrook

Taper Notes:

View Notes* levels start low, some up/down level movement then normalize around 1:45
// Tape flip
/ Our practice at the time was to stop the recorder after
every time the band stopped. The theory was saving
batteries and tape space. We would learn to record the
entire show by Spring 83! I cut dead space or faded down/up at those cuts
but there are a few harsh stops/starts-apologies from my 21 year old self!

Kiel Auditorium St. Louis MO August 4 1982
Mic Location: 25 feet from RT stacks side section about 15 rows off floor
Skip was still with us, but I can't recall if he made it into this show. Kiel auditorium is a concrete cave with awful acoustics. On top of that they busted all the tapers on the way in or near the sbd. We had tickets in the lower section about 2 sections from the speaker stacks. It didn't matter. The sound on this tape was always near the lowest of the run, and the setlist didn't have deadheads years later clamoring for it in trades. Listening back, it isn't an awful first set. I do have a distinct memory of heading back from the concessions during Promised Land and how boomy the building sounded with Phil's bass bouncing off the walls. The complete story of our summer tour can be read in the text file.

SOURCE 6 OF 7

2:31:51

Taper:

Executive Crew: Kyle Holbrook & Olvy Johnson

Transferrer:

Kyle Holbrook

SHNID:

gd1982-08-04.138620.beyerm201.holbrook.flac1644

Source:

<b/>flac16 44.1khz</b> Source Audience Master Recording: Beyer M 201c Location: 25 feet from RT stacks (on axis with RT stack)|side section about 15 rows off floor

Lineage:

Taper Notes:

View Notes* levels start low, some up/down level movement then normalize around 1:45
// Tape flip
/ Our practice at the time was to stop the recorder after
every time the band stopped. The theory was saving
batteries and tape space. We would learn to record the
entire show by Spring 83! I cut dead space or faded down/up at those cuts
but there are a few harsh stops/starts-apologies from my 21 year old self!

Kiel Auditorium St. Louis MO August 4 1982
Mic Location: 25 feet from RT stacks side section about 15 rows off floor
Skip was still with us, but I can't recall if he made it into this show. Kiel auditorium is a concrete cave with awful acoustics. On top of that they busted all the tapers on the way in or near the sbd. We had tickets in the lower section about 2 sections from the speaker stacks. It didn't matter. The sound on this tape was always near the lowest of the run, and the setlist didn't have deadheads years later clamoring for it in trades. Listening back, it isn't an awful first set. I do have a distinct memory of heading back from the concessions during Promised Land and how boomy the building sounded with Phil's bass bouncing off the walls. The complete story of our summer tour can be read in the text file.

SOURCE 7 OF 7

gd1982-08-04.136573.aud.bernstein.flac1644

Lineage:

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. July 2016

Taper Notes:

View NotesIt appears the tapers were far up and/or under the balcony, and 
despite best efforts, the recording fell prey to the building's 
janky acoustics. Start of Good Times & Estimated slightly clipped.