1985-11-01 | Grateful Dead | Relisten

Bands

Featured

Phil Lesh and Friends

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Bands

American Babies

Animal Collective

Animal Liberation Orchestra

Aquarium Rescue Unit

Assembly of Dust

Barefoot Manner

Bela Fleck and the Flecktones

Benevento Russo Duo

Bernie Worrell Orchestra

Billy & the Kids

Blueground Undergrass

Camper Van Beethoven

Choice And Company

Circles Around The Sun

Dark Star Orchestra

Dave Harrington

Dead and Company

Deep Banana Blackout

Del McCoury Band

Derek Trucks Band

Donna the Buffalo

Drive-By Truckers

ekoostik hookah

Electric Beethoven

Everyone Orchestra

Forgotten Space

From Good Homes

G. Love and Special Sauce

Godspeed You Black Emperor!

God Street Wine

Greensky Bluegrass

Greyboy Allstars

Hard Working Americans

Horseshoes and Hand Grenades

Hot Buttered Rum

Infamous Stringdusters

Jazz Mandolin Project

Jeff Austin and Chris Castino

Jeff Austin And Friends

Jeff Austin Band

Jerry Joseph and the Jackmormons

Jerry's Middle Finger

Joe Russo Presents: Hooteroll? + Plus

Joe Russo's Almost Dead

Keller Williams

King Gizzard & the Lizard Wizard

Kitchen Dwellers

Leftover Salmon

Marco Benevento

Marcus King Band

My Morning Jacket

New Riders of the Purple Sage

North Mississippi Allstars

Perpetual Groove

Pigeons Playing Ping Pong

Pink Talking Fish

Quality Cinema Band

Rumpke Mountain Boys

Smashing Pumpkins

Sound Tribe Sector 9

Steve Kimock Band

String Cheese Incident

Surprise Me Mr. Davis

Tedeschi Trucks Band

Ted Leo and the Pharmacists

The California Honeydrops

The Clock Reads

The Decemberists

The HippoCampus

The Mountain Goats

The New Mastersounds

The War on Drugs

The Wood Brothers

Trampled by Turtles

Umphrey's McGee

Widespread Panic

Powered by PanicStream

Yonder Mountain String Band

Shows

1985

Henry J. Kaiser Convention Center

Oakland, CA, USA

Henry J. Kaiser Convention Center

Oakland, CA, USA

Henry J. Kaiser Convention Center

Oakland, CA, USA

Berkeley Community Theater

Berkeley, CA, USA

Berkeley Community Theater

Berkeley, CA, USA

Berkeley Community Theater

Berkeley, CA, USA

Berkeley Community Theater

Berkeley, CA, USA

Hampton Coliseum

Hampton, VA, USA

Hampton Coliseum

Hampton, VA, USA

Springfield Civic Center

Springfield, MA, USA

Springfield Civic Center

Springfield, MA, USA

Nassau Coliseum

Uniondale, NY, USA

Nassau Coliseum

Uniondale, NY, USA

Nassau Coliseum

Uniondale, NY, USA

Cumberland County Civic Center

Portland, ME, USA

Cumberland County Civic Center

Portland, ME, USA

Providence Civic Center

Providence, RI, USA

Providence Civic Center

Providence, RI, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Irvine, CA, USA

