1973-06-09 | Grateful Dead

View Notes*** This is a fixed version of gd73-06-09.130939.mtx.dusborne.flac16 ***
*** I purchased a new computer at the end of May and when installing my DAW the 
in/out settings were incorrectly configured. This reflects the corrections I made
and should replace gd73-06-09.130939.mtx.dusborne.flac16.  

Matrix by dusborne

08-26-2014
-------------------------------------------------------------------------------

Tagging notes:
Show information is embedded within the header
of each flac file. It will display on any player 
capable of directly playing flac files. 
If converted to wav during processing, all tags 
will be stripped, however audio data will remain 
unaffected. If you must transcode to a lossy format, 
do so directly Flac > Lossy.
Use st5 to validate audio integrity.
Md5 values will change if tagging is altered.

Dave Usborne 08-26-2014

SOURCE 2 OF 10

3:28:38

SBD

gd1973-06-09.130939.mtx.dusborne.flac16

Source:

2 Source Matrix by Dusborne; Soundboard (shnid:000172) S:MR > cassette > DAT > CD > EAC > SHN > TLH > flac; Extraction and SHN encoding by G.S. Hamilton and Audience (shnid:120959) Source: taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder; Sony ECM 99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up; FOB center infield, between sbd platform and stage platform;

Lineage:

transferred professionally by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro > TLH > CD Tag

Taper Notes:

View NotesMatrix by dusborne

08-10-2014
-------------------------------------------------------------------------------

Tagging notes:
Show information is embedded within the header
of each flac file. It will display on any player 
capable of directly playing flac files. 
If converted to wav during processing, all tags 
will be stripped, however audio data will remain 
unaffected. If you must transcode to a lossy format, 
do so directly Flac > Lossy.
Use st5 to validate audio integrity.
Md5 values will change if tagging is altered.

Dave Usborne 08-10-2014

SOURCE 3 OF 10

gd1973-06-09.120959.barry.smith.AUD-fob.flac2496

Source:

Source: taped by Monte Barry, Sony TC 2850SD portable stereo cassette recorder, Sony ECM 99 single-point stereo mic, mic is hand-held on mic-stand shaft, with arm raised up, FOB center infield, between sbd platform and stage platform;

Lineage:

transferred by Matt Smith, remastered by Monte Barry (some flaws remain) MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro > TLH > CD Tag

Taper Notes:

View NotesNotes:
-- this is a major upgrade in sound quality
-- replaces Monte's shnid 91236
-- this was my first time taping
-- these transfers are not fixed; some flaws remain
-- but now my tapes sound phenomenal

patch list:
-- Promised Land patched until 00:39
-- Tennessee Jed's set-ending announcement is patched
-- China Doll's show-ending announcement is patched
-- I cleaned up a few glitches and tagged the files

SBD patch Lineage:
MR > PCM > cassette > DAT > CD > EAC > SHN > WAV > Samplitude Pro > 24/96

This AUD recording epitomizes the very best of the Grateful Dead "live sound" for the time. The prototype Wall of Sound is nailed by Alembic and the sound crew for this show. Set within an outdoor Stadium, this close-up infield FOB spatially captures sound from the two Aux PA towers on the infield, behind the taper. This sound delay adds a touch of ear candy as it rolls around the stadium. This show, and June 10 was by far the best sound I ever heard come out of a PA System, period. It was a sensational orgy of sound.

Matt Smith did a great job transferring these tapes of mine! Thank you!

