High Time | 1986-03-24 | Grateful Dead

View NotesSource Info: SBD -> Cassette Master -> ? -> Cassette -> CD -> EAC -> SHN -> Samplitude v7.02 Professional -> SHN
Patch Info: Schoeps CMC4/MK4 -> Cassette Master (Sony D5) -> Dat -> Cool Edit Pro -> SHN
Patched and Edited By Charlie Miller

SOURCE 2 OF 21

2:04:02

SBD

Transferrer:

SBD + AUD Matrix 3 Source Mix (44/16) by Kevin Tobin

SHNID:

gd1986-03-24.148732.mtx.tobin.flac16

Source:

SBD + AUD Matrix 3 Source Mix (44/16)

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 13-JAN-2020 - Trader Little Helper
- Tagged 13-JAM-2020 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

SOURCE 3 OF 21

gd1986-03-24.sbd.goetz.21920.sbeok.shnf

Lineage:

SBD>??>MC

Taper Notes:

View NotesThe El Paso fades out at the 4:19 point ("I see the smoke...") 
The final three songs of this performance are missing on this soundboard source.

Soundboard > ?? > MC > CDR performed by Joey Browning
CDR > EAC > CDWAV > CDR performed by Jim O?Brien
CDR > mkw > shn performed by Robert Goetz

SOURCE 4 OF 21

Recorded by Chris Hecht and Ross Lipton

Transferrer:

All Transfers and Mastering by Charlie Miller [email protected] December 20, 2020

SHNID:

gd1986-03-24.151214.km84i.hecht-lipton-fleck-scheuner.miller.flac1644

Source:

(FOB) Neumann KM84i > PCM Master (Sony PCM F1/SL2000) > PCM Clone

Lineage:

PCM Clone (Sony SL-HF860D) > Sony PCM-601ESD > Behringer Ultramatch Pro (16-bit/44.1k) > Tascam SS-CDR200 > Samplitude Pro X5 Suite > FLAC/16

Taper Notes:

View NotesTape supplied by Randy Fleck and Jason Scheuner

SOURCE 5 OF 21

1:13:55

Taper:

Robert Bryant patched out of Oade Brothers - from the Gastwirt collection

Transferrer:

Charlie Miller and Joe Noel

SHNID:

gd1986-03-24.139772.set2.FOB.Schoeps.Oade.Bryant.Gastwirt.Miller.Noel.t-flac1644

Source:

Set 2 Robert Bryant recording (patched out of the Oade Brothers): Schoeps CMC4 MK41's + MK2 > Sony PCM F1 > DAT/44 (FOB); Charlie Miller

Lineage:

DAT (Sony PCM-R500) > Tascam da3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT

Taper Notes:

View Notes- DAT clone of Bryant's master.
- Adjust the volume knob accordingly, close the eyes & presto, this recording puts you there.
- Lost Sailor's final performance (my first)
- My first Morning Dew
- Philly, where they boo Santa Clause & the Grateful Dead, was a bit unruly.
- This chick has Bobby in her sights, drops trou & 1/2 Stepped her way to the stage.

Patch Info:
- source #103442 (Schoeps CMC-441)
- s2t07; 4:04 - 4:16
- s2t08; 0:35 - 0:47, 1:59 - 2:12 & 2:39 - 2:50

SOURCE 6 OF 21

2:02:48

Taper:

Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel

Transferrer:

Kyle Holbrook

SHNID:

gd1986-03-24.156079.beyerm201-murtha.holbrook.flac2448

Source:

Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby, third deck in line Location: 45 feet from stage DFC This Source: Master AUDCA Maxell MX90 No NR [KH]

Lineage:

Taper Notes:

View Notes*(deadbase lists this as final "Lost Sailor" as the GD)

SOURCE 7 OF 21

2:02:48

Taper:

Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel

Transferrer:

Kyle Holbrook

SHNID:

gd1986-03-24.156078.beyerm201-murtha.holbrook.flac1644

Source:

Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby, third deck in line Location: 45 feet from stage DFC This Source: Master AUDCA Maxell MX90 No NR [KH]

Lineage:

Taper Notes:

View Notes*(deadbase lists this as final "Lost Sailor" as the GD)

SOURCE 8 OF 21

2:04:01

Transferrer:

5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

SHNID:

gd1986-03-24.148734.5-1.tobin.flac1648

Source:

5.1 LPCM Surround Sound Mix (48k)

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 13-JAN-2020 - Trader Little Helper
- Tagged 13-JAM-2020 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

SOURCE 9 OF 21

gd1986-03-24.127535.chasingwilma.flac24

Source:

source: schoeps CMC 44> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

SOURCE 10 OF 21

gd1986-03-24.fob.beyerm160.d5scott.107413.flac16

Source:

source: 2 Beyer M160 Microphones>Sony TC-D5M - 25 feet from stage (mic's on a stand @about 5½ feet feet)>analog cassette master - Maxell MX90's.

Lineage:

Sony TC-D5M (origional record deck)> Pre Sonus Inspire GT> Sound Forge> .wav files> Trader's Little Helper> flac and ffp files

SOURCE 11 OF 21

Jamie Waddell and Mike Grace

SHNID:

gd1986-03-24.fob.schoeps.lochner.gems.103442.flac16

Lineage:

Sony SL-HF900 Betamax > Sony PCM-601ESD SPDIF out > RME DIGI9652 sound card SPDF in > Wavelab 4 at 24/44.1 Editing-Mastering:on GEMS Edit Station. Weiss=Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither FLACLevel8

Taper Notes:

View Notes- slight dropouts in first seconds of pcm tape in tuning, left as is
- tiny patch in Alabama
- Promised Land tease before GSET
- *Last version of Lost Sailor
- "just like a swiss watch " Saint
- only one song after space show in the 80's
- crowd Boos! for more music after the Encore..oh the Beast Coast!
- de-emphasized in Cambridge EQ in UAD1 via Wavelab 6.0

SOURCE 12 OF 21

Jon Pasternak and Dave Mallick

SHNID:

gd1986-03-24.nak300.pasternak.102654.flac16

Source:

Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m),

Lineage:

Nak DR-2>Tascam CDRW2000>CD; Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors

SOURCE 13 OF 21

gd1986-03-24.nak100.holtz.jaz.102168.flac16

Source:

2 Nakamichi CM-100 CP-4 mics mixed with 2 Nakamichi CM-300 CP-4 mics -> Niles Audio Mixer -> Sony TC-D5

Lineage:

Master Cassettes (Maxell MX90 Metaxial) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate convertion -> Traders Little Helper flac8

SOURCE 14 OF 21

Adam Egert and Derek McCabe

SHNID:

gd1986-03-24.fob.thompson.motb-0073.92276.flac24

Source:

2 x AKG C460 CK61uls > Uher CR240 > MAC (FOB)

Lineage:

MAC >> Nakamichi DR-1 => Grace Design Lunatec v3 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]

Taper Notes:

View NotesMastering Notes:
Edits done in Bias Peak w/ Nomad Factory AMT Multi MAx

SOURCE 15 OF 21

Adam Egert and Derek McCabe

SHNID:

gd1986-03-24.fob.thompson.motb-0073.92275.flac16

Source:

2 x AKG C460 CK61uls > Uher CR240 > Master Audience Cassette (FOB)

Lineage:

MAC >> Nakamichi DR-1 => Grace Design Lunatec v3 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]

Taper Notes:

View NotesMastering Notes:
Edits done in Bias Peak w/ Nomad Factory AMT Multi MAx

SOURCE 16 OF 21

Joe D'Amico ''aka'' Joebeacon

Transferrer:

Joe D'Amico ''aka'' Joebeacon

SHNID:

gd1986-03-24.nak300.damico.87655.flac16

Source:

nak 300 mics w/ cp4 shotguns > sony d-5

Lineage:

nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend

SOURCE 17 OF 21

gd1986-03-24.nak300.mandel.79610.shnf

Source:

Nakamichi 300 Shotguns CP4's & Sony TCD5M

Lineage:

Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn

SOURCE 18 OF 21

gd86-03-24.schoeps.nawrocki.17890.sbeok.shnf

Taper Notes:

View NotesSource:
Schoeps CMC 4's/MK 4's > Sony D5 > DA-P1 > CDR > EAC > Cool Edit Pro 2.0 > CDWave > mkwACT
The between track crowd noise in the first set was edited out on the source discs. I used crossfades to make this as fluid as possible.
Thanks to Mark McCue for the source discs. EAC'd/Seeded by Doug Nawrocki

SOURCE 19 OF 21

gd86-03-24.naks.braverman.16746.sbeok.shnf

Source:

Audience Master Cassette (Nakamichi 300 / Sony D5M) > Nakamichi BX-300 > CD > SHNThis is a new seed, with sector boundary errors fixed but otherwise no changes, April 2003. (Peter Braverman)

Taper Notes:

View NotesAudience Master Cassette (Nakamichi 300 / Sony D5M) > Nakamichi BX-300 > CD > SHN
This is a new seed, with sector boundary errors fixed but otherwise no changes, April 2003. (Peter Braverman)

SOURCE 20 OF 21

gd1986-03-24.nak300.porter.braverman.7480.shnf

Source:

Audience Master Cassette (Nakamichi 300 / Sony D5M) > Nakamichi BX-300 > CD > SHN

Taper Notes:

View Notesmuch of the dead air between songs in the first set is cut
tape flip during space

Thanks to Stephen B. Porter, wherever he is these days, for the terrific recording.
Seeded by Peter Braverman, February 2002.

SOURCE 21 OF 21

Paul B. and Greg Kerbel

SHNID:

gd1986-03-24.aud.cirella.kerbel.5570.shnf

Source:

AUD>Sony microphones>Nakamichi BX-300 deck>Maxell metal cassette

Lineage:

MAC>Nakamichi DR?10>Monster analog cables>Tascam CD-RW700 CD burner>CD>EAC>SHN

Taper Notes:

View Notesin Space (d2t05), splice at 1:48 - master tape flip