Irvine, CA, USA

Marin Veterans Memorial Auditorium

Frost Amphitheatre

Palo Alto, CA, USA

Frost Amphitheatre

Palo Alto, CA, USA

Berkeley, CA, USA

Berkeley, CA, USA

Berkeley, CA, USA

Alpine Valley Music Theatre

East Troy, WI, USA

Alpine Valley Music Theatre

East Troy, WI, USA

River Bend Music Center

Cincinnati, OH, USA

Blossom Music Center

Cuyahoga Falls, OH, USA

Saratoga Performing Arts Center

Saratoga Springs, NY, USA

Hershey Park Stadium

Hershey, PA, USA

Merriweather Post Pavilion

Columbia, MD, USA

Merriweather Post Pavilion

Columbia, MD, USA

Pittsburgh, PA, USA

Ventura County Fairgrounds

Ventura, CA, USA

Ventura County Fairgrounds

Ventura, CA, USA

Boreal Ridge Ski Resort

Donner's Summit, CA, USA

Southern Star Amphitheater

Houston, TX, USA

Austin, TX, USA

Zoo Amphitheater

Oklahoma City, OK, USA

Starlight Theater

Kansas City, MO, USA

Red Rocks Amphitheatre

Morrison, CO, USA

Red Rocks Amphitheatre

Morrison, CO, USA

Red Rocks Amphitheatre

Morrison, CO, USA

Henry J. Kaiser Convention Center

Oakland, CA, USA

Henry J. Kaiser Convention Center

Oakland, CA, USA

Henry J. Kaiser Convention Center

Oakland, CA, USA

Devore Field, Southwestern College

Chula Vista, CA, USA

The Sportatorium

Pembroke Pines, FL, USA

Atlanta, GA, USA

Atlanta, GA, USA

Carolina Coliseum, U. of South Carolina

Columbia, SC, USA

Richmond Coliseum

Richmond, VA, USA

Richmond Coliseum

Richmond, VA, USA

Worcester, MA, USA

Worcester, MA, USA

Community War Memorial Auditorium

Rochester, NY, USA

Community War Memorial Auditorium

Rochester, NY, USA

Meadowlands Arena

East Rutherford, NJ, USA

Meadowlands Arena

East Rutherford, NJ, USA

Long Beach Arena

Long Beach, CA, USA

Long Beach Arena

Long Beach, CA, USA

Henry J. Kaiser Convention Center

Oakland, CA, USA

Henry J. Kaiser Convention Center

Oakland, CA, USA

Henry J. Kaiser Convention Center

Oakland, CA, USA

Oakland-Alameda County Coliseum

Oakland, CA, USA

Oakland-Alameda County Coliseum

Oakland, CA, USA

11/1/85

Sources

SOURCE 1 OF 17

gd1985-11-01.134979.sur5-1.tobin.flac1648

<b>flac16/48kHz</b>; 5.1 LPCM Surround Sound (48k): SBD (shnid=no shnid) SBD > ??? > CD > EAC > Wav. obtained from Lisa Biasi for video project in 2004 + AUD (shn id 91179) MAC; 2 x Sennheiser 441 > D5 > D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II). Taper: Lucien Zaleski. Transfer and Mastering: Alex Ford. Master audience cassettes provided by Mark McCue. - mixing by Kevin Tobin Source Inform

View NotesSurround Sound Mix 5.1 LPCM (48k)

---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 09-JAN-2016 - Trader Little Helper
- Tagged 09-JAN-2015 - Tag&Rename
---------------------------------------------------------

Brokedown House Production

SOURCE 2 OF 17

gd1985-11-01.134978.dts.tobin.flac16

<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shnid=no shnid) SBD > ??? > CD > EAC > Wav. obtained from Lisa Biasi for video project in 2004 + AUD (shn id 91179) MAC; 2 x Sennheiser 441 > D5 > D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II). Taper: Lucien Zaleski. Transfer and Mastering: Alex Ford. Master audience cassettes provided by Mark McCue. - DTS mixing by Kevin Tobin

View NotesDTS-Audio-CD 5.1 Mix

---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 09-JAN-2016 - Trader Little Helper
- Tagged 09-JAN-2015 - Tag&Rename
---------------------------------------------------------
Front
Left Channel SBD  -0db
Right Channel SBD -0db

Center
Mixed to mono -1db SBD

Surround
Left Channel -2db AUD
Right Channel -2db AUD

Sub/LFE
Mixed to mono -1db SBD
---------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production

SOURCE 3 OF 17

8.00 / 2 ratings

gd1985-11-01.134977.mtx.tobin.flac16

Matrix 2 Source Mix - SBD (shnid=no shnid) SBD > ??? > CD > EAC > Wav. obtained from Lisa Biasi for video project in 2004 + AUD (shn id 91179) MAC; 2 x Sennheiser 441 > D5 > D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II). Taper: Lucien Zaleski. Transfer and Mastering: Alex Ford. Master audience cassettes provided by Mark McCue. - matrix mixing by Kevin Tobin

View NotesSBD + AUD Matrix 2 Source Mix(55%-SBD/45%-AUD)
---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 09-JAN-2016 - Trader Little Helper
- Tagged 09-JAN-2015 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD 0
AUD -1

SET TWO

Stereo Matrix
SBD 0
AUD -1
---------------------------------------------------------

