The Mighty Quinn (Quinn The Eskimo) | 1986-03-30 | Grateful Dead

202

Playback	Listens	Hours
48h	27	3
7d	29	3
30d	202	23

3:08:48

13 tapes

12/30SBD

299

Playback	Listens	Hours
48h	31	3
7d	75	8
30d	299	33

2:59:23

19 tapes

12/28SBD

139

Playback	Listens	Hours
48h	23	3
7d	52	6
30d	139	16

2:19:49

20 tapes

12/27SBD

Oakland-Alameda County Coliseum

443

Playback	Listens	Hours
48h	47	4
7d	71	7
30d	443	42

2:14:54

18 tapes

12/17SBD

Oakland-Alameda County Coliseum

209

Playback	Listens	Hours
48h	1	12m
7d	48	6
30d	209	25

2:59:59

25 tapes

12/16SBD

Oakland-Alameda County Coliseum

211

Playback	Listens	Hours
48h	7	41m
7d	48	5
30d	211	24

2:56:06

19 tapes

12/15SBD

Alpine Valley Music Theatre

599

Playback	Listens	Hours
48h	19	2
7d	102	12
30d	599	70

Playback	Listens	Hours
48h	0	0m
7d	2	9m
30d	78	6

Playback	Listens	Hours
48h	10	1
7d	80	10
30d	192	23

Playback	Listens	Hours
48h	7	47m
7d	104	12
30d	314	35

Playback	Listens	Hours
48h	27	3
7d	73	8
30d	428	43

1:53:56

14 tapes

7/02SBD

Rubber Bowl, U. of Akron

Akron, OH, USA

226

Playback	Listens	Hours
48h	33	3
7d	22	2
30d	226	22

2:12:05

16 tapes

6/30SBD

River Bend Music Center

Cincinnati, OH, USA

171

Playback	Listens	Hours
48h	13	2
7d	24	3
30d	171	19

2:15:00

13 tapes

6/29SBD

East Troy, WI, USA

293

Playback	Listens	Hours
48h	15	2
7d	23	2
30d	293	30

2:11:07

10 tapes

6/28SBD

Alpine Valley Music Theatre

East Troy, WI, USA

465

Playback	Listens	Hours
48h	22	2
7d	73	7
30d	465	50

2:05:06

13 tapes

6/26SBD

Hubert H. Humphrey Metrodome

Minneapolis, MN, USA

Playback	Listens	Hours
48h	231	25
7d	10	59m
30d	83	9

Playback	Listens	Hours
48h	18	2
7d	1.2k	129
30d	1.4k	155

Playback	Listens	Hours
48h	4	23m
7d	584	64
30d	830	91

Playback	Listens	Hours
48h	0	0m
7d	116	12
30d	681	75

Playback	Listens	Hours
48h	5	31m
7d	48	5
30d	339	37

Playback	Listens	Hours
48h	14	2
7d	54	6
30d	488	64

Playback	Listens	Hours
48h	0	0m
7d	25	3
30d	159	16

Playback	Listens	Hours
48h	22	3
7d	28	3
30d	272	32

2:13:36

8 tapes

4/22SBD

159

Playback	Listens	Hours
48h	12	1
7d	18	3
30d	159	20

2:27:50

6 tapes

4/21SBD

161

Playback	Listens	Hours
48h	5	37m
7d	38	5
30d	161	20

2:25:24

6 tapes

4/19SBD

421

Playback	Listens	Hours
48h	4	23m
7d	139	18
30d	421	53

2:06:15

7 tapes

4/18SBD

Cumberland County Civic Center

145

Playback	Listens	Hours
48h	11	1
7d	3	9m
30d	145	16

Playback	Listens	Hours
48h	18	2
7d	9	1
30d	133	17

Playback	Listens	Hours
48h	19	2
7d	14	2
30d	91	11

2:22:35

6 tapes

4/04

Hartford Civic Center

Hartford, CT, USA

159

Playback	Listens	Hours
48h	9	56m
7d	16	2
30d	159	17

2:19:57

16 tapes

4/03SBD

Hartford Civic Center

Hartford, CT, USA

299

Playback	Listens	Hours
48h	3	17m
7d	24	3
30d	299	35

2:26:13

20 tapes

4/01SBD

Providence Civic Center

Providence, RI, USA

107

Playback	Listens	Hours
48h	0	0m
7d	37	5
30d	107	14

2:23:08

18 tapes

3/31SBD

Providence Civic Center

Providence, RI, USA

355

Playback	Listens	Hours
48h	2	10m
7d	75	9
30d	355	41

2:08:56

19 tapes

3/30SBD

Providence Civic Center

Providence, RI, USA

196

Playback	Listens	Hours
48h	24	3
7d	49	5
30d	196	22

2:37:13

15 tapes

3/28SBD

