16 Gimme Some Lovin' Tease | 1986-03-30 | Grateful Dead

194

Playback	Listens	Hours
48h	5	35m
7d	55	6
30d	194	22

3:08:48

13 tapes

12/30SBD

240

Playback	Listens	Hours
48h	29	3
7d	98	11
30d	240	27

2:59:23

19 tapes

12/28SBD

100

Playback	Listens	Hours
48h	0	0m
7d	48	5
30d	100	12

2:19:49

20 tapes

12/27SBD

Oakland-Alameda County Coliseum

429

Playback	Listens	Hours
48h	38	4
7d	94	9
30d	429	41

2:14:54

18 tapes

12/17SBD

Oakland-Alameda County Coliseum

147

Playback	Listens	Hours
48h	58	7
7d	64	7
30d	147	17

2:59:59

25 tapes

12/16SBD

Oakland-Alameda County Coliseum

206

Playback	Listens	Hours
48h	16	2
7d	53	6
30d	206	23

2:56:06

19 tapes

12/15SBD

Alpine Valley Music Theatre

643

Playback	Listens	Hours
48h	11	1
7d	60	7
30d	643	74

Playback	Listens	Hours
48h	0	0m
7d	3	15m
30d	77	6

Playback	Listens	Hours
48h	7	53m
7d	3	20m
30d	131	15

Playback	Listens	Hours
48h	5	32m
7d	23	2
30d	220	25

Playback	Listens	Hours
48h	30	3
7d	54	5
30d	382	38

1:53:56

14 tapes

7/02SBD

Rubber Bowl, U. of Akron

Akron, OH, USA

176

Playback	Listens	Hours
48h	40	4
7d	31	3
30d	176	18

2:12:05

16 tapes

6/30SBD

River Bend Music Center

Cincinnati, OH, USA

165

Playback	Listens	Hours
48h	0	0m
7d	39	5
30d	165	19

2:15:00

13 tapes

6/29SBD

East Troy, WI, USA

296

Playback	Listens	Hours
48h	18	2
7d	23	2
30d	296	31

2:11:07

10 tapes

6/28SBD

Alpine Valley Music Theatre

East Troy, WI, USA

467

Playback	Listens	Hours
48h	20	2
7d	26	3
30d	467	51

2:05:06

13 tapes

6/26SBD

Hubert H. Humphrey Metrodome

Minneapolis, MN, USA

Playback	Listens	Hours
48h	0	0m
7d	10	1
30d	64	7

Playback	Listens	Hours
48h	42	4
7d	38	4
30d	256	28

Playback	Listens	Hours
48h	31	3
7d	17	2
30d	237	26

Playback	Listens	Hours
48h	60	7
7d	122	13
30d	296	33

Playback	Listens	Hours
48h	31	3
7d	85	10
30d	441	49

Playback	Listens	Hours
48h	63	9
7d	135	19
30d	578	77

Playback	Listens	Hours
48h	1	8m
7d	29	3
30d	173	18

Playback	Listens	Hours
48h	3	27m
7d	7	41m
30d	329	39

2:13:36

8 tapes

4/22SBD

235

Playback	Listens	Hours
48h	0	0m
7d	37	5
30d	235	29

2:27:50

6 tapes

4/21SBD

170

Playback	Listens	Hours
48h	11	1
7d	16	2
30d	170	21

2:25:24

6 tapes

4/19SBD

355

Playback	Listens	Hours
48h	12	2
7d	72	8
30d	355	44

2:06:15

7 tapes

4/18SBD

Cumberland County Civic Center

241

Playback	Listens	Hours
48h	5	39m
7d	71	8
30d	241	27

Playback	Listens	Hours
48h	1	8m
7d	86	11
30d	165	21

Playback	Listens	Hours
48h	0	0m
7d	42	5
30d	126	15

2:22:35

6 tapes

4/04

Hartford Civic Center

Hartford, CT, USA

236

Playback	Listens	Hours
48h	10	59m
7d	41	4
30d	236	24

2:19:57

16 tapes

4/03SBD

Hartford Civic Center

Hartford, CT, USA

291

Playback	Listens	Hours
48h	15	2
7d	27	3
30d	291	34

2:26:13

20 tapes

4/01SBD

Providence Civic Center

Providence, RI, USA

124

Playback	Listens	Hours
48h	17	2
7d	22	3
30d	124	17

2:23:08

18 tapes

3/31SBD

Providence Civic Center

Providence, RI, USA

281

Playback	Listens	Hours
48h	61	7
7d	49	5
30d	281	33

2:08:56

19 tapes

3/30SBD

Providence Civic Center

Providence, RI, USA

226

Playback	Listens	Hours
48h	15	2
7d	19	2
30d	226	26

2:37:13

15 tapes

3/28SBD

Portland, ME, USA

209

Playback	Listens	Hours
48h	2	9m
7d	15	2
30d	209	21

2:11:55

21 tapes

3/27SBD

Cumberland County Civic Center

Portland, ME, USA

205

Playback	Listens	Hours
48h	9	51m
7d	2	17m
30d	205	24

Philadelphia, PA, USA

361

Playback	Listens	Hours
48h	12	1
7d	21	2
30d	361	41

Philadelphia, PA, USA

347

Playback	Listens	Hours
48h	20	2
7d	21	2
30d	347	36

Philadelphia, PA, USA

392

Playback	Listens	Hours
48h	45	5
7d	18	2
30d	392	47

Playback	Listens	Hours
48h	50	6
7d	43	5
30d	282	36

Playback	Listens	Hours
48h	19	2
7d	35	5
30d	248	31

Playback	Listens	Hours
48h	12	57m
7d	43	4
30d	315	33

2:30:35

25 tapes

2/14SBD

317

Playback	Listens	Hours
48h	27	3
7d	28	3
30d	317	37

4:31:43

12 tapes

2/12SBD

317

Playback	Listens	Hours
48h	17	2
7d	45	6
30d	317	40

2:54:33

10 tapes

2/11SBD

303

Playback	Listens	Hours
48h	1	6m
7d	18	2
30d	303	35

2:17:07

14 tapes

2/09SBD

194

Playback	Listens	Hours
48h	10	1
7d	20	2
30d	194	20

2:01:34

9 tapes

2/08SBD

gd1986-03-30.142406.sbd.miller.flac1648

488

Playback	Listens	Hours
48h	20	2
7d	56	6
30d	488	50

2:27:10

7 tapes

Sources

Transferrer: Charlie Miller

SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k)

Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/

Paul Scotton and Joani Walker

View NotesNotes:
-- Thanks to Rob Eaton for the Dats
-- Thanks to the Oade Brothers for the patch source
-- There were a lot of level changes I had to deal with

Taper: Paul Scotton and Joani Walker

Charlie Miller

gd1986-03-30.sbd.walker-scotton.miller.106110.flac16

SBD -> ? -> 2nd Gen Cassette

Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16

Scott Clugston, Charlie Miller

View NotesNotes:
-- Disc change is seamless
-- Thanks to Joani Walker and Paul Scotton for the tapes
-- Thanks to Joe B. Jones for his help with the pitch correction

Taper: Doug Lamarre

gd1986-03-30.176409.senn441.lamarre.miller.clugston.flac2496

Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496

Scott Clugston, Charlie Miller

View NotesNotes:
- Thanks to Doug Lamarre for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:13 patch in "Space", as well as a 0:07 patch in the "Not Fade Away Chant"
- Pitch corrected

Mastered by Scott Clugston
July 2024

Taper: Doug Lamarre

gd1986-03-30.176408.senn441.lamarre.miller.clugston.flac1648

Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496

Charlie Miller and Joe Noel

View NotesNotes:
- Thanks to Doug Lamarre for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:13 patch in "Space", as well as a 0:07 patch in the "Not Fade Away Chant"
- Pitch corrected

Mastered by Scott Clugston
July 2024

Taper: Michael Hessberg

gd1986-03-30.141050.FOB.SennME80.Hessberg.Miller.Noel.t-flac1644

Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2

Robert Bryant (patched out of Oade Brothers) via Rich Gastwirt

View NotesNotes:
- Tape pauses & flips; cross faded.
- There's an apropos Gimme Some Lovin' tease before WDWDIITR.
- It's Easter Sunday so, "Why Don't We Do It In The Road" (seventh & final).
- The fun meter ran in the red all night.
- This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2

Patch Info:
- source #25526 (Schoeps) supplies
- s1t07; 7:26 - 7:44
- s2t07; 4:55 - 5:22
- s2t12; 0:49 - 1:30
- s2t13; 0:00 - 0:20

Taper: Robert Bryant (patched out of Oade Brothers) via Rich Gastwirt

2:37:13

Taper:

Charlie Miller and SIRMick

gd1986-03-30.139523.FOB.Schoeps-cmc4-mk41.oade.bryant.miller.sirmick.flac16

Source: FOB recording > Schoeps cmc4 mk41 > pcm > dat (44.1k) - recorded by Robert Bryant (patched out of the Oades) and provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1 - transfer by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick 10/07/2017

Charlie Miller and Joe Noel

View Notes- There were a number of small dropouts, most of which occured in Set I. These were probably caused by water damage. They have been been patched with (FOB) Schoeps > PCM > Dat shnid 25526.

Taper: Michael Hessberg

gd1986-03-30.139470.FOB.SennME80.Hessberg.Miller.Noel.t-flac24

Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT

gd86-03-30.fob-schoeps.miller.25526.sbeok.shnf

View NotesNotes:
- Tape pauses & flips; cross faded.
- There's an apropos Gimme Some Lovin' tease before WDWDIITR.
- It's Easter Sunday so, "Why Don't We Do It In The Road" (seventh & final).
- The fun meter ran in the red all night.

Source 8 of 15

Recording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller

Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha

View NotesRecording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> SEK'D Prodif Plus -> 
Samplitude v7.02 Professional -> SHN via Charlie Miller

Taper: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha

2:27:18

Taper:

Kyle Holbrook

gd1986-03-30.156187.akgc422.davis-murtha-holbrook.flac2448

Source: MAUD CA Microphones: AKG c422 cardioids (X-Y at 90') |AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: OTS approximately 200 feet from stage; 30 feet LOC

Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha

View NotesComments
Final Grateful Dead version of "Why Don't We Do It In The Road"
++ Major microphone pre-amp/battery distortion most of song
** missed start due to poor tape flip
// tape flips
There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour. It is present only when they are playing, not during breaks.
I listened to several FOB audience sources from this tour and they all have this "noise".

This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP

Taper: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha

2:27:18

Taper:

Kyle Holbrook

gd1986-03-30.156186.akgc422.davis-murtha-holbrook.flac1644

Source: MAUD CA Microphones: AKG c422 cardioids (X-Y at 90') |AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: OTS approximately 200 feet from stage; 30 feet LOC

gd1986-03-30.127545.chasingwilma.flac24

View NotesComments
Final Grateful Dead version of "Why Don't We Do It In The Road"
++ Major microphone pre-amp/battery distortion most of song
** missed start due to poor tape flip
// tape flips
There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour. It is present only when they are playing, not during breaks.
I listened to several FOB audience sources from this tour and they all have this "noise".

This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP

Taper: chasingwilma

source: (2) nakamichi 300/ (2) sennhesier 441> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

Taper: Bob Morris

gd1986-03-30.nak300.morris.crazyfingers.106566.flac16

Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90)

Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)

Taper: Jon Pasternak

Jon Pasternak and Dave Mallick

gd1986-03-30.nak300.pasternak.mallick.103229.flac16

Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m),

Master Cassette > Nak DR-2>Tascam CDRW2000>CD >xACT 1.69 (cdparanoia)>WAV>FLAC

gd1986-03-30.nak300.damico.87741.flac16

View NotesNotes:
- Encore placed at the end of disc 1.

Taper: Joe D'Amico

nak 300 mics w/ cp4 shotguns > sony d-5

nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend

gd86-03-30.nak300.braverman.10076.sbeok.shnf

View Notes2nd set was running long so i switched back to 1st set tape . there is a slight cut in the crowd clapping and singing not fade away . the band was off the stage and it was just the crowd having at it . so no music is cut at all .if you know this show the band went off for the encore and the crowd keep on going with the not fade away then when the band came back on they started the encore with the ending of not fade away and then right into mighty quinn . i started the 3rd disc where i flipped the tape ....so that all for the info on this one lol.

Source 15 of 15

Nak 300/Sony D5> Nakamichi BX-300> CD