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33 shows
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370 shows
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77 shows
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10 shows
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58 shows
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1,000 shows
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39 shows
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415 shows
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236 shows
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344 shows
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2,016 shows
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847 shows
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726 shows
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436 shows
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1,724 shows
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49 shows
333 tapes
Shows
Show
Sources
1973
0/00
Wake Of The Flood Sessions
Unknown Location
17:18
1 tape
2/09
SBD
Roscoe Maples Pavilion, Stanford U.
Palo Alto, CA, USA
3:26:38
8 tapes
2/15
SBD
Dane County Coliseum
Madison, WI, USA
3:27:55
8 tapes
2/17
SBD
St. Paul Auditorium
St. Paul, MN, USA
3:04:57
5 tapes
2/19
SBD
International Amphitheatre
Chicago, IL, USA
1:26:53
3 tapes
2/21
SBD
Assembly Hall, U. of Illinois
Champaign-Urbana, IL, USA
2:37:30
2 tapes
2/22
SBD
Assembly Hall, U. of Illinois
Champaign-Urbana, IL, USA
2:55:46
4 tapes
2/24
SBD
U. of Iowa
Iowa City, IA, USA
52:08
3 tapes
2/26
SBD
Pershing Municipal Auditorium
Lincoln, NE, USA
3:03:19
1 tape
2/28
SBD
Salt Palace
Salt Lake City, UT, USA
2:03:39
3 tapes
3/15
SBD
Nassau Coliseum
Uniondale, NY, USA
3:19:53
4 tapes
3/16
SBD
Nassau Coliseum
Uniondale, NY, USA
3:26:39
6 tapes
3/19
SBD
Nassau Coliseum
Uniondale, NY, USA
3:27:03
6 tapes
3/21
SBD
Utica Memorial Auditorium
Utica, NY, USA
3:51:50
6 tapes
3/22
SBD
Utica Memorial Auditorium
Utica, NY, USA
3:39:46
8 tapes
3/24
SBD
The Spectrum
Philadelphia, PA, USA
3:50:35
4 tapes
3/26
SBD
Baltimore Civic Center
Baltimore, MD, USA
3:54:25
2 tapes
3/28
SBD
Springfield Civic Center
Springfield, MA, USA
3:43:43
9 tapes
3/30
SBD
Community War Memorial Auditorium
Rochester, NY, USA
2:44:04
2 tapes
3/31
SBD
War Memorial Auditorium
Buffalo, NY, USA
2:45:50
3 tapes
4/02
SBD
Boston Garden
Boston, MA, USA
3:35:53
5 tapes
5/13
SBD
Des Moines State Fairgrounds
Des Moines, IA, USA
4:20:11
5 tapes
5/20
SBD
Stadium (UC Santa Barbara)
Santa Barbara, CA, USA
3:49:59
7 tapes
5/26
SBD
Kezar Stadium
San Francisco, CA, USA
4:07:57
10 tapes
6/09
SBD
RFK Stadium
Washington, DC, USA
3:28:38
10 tapes
6/10
SBD
RFK Stadium
Washington, DC, USA
4:47:33
14 tapes
6/22
SBD
P.N.E. Coliseum
Vancouver, British Columbia, Canada
4:21:20
10 tapes
6/24
SBD
Portland Memorial Coliseum
Portland, OR, USA