Portland, ME, USA

274

Playback	Listens	Hours
48h	28	3
7d	79	9
30d	274	29

2:11:55

21 tapes

3/27SBD

Cumberland County Civic Center

Portland, ME, USA

250

Playback	Listens	Hours
48h	13	1
7d	64	7
30d	250	29

Philadelphia, PA, USA

238

Playback	Listens	Hours
48h	18	2
7d	14	2
30d	238	27

Philadelphia, PA, USA

256

Playback	Listens	Hours
48h	12	1
7d	13	1
30d	256	27

Philadelphia, PA, USA

372

Playback	Listens	Hours
48h	0	0m
7d	29	3
30d	372	44

Playback	Listens	Hours
48h	2	19m
7d	21	3
30d	322	41

Playback	Listens	Hours
48h	0	0m
7d	12	1
30d	226	28

Playback	Listens	Hours
48h	0	0m
7d	27	3
30d	253	26

2:30:35

25 tapes

2/14SBD

816

Playback	Listens	Hours
48h	24	3
7d	516	59
30d	816	93

4:31:43

12 tapes

2/12SBD

293

Playback	Listens	Hours
48h	9	1
7d	23	3
30d	293	37

2:54:33

10 tapes

2/11SBD

188

Playback	Listens	Hours
48h	0	0m
7d	23	3
30d	188	21

2:17:07

14 tapes

2/09SBD

146

Playback	Listens	Hours
48h	4	28m
7d	7	45m
30d	146	15

2:01:34

9 tapes

2/08SBD

gd1986-03-30.142406.sbd.miller.flac1648

375

Playback	Listens	Hours
48h	18	2
7d	19	2
30d	375	38

2:27:10

7 tapes

Sources

Transferrer: Charlie Miller

SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k)

Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/

Paul Scotton and Joani Walker

View NotesNotes:
-- Thanks to Rob Eaton for the Dats
-- Thanks to the Oade Brothers for the patch source
-- There were a lot of level changes I had to deal with

Taper: Paul Scotton and Joani Walker

Charlie Miller

gd1986-03-30.sbd.walker-scotton.miller.106110.flac16

SBD -> ? -> 2nd Gen Cassette

Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16

Scott Clugston, Charlie Miller

View NotesNotes:
-- Disc change is seamless
-- Thanks to Joani Walker and Paul Scotton for the tapes
-- Thanks to Joe B. Jones for his help with the pitch correction

Taper: Doug Lamarre

gd1986-03-30.176409.senn441.lamarre.miller.clugston.flac2496

Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496

Scott Clugston, Charlie Miller

View NotesNotes:
- Thanks to Doug Lamarre for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:13 patch in "Space", as well as a 0:07 patch in the "Not Fade Away Chant"
- Pitch corrected

Mastered by Scott Clugston
July 2024

Taper: Doug Lamarre

gd1986-03-30.176408.senn441.lamarre.miller.clugston.flac1648

Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496

Charlie Miller and Joe Noel

View NotesNotes:
- Thanks to Doug Lamarre for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:13 patch in "Space", as well as a 0:07 patch in the "Not Fade Away Chant"
- Pitch corrected

Mastered by Scott Clugston
July 2024

Taper: Michael Hessberg

gd1986-03-30.141050.FOB.SennME80.Hessberg.Miller.Noel.t-flac1644

Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2

Robert Bryant (patched out of Oade Brothers) via Rich Gastwirt

View NotesNotes:
- Tape pauses & flips; cross faded.
- There's an apropos Gimme Some Lovin' tease before WDWDIITR.
- It's Easter Sunday so, "Why Don't We Do It In The Road" (seventh & final).
- The fun meter ran in the red all night.
- This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2

Patch Info:
- source #25526 (Schoeps) supplies
- s1t07; 7:26 - 7:44
- s2t07; 4:55 - 5:22
- s2t12; 0:49 - 1:30
- s2t13; 0:00 - 0:20

Taper: Robert Bryant (patched out of Oade Brothers) via Rich Gastwirt

2:37:13

Taper:

Charlie Miller and SIRMick

gd1986-03-30.139523.FOB.Schoeps-cmc4-mk41.oade.bryant.miller.sirmick.flac16

Source: FOB recording > Schoeps cmc4 mk41 > pcm > dat (44.1k) - recorded by Robert Bryant (patched out of the Oades) and provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1 - transfer by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick 10/07/2017

Charlie Miller and Joe Noel

View Notes- There were a number of small dropouts, most of which occured in Set I. These were probably caused by water damage. They have been been patched with (FOB) Schoeps > PCM > Dat shnid 25526.

Taper: Michael Hessberg

gd1986-03-30.139470.FOB.SennME80.Hessberg.Miller.Noel.t-flac24

Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT

gd86-03-30.fob-schoeps.miller.25526.sbeok.shnf

View NotesNotes:
- Tape pauses & flips; cross faded.
- There's an apropos Gimme Some Lovin' tease before WDWDIITR.
- It's Easter Sunday so, "Why Don't We Do It In The Road" (seventh & final).
- The fun meter ran in the red all night.

Source 8 of 15

Recording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller

Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha

View NotesRecording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> SEK'D Prodif Plus -> 
Samplitude v7.02 Professional -> SHN via Charlie Miller

Taper: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha

2:27:18

Taper:

Kyle Holbrook

gd1986-03-30.156187.akgc422.davis-murtha-holbrook.flac2448

Source: MAUD CA Microphones: AKG c422 cardioids (X-Y at 90') |AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: OTS approximately 200 feet from stage; 30 feet LOC

Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha

View NotesComments
Final Grateful Dead version of "Why Don't We Do It In The Road"
++ Major microphone pre-amp/battery distortion most of song
** missed start due to poor tape flip
// tape flips
There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour. It is present only when they are playing, not during breaks.
I listened to several FOB audience sources from this tour and they all have this "noise".

This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP

Taper: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha

2:27:18

Taper:

Kyle Holbrook

gd1986-03-30.156186.akgc422.davis-murtha-holbrook.flac1644

Source: MAUD CA Microphones: AKG c422 cardioids (X-Y at 90') |AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: OTS approximately 200 feet from stage; 30 feet LOC

gd1986-03-30.127545.chasingwilma.flac24

View NotesComments
Final Grateful Dead version of "Why Don't We Do It In The Road"
++ Major microphone pre-amp/battery distortion most of song
** missed start due to poor tape flip
// tape flips
There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour. It is present only when they are playing, not during breaks.
I listened to several FOB audience sources from this tour and they all have this "noise".

This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP

Taper: chasingwilma

source: (2) nakamichi 300/ (2) sennhesier 441> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

Taper: Bob Morris

gd1986-03-30.nak300.morris.crazyfingers.106566.flac16

Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90)

Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)

Taper: Jon Pasternak

Jon Pasternak and Dave Mallick

gd1986-03-30.nak300.pasternak.mallick.103229.flac16

Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m),

Master Cassette > Nak DR-2>Tascam CDRW2000>CD >xACT 1.69 (cdparanoia)>WAV>FLAC

gd1986-03-30.nak300.damico.87741.flac16

View NotesNotes:
- Encore placed at the end of disc 1.

Taper: Joe D'Amico

nak 300 mics w/ cp4 shotguns > sony d-5

nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend

gd86-03-30.nak300.braverman.10076.sbeok.shnf

View Notes2nd set was running long so i switched back to 1st set tape . there is a slight cut in the crowd clapping and singing not fade away . the band was off the stage and it was just the crowd having at it . so no music is cut at all .if you know this show the band went off for the encore and the crowd keep on going with the not fade away then when the band came back on they started the encore with the ending of not fade away and then right into mighty quinn . i started the 3rd disc where i flipped the tape ....so that all for the info on this one lol.

Source 15 of 15

Nak 300/Sony D5> Nakamichi BX-300> CD