gd1995-04-02_s2t06_Space.flac | 1995-04-02 | Grateful Dead

View Notes-- This is a fix of SHNID: 11622
-- Corrected pitch by a ratio of 0.9687 / -55 cents to A4=440
-- Cleaned up as much of the "WOW" anomalies as I could
-- Original source provided by Chris Larson ([email protected])

SOURCE 3 OF 12

2:26:51

SBD

Rating:

4.50 / 4 ratings

Source:

SBD (possible monitor mix) > ?

SOURCE 4 OF 12

gd95-04-02.sbd.11622.sbeok.shnf

View NotesSBD>DAT>CD; Seeded to etree by Chris Larson

SOURCE 5 OF 12

DSBD?>Bootleg CD>EAC>SHN

Taper Notes:

View Notes*Note*  The bootleg that I 'liberated' this show from split the discs between Crazy Fingers and Estimated.  'Deadbase" and 'Deadlists' have it as Crazy Fingers>Estimated.

SOURCE 6 OF 12

1:47:50

Taper:

Sean Webber-Small & Jim Oade

Transferrer:

transfer by Dave Cohen tracked by John Wenzel

SHNID:

gd1995-04-02.149956.set2.KM-56s.weber.small.oade.flac1648

Source:

Neumann KM56s FOB>Grace Custom P/S>SonyD7 recorded by Sean Weber-Small and Jim Oade DAT>Tascam DA-3000

Taper Notes:

View Notesnever circulated

SOURCE 7 OF 12

gd1995-04-02.143095.nak300-cp4.Boedicker.flac1644

Source:

Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Lead Deck)>Sony WM-D6C Cassette Deck> Master Tape(Maxell XL-II S 90 And 100 Minute Tapes)>Sony TC-D5M Cassette Deck(Playback)> Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper

Taper Notes:

View NotesNotes:

1)I Attended And Taped All 3 Spring 1995 Philadelphia Shows(All 3 Uploaded Here On Dime).Sometime After The Philly Shows,

My Friend Andy Called Me And Said He Was Going To The 2 Memphis Shows,The 2 Birmingham Shows And The Tampa Show And Was Wondering If He Could Borrow My Nakamichi 300

Mics.I Said Of Course!! So He Made The Roughly 2 Hour Plus Trip From His Home In Central Pennsylvania To My Place At The Time

In Vestal,N.Y(Just A Few Miles West Of Binghamton,N.Y.). When He Came By To Pick Up The Mics,I Asked If He Could Take My

Sony WM-D6C Cassette Deck So I Could Get  Master Copies.For Reasons I Can Not Remember At This Time,He Was Able To Provide

Master Copies For Me For The 4/2 Memphis,4/5 Birmingham And 4/7 Tampa Show.But For The 4/1 Memphis And 4/4 Birmingham Shows,

I Got In Return 1st Generation Copies,Made Right After Those Shows From His Hotel Room By Transferring His Master Copies

From His Sony TC-D5M Cassette Deck Straight Into My Sony WM-D6C Cassette Deck.I was A Latecomer Taping Shows On Dat And Did

Not Start Taping On Shows On Dat Until 2000.However,These 1st Generation Copies And The Masters I Have Of The Above Mentioned

Shows Are Of Excellent Quality For The Most Part.This And The Other Shows Above That Will Be Transferred Over(Eventually,And

Hopefully In The Near Future) Are The 1st Ever Transfers To Be Made(Just A Little Over 23 Years Too Late)!!Hope They Are Worth

The Wait!!!

2)Tape Flip After "Memphis Blues"(No Music Missed On Next Song "Tennesse Jed"

3)Tape Flip During "Drums"

4)Tape Flip After "Not Fade Away"(No Music Missed On Encore Song "Unbroken Chain")

SOURCE 8 OF 12

Joe Noel and John Ammons

SHNID:

gd1995-04-02.141431.s2.FOB.Neumann.Vasseur.Ammons.Noel.t-flac1648

Source:

<b>flac16/48kHz</b>; Set 2 Chuck Vasseur FOB Recording: Neumann KM54 modified tube mics, hand held on t-bar > Custom PS > TEAC Deck > DAT; John Ammons

Lineage:

DAT master > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave 16/48

Taper Notes:

View Notesnotes:
- to quote John, "if transferring '95 is largely an academic pursuit, this is graduate level sound for '95."
- to add, damn sure right.

SOURCE 9 OF 12

gd1995-04-02.141253.FOB.s1-cmc6mk4-s2-mk4v.ebel.flac1644

Source:

<b/>flac16/44.1</b> Source Info: Set #1: FOB Schoeps CMC6 MK4-> Apogee A/D500-> Casio-> DAT (Todd Evens & Adam Gross)Set #2: FOB Schoeps MK 4V-> Reutelhuber P/S-> Sony D-10 Pro II-> DAT (Clete)Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's)Extract Wav-> Flac Level 8-> Tagged (16/44.1).Transfers by Pete Ebel

Taper Notes:

View NotesNotes:
* Set #2 Is Seamless

SOURCE 10 OF 12

gd1995-04-02.shureBG4.0.richart.118440.flac16

Source:

Source: Shure BG4.0's > Sony D6;

Lineage:

Cass/M > Nak DR-3 > CD > EAC > CDWav > FLAC; Location: OTS/sec 5; row Q, seat 8; Recorded/transferred: Christian Richart; Extraction/seed: Brad Foster

Taper Notes:

View NotesNotes:
* - Bob on acoustic, final version. LTP=1994-07-20.
- Tape flip during the crowd noise after Memphis Blues/crossfaded.
- Tape flip during Drums/crossfaded.
- Tape flip during the encore break-NFA crowd chant/crossfaded.


-- Thanks to Christian for sharing his master/transfer!
Discs extracted in secure/range mode, seamlessly joined to one file and re-tracked.
Log file included.
Enjoy!

SOURCE 11 OF 12

gd1995-04-02.nak300.holtz.91056.flac16

Source:

Nakamichi CM300s CP4 Shotguns-> D3 @ 16/48kHz

Lineage:

DAT Master-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0, Izotope Ozone 3, Fades, L2 Dither 16/44.1 kHz, Traders Little Helper flac8

SOURCE 12 OF 12

A(tapers section):NAK CM300 Cardioid CP1 Caps>Sony TCD-D10

Lineage:

D(48kHz)>ZA2(S/PDIF)>Samplitude2496>CD-r

Taper Notes:

View NotesThere's a 2 second dropout somewhere in Memphis. (stay in school, kids!)

Thanks to Tom and Roger for the dats!