Johnny B. Goode | 1995-04-05 | Grateful Dead

View Notes- Beginning of Here Comes Sunshine patched from AUD
- Light Pops in Here Comes Sunshine on the AUD.  There was a very loud
  one in the right channel at 1:34.  I fixed this by cutting out the 
  right channel and pasting it with the left.  There is still a light 
  pop but it is much better.  Also in the AUD at 1:36 was a very loud
  clap in the right channel again I cut out the right channel and 
  replaced it with the left.
- Glitch between 4:37 - 4:38 of Matilda
- Splice in Matilda from 5:08 - 5:25
- splice in Matilda from 9:11 - 9:24
- sound of Matlida seems to degrade after the first splice
- Slight Pop at 3:35 and 3:52 of Drums
- Last 2 minutes of Morning Dew spliced in from AUD starting at 8:50
- Johnny B. Goode was missing on SBD, AUD source
- Bill Tetzeli repitched the SBD and redid the AUD patches
- SteveSw fixed the REPLAYGAIN

SOURCE 2 OF 5

2:35:24

SBD

Rating:

8.67 / 3 ratings

SHNID:

gd95-04-05.sbd.18097.sbeok.shnf

Source:

SBD > ? > Cassette > CDr with AUD patches via Darryl Hinko

Taper Notes:

View NotesSBD > ? > Cassette > CDr with AUD patches via Darryl Hinko

SOURCE 3 OF 5

gd1995-04-05.143121.nak300-cp4.andy-Boedicker.flac1644

Source:

Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Lead Deck)>Sony WM-D6C Cassette Deck> Master Tape(Maxell XL-II S 90 And TDK MA-X 100 Minute Tapes)>Sony TC-D5M Cassette Deck(Playback)> Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper

Taper Notes:

View NotesNotes:

1)I Attended And Taped All 3 Spring 1995 Philadelphia Shows(All 3 Uploaded Here On Dime).Sometime After The Philly Shows,

My Friend Andy Called Me And Said He Was Going To The 2 Memphis Shows,The 2 Birmingham Shows And The Tampa Show And Was Wondering If He Could Borrow My Nakamichi 300

Mics.I Said Of Course!! So He Made The Roughly 2 Hour Plus Trip From His Home In Central Pennsylvania To My Place At The Time

In Vestal,N.Y(Just A Few Miles West Of Binghamton,N.Y.). When He Came By To Pick Up The Mics,I Asked If He Could Take My

Sony WM-D6C Cassette Deck So I Could Get  Master Copies.For Reasons I Can Not Remember At This Time,He Was Able To Provide

Master Copies For Me For The 4/2 Memphis,4/5 Birmingham And 4/7 Tampa Show.But For The 4/1 Memphis And 4/4 Birmingham Shows,

I Got In Return 1st Generation Copies,Made Right After Those Shows From His Hotel Room By Transferring His Master Copies

From His Sony TC-D5M Cassette Deck Straight Into My Sony WM-D6C Cassette Deck.I was A Latecomer Taping Shows On Dat And Did

Not Start Taping On Shows On Dat Until 2000.However,These 1st Generation Copies And The Masters I Have Of The Above Mentioned

Shows Are Of Excellent Quality For The Most Part.This And The Other Shows Above That Will Be Transferred Over(Eventually,And

Hopefully In The Near Future) Are The 1st Ever Transfers To Be Made(Just A Little Over 23 Years Too Late)!!Hope They Are Worth

The Wait!!!

2)Tape Flip After "Row Jimmy"(No Music Missed On Next Song "Music Never Stopped"

3)Tape Flip Near End Of "Matilda"

4)Tape Flip After "Morning Dew"(No Music Missed On Encore Song "Johnny B Goode"

Enjoy!!

SOURCE 4 OF 5

Joe Noel and John Ammons

SHNID:

gd1995-04-05.141432.s2.FOB.Neumann.Vasseur.Ammons.Noel.t-flac1648

Source:

<b>flac16/48kHz</b>; Set 2 Chuck Vasseur FOB Recording: Neumann KM54 modified tube mics, hand held on t-bar > Custom PS > TEAC Deck > DAT; John Ammons

Lineage:

DAT master > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave 16/48

Taper Notes:

View Notesnotes:
- to quote John, "if transferring '95 is largely an academic pursuit, this is graduate level sound for '95."
- to add, this is some good shit.
* Willie Green on drums brings Fat Tuesday to Mathilda

SOURCE 5 OF 5

Paul B. and Chris Larson

SHNID:

gd95-04-05.schoeps.10385.sbeok.shnf

Source:

Audience: Schoeps MK4's

Lineage:

Schoeps MK4's > DAT > CDR > EAC 0.9 beta4 > CD Wave > SHN v3

Taper Notes:

View NotesAbove average audience recordings which suffers from intrusive vocal convulsions  and ramblings of nearby attendees.