SOURCE 4 OF 10

gd1973-06-09.120958.barry.smith.AUD-fob.flac1644

Source:

<b>flac16</b> Source: taped by Monte Barry, Sony TC 2850SD portable stereo cassette recorder, Sony ECM 99 single-point stereo mic, mic is hand-held on mic-stand shaft, with arm raised up, FOB center infield, between sbd platform and stage platform;

Lineage:

Taper Notes:

View NotesNotes:
-- this is a major upgrade in sound quality
-- replaces Monte's shnid 91236
-- this was my first time taping
-- these transfers are not fixed; some flaws remain
-- but now my tapes sound phenomenal

patch list:
-- Promised Land patched until 00:39
-- Tennessee Jed's set-ending announcement is patched
-- China Doll's show-ending announcement is patched
-- I cleaned up a few glitches and tagged the files

SBD patch Lineage:
MR > PCM > cassette > DAT > CD > EAC > SHN > WAV > Samplitude Pro > 24/96

This AUD recording epitomizes the very best of the Grateful Dead "live sound"  for the time. The prototype Wall of Sound is nailed by Alembic and the sound  crew for this show. Set within an outdoor Stadium, this close-up infield FOB  spatially captures sound from the two Aux PA towers on the infield, behind the  taper. This sound delay adds a touch of ear candy as it rolls around the  stadium. This show, and June 10 was by far the best sound I ever heard come out  of a PA System, period. It was a sensational orgy of sound.

Matt Smith did a great job transferring these tapes of mine! Thank you!

SOURCE 5 OF 10

gd1973-06-09.117476.mtx.barry.flac16

Source:

Matrix Recording From: Audience Lineage (shnid 91236): MR cassette > Nakamichi 550 > Lexicon Alpha > 48 Khz / 24-bit > USB > Samplitude 7.22 > 44.1 Khz /16-bit and SBD Lineage (shnid 172): S:MR > PCM > cassette > DAT > CD > EAC > SHN; pitch-corrected and matrixed by Monte Barry

Taper Notes:

View NotesPitch Correction:
-- SBD pitch and speed correction performed in Samplitude Pro ver 7.22
-- the tape speed difference between SBD and AUD reels is variable and it slews
-- some tracks were manually pitch-corrected into many segments
-- some tracks were pitch-corrected into two segments
-- some tracks were pitch-corrected in one segment
-- Resample Mode was used to perform pitch and speed correction

Matrix Mixing:
-- track changes are seamless
-- sources fade-in and fade-out
-- remastered and rendered in Samplitude Pro VIP mode
-- AUD source is mixed -1.5dB below SBD source

Patches and Repairs:
d1t01 - Promised Land - AUD source fades in at 0:42
d1t02 - Deal - SBD right channel - parametric eq used to lower Garcia's guitar level - 3:35 to 4:05
d2t04 - He's Gone - AUD tape damage patched - 6:25 to 6:37
d2t06 - Truckin' - AUD missing due to reel flip - 8:08 to 9:03
d2t07 - Playin' in the Band - unable to match sources after 9:28 - SBD only after 9:28
d3t07 - Sugar Magnolia - SBD cuts out at 5:40; AUD only after 5:40

Tracking and Set List:
-- Notes from AUD and SBD sources list Set 1 / Set 2 alignments incorrectly
-- Tennessee Jed is the correct end of Set 1

Audience Source:
-- Taped, transferred, and remastered by Monte Barry
-- FOB center infield / between sbd platform and stage platform
-- Sony ECM 99 single-point stereo mic
-- Mic is hand-held on mic-stand shaft, w/arm raised up
-- Sony TC 2850SD portable stereo cassette recorder
-- Memorex 90-minute cassettes

Audience Lineage (shnid 91236):
-- MR cassette > Nakamichi 550 > Lexicon Alpha > 48 Khz / 24-bit > USB > Samplitude 7.22 > 44.1 Khz /16-bit

SBD Lineage (shnid 172):
-- S:MR > PCM > cassette > DAT > CD > EAC > SHN
-- Extraction and SHN encoding by G.S. Hamilton
-- Thanks to David Hollister for this beautiful show

running time is 3:24:45
pitch-corrected and matrixed by Monte Barry
FLAC encoded in Trader's Little Helper - SBEs fixed

SOURCE 6 OF 10

gd1973-06-09.sbd.barry.patched-172.93677.shnf

Source:

SBD > Master Reel

Lineage:

Master Reel > cassette > DAT > CD > EAC > SHN

Taper Notes:

View NotesMonte Barry patched Sugar Magnolia w/his AUD source (shnid = 91236).
The finale w/ the 2:30 ending chorus had been missing from this SBD for 35 years.