3:13:19
3 tapes
6/26
SBD
Seattle Center Arena
Seattle, WA, USA
3:56:23
7 tapes
6/29
SBD
Universal Amphitheatre
Universal City, CA, USA
1:53:28
1 tape
6/30
SBD
Universal Amphitheatre
Universal City, CA, USA
2:56:43
11 tapes
7/01
SBD
Universal Amphitheatre
Universal City, CA, USA
2:53:38
8 tapes
7/27
SBD
Grand Prix Racecourse
Watkins Glen, NY, USA
1:40:38
13 tapes
7/28
SBD
Grand Prix Racecourse
Watkins Glen, NY, USA
4:40:58
15 tapes
7/31
Roosevelt Stadium
Jersey City, NJ, USA
3:36:17
6 tapes
8/01
SBD
Roosevelt Stadium
Jersey City, NJ, USA
3:00:16
17 tapes
8/04
SBD
Record Plant
Sausalito CA
29:59
1 tape
9/07
SBD
Nassau Coliseum
Uniondale, NY, USA
3:30:19
3 tapes
9/08
SBD
Nassau Coliseum
Uniondale, NY, USA
3:30:35
8 tapes
9/11
SBD
William and Mary College Hall
Williamsburg, VA, USA
3:16:13
8 tapes
9/12
SBD
William and Mary College Hall
Williamsburg, VA, USA
2:29:03
5 tapes
9/15
SBD
Providence Civic Center
Providence, RI, USA
3:10:51
2 tapes
9/17
SBD
Onondaga County War Memorial
Syracuse, NY, USA
2:59:19
4 tapes
9/20
SBD
The Spectrum
Philadelphia, PA, USA
2:12:57
2 tapes
9/21
SBD
The Spectrum
Philadelphia, PA, USA
3:02:01
8 tapes
9/24
SBD
Civic Arena
Pittsburgh, PA, USA
2:57:33
9 tapes
9/26
SBD
War Memorial Auditorium
Buffalo, NY, USA
3:16:10
5 tapes
9/30
Rochester Community War Memorial
Rochester, NY
2:40:41
1 tape
10/19
SBD
Oklahoma City Fairgrounds Arena
Oklahoma City, OK, USA
3:00:08
1 tape
10/21
SBD
Omaha Civic Auditorium
Omaha, NE, USA
2:37:01
2 tapes
10/23
SBD
Metropolitan Sports Center
Bloomington, MN, USA
2:33:36
3 tapes
10/25
SBD
Dane County Coliseum
Madison, WI, USA
2:50:38
8 tapes
10/27
SBD
Indianapolis State Fair Coliseum
Indianapolis, IN, USA
3:20:09
3 tapes
10/29
SBD
Kiel Auditorium
St. Louis, MO, USA
5:46:24
8 tapes
10/30
SBD
Kiel Auditorium
St. Louis, MO, USA
3:16:55
5 tapes
11/01
SBD
McGaw Memorial Hall, Northwestern U.
Evanston, IL, USA
3:04:25
6 tapes
11/09
SBD
Winterland Arena
San Francisco, CA, USA
3:03:36
1 tape
11/10
SBD
Winterland Arena
San Francisco, CA, USA
2:31:44
2 tapes
11/11
SBD
Winterland Arena
San Francisco, CA, USA
3:11:10
7 tapes
11/14
SBD
San Diego Sports Arena
San Diego, CA, USA
6:08:23
6 tapes
11/17
SBD
Pauley Pavilion, UCLA
Los Angeles, CA, USA
3:52:26
7 tapes
11/20
SBD
Denver Coliseum
Denver, CO, USA
3:40:13
8 tapes
11/21
SBD
Denver Coliseum
Denver, CO, USA
3:07:35
6 tapes
11/23
SBD
County Coliseum
El Paso, TX, USA
3:22:14
3 tapes
11/25
SBD
Feyline Field
Tempe, AZ, USA
3:21:11
4 tapes
11/28
SBD
Palace of Fine Arts
San Francisco, CA
4:32:06
1 tape
11/30
SBD
Boston Music Hall
Boston, MA, USA
2:58:29
4 tapes
12/01
SBD
Boston Music Hall
Boston, MA, USA
6:49:50
10 tapes
12/02
SBD
Boston Music Hall
Boston, MA, USA
3:11:23
6 tapes
12/04
SBD
Cincinnati Gardens
Cincinnati, OH, USA
2:08:19
4 tapes
12/06
SBD
Cleveland Public Auditorium
Cleveland, OH, USA
3:23:27
10 tapes
12/08
SBD
Cameron Indoor Stadium, Duke U.
