Might As Well | 1986-03-23 | Grateful Dead

177

Playback	Listens	Hours
48h	6	46m
7d	34	4
30d	177	20

3:08:48

13 tapes

12/30SBD

161

Playback	Listens	Hours
48h	44	5
7d	34	4
30d	161	18

2:59:23

19 tapes

12/28SBD

Playback	Listens	Hours
48h	37	4
7d	9	59m
30d	67	8

2:19:49

20 tapes

12/27SBD

Oakland-Alameda County Coliseum

339

Playback	Listens	Hours
48h	59	6
7d	110	10
30d	339	32

2:14:54

18 tapes

12/17SBD

Oakland-Alameda County Coliseum

Playback	Listens	Hours
48h	23	3
7d	49	6
30d	95	11

2:59:59

25 tapes

12/16SBD

Oakland-Alameda County Coliseum

177

Playback	Listens	Hours
48h	33	4
7d	54	6
30d	177	20

2:56:06

19 tapes

12/15SBD

Alpine Valley Music Theatre

628

Playback	Listens	Hours
48h	12	1
7d	101	12
30d	628	72

Playback	Listens	Hours
48h	1	5m
7d	67	5
30d	80	6

Playback	Listens	Hours
48h	1	9m
7d	43	5
30d	150	18

Playback	Listens	Hours
48h	10	1
7d	54	6
30d	218	25

Playback	Listens	Hours
48h	13	1
7d	47	5
30d	376	37

1:53:56

14 tapes

7/02SBD

Rubber Bowl, U. of Akron

Akron, OH, USA

180

Playback	Listens	Hours
48h	5	32m
7d	13	1
30d	180	18

2:12:05

16 tapes

6/30SBD

River Bend Music Center

Cincinnati, OH, USA

150

Playback	Listens	Hours
48h	9	1
7d	36	4
30d	150	17

2:15:00

13 tapes

6/29SBD

East Troy, WI, USA

316

Playback	Listens	Hours
48h	0	0m
7d	34	4
30d	316	33

2:11:07

10 tapes

6/28SBD

Alpine Valley Music Theatre

East Troy, WI, USA

474

Playback	Listens	Hours
48h	0	0m
7d	53	5
30d	474	52

2:05:06

13 tapes

6/26SBD

Hubert H. Humphrey Metrodome

Minneapolis, MN, USA

Playback	Listens	Hours
48h	10	1
7d	0	0m
30d	88	10

Playback	Listens	Hours
48h	0	0m
7d	15	2
30d	282	31

Playback	Listens	Hours
48h	12	1
7d	6	32m
30d	260	28

Playback	Listens	Hours
48h	30	3
7d	22	3
30d	212	23

Playback	Listens	Hours
48h	45	5
7d	74	8
30d	428	46

Playback	Listens	Hours
48h	52	8
7d	124	16
30d	522	68

Playback	Listens	Hours
48h	8	56m
7d	30	3
30d	219	23

Playback	Listens	Hours
48h	1	3m
7d	46	6
30d	401	48

2:13:36

8 tapes

4/22SBD

198

Playback	Listens	Hours
48h	18	2
7d	55	7
30d	198	25

2:27:50

6 tapes

4/21SBD

161

Playback	Listens	Hours
48h	1	4m
7d	28	3
30d	161	20

2:25:24

6 tapes

4/19SBD

285

Playback	Listens	Hours
48h	57	7
7d	43	5
30d	285	36

2:06:15

7 tapes

4/18SBD

Cumberland County Civic Center

198

Playback	Listens	Hours
48h	53	6
7d	2	5m
30d	198	22

Playback	Listens	Hours
48h	44	6
7d	20	3
30d	98	12

Playback	Listens	Hours
48h	39	5
7d	30	4
30d	93	11

2:22:35

6 tapes

4/04

Hartford Civic Center

Hartford, CT, USA

196

Playback	Listens	Hours
48h	31	3
7d	44	5
30d	196	20

2:19:57

16 tapes

4/03SBD

Hartford Civic Center

Hartford, CT, USA

269

Playback	Listens	Hours
48h	23	3
7d	89	11
30d	269	31

2:26:13

20 tapes

4/01SBD

Providence Civic Center

Providence, RI, USA

125

Playback	Listens	Hours
48h	0	0m
7d	24	3
30d	125	17

2:23:08

18 tapes

3/31SBD

Providence Civic Center

Providence, RI, USA

246

Playback	Listens	Hours
48h	0	0m
7d	113	13
30d	246	29

2:08:56

19 tapes

3/30SBD

Providence Civic Center

Providence, RI, USA

225

Playback	Listens	Hours
48h	4	26m
7d	28	3
30d	225	25

2:37:13

15 tapes

3/28SBD

Portland, ME, USA

240

Playback	Listens	Hours
48h	11	1
7d	69	7
30d	240	25

2:11:55

21 tapes

3/27SBD

Cumberland County Civic Center

Portland, ME, USA

229

Playback	Listens	Hours
48h	1	4m
7d	30	4
30d	229	26

Philadelphia, PA, USA

349

Playback	Listens	Hours
48h	6	44m
7d	36	4
30d	349	40

Philadelphia, PA, USA

368

Playback	Listens	Hours
48h	0	0m
7d	52	6
30d	368	38

Philadelphia, PA, USA

401

Playback	Listens	Hours
48h	15	2
7d	73	9
30d	401	48

Playback	Listens	Hours
48h	22	3
7d	117	15
30d	273	35

Playback	Listens	Hours
48h	22	3
7d	4	25m
30d	242	30

Playback	Listens	Hours
48h	21	2
7d	34	3
30d	285	30

2:30:35

25 tapes

2/14SBD

341

Playback	Listens	Hours
48h	7	51m
7d	45	5
30d	341	39

4:31:43

12 tapes

2/12SBD

298

Playback	Listens	Hours
48h	9	1
7d	11	1
30d	298	38

2:54:33

10 tapes

2/11SBD

328

Playback	Listens	Hours
48h	0	0m
7d	27	3
30d	328	38

2:17:07

14 tapes

2/09SBD

180

Playback	Listens	Hours
48h	16	2
7d	24	3
30d	180	19

2:01:34

9 tapes

2/08SBD

gd1986-03-23.142392.sbd.miller.flac1648

467

Playback	Listens	Hours
48h	40	4
7d	83	9
30d	467	48

2:27:10

7 tapes

Sources

Transferrer: Charlie Miller

SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k)

Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/

View NotesNotes:
-- Thanks to Rob Eaton for the Dats
-- Thanks to the Oade Brothers for the patch source

Transferrer: Andrew F. and Andrew F

Andrew F. and Andrew F

gd1986-03-23.133940.sbd.set2partial.andrewf.flac1644

Partial Set 2 Source: SBD > ? > Cassette.

Hitachi ME-Metal > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Andrew F. 08/2015

Scott Clugston, Charlie Miller

View NotesNote: This was found on an unmarked tape that contained a compilation 
of various 1986 soundboard material. Hopefully the rest will surface...

Taper: Stephen Thomas

gd1986-03-23.172448.nak304.thomas.miller.clugston.flac2496

Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5M

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496

Scott Clugston, Charlie Miller

View NotesNotes:
- Thanks to Stephen Thomas for the master cassettes
- Thanks to Charlie Miller for coordinating this effort
- Thanks to the folks responsible for the Oade brothers Schoeps CMC4 MK41 source which supplies a 0:17 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
January 2024

Taper: Stephen Thomas

gd1986-03-23.172447.nak304.thomas.miller.clugston.flac1648

Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5M

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496

Scott Clugston and Charlie Miller

View NotesNotes:
- Thanks to Stephen Thomas for the master cassettes
- Thanks to Charlie Miller for coordinating this effort
- Thanks to the folks responsible for the Oade brothers Schoeps CMC4 MK41 source which supplies a 0:17 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
January 2024

Taper: Michael Hessberg

gd1986-03-23.156623.senn.me80.hessberg.miller.clugston.flac2496

Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

Scott Clugston and Charlie Miller

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies an 0:09 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
May 2020

Taper: Michael Hessberg

gd1986-03-23.156622.senn.me80.hessberg.miller.clugston.flac1648

Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

Scott Clugston and Charlie Miller

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies an 0:09 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
May 2020

Taper: Ted Mattes

gd1986-03-23.148873.senn441.mattes.miller.clugston.flac2496

Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

Scott Clugston and Charlie Miller and Jim Wise

View NotesNotes:
- Thanks to Ted Mattes and Robby Hunt for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:15 patch in the "Drums > Space" transition
- Debut Of "Desolation Row"
- Other One space included in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
December 2019

Taper: Oade Brothers

gd1986-03-23.141998.fob.oade.schoeps.cmc4.mk41.wise.miller.clugston.flac1644

Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16

gd1986-03-23.159373.OTS-Nak300.pasterrnak.vernon.flac2448

View NotesNotes:
- Thanks to the Oade brothers and crew for their master recording(s), as well as a proper transfer to hard disk
- Thanks to Jim Wise for the hard disk
- Thanks to Charlie Miller for coordinating this effort
- Thanks to Tony Suraci for the shnid79879 Nakamichi 304 source which supplies a 0:01.2 patch at the end of "Mama Tried"
- Other One space included in "The Other One"
- Another fine Oade capture

Mastered by Scott Clugston
May 17, 2018

Taper: Jon Pasternak

OTS Nak CM300/CP-4/Marantz PMD 420/TDK MA 90

All transfers made from Nakamchii DR-3 to SD 722 at 24/48

gd1986-03-23.159372.OTS-Nak300.pasterrnak.vernon.flac1648

View NotesTracking by Matt Vernon

- vol adjustments at beginning of Gimmie Some Lovin
- tape flip in space

This is a 24 bit 48khx fileset

Taper: Jon Pasternak

OTS Nak CM300/CP-4/Marantz PMD 420/TDK MA 90

All transfers made from Nakamchii DR-3 to SD 722 at 24/48

Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney

View NotesTracking by Matt Vernon

- vol adjustments at beginning of Gimmie Some Lovin
- tape flip in space

This is a 16 bit 48khz fileset

Taper: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney

2:06:44

Taper:

Transferrer:

Kyle Holbrook

gd1986-03-23.156077.beyerm201-murtha.holbrook.flac2448

Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 40' from stage; DFC; chest height on stand This Source: 1st Gen AUDCA Maxell MX90 No NR [KH; SM master]

Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney

View Notes##- not on the master tapes; replaced with SHN ID:111956; https://archive.org/details/gd1986-03-23.111956.beyer-senn.daweez.d5scott.flac16

Comments:
First known Grateful Dead version of "Willie & The Hand Jive"
There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour.
It is present only when they are playing, not during breaks.
I listened to several FOB audience sources from this tour and they all have this "noise".

Taper: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney

2:06:44

Taper:

Transferrer:

Kyle Holbrook

gd1986-03-23.156076.beyerm201-murtha.holbrook.flac1644

Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 40' from stage; DFC; chest height on stand This Source: 1st Gen AUDCA Maxell MX90 No NR [KH; SM master]

gd1986-03-23.148872.senn441.mattes.miller.clugston.flac1648

View Notes##- not on the master tapes; replaced with SHN ID:111956; https://archive.org/details/gd1986-03-23.111956.beyer-senn.daweez.d5scott.flac16

Comments:
First known Grateful Dead version of "Willie & The Hand Jive"
There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour.
It is present only when they are playing, not during breaks.
I listened to several FOB audience sources from this tour and they all have this "noise".

Taper: Ted Mattes

Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

gd1986-03-23.133873.cmc34-fob.deemph.flac16

View NotesNotes:
- Thanks to Ted Mattes and Robby Hunt for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:15 patch in the "Drums > Space" transition
- Debut Of "Desolation Row"
- Other One space included in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
December 2019

Taper: Unknown

FOB Schoeps CMC3s/MK4s>PCM>DAT;

View Notes*de-emphasis version of SHNID 132708*

July 26, 2015 - the FLACs sounded way too bright with a high noise floor
Applied deemphasis musing xACT 2.34 by chillwig #ripbrent

Taper: Unknown

2:18:38

Transferrer:

mark lynn and datbrad

gd1986-03-23.132708.fob-schoeps.datbrad.flac16

FOB Schoeps CMC3s/MK4s>PCM>DAT;

Taper: chasingwilma

gd1986-03-23.127536.chasingwilma.flac24

source: schoeps CMC 44> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

Taper: Da Weez

gd1986-03-23.111956.beyer-senn.daweez.d5scott.flac16

Source: 2 Beyer M160 & 1 Sennheiser 421 Microphones (up front-center) > Nak MX100 w/2001 > Sony TC-D5M (dolby off) - master analog cassettes;

Sony TC-D5M (original record deck-dolby off) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files

gd1986-03-23.nak100.holtz.jaz.102167.flac16

View Notes---------------------------------
R.I.P. Sandy - aka "Bigfoot"  
---------------------------------

Taper: Greg Holtz

Nakamichi cm 100's w/shotguns -> Sony TC-D5

Master Cassettes (Maxell MX90 Metaxial) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate convertion -> Traders Little Helper flac8

Taper: Joe D'Amico

gd1986-03-23.nak300.damico.87649.flac16

nak 300 mics w/cp4 shotguns > sony d-5

nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend

Taper: Tony Suraci

gd1986-03-23.nakcm304.suraci.sbeok.79879.flac16

Nak CM304's>SonyD5

Nak CR5A>Lunatec V3>Sd722

gd1986-03-23.nak300.mandel.79565.shnf

View Notes* Recorded from directly behind SBD, very close to center.
Notes: This is the 16Bit version. 24 Bit is archived on DVDA.

Taper: Brian Mandel

Nakamichi 300 Shotguns CP4's & Sony TCD5M

Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn

Source 22 of 23

2:19:20

MAC (Sony TCD5M 2Sennheiser ME-80 & 2 Sennheiser 441's)

Source 23 of 23

MAC (Sony TCD5M 2Sennheiser ME-80 & 2 Sennheiser 441's) > wav > shn