Drums -> | 1986-03-31 | Grateful Dead

View NotesNotes:
-- Brown Eyed Women, Desolation Row and Might As Well are MP3 sourced from the GD Vault
-- No encore because someone threw a bottle at the drummers during Comes A Time
-- Thanks to Rob Eaton for the Dats
-- Thanks to the Oade Brothers for the patch source
-- I had a blast at this show and this mix really brings me back

SOURCE 2 OF 16

1:48:28

SBD

Rating:

4.50 / 4 ratings

Taper:

Paul Scotton and Joani Walker

Transferrer:

Charlie Miller

SHNID:

gd1986-03-31.sbd.walker-scotton.miller.106111.flac16

Source:

SBD -> ? -> 2nd Gen Cassette

Lineage:

Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16

Taper Notes:

View NotesNotes:
-- Missing part of Set 1
-- Thanks to Joani Walker and Paul Scotton for the tapes
-- Thanks to Joe B. Jones for his help with the pitch correction

SOURCE 3 OF 16

Charlie Miller and Joe Noel

SHNID:

gd1986-03-31.141051.FOB.SennME80.Hessberg.Miller.Noel.t-flac1644

Source:

Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2

Taper Notes:

View NotesNotes:
- Tape pauses & flips; cross faded.
- Second & final (I'm A) Roadrunner
- A local & a bottle prevented an encore.
- I was just behind the stage, Jerry's side when, during Comes a Time I heard a loud crack.  I remember this very well cause my touring parter & everyones favorite jokester looked at me & said my name in a way that implicated me with a question mark.  I never saw the incident but I heard it.  What I did watch was a pissed off Kreutzman exit the stage.  He prowled behind the stage looking up into the seats for the perpetrator.  He returned to his "busted kit" midway through Truckin'.  The band did their best to keep it together, but there was no way they were gonna come back out, so they swung into JGB & that was all she wrote.
- This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2

Patch Info:
- source # 122001 (Pasternak) supplies
- s1t07; last ten seconds
- s1t08; first two seconds
- s2t05; 5:40 - 6:20

SOURCE 4 OF 16

Charlie Miller and Joe Noel

SHNID:

gd1986-03-31.139471.FOB.SennME80.Hessberg.Miller.Noel.t-flac24

Source:

Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT

Taper Notes:

View NotesNotes:
- Tape pauses & flips; cross faded.
- Second & final (I'm A) Roadrunner
- A local & a bottle prevented an encore.
- I was just behind the stage, Jerry's side when, during Comes a Time I heard a loud crack.  I remember this very well cause my touring parter & everyones favorite jokester looked at me & said my name in a way that implicated me with a question mark.  I never saw the incident but I heard it.  What I did watch was a pissed off Kreutzman exit the stage.  He prowled behind the stage looking up into the seats for the perpetrator.  He returned to his "busted kit" midway through Truckin'.  The band did their best to keep it together, but there was no way they were gonna come back out, so they swung into JGB & that was all she wrote.

SOURCE 5 OF 16

gd1986-03-31.122001.schoeps.pasternak.miller.flac16

Source:

(FOB) Schoeps -> PCM -> Dat

Lineage:

Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 ->SHN -> Samplitude Professional v11.2.1 -> FLAC

Taper Notes:

View NotesNotes:
-- This is an upgrade to shnid=25527
-- The mic stand wasn't completely raised for the 1st minute of the show
-- This was one of the many shows I lost a job over :)

SOURCE 6 OF 16

gd86-03-31.fob-schoeps-pasternak.miller.25527.sbeok.shnf

Source:

Recording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Patch Info:Nakamichi 300/CP4 -> Master Cassette (Marantz PMD430) -> CD (Tascam CDRW5000) -> EAC -> Cool Edit Pro v1.2 -> SHN (Taped By Jon Pasternak) via Charlie Miller

Taper Notes:

View NotesRecording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Patch Info:Nakamichi 300/CP4 -> Master Cassette (Marantz PMD430) -> CD (Tascam CDRW5000) -> EAC -> Cool Edit Pro v1.2 -> SHN (Taped By Jon Pasternak) via Charlie Miller

SOURCE 7 OF 16

2:07:14

SHNID:

gd1986-03-31.156189.akgc422.davis-murtha-holbrook.flac2448

SOURCE 8 OF 16

2:07:15

SHNID:

gd1986-03-31.156188.akgc422.davis-murtha-holbrook.flac1644

SOURCE 9 OF 16

gd1986-03-31.nak300.morris.crazyfingers.106556.flac16

Source:

Nakamichi Cm-300 X2 > Cassette Master (sony Tcd5m/maxell Mx 90)

Lineage:

Cassette Master (nakamichi Dr-1) > Korg Mr-1000 (1-bit/5.6mhz) > Audiogate (1-bit/5.6mhz > 16-bit/44.1khz) > Cdwav (edits); Recorded from Taper section 8, Row F, Seat 2

SOURCE 10 OF 16

Jon Pasternak and Dave Mallick

SHNID:

gd1986-03-31.nak300.pasternak.mallick.102337.flac16

Source:

Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m),

Lineage:

Nak DR-2>Tascam CDRW2000>CD; Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors

SOURCE 11 OF 16

gd1986-03-31.nak300.damico.88001.flac16

Source:

nak 300 mics w/cp4 shot guns > sony d-5

SOURCE 12 OF 16

gd1986-03-31.fob.thompson.motb.83475.flac24

Source:

AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC

Lineage:

MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav

Taper Notes:

View NotesMastering notes:

s1t01 - low levels for first 1:12 , boosted by 5 decibels

patches:

s1t03 - subsecond patch at 2:03
s1t05 - last 6 seconds
s1t06 - first 5 seconds
s1t07 - first 5 seconds
s2t05 - 2 seconds starting from 7:08
s2t06 - 17 seconds starting from 4:47
s2t10 - 13 seconds starting from 4:18

mastered with Adobe Audition, Soundforge and Wavelab (using iZotope Ozone, TC Works
Native Dex and Waves Xnoise
tracked with CD Wave & flacs made with Mike Wren's Flac Frontend

SOURCE 13 OF 16

gd1986-03-31.fob.thompson.motb.83186.flac16

Source:

AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC

Lineage:

MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav

Taper Notes:

View NotesMastering notes:

d1t01 - low levels for first 1:12 , boosted by 5 decibels

patches:

d1t03 - subsecond patch at 2:03
d1t05 - last 6 seconds
d1t06 - first 5 seconds
d1t07 - first 5 seconds
d2t05 - 2 seconds starting from 7:08
d2t06 - 17 seconds starting from 4:47
d2t10 - 13 seconds starting from 4:18

mastered with Adobe Audition, Soundforge and Wavelab (using iZotope Ozone, TC Works
Native Dex and Waves Xnoise
downsampled & dithered with iZotope Ozone (Mbit+)
tracked with CD Wave & flacs made with Mike Wren's Flac Frontend

SOURCE 14 OF 16

gd1986-03-31.nakcm304.suraci.sbeok.79912.flac16

Source:

Nak CM304's>Sony D5

Lineage:

Nak CR5A>Lunatec V3>SD722

Taper Notes:

View Notes# the bulk of drums continued on side B of tape 2.
* Recorded from front right corner of SBD.
Notes: This is the 16Bit version. 24 Bit is archived on DVDA.

SOURCE 15 OF 16

gd1986-03-31.nak300.damico.25294.shnf

Source:

Nakamichi 300 Shotguns CP4's > Sony TCD5M > MAC

Lineage:

MAC > Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn

SOURCE 16 OF 16

gd86-03-31.aud.eD.13463.sbeok.shnf

Source:

AUD>MC>CDR

Taper Notes:

View NotesAUD>MC>CDR; via Mr.Benson; seedeD