Encore: It's All Over Now Baby Blue | 1982-10-10 | Grateful Dead

View NotesNotes:
- Thanks to Tim Dalton for the PCM source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Charlie Miller for the shnid11074 soundboard source which supplies a 0:02.077 patch in "Tennessee Jed"
- Thanks to Rango Keshavan and Charlie Miller for the shnid93733 Sony ECM220T source which supplies a 0:04 patch at the beginning of "Loser", a 0:17 patch in "Drums", as well as a 0:12 patch in "The Wheel"
- Thanks to Richie Stankiewicz and Andrew F. for the shnid128808 Beyer M160 source which supplies a 0:33 patch in "Crazy Fingers"
- Wheel space included in "The Wheel"
- Pitch corrected
- Transitions smoothed
- Updated txt file

Mastered by Scott Clugston
March 29, 2018

SOURCE 2 OF 27

2:58:24

SBD

Transferrer:

Charlie Miller

SHNID:

gd1982-10-10.sbd.fixed.miller.110784.flac16

Source:

SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C)

Lineage:

Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16

Taper Notes:

View NotesNotes:
-- This source has the encores fixed
-- Set 2 is seamless
-- This is an upgrade to all previous SBD sources
-- This transfer has been dolby decoded and pitch corrected
-- Thanks to David Gans for lending me his tapes
-- Thanks to Joe B. Jones for his help with the pitch correction

SOURCE 3 OF 27

gd1982-10-10.sbd.fixed.miller.110783.flac24

Source:

SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C)

Lineage:

Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/24

Taper Notes:

View NotesNotes:
-- This source has the encores fixed
-- This is a 24bit/48k source not suitable for CD's
-- This is an upgrade to all previous SBD sources
-- This transfer has been dolby decoded and pitch corrected
-- Thanks to David Gans for lending me his tapes
-- Thanks to Joe B. Jones for his help with the pitch correction

SOURCE 4 OF 27

gd1982-10-10.sbd.miller.110628.flac24

Source:

SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C)

Lineage:

Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/24

Taper Notes:

View NotesNotes:
-- This is a 24bit/48k source not suitable for CD's
-- This is an upgrade to all previous SBD sources
-- This transfer has been dolby decoded and pitch corrected
-- Thanks to David Gans for lending me his tapes
-- Thanks to Joe B. Jones for his help with the pitch correction

SOURCE 5 OF 27

gd1982-10-10.sbd.miller.110626.flac16

Source:

SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C)

Lineage:

Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16

Taper Notes:

View NotesNotes:
-- Set 2 is seamless
-- This is an upgrade to all previous SBD sources
-- This transfer has been dolby decoded and pitch corrected
-- Thanks to David Gans for lending me his tapes
-- Thanks to Joe B. Jones for his help with the pitch correction

SOURCE 6 OF 27

Matrix by Hunter Seamons

SHNID:

gd1982-10-10.mtx.seamons.fix.92058.sbeok.flac16

Source:

MATRIX MIX: SBD/AUD (About 60%/40%)

Taper Notes:

View NotesMATRIX MIX: SBD/AUD (About 60%/40%)

-----------------------------------------------------------------

AUD: Sony ECM-220T Mics>Sony TC-D5 MAC>DAT>CDR>EAC
Recorded by Rango Keshavan
Special thanks to Kurt Thompson for the FLAC files

-----------------------------------------------------------------

SBD: MC>DAT>ZA2>CD>EAC>SHN

-----------------------------------------------------------------
Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 
08/13/07 Remastered: 05/30/08  

Notes:

1) The high gain of the AUD was decreased by 10 dB.

2) The low gain of the SBD was decreased by 5 dB.

3) The SBD first set and encores were originally about 3% fast. This is FAST.

4) There is occasional static in both sources.

5) The AUD vocals get a little more "metallic" at times, but they turned out to be pretty darn good for this matrix.

6) There were some tricky spots in syncing these, so I added some extra love.

7) This is a HUGE Bobby show. 

8) Enjoy!

Remastering Notes (05/30/08):

1)Portions of ALL songs were re-synced, except Minglewood Blues and Looks Like Rain. This means a HUGE overall improvement - 100's of edits!

2)The SBD levels in the encores were increased. They were at lower levels, originally, from the rest of the show.

3)The AUD levels during Drums and Space were increased when the SBD is not present. They were just too low before.