Now we have every GD note for this ever-famous, most-beloved weekend.

Grateful Dead and Allman Brothers Band

June 9, 1973 is the Saturday show. It was sunny and hot, easily over 100 degrees.

Dead played 1st on Saturday. Allmans played 1st on Sunday.

Below is the original info file with the correct genealogy and track times:

Original SBD Source (shnid = 172)

SOURCE 7 OF 10

gd1973-06-09.sbd.patched.barry.93475.sbeok.shnf

Source:

SBD (shn ID 172) with AUD patch by Monte Barry.

SOURCE 8 OF 10

gd73-06-09.sbd.hollister.172.sbeok.shnf

Source:

Soundboard

Lineage:

SBD MR > cassette> DAT > CD > EAC > SHN

Taper Notes:

View NotesSBD MR > cassette> DAT > CD > EAC > SHN, except Promised Land, Half Step, and
Sugar Mag are S:MR > PCM > cassette > DAT > CD > EAC > SHN, and Patch in
Box of Rain (very small) from 2nd source; via D. Hollister, G. Hamilton; 8/16 <b>note</b> formerly
error in info file at this site, and possibly distributed with show- cass gen in main portion of show had been omitted,  
(although info file at Hamiltons' CDR list has apparently always been correct)- sorry!

SOURCE 9 OF 10

gd1973-06-09.sonytc.monte-barry.91236.flac16

Source:

Sony TC 110 cassette deck

Lineage:

MR cassette > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16

Taper Notes:

View NotesSource:
-- Sony TC 110 cassette deck
-- single-point stereo mic, hand-held on mic-stand shaft, w/arm raised up
-- FOB center infield, between sbd platform and stage platform


SBD patch source info

Lineage:
-- S:MR > PCM > cassette > DAT > CD > EAC > SHN
-- Extraction and SHN encoding by G.S. Hamilton
-- Thanks to David Hollister for this beautiful show

Notes:
-- This was my first time taping
-- This show is complete - every note is finally here
-- Track changes are seamless
-- Patches are cross-faded SBD sources
-- Concert Hall echo/delay effects are applied to patches


patch list
-- Promised Land -------- until 00:39
-- They Love Each Other-- until 00:05
-- Sugaree -------------- for 1st note
-- China Cat Sunflower -- for 1st few notes
-- He's Gone ------------ for 1st few notes, 6:25 to 6:37 - tape damage
-- Truckin' ------------- 8:08 to 9:03 - reel flip
-- Playin' in the Band -- 14:35 to 14:44, 16:10 to 16:27, 20:11 to 20:17 - tape damage

This AUD recording epitomizes the very best of the Grateful Dead "live sound" for the time. The Wall of Sound is nailed by the sound crew and the Dead for this show. Set within an outdoor Stadium, this close-up infield FOB spatially captures sound from the two Aux PA towers on the infield, behind the taper. The sound delay from the Wall of Sound to the Aux PA towers adds a touch of ear candy as it rolls around the stadium. This was by far the best sound fidelity experience I ever heard come out of a PA System, period. It was a sensational orgy of sound. -- Monte

SOURCE 10 OF 10

gd73-06-09.partial.aud.weiner.gdADT25.22790.sbeok.shnf

Source:

Audience Recording

Lineage:

AUDMR(Electro-Voice RE-15 super cardioid dynamic microphone > Nagra III Reel to Reel deck at 7.5 ips) > DAT > SHN

Taper Notes:

View NotesAUDMR > DAT > SHN - Recorded by Adam Grow with an Electro-Voice RE-15 super cardioid dynamic microphone > Nagra III Reel to Reel deck at 7.5 ips.  Added to etree by Noah Weiner