When Push Comes To Shove | 1986-12-30 | Grateful Dead

View NotesNotes:
-- Two sets of masters were used to make this show complete
-- Drums with Hamza El-Din and Jose Lorenzo
-- Iko Iko, Man Smart (Women Smarter) and Johnny B. Goode with The Neville Brothers
-- this is the 137978 24bit->16bit

SOURCE 2 OF 15

2:48:39

SBD

gd1986-12-30.137978.sbd.miller.flac24

Source:

SBD > Cassette Master (TDK MA-R90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Two sets of masters were used to make this show complete
-- Drums with Hamza El-Din and Jose Lorenzo
-- Iko Iko, Man Smart (Women Smarter) and Johnny B. Goode with The Neville Brothers

SOURCE 3 OF 15

Joani Walker and Paul Scotton

Transferrer:

Charlie Miller

SHNID:

gd1986-12-30.sbd.walker-scotton.miller.99638.sbeok.flac16

Source:

SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B)

Lineage:

Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.21 -> FLAC/16

Taper Notes:

View NotesPatch Info:
SBD -> Cassette Master -> Dat -> CD (shnid=6025) supplies:
Drums (0:16 - 1:57)
Throwing Stones (5:26 - 5:33)

Notes:
-- Set 2 is seamless
-- * With Hamza El-Din

SOURCE 4 OF 15

2:46:05

SBD

Transferrer:

Charlie Miller and Bill Tetzeli

SHNID:

gd1986-12-30.sbd.miller.tetzeli.fix-77446.80818.flac16

Source:

Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC

Lineage:

FLAC -> CE Pro > shntool > FLAC

Taper Notes:

View NotesI used the Barbella source (shnid 6025) to patch in an extra 1:40 at the beginning of drums.  The Barbella source also provides the majority of 1:57-5:30 of Throwing Stones, except for 2 dropouts (5:08-5:14 and less than a second at 5:21), which are patched with a purported multigen cassette source purported to be from an FM rebroadcast at some later date, which I downloaded from alt.binaries.gdead (no shnid).  This source had all of Throwing Stones intact, but was of decidedly inferior quality, and like the other two sources was missing part of drums.

I switched the left and right channels in the Barbella source and time/pitch stretched it to 102.1% to match the Miller source.  All editing was done in CE Pro and resulting SBEs fixed using shntool.

SOURCE 5 OF 15

gd1986-12-30.sbd.miller.77446.flac16

Source:

SBD -> Cassette Master (Sony D5/MX-XG90) D

Lineage:

Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) ->

Taper Notes:

View NotesNotes:
-- Seamless transition between Discs 2 and 3
-- Tape flips in Drums and Throwing Stones
-- Thanks to Paul Scotton and Joani Walker for the tapes
-- The first minute of My Brother Esau patched from 1st Gen Cass SBD
-- * With the Neville Brothers

SOURCE 6 OF 15

gd86-12-30.sbd.barbella.6025.sbeok.shnf

Source:

SBD> Cm> DAT> CD> EAC> CDWAV editing > SHN (seekable)

Taper Notes:

View NotesSBD> Cm> DAT> CD> EAC> CDWAV editing > SHN (seekable); via Steve Barbella

SOURCE 7 OF 15

Scott Clugston and Charlie Miller and Blake Jacobs

SHNID:

gd1986-12-30.142302.fob.schoeps.cmc4.mk41.oade.jacobs.miller.clugston.flac1644

Source:

Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16

Taper Notes:

View NotesNotes:
- Thanks to the Oade brothers and crew for their master recording(s), as well as the transfer to hard disk
- Thanks to Blake Jacobs for the hard disk
- Thanks to Charlie Miller for coordinating this effort
- Thanks again to the Oade brothers and crew for the FOB Schoeps CMC3/MK4 source which supplies a 0:03 patch in "Saint Of Circumstance", a 0:04 patch in "Ship Of Fools", as well as a 0:03 patch in "Estimated Prophet"
- "Drums" with Hamza El-Din & Jose Lorenzo
- "Iko Iko", "Man Smart (Woman Smarter)" & "Johnny B. Goode" with the Neville Brothers
- Another fine Oade capture

Mastered by Scott Clugston
June 12, 2018

SOURCE 8 OF 15

gd1986-12-30.138870.nak300.damico.flac1644

Source:

<b/>flac16 44.1khz </b> Taper : Joe D'Amico ''AKA'' Joebeacon. Editing : Joe D'Amico ''AKA'' Joebeacon. Nak 300 Mics W/ cp4 Shotguns > Sony D5. Nak Dragon Tape Deck > Sony Sbm1 > Creative Extigy Soundcard > Adobe Audition CS6 > Traders Little Helper

SOURCE 9 OF 15

1:50:56

Transferrer:

John Ammons and Joe Noel

SHNID:

gd1986-12-30.138362.FOB.Schoeps.Ammons.t-flac16

Lineage:

from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 44 > Wave; Joe Noel Edits: T,F,P & P: Wave > Audacity > track/label > export multiple > flac 16/44; Checksum & tags created in xACT

Taper Notes:

View Notesadditional source info:
source # 137456 (Ian Stoy/ArchivalAudio)
s2t01 - all

Notes:
- everything about this is upfront!

SOURCE 10 OF 15

gd1986-12-30.137456.AA-toaK1.flac24

Source:

Recorded and Mastered by ArchivalAudio [Ian Stoy]; Master Audience cassette: in OTS near the back of the venue balcony; Toa K1’s spaced 24” PATS (Pointed At The Stacks) > Sony WM-D6c; media: Maxell XLII c90’s Dolby C on; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking +Ozone 5: Dynamics + Maximizer normalize to -.5db remove DC offset > flac24; xACT Flac Fingerprints

Taper Notes:

View NotesCelebrating 30 years!!!! … The master cassettes are getting older and need to be Archived digitally before they are gone…. A new start to going though my recordings. Nothing special about this run… I was way in the back of the HJ Kaiser in the balcony in the Official Taping section. Though seating capacity is only around 6000, so it’s not huge. Running my Toa K1’s Spaced at 24” on bar about 10’ up > xlr to mini (1/8” /3.5mm) TRS,> direct to Sony WM-D6C..There must have been more that 30 or more mic stands up and who knows how many decks, not to mention any front of board tapers. For me personally it’s historic, as It was 30 years ago, and this set of shows were the first Grateful Dead shows I taped (recorded).
A big thanks to Ron Cook who custom machined my  24” spreader bar for my Toa K1’s and James (Jim) Ford both of whom helped getting tickets and seats  to secure taping locations in 87, 87, 88, 89…
I will begin to jump around in my collection of recordings to find special ones and or ones that are unique or of better quality of my uncirculated captures.


enjoy - ArchivalAudio

SOURCE 11 OF 15

gd1986-12-30.135512.chasingwilma.flac24

Source:

source: set 1 beyers 160 fob> tcd-d5> tcd-d5> mc; set 2 sennheiser 441 (3) fob> tcd-d5> mc > c; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

SOURCE 12 OF 15

gd1986-12-30.128691.mtx.nicksmix.flac16

Source:

2 source Matrix mix of Shnid 81308(aud) and shnid 99638(sdb) with patches used from shnid 88983(aud)

Taper Notes:

View NotesMatrix mix of Shnid 81308(aud) and shnid 99638(sdb) with patches used from shnid 88983(aud)

Mixed by Nick Crump
Eugene, Oregon
May 2014

Shnid 88983 used as a patch source for 81308. Supplies:
  51 seconds between Hell In A Bucket and Althea (crowd noise)
  50 seconds between When Push Comes To Shove and Beat It On Down The Line (crowd noise)
  30 seconds during Don't ease Me In 
  2 seconds during Drums
  5:56 covering end of Drums and beginning of Ollin Arageed
  12 seconds near the end of Throwing Stones
Some gaps in audience tape remain between songs. Left as is to preserve the pace of the show. There will be some very quiet sections.

SOURCE 13 OF 15

gd1986-12-30.nak100.holtz.lmpp.105203.flac16

Source:

(OTS) Nakamichi CM-100 mics with CP-4 shogtun caps > Sony TC-D5 > mac

Lineage:

mac > Tascam 122b > Tascam HD-P2 > wav 24/48 > Adobe Audition 1.5 > Wavelab 6 with iZotope Ozone 4 > iZotope RX Advanced > wav 16/44.1 > CD Wave > Flac 16

SOURCE 14 OF 15

gd1986-12-30.nak300.damico.88983.flac16

Source:

nak 300 mics w/cp4 shotguns > sony d-5 > mac

Lineage:

mac > nak dragon tape deck > creative extigy soundcard > cooledit pro > flac frontend

SOURCE 15 OF 15

Don Beckham and Tony Suraci

Transferrer:

Tony Suraci

SHNID:

gd1986-12-30.nakcm304.suraci.beckham.sbeok.81308.flac16

Source:

Nak CM304's>Sony D5

Lineage:

Nak CR5A>Lunatec V3>SD722

Taper Notes:

View Notes* Thanks to Don for running my rig.
// tape flip
# with Hamza
## with members of the Nevilles.
Notes: This is the 16Bit version. 24 Bit is archived on DVDA.