Brokedown House Production

SOURCE 4 OF 17

8.00 / 1 rating

Charles Bandrofcheck

Charles Bandrofcheck

gd1985-11-01.cpb.retransfer.32709.sbeok.flac16

Can't remember shotgun mics -> Sony D6 -> Maxel MX 90s. As close as they'd let you get to the left of SBD

Playback on Marantz SD 4050 -> Marantz Intergrated Stereo Amp MP-68 -> SBLive! -> CDWave -> WAV -> mkwAC -> SHN

View Notesnotes

- Gloria  (minor glitch at beginning, tape change)

- (If you listen close you can here someone yell "No")
I agree, it is pretty much a cop out encore after such
a great show.

This recording was done to capture as much as possable.
There were no tape flips requiring fast forwarding or
rewinding during the actual recording. Side A of the first
tape was recorded then Side A of the second cassette.
Everything was then fast forwarded at the break and the
B Sides were recorded. Side A of the second tape was then
advanced past where the first set ended in order to record
any second set run over and/or the encore. There were never
any pauses between tunes.

The Dick's Picks of this show is great, but a decent AUD
recording captures the real aura of the show.

SOURCE 5 OF 17

5.33 / 9 ratings

gd85-11-01.sbd.mccloskey.379.sbeok.shnf

Soundboard> ?> DAT> CDr

View NotesSoundboard> ?> DAT> CDr; R500> AES/EBU> ZA2> Cooleditpro> SHN; via Stewart McCloskey to shntraders list; not etreed; d2 tracked for 80 min; 3/01 update: this show is now Dick's Picks 21- <a href="http://mars.dead.net" rel="nofollow">go buy it</a>

SOURCE 6 OF 17

Michael Hessberg

Scott Clugston, Charlie Miller

gd1985-11-01.168186.senn.me80.hessberg.miller.clugston.flac1648

Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies some crowd and first few notes of "Brown Eyed Women" (0:20 total), a 0:31 patch in the "Comes A Time > Lost Sailor" transition, as well as an 0:11 patch in the "Gimme Some Lovin' > She Belongs To Me" transition
- Pitch corrected

Mastered by Scott Clugston
April 2024

SOURCE 7 OF 17

Scott Clugston and Charlie Miller

gd1985-11-01.151916.senn441.lamarre.miller.clugston.flac2496

Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496

View NotesNotes:
- Thanks to Doug Lamarre for the Master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's and the folks responsible for the Schoeps CMC4 MK41 source which supplies some crowd and the beginning of "Brown eyed Women" (0:30 total), some crowd and beginning of "Jack Straw" (0:15 total), the "High Time > He's Gone" transition (0:21 total), as well as a 0:16 patch in the jam out of "Lost Sailor"
- Pitch corrected

Mastered by Scott Clugston
February 2021

SOURCE 8 OF 17

Scott Clugston and Charlie Miller

gd1985-11-01.151915.senn441.lamarre.miller.clugston.flac1648

Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496

View NotesNotes:
- Thanks to Doug Lamarre for the Master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's and the folks responsible for the Schoeps CMC4 MK41 source which supplies some crowd and the beginning of "Brown eyed Women" (0:30 total), some crowd and beginning of "Jack Straw" (0:15 total), the "High Time > He's Gone" transition (0:21 total), as well as a 0:16 patch in the jam out of "Lost Sailor"
- Pitch corrected

Mastered by Scott Clugston
February 2021

SOURCE 9 OF 17

gd1985-11-01.168187.senn.me80.hessberg.miller.clugston.flac2496

SOURCE 10 OF 17

gd1985-11-01.126321.chasingwilma.flac24

source: (3) audio technica atm 11 (fob)> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

SOURCE 11 OF 17

9.00 / 4 ratings

gd1985-11-01.beyerM88.berger.97646.flac24

beyer m88's>sony d5, tdk ma-r90's

nak dragon>hd-p2 24/48>adobe>cd wave>flac

View Notesunfortunate tape flips at start of Lost Sailor and during Gloria. drums are faded out.

SOURCE 12 OF 17

9.33 / 3 ratings

gd1985-11-01.fob.senn421.koucky.gmb.96195.flac24

2x Sennheiser 421 > Sony TC-D5 > Sony TC-D5 Master Cassettes Maxell MX-90's Location: FOB, 20' from stage. Center patched out of Steve Adleman.

Nakamichi DR-1 > Korg MR-1 > DSF [1-bit 2.8 MHz Stereo] Rate Conversion: Korg AudioGate to WAV [24/96] Mastering in WaveLab with iZotope Ozone 3 (eq) and Waves L3 Multimaximizer > CD WAVE > TLH > Flac

View NotesMastering Notes:
No patch sources were used for tape flips or pauses. All cuts were crossfaded.
Tape flips were after Big River, in the beginning of Lost Sailor at and in the beginning of She Belongs to Me.
Pauses between songs were after Cold Rain & Snow, Stagger Lee, High Time and at Encore break before Day Job.

SOURCE 13 OF 17

8.00 / 1 rating

gd1985-11-01.fob.senn421.koucky.gmb.96194.flac16

2x Sennheiser 421 > Sony TC-D5 > Sony TC-D5 Master Cassettes Maxell MX-90's Location: FOB, 20' from stage.

Nakamichi DR-1 > Korg MR-1 > DSF [1-bit 2.8 MHz Stereo] Rate Conversion: Korg AudioGate to WAV [24/96] Mastering in WaveLab with iZotope Ozone 3 (eq) and Waves L3 Multimaximizer Rate Conversion to WAV [16/44.1] with r8brain > CD WAVE > TLH > Flac

View NotesMastering Notes:
No patch sources were used for tape flips or pauses. All cuts were crossfaded.
Tape flips were after Big River, in the beginning of Lost Sailor at and in the beginning of She Belongs to Me.
Pauses between songs were after Cold Rain & Snow, Stagger Lee, High Time and at Encore break before Day Job.

To Burn to 3 discs:
Disc 1 s1t01 - s1t10		54:11
Disc 2 s2t01 - s2t08		57:47
Disc 3 s2t09 - s2t14		40:48

SOURCE 14 OF 17

8.86 / 7 ratings

gd1985-11-01.senn441.zaleski.ford.91179.sbeok.flac16

MAC; 2 x Sennheiser 441 > D5 > D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II)

MAC > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3 (@ 24/96) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 24/96 > Waves L3 UltraMaximizer > .wav @ 16/44.1 > CD Wave Editor > TLH > flac16.

View Notes- Master audience cassettes provided by Mark McCue.
- SBE Free, files encoded @ level 8.
- shnid 9217 supplies: 
"Me My Uncle" > "Big River", 
01:48 - 03:53 of "Lost Sailor", 
01:26 - 02:19 of "She Belongs To Me" and 
02:09 - 02:21 of "Gloria".

SOURCE 15 OF 17

10.00 / 1 rating

gd1985-11-01.dts.haugh.34558.sbeok.flac16

DTS-Audio-CD 5.1 Mix

View Notes---------------------------------------------------------

Source Info

SBD
Set I SBD > ? > DAT > CDR (likely a cassette master)
Set 2 SBD > PCM > DAT > CDR

AUD
FOB: Schoeps CMC441s (90deg, 17cm) with single Omni center
channel mic (CMC42 offset ~ 8' - mixed into main pair of
CMC 441s) > custom mixer made by Doug Oade (M118 circuit
in a 3 channel package) > Oade mod SONY PCM-F1

---------------------------------------------------------

Tech Notes

I used EAC in secure mode to extract all tracks at 100%
no reported errors.  Cool Edit Pro 2.0 was used to align &
synch the 3 sources.  SF6.0 used to adjust the volume
for the center and LFE channels.  Surcode CD Pro DTS was
used to encode to DTS.  -3db was NOT applied to the rear
channels.  Both of the  sources for the front and rear
channels were left at their original levels.
- Mixed by dan@am-dig.com
- Shn conversion 19-MAY-2004
- Coverted to FLAC 13-APL-06
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.

---------------------------------------------------------

DTS-Audio-CD Info
Set 1

Front
Left Channel SBD > ? >  DAT
Right Channel SBD > ? >  DAT  

Center  
Mixed to Mono -2.75db SBD > ? >  DAT

Surround  
Left Channel Schoeps CMC441s + Omni CMC42
Right Channel Schoeps CMC441s + Omni CMC42

Sub/LFE  
Mixed to Mono -3db SBD > ? >  DAT

Set 2

Front
Left Channel SBD > PCM >  DAT
Right Channel SBD > PCM >  DAT  

Center  
Mixed to Mono -2.75db SBD > PCM >  DAT

Surround  
Left Channel Schoeps CMC441s + Omni CMC42
Right Channel Schoeps CMC441s + Omni CMC42

Sub/LFE  
Mixed to Mono -3db SBD > PCM >  DAT

---------------------------------------------------------

Notes

*Important*  One of my earlier surround mixes. I would no
longer run the center or sub channel this high in the
mix.  This is an easy end-user adjustment and I suggest
you do so.  In other words, decrease the volume on the
center channel and on your sub.

Disc 2 and 3 can be assembled seamlessly on longer media.

Quite a bit of meaningless between song "dead" air was
missing on the SBD source.  The FOB was seamlessly edited
to match.  No music, no stage talk or tuning was missing,
just crowd noise. The result is smooth and most likely
completely undetectable.

1:36.386 of crowd was missing on the SBD source between
Cold, Rain & Snow and Little Red Rooster.

1:22.669 of crowd was missing on the SBD source between
Stagger Lee and Me & My Uncle.

0:01.879 of crowd was missing on the SBD source between
Samson & Delilah and High Time.

0:11.655 of crowd was missing on the SBD source between
Gloria and Day Job.

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital.  While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD.  To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure that
your receiver will recognize a DTS-Audio-CD, so the first
time you're trying to playback a DTS-Audio-CD you must do
a test to determine if it can. Begin with the volume very
low, start the disc and rise the volume gradually. NEVER
listen to a DTS-Audio-CD through the analogue audio outputs
of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any normal
Audio-CD from FLAC files.

---------------------------------------------------------

More Info On The AUD Recording

Source:     Audience (Tapers? Section) ? Digital Master
Mics:       Schoeps (2 x CMC441, 1 x CMC42)
Processor:  Sony PCM-F1 (Oade Modified)
Tape Deck:  Sony Portable BetaMax
Taper:      Oades
Tracked:    Conrad

Transfer:
Master PCM > DAW (via SEKD card) > DSP* > CD data > HD >
compressed with mkwACT0.97b (mkw) > CDR

DSP Notes:
Doug Oade performed DSP on the transferred wav files using
Waves REQ, RCL and C4 plug ins. IDR used for 32 > 16 bit
conversions of DAW files.

Tracked:
CD-R > HD > verified mkw signature file - converted mkw
to wav (mkwACT0.97b) > Tracked with CD Wave v.1.91 >
compressed with mkwACT0.97b (SHN trackable - sector boundaries
verified with shntool v1.02)

---------------------------------------------------------

SOURCE 16 OF 17

9.18 / 22 ratings

gd85-11-01.aud-oade.remaster.20416.sbeok.shnf

Schoeps CMC441s (90deg, 17cm) with single Omni center channel mic (CMC42 offset ~ 8' - mixed into main pair of CMC 441s) > custom mixer made by Doug Oade (M118 circuit in a 3 channel package) > Oade mod SONY PCM-F1

View NotesSchoeps CMC441s (90deg, 17cm) with single Omni center channel mic (CMC42 offset ~ 8' - mixed into main pair of CMC 441s) > custom mixer made by Doug Oade (M118 circuit in a 3 channel package) > Oade mod SONY PCM-F1 [recorded by the Oade Brothers]

SOURCE 17 OF 17

8.90 / 40 ratings

gd85-11-01.oade.connor.9217.sbeok.shnf

Oade DFOB -- Schoeps CMC441 (spaced 17cm@90deg) + CMC42 (Spread 8')> Oade M118 > Sony PCM-F1 > DAT (@44.1k)

View NotesSources: Primary Source:Oade DFOB -- Schoeps CMC441 (spaced 17cm@90deg) + CMC42 (Spread 8')> Oade M118 > Sony PCM-F1 > DAT (@44.1k)
DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable: Secondary Source:Charlie Connor's Cassette Master: FOB>Beyer M88's>Sony TCM D5>Wav:The Secondary Source Supplies patch on d1t02 3:28-3:34: Seeded to etree by Darrin Sacks with thanks to JJ; also to abgd via Charlie Connor; 3/01 update: this date is now released as <a href="http://www.dead.net/merchandising/music/grateful_dead/Dicks_Picks_5/index.html" rel="nofollow">Dick's Picks 21</a>- go buy that