SOURCE 7 OF 27

gd1982-10-10.sbd.tetzeli.ayers.79903.sbeok.flac16

Source:

MC>DAT>ZA2>CD>EAC>SHN

SOURCE 8 OF 27

gd82-10-10.sbd.sacks.338.sbefail.shnf

Source:

SBD:MCass>(?)DAT>CD>EAC>SHN

Taper Notes:

View NotesSBD:MCass>(?)DAT>CD>EAC>SHN; transfer by David Hollister; via Josh Ayers; known flaws: small cut in Crazy Fingers, momentary "blip" during Saint, cut in Drums (tape flip), momentary dropout during The Wheel, the very end of Sunshine Daydream is cut; note problem with d3 on etree, fixed version up by 12/3 via Darrin Sacks (old md5s shown here?)

SOURCE 9 OF 27

Charlie Miller and Joe Noel

SHNID:

gd1982-10-10.145248.fob.sony.ecm150.keeler.miller.noel.t-flac1644

Source:

Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (TDK SA-90)

Lineage:

Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > FLAC (24-bit/96k)

Taper Notes:

View NotesEdited & Mastered by Joe Noel;
WAV > Audacity > Flac 24/96
October 22, 2018

This file set is 16 bit @ 44.1

Patch info;
- shnid 109823 (Nakamichi 700-FOB)
- s1t01 - s1t04; all
- s1t05; 02:55 - 03:27, 08:24 - end (tuning)
- s1t06; start - 00:02, 06:06 - end (tuning)
- s1t07; start - 00:09, 07:18 - end (tuning)
- s1t08; start - 00:03
- s1t10; 00:27 - 00:37
- s2t05; 04:06 - 04:27
- s2t06; 00:04 - 00:13
- s2t12; 07:12 - 07:27

Notes;
- Here's to Walt getting close, real close.
- Thank you Charlie for transferring & coordinating this effort.
- Thanks to the Bob Wagner for the patch source.
- unfortunately the first four track are missing.
- Battery conservation caused the beginning of some songs (s1) to be clipped others were within a second of the songs start.  The patches listed above were used to smooth out the transitions & create a more enjoyable listening experience.

SOURCE 10 OF 27

Charlie Miller and Joe Noel

SHNID:

gd1982-10-10.143391.FOB.ECM-150.Keeler.Miller.Noel.t-flac2496

Source:

Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (TDK SA-90)

Lineage:

Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > FLAC (24-bit/96k)

Taper Notes:

View NotesEdited & Mastered by Joe Noel;
WAV > Audacity > Flac 24/96
October 22, 2018

Patch info;
- shnid 109823 (Nakamichi 700-FOB)
- s1t01 - s1t04; all
- s1t05; 02:55 - 03:27, 08:24 - end (tuning)
- s1t06; start - 00:02, 06:06 - end (tuning)
- s1t07; start - 00:09, 07:18 - end (tuning)
- s1t08; start - 00:03
- s1t10; 00:27 - 00:37
- s2t05; 04:06 - 04:27
- s2t06; 00:04 - 00:13
- s2t12; 07:12 - 07:27

Notes;
- Here's to Walt getting close, real close.
- Thank you Charlie for transferring & coordinating this effort.
- Thanks to the Bob Wagner for the patch source.
- unfortunately the first four track are missing.
- Battery conservation caused the beginning of some songs (s1) to be clipped others were within a second of the songs start.  The patches listed above were used to smooth out the transitions & create a more enjoyable listening experience.

SOURCE 11 OF 27

gd1982-10-10.123624.senn421.gans.miller.flac16

Source:

Sennheiser 421 -> Cassette Master (Sony TC-D5M)

Lineage:

Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) ->Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16

Taper Notes:

View NotesNotes:
-- Set 2 is seamless
-- Thanks to David Gans for lending me his masters
-- David was patched out of Eddie Claridge set up at the SBD
-- Thanks to Joe B. Jones for his help with the pitch correction

SOURCE 12 OF 27

gd1982-10-10.123623.senn421.gans.miller.flac24

Source:

Sennheiser 421 -> Cassette Master (Sony TC-D5M)

Lineage:

Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) ->Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24

Taper Notes:

View NotesNotes:
-- Thanks to David Gans for lending me his masters
-- David was patched out of Eddie Claridge set up at the SBD
-- Thanks to Joe B. Jones for his help with the pitch correction

SOURCE 13 OF 27

gd1982-10-10.nak700.wagner.miller.109823.flac24

Source:

(FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Maxell XLII-S90/Dolby B)

Lineage:

Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/24

Taper Notes:

View NotesNotes:
-- Thanks to Bob Wagner for lending me his masters
-- Thanks to Joe B. Jones for his help with the pitch correction

SOURCE 14 OF 27

gd1982-10-10.nak700.wagner.miller.109822.flac16

Source:

(FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Maxell XLII-S90/Dolby B)

Lineage:

Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16

Taper Notes:

View NotesNotes:
-- Set 2 is seamless
-- Thanks to Bob Wagner for lending me his masters
-- Thanks to Joe B. Jones for his help with the pitch correction

SOURCE 15 OF 27

gd1982-10-10.sonyecm220T.keshavan.miller.93733.sbeok.flac24

Source:

(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B)

Lineage:

Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/24 (1 DVD FLAC)

Taper Notes:

View NotesNotes:
-- Thanks to Rango Keshavan for lending me his masters

SOURCE 16 OF 27

gd1982-10-10.sonyecm220T.keshavan.miller.93732.sbeok.flac16

Source:

(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B)

Lineage:

Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16

Taper Notes:

View NotesNotes:
-- Set 2 disc change is seamless
-- Thanks to Rango Keshavan for lending me his masters

SOURCE 17 OF 27

3:04:38

SHNID:

gd1982-10-10.167624.nak700.severson.miller.clugston.flac2496

SOURCE 18 OF 27

3:04:38

SHNID:

gd1982-10-10.167623.nak700.severson.miller.clugston.flac1648

SOURCE 19 OF 27

Richie Stankiewicz, Andrew F

SHNID:

gd1982-10-10.beyers.stankiewicz.128808.flac16

Source:

AUD: 2x Beyers M160's > Sony TC-D5, in the sweet spot.

Lineage:

MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 05/2014.

Taper Notes:

View NotesNote: Patches from ID-109823 as follows; Touch of Grey 6:56 thru Drums 8:00, 
Sugar Magnolia 8:15 to end of track, and Baby Blue 6:00 to end of track.

SOURCE 20 OF 27

Richie Stankiewicz and Andrew F

SHNID:

gd1982-10-10.beyers.stankiewicz.128807.flac2496

Source:

AUD: 2x Beyers M160's > Sony TC-D5, in the sweet spot.

Lineage:

MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 05/2014.

Taper Notes:

View NotesNote: Patches from ID-109823 as follows; Touch of Grey 6:56 thru Drums 8:00, 
Sugar Magnolia 8:15 to end of track, and Baby Blue 6:00 to end of track.

SOURCE 21 OF 27

gd1982-10-10.111039.nak300.hoey.flac16

Source:

Recorded, Transferred and Mastered by N. Hoey; 2 Nakamichi CM 300 > Sony TC D-5m (Dolby B)(TDK MA-90)(FOB) Nakamichi Dragon (Dolby B decoded) > Panasonic 3800 DAT (internal A/D conversion) > Soundforge (editing) > CD Architect > Mitsui disc > Toast 9 > Xact

SOURCE 22 OF 27

gd1982-10-10.mtx.seamons.ht02.110970.flac16

Source:

Matrix by Hunter Seamons using Final Cut Pro (FLAC24 > AIFF > Final Cut > AIFF CD tracking via Audacity (w/dither) > FLAC16 via xACT)

SOURCE 23 OF 27

gd1982-10-10.mtx.seamons.110744.flac24

Source:

Matrix by Hunter Seamons using Final Cut Pro (FLAC24 > AIFF > Final Cut > AIFF tracking via Audacity > FLAC24 via xACT)

SOURCE 24 OF 27

anonymous taper and Jamie Poris

Transferrer:

Brian Green and Evan K.

SHNID:

gd1982-10-10.nak700.anon-poris.LMPP.95682.flac16

Source:

3 Nak 700's (L & R Cardiods, Center Omni - 3 DB Low Pass filter) 25 foot back, Dead Center > -15 db pads > 3 mic mixer Preamp> Patchbay > Sony D5 > MAC (Dolby B )

Lineage:

MAC (Dolby B ) > CR-5A > HD-P2 > 24/96 Wave > wavelab 5 > plugins > r8brain Pro > 16/44.1 wave > cd wave > THL (lvl 8)

Taper Notes:

View NotesNotes:

- Patch midway through sugar magnolia from " from shnID 93733

- Tape flips crossfaded where applicable

- Of the two 82 frosts, this one is my choice. It's very crisp and clear
and the vocals are jsut right in the mix. Thanks again to the anon-poris-friends team
for another stellar pull!!!

Tapers Comments:

These 82 Frost shows are also a tapers choice. Taping these shows 
with the same three mic mix yielded steller recordings. Unlike the 
Greek Theater shows this venue created a much warmer vibe which seems 
to come through on these analogs.  Being a student at Stanford Jamie 
was in his element. I don't recall all of the other tapers who helped 
us make these shows but they were great.

SOURCE 25 OF 27

gd1982-10-10.mtx.seamons.86784.sbeok.shnf

Source:

See info file