1985-10-31 | Grateful Dead

View NotesSBD:D>C>D>C>D>CDR>DAE>SHN(id=19209)
Sony D8 to transfer.Sony R500>HHB CDR800 Toast 1.1 for Wav

SC Field: Schoeps CMC441(from TS, 17cm @ 90deg)> Oade M118>Oade modSony PCM-F1>master PCM>
DAW(via SEKD card)>DSP*>CD>DAE>SHN(id=20282)
Notes:* Doug Oade performed DSP on the transferred wav files using Waves REQ, RCL and C4 plug ins. 
IDR used for 32 > 16bit conversions of DAW files.Tracking and verification done by dwonk.
First BT hosting by macdaddy October 31, 2003.

(too)shntool join>resampled to 32bit float/96khz>matrix>16 bit signed pcm WAV 44100 hz>tracking>FLAC

The oade being the lowest gen was used for reference,the 2 auds ran really close together, speed correction board 
(-4.9% on average set1, -2.8 set2 flux throughout) fortunately the board was really clean,I took the liberty of repairing 
some of the usual baloon pops.  I would guarantee that the fob is the oade recording, mislabeled somewhere 
along the lines, final mix appr 60/40 sbd/aud

sbd was missing tuning between just about every song in the 1st set, the end of tennessee Jed was cut and also some 
butchering towards the end of what was there(T JED),missing 1min 25 sec of drums set 2 Missing all of encore US BLUES
severe distortion at 62.26 nfa in both sources

thanks go out to the Oade bros for sharing their diehard devotion and taping skills w/ all of us
thanks as always to Jonathan Aizen(gdiap) for keeping us stocked up on the internet archive 

a very special thanks goes out to 'Cafe Wilhelmina' in Willemstad, Curacao during my last port call
I was able to chat w/ my wife, see my kids on the webcam, and download these 3 sources while enjoying 
a very tasty treat. gave me a project to pass the time on my way home.

__________________________________________________________________________________________________________________________________________________
FOB PCM->PCM->DATs->CDR->EAC->SHN(id=2249)
I thought this was going to be a 3 source matrix but it turns out all 3 auds on the archive are Oade transfers of differing generations.
after listening to(while watching the waveforms) 
several times,
a few seconds of extra crowd at the beginning, one major glitch in the left channel, don't recall the spot
but after the .1% speed correction, the waveforms were identical, leveling slightly different, but an exact match. so i didn't
see a need to add gens to the matrix when it would have no real effect on sound. rjh

SOURCE 4 OF 17

1:59:40

SBD

Rating:

5.67 / 6 ratings

SHNID:

gd85-10-31.sbd.19209.sbeok.shnf

Source:

S:D>C>D>C>D>CDR [Note: See info file for further details]Lineage: Cassette > D8 > Sony R500>HHB CDR800Toast 1.1 for Wav via [email protected]

Lineage:

Cassette > D8 > Sony R500>HHB CDR800

Taper Notes:

View NotesS:D>C>D>C>D>CDR [Note: See info file for further details]
Lineage: Cassette > D8 > Sony R500>HHB CDR800
Toast 1.1 for Wav via [email protected]

SOURCE 5 OF 17

gd1985-10-31.sbd.zei.2028.shnf

Source:

S:C? > DAT > CDR

Lineage:

CDR > SHN > CDR > SHN

Taper Notes:

View NotesIf you find any errors please contact me.

SOURCE 6 OF 17

Rob Eaton, Scott Clugston, Charlie Miller

SHNID:

gd1985-10-31.164117.akg451.ck8.eaton.miller.clugston.flac1648

Source:

Rob Eaton's Master Audience Cassettes; AKG 451's w/ CK8 shotguns > Sony D5M

Lineage:

Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496

Taper Notes:

View NotesNotes:
- Thanks to Rob Eaton for the recording, as well as the transfer and harddrive
- Thanks to Charlie Miller for coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies the final few notes and crowd of "Tennessee Jed" (0:06 total), a 0:09 patch in "Drums", as well as a 0:40 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
December 2022

SOURCE 7 OF 17

2:10:05

Taper:

Recorded by Doug Lamarre

Transferrer:

Scott Clugston and Charlie Miller

SHNID:

gd1985-10-31.151886.senn441.lamarre.miller.clugston.flac2496

Source:

Doug Lamarre's Master Audience Cassettes (Section G, Row A, Seat 8); Sennheiser 441 mics > Sony D5M

Lineage:

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Doug Lamarre for the Master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's and the folks responsible for the Schoeps CMC4 MK41 source which supplies a 0:14 patch in the "Drums > Space" transition
- Pitch corrected

Mastered by Scott Clugston
February 2021

SOURCE 8 OF 17

2:10:05

Taper:

Recorded by Doug Lamarre

Transferrer:

Scott Clugston and Charlie Miller

SHNID:

gd1985-10-31.151885.senn441.lamarre.miller.clugston.flac1648

Source:

Doug Lamarre's Master Audience Cassettes (Section G, Row A, Seat 8); Sennheiser 441 mics > Sony D5M

Lineage:

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Doug Lamarre for the Master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's and the folks responsible for the Schoeps CMC4 MK41 source which supplies a 0:14 patch in the "Drums > Space" transition
- Pitch corrected

Mastered by Scott Clugston
February 2021

SOURCE 9 OF 17

2:11:08

SHNID:

gd1985-10-31.168185.senn.me80.hessberg.miller.clugston.flac2496

SOURCE 10 OF 17

2:11:08

SHNID:

gd1985-10-31.168184.senn.me80.hessberg.miller.clugston.flac1648

SOURCE 11 OF 17

2:09:03

SHNID:

gd1985-10-31.164118.akg451.ck8.eaton.miller.clugston.flac2496

SOURCE 12 OF 17

gd1985-10-31.126314.chasingwilma.flac24

Source:

source: (2) sennheiser 441> tcd-d5>mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

SOURCE 13 OF 17

gd1985-10-31.122146.senn.roberts.flac16

Source:

Source: Senn ME-80 > TCD5M; Conversion: Playback HK TD302 > PMD661; Processing: Audacity Pitch correction > Cdwave > Flac Frontend > Foobar2000 > TLH; Recorded by Stan Roberts

SOURCE 14 OF 17

gd1985-10-31.cpb-redo2.32864.sbeok.flac16

Lineage:

MC -> Playback on Marantz SD 4050 -> Marantz Intergrated Stereo Amp MP-68 -> SBLive! -> CDWave -> WAV -> mkwAC -> SHN.

Taper Notes:

View Notesnotes

- This recording was done to capture as much as possable. There were no tape flips requiring fast forwarding or rewinding during the actual recording. Side A of the first
tape was recorded then Side A of the second cassette. Everything was then fast forwarded at the break and the B Sides were recorded. Very little crowd noise has been removed.

Those who's ears are very susuptable to tape hiss should  stear clear of this offering. See comments on my 11/1/85 offering.

SOURCE 15 OF 17

gd85-10-31.aud-oade.remaster.20282.sbeok.shnf

Source:

Field: Schoeps CMC441 (from TS, 17cm @ 90deg) > Oade M118 > Oade modSony PCM-F1 Transfer: master PCM > DAW (via SEKD card) > DSP* > CD (mkw) > HD > mkwACT0.97b (SHN)

Lineage:

master PCM > DAW (via SEKD card) > DSP* > CD (mkw) > HD > mkwACT0.97b (SHN)

Taper Notes:

View NotesField: Schoeps CMC441 (from TS, 17cm @ 90deg) > Oade M118 > Oade modSony PCM-F1 

Transfer: master PCM > DAW (via SEKD card) > DSP* > CD (mkw) > HD > mkwACT0.97b (SHN)

SOURCE 16 OF 17

gd85-10-31.oade.connor.8793.sbeok.shnf

Source:

Oade DFOB -- Schoeps CMC441 (spaced 17cm@90deg) + CMC42 (Spread 8')> Oade M118 > Sony PCM-F1 > DAT (@44.1k)DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)> Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN(Seekable) Seeded by Dar

Taper Notes:

View NotesOade DFOB -- Schoeps CMC441 (spaced 17cm@90deg) + CMC42 (Spread 8')> 
Oade M118 > Sony PCM-F1 > DAT (@44.1k)
DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)> Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN(Seekable) Seeded by Darrin Sacks; Also to abgd via Charlie Connor

SOURCE 17 OF 17

gd85-10-31.aud-fob.sacks.2249.sbeok.shnf

Source:

FOB PCM AUD -- ??? Mics -> PCM -> DATs -> CDR (x1) -> EAC -> SHN

Taper Notes:

View NotesFOB PCM AUD  -- ??? Mics -> PCM -> DATs -> CDR (x1) -> EAC -> SHN; via Darrin Sacks, from Scott Z's seed