Durham, NC, USA
4:26:03
10 tapes
12/10
SBD
Charlotte Coliseum
Charlotte, NC, USA
6:49
1 tape
12/12
SBD
The Omni
Atlanta, GA, USA
4:00:37
5 tapes
12/18
SBD
Curtis Hixon Convention Hall
Tampa, FL, USA
6:07:24
8 tapes
12/19
SBD
Curtis Hixon Convention Hall
Tampa, FL, USA
3:48:27
7 tapes
6/30/73
Promised Land ( slight glitch intact)
3:06
They Love Each Other
5:19
Mexacali Blues
3:35
Tennessee Jed
7:42
Looks Like Rain
7:08
Bird Song
8:53
Cumberland Blues
5:31
Row Jimmy
8:16
Jack Straw
4:47
Deal
4:39
BIODTL
3:18
Black Peter
8:53
Playin' In The Band
14:54
Greatest Story Ever Told
4:53
Ramble On Rose
6:18
El Paso
4:16
Dark Star
16:09
Eyes Of The World
19:22
Stella Blue
8:05
Sugar Magnolia
9:05
One More Saturday Night
4:59
FIN
View on archive.org
Sources
SOURCE 1 OF 11
2:39:08
SBD
Rating:
5.33 / 3 ratings
Transferrer:
Bill Guarneri
SHNID:
gd1973-06-30.sbd.128248.flac16
Source:
SBD > ? > DAT > CD; CD > Sound Forge 10 > flac; Upgrade to existing source SBD 19903
Taper Notes:
View Notes
This was sourced from shn ID 177. "Hot" distorted vocals marred this otherwise nice performance. Vocals were attenuated resulting in better balance and less vocal distortion. Still not perfect but much better. Jerry Garcia, guitar - vocals Bob Weir, guitar - vocals Phil Lesh, bass Keith Godchaux, keyboards Bill Kreutzmann, drums Donna Jean Godchaux, backing vocals
SOURCE 2 OF 11
2:49:38
SBD
Rating:
9.33 / 9 ratings
Transferrer:
Chris Chappell
SHNID:
gd1973-06-30.sbd.sbvol9.chappell.29753.flac16
Source:
Matrix Mix
Taper Notes:
View Notes
General Notes: Two sources from the LMA provided coverage for this matrix: a relatively decent SBD, and a pretty nice sounding AUD recorded probably at the board via the "Debbie connection". The result is an interesting matrix, with the vocals a little hot in the overall outcome - typical of this era's SBD mixes, although that's irrelevant when you're deep in the Dark Star. One of the things I like about the resulting matrix is the ability to bring back that amphitheater sound. Many people were yipping and whooping in between songs just to hear their own echo. Check out these comments from DeadBase: "On Saturday night, one of the crew lit a fireworks fountain up on one of the PA towers creating a moment of panic for some folks who thought it was an electrical fire but Garcia calmed 'em down with a simple, 'Don't panic folks, this is the movies - remember..'. "In an interesting footnote to these shows, the official Grand Opening of this brand new venue on the Universal Studios backlot was the following weekend with a week-long series of Frank Sinatra shows but the Dead gave it a real shakedown acid test first." A review from the LLama: "The Playin is typically great for 1973, and the Dark Star>Eyes>Stella Blue combination puts this one over the top for me. Very unique jams. And BTW, the Wall of Sound seems to work pretty well tonight. Nice quality. An overlooked show that will knock you out!" - Dr. Flashback Thanks to A. Jerugim for the SBD, and Noah Weiner for the A>D transfer of the AUD as well as all the folks involved with the Audience Devotional Tree. Enjoy! Chappy Timeline/Tracking Notes: The transition between all three discs can be put together seemlessly. I tracked this show so that disc 3 contains the entire second set. It would be possible to edit out 40 seconds of crowd/tuning from the first set and burn a 90 minute CDR. Editing Notes: - Pitch Both sources were pitched differently, the AUD being the sharpest, and the SBD being the flatest. The AUD on average had to be pitched down on average about .05 (5 cents), and the SBD had to be pitched up about .15 (15 cents) to achieve pitch correction - 1.00 being 100 cents which is a semitone. The result is very close to A=440Hz, however there is some fluctuation throughout the show due to the age of the recordings. - Synch Even after pitch correcting the AUD and the SBD, because of the speed fluctuation within a given source, multiple edits were performed to keep the sources synched (too many edits to list). - Sonic Quality/Matrix ