gd86-03-28 s2t11 Good Lovin'.mp3 | 1986-03-28 | Grateful Dead

177

Playback	Listens	Hours
48h	27	3
7d	4	27m
30d	177	20

3:08:48

13 tapes

12/30SBD

272

Playback	Listens	Hours
48h	31	3
7d	48	5
30d	272	30

2:59:23

19 tapes

12/28SBD

117

Playback	Listens	Hours
48h	23	3
7d	30	3
30d	117	13

2:19:49

20 tapes

12/27SBD

Oakland-Alameda County Coliseum

424

Playback	Listens	Hours
48h	47	4
7d	52	5
30d	424	40

2:14:54

18 tapes

12/17SBD

Oakland-Alameda County Coliseum

208

Playback	Listens	Hours
48h	1	12m
7d	47	6
30d	208	25

2:59:59

25 tapes

12/16SBD

Oakland-Alameda County Coliseum

204

Playback	Listens	Hours
48h	7	41m
7d	41	5
30d	204	23

2:56:06

19 tapes

12/15SBD

Alpine Valley Music Theatre

597

Playback	Listens	Hours
48h	19	2
7d	100	12
30d	597	70

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	76	6

Playback	Listens	Hours
48h	10	1
7d	78	9
30d	190	22

Playback	Listens	Hours
48h	7	47m
7d	81	9
30d	291	33

Playback	Listens	Hours
48h	28	3
7d	42	4
30d	397	39

1:53:56

14 tapes

7/02SBD

Rubber Bowl, U. of Akron

Akron, OH, USA

214

Playback	Listens	Hours
48h	33	3
7d	10	1
30d	214	21

2:12:05

16 tapes

6/30SBD

River Bend Music Center

Cincinnati, OH, USA

170

Playback	Listens	Hours
48h	13	2
7d	23	3
30d	170	19

2:15:00

13 tapes

6/29SBD

East Troy, WI, USA

279

Playback	Listens	Hours
48h	15	2
7d	9	41m
30d	279	29

2:11:07

10 tapes

6/28SBD

Alpine Valley Music Theatre

East Troy, WI, USA

444

Playback	Listens	Hours
48h	22	2
7d	52	5
30d	444	48

2:05:06

13 tapes

6/26SBD

Hubert H. Humphrey Metrodome

Minneapolis, MN, USA

Playback	Listens	Hours
48h	226	24
7d	2	15m
30d	75	9

Playback	Listens	Hours
48h	18	2
7d	1.1k	126
30d	1.4k	152

Playback	Listens	Hours
48h	4	23m
7d	577	63
30d	823	90

Playback	Listens	Hours
48h	0	0m
7d	116	12
30d	681	75

Playback	Listens	Hours
48h	5	31m
7d	47	5
30d	338	37

Playback	Listens	Hours
48h	14	2
7d	43	5
30d	477	63

Playback	Listens	Hours
48h	0	0m
7d	25	3
30d	159	16

Playback	Listens	Hours
48h	22	3
7d	12	1
30d	256	30

2:13:36

8 tapes

4/22SBD

155

Playback	Listens	Hours
48h	12	1
7d	14	2
30d	155	20

2:27:50

6 tapes

4/21SBD

160

Playback	Listens	Hours
48h	5	37m
7d	37	5
30d	160	20

2:25:24

6 tapes

4/19SBD

420

Playback	Listens	Hours
48h	5	25m
7d	138	18
30d	420	53

2:06:15

7 tapes

4/18SBD

Cumberland County Civic Center

145

Playback	Listens	Hours
48h	11	1
7d	3	9m
30d	145	16

Playback	Listens	Hours
48h	18	2
7d	9	1
30d	133	17

Playback	Listens	Hours
48h	19	2
7d	12	1
30d	89	11

2:22:35

6 tapes

4/04

Hartford Civic Center

Hartford, CT, USA

157

Playback	Listens	Hours
48h	2	14m
7d	14	2
30d	157	16

2:19:57

16 tapes

4/03SBD

Hartford Civic Center

Hartford, CT, USA

296

Playback	Listens	Hours
48h	3	17m
7d	21	2
30d	296	35

2:26:13

20 tapes

4/01SBD

Providence Civic Center

Providence, RI, USA

107

Playback	Listens	Hours
48h	0	0m
7d	37	5
30d	107	14

2:23:08

18 tapes

3/31SBD

Providence Civic Center

Providence, RI, USA

354

Playback	Listens	Hours
48h	2	10m
7d	74	8
30d	354	41

2:08:56

19 tapes

3/30SBD

Providence Civic Center

Providence, RI, USA

173

Playback	Listens	Hours
48h	24	3
7d	26	3
30d	173	19

2:37:13

15 tapes

3/28SBD

Portland, ME, USA

244

Playback	Listens	Hours
48h	28	3
7d	49	5
30d	244	25

2:11:55

21 tapes

3/27SBD

Cumberland County Civic Center

Portland, ME, USA

248

Playback	Listens	Hours
48h	13	1
7d	62	7
30d	248	28

Philadelphia, PA, USA

238

Playback	Listens	Hours
48h	18	2
7d	14	2
30d	238	27

Philadelphia, PA, USA

254

Playback	Listens	Hours
48h	13	1
7d	11	1
30d	254	27

Philadelphia, PA, USA

372

Playback	Listens	Hours
48h	0	0m
7d	29	3
30d	372	44

Playback	Listens	Hours
48h	2	19m
7d	20	3
30d	321	41

Playback	Listens	Hours
48h	0	0m
7d	12	1
30d	226	28

Playback	Listens	Hours
48h	0	0m
7d	27	3
30d	253	26

2:30:35

25 tapes

2/14SBD

806

Playback	Listens	Hours
48h	23	3
7d	506	58
30d	806	92

4:31:43

12 tapes

2/12SBD

286

Playback	Listens	Hours
48h	9	1
7d	16	2
30d	286	36

2:54:33

10 tapes

2/11SBD

188

Playback	Listens	Hours
48h	0	0m
7d	23	3
30d	188	21

2:17:07

14 tapes

2/09SBD

142

Playback	Listens	Hours
48h	4	28m
7d	3	17m
30d	142	15

2:01:34

9 tapes

2/08SBD

375

Playback	Listens	Hours
48h	18	2
7d	19	2
30d	375	38

2:27:10

7 tapes

Sources

Source 1 of 21

1:14:39

SBD

gd1986-03-28.sbd-set2.browning.31603.flac16

SBD (Tascam322 to Marantz CDR500) > CDR

CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC Frontend

View NotesThe SBD tape was missing aprx 1:17 of Space and the very beginning of The Wheel. I grabbed the MAC source from the archive and used Soundforge to patch-in the missing part with cross-fades. Also used Soundforge to repair the pitch on the sbd source, and made fades for the start and end. I also retracked everything with CD-Wave, checked SBE-OK and made checksums with TLH. There's some minor hiss and cassette tape noise, but not bad at all. Nov 2005 - ENJOY!

Taper: Doug Lamarre

gd1986-03-28.167374.senn441.lamarre.miller.clugston.flac2496

Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 > Tascam Hi-Res Editor (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496

View NotesNotes:
- Thanks to Doug Lamarre for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:15 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
December 2023

Taper: Doug Lamarre

gd1986-03-28.167373.senn441.lamarre.miller.clugston.flac1648

Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 > Tascam Hi-Res Editor (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496

View NotesNotes:
- Thanks to Doug Lamarre for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:15 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
December 2023

Taper: Jim Vita

gd1986-03-28.166964.beyer.m160.vita.miller.clugston.flac2496

Jim Vita's Master Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps source which supplies a 0:21 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
February 2024

Taper: Michael Hessberg

gd1986-03-28.166963.beyer.m160.vita.miller.clugston.flac1648

Jim Vita's Master Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496

Charlie Miller and Joe Noel

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps source which supplies a 0:21 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
February 2024

Taper: Michael Hessberg

gd1986-03-28.141049.FOB.SennME80.Hessberg.Miller.Noel.t-flac1644

Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2

Charlie Miller and Joe Noel

View NotesPatch info:
- source #
- s1t08 - last two seconds
- s1t09 - first thirty nine seconds
- s2t07 - 7:33 - 7:48

Notes:
- Tape pauses & flips; cross faded.
- Check out Weir takin' a verse in Iko.  Gets Jerry talkin' bout Hey Now!
- Twenty count intro for BIODTL
- "we want Phil" chant before BoR.  "Here I is folk." -Phil
- Nary a ticket for these two shows, scored em both in trades.
- Lets just say while having some fun the boys paced themselves.
- This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2

Taper: Michael Hessberg

gd1986-03-28.139469.FOB.SennME80.Hessberg.Miller.Noel.t-flac24

Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT

Oade, Bryant, Rich Castwirk

View NotesNotes:
- Tape pauses & flips; cross faded.
- Check out Weir takin' a verse in Iko.  Gets Jerry talkin' bout Hey Now!
- Twenty count intro for BIODTL
- "we want Phil" chant before BoR.  "Here I is folk." -Phil
- Nary a ticket for these two shows, scored em both in trades.
- Lets just say while having some fun the boys paced themselves.

Taper: Oade, Bryant, Rich Castwirk

2:10:15

Taper:

Transferrer:

Charlie Miller and Joe Noel

gd1986-03-28.139325.FOB.Schoeps.Oade.Bryant.Gastwirt.Miller.Noel.t-flac16

Schoeps CMC4/MK4 > Oade pcm > Bryant pcm patch > Gastwirt dat (cloned from Bryant pcm); Charlie Miller

Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT

gd1986-03-28.177020.RealisticPressureZone.Chamberlain.Chamberlain.flac2448

View Notes- Water damage caused digi static & tape breaks throughout this beautiful recording.
- Each patch was either or normalized, eq'd & leveled.  In some cases all of the above.
- Some digi static remains but only between song.
- Check out Weir takin' a verse in Iko.  Gets Jerry talkin' bout Hey Now!
- Twenty count intro for BIODTL
- "we want Phil" chant before BoR.  "Here I is folk." -Phil
- Nary a ticket for these two shows, scored em both in trades.
- Lets just say while having some fun the boys paced themselves.

Taper: Richard Chamberlain

Microphones/Realistic Pressure Zone. Each was mounted on a 1ft square sheet of 1/8 inch plexiglass. Auto leveling used.

Sony EV-S700u 8bit PCM 31.5 kHz/Sonar X2 24bit 48kHz/Sonar X2 24bit 48kHz

Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha

View Notes"I recorded each set on the same tape using traks 1-4, so the tape would be rewound to the head after each set was over and the next trak would be selected. So the crease at around the 8 min mark affected the whole tape thus affecting each trak.
I used Realistic pressure zone mics directly centered about 40ft behind the sound board. Almost dead center. Each was mounted on a 1ft square sheet of 1/8 inch plexiglass. That is why ambient noise is strong. However, when played loud these recordings (in my biased opinion ;) sound pretty good, and unique. They have good base and mid range. So I recorded these in 1986, and my brother Winthrop Chamberlain, made the transfers last week."

Taper: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha

2:04:16

Taper:

Transferrer:

Kyle Holbrook

gd1986-03-28.156133.akgc422.davis-holbrook.flac2448

Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 40 feet from stage; DFC

Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha

View NotesRecording Information:
//  tape flips
low frequency distortion throughout whole set.
speed corrected 1.75%
bass distortion from overloaded pre-amps/low 9v batteries at several points in recording
There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour. It is present only when they are playing, not during breaks.
I listened to several FOB audience sources from this tour and they all have this "noise".

Taper: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha

2:04:16

Taper:

Transferrer:

Kyle Holbrook

gd1986-03-28.156132.akgc422.davis-holbrook.flac1644

Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 40 feet from stage; DFC

gd1986-03-28.127544.chasingwilma.flac24

View NotesRecording Information:
//  tape flips
low frequency distortion throughout whole set.
speed corrected 1.75%
bass distortion from overloaded pre-amps/low 9v batteries at several points in recording
There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour. It is present only when they are playing, not during breaks.
I listened to several FOB audience sources from this tour and they all have this "noise".

Taper: chasingwilma

source: (2) nakamichi 300/ (2) sennhesier 441> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

Taper: Bob Morris

gd1986-03-28.nak300.morris.crazyfingers.106564.flac16

Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90)

Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)

Transferrer: Chris Chappell

gd1986-03-28.mtx.chappell.sb28.95598.flac16

Taper: D. Thompson

A. Egert and D. McCabe

gd1986-03-28.fob.thompson.motb.88953.flac24

2 x AKG C 460 B-ULS/CK 61-ULS => Uher CR-240 >> MAC (Denon HD8 90)

MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [S/PDIF] => TASCAM HD-P2 >> WAV [24/96]

Taper: D. Thompson

A. Egert and D. McCabe

gd1986-03-28.fob.thompson.motb.88950.flac16

2 x AKG C 460 B-ULS/CK 61-ULS => Uher CR-240 >> MAC (Denon MD8 90)

MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [S/PDIF] => TASCAM HD-P2 >> WAV [24/96] > ? WAV 16 > FLAC

Taper: Joe D'Amico

gd1986-03-28.nak300.damico.87706.flac16

nak 300 mics w/cp4 shotguns > sony d-5 > mac

mac > nak dragon tape deck > creative extigy soundcard > cooledit pro > flac frontend

Taper: Tim Alexander

gd1986-03-28.aud.alexander.tetzeli.79328.flac24

(2 Sennheiser 421s + 2 Nakamichi 300 shotguns > Yamaha mixer > Sony D5) > MAC

MAC > Nakamichi DR-1 > Tascam HD-P2 (24 bit/48 khz) > WAV > FLAC

Taper: Tim Alexander

gd1986-03-28.aud.alexander.tetzeli.79289.flac16

Sennheiser 421s + Nakamichi 300s > Yamaha mixer > Sony D5 (Dolby B) > MAC

MAC playback on Nakamichi DR-1 > Tascam HD-P2 (16 bit/44.1 khz) > WAV > FLAC

Taper: Bill Koucky

Bill Koucky and Chris Ladner

gd1986-03-28.senn.koucky.gmb.32520.flac16

FOB Sennheiser ME88 > D5 > Maxell Metal Cassette master

Nakamichi BX-100 > Panasonic SV 3700 DAT> Tascam CD-RW 700> EAC > Wavelab 5 (crossfades to smooth flips, minimal Waves L3 (-1 dB threshold)) > CDWAV 1.9 > FLAC

gd86-03-28.neumann-hogan.hogan.5004.sbeok.shnf

View NotesClean edits from Cassette master source. FOB recording in small arena during taper
section days, but at this General Admission show tapers could set up in front of board.

Source 21 of 21

FOB (Center)> AUD> MC> CDR Neumann U87's> Uher CR240> Maxell XLII 90 Cass. Master> Marantz Pro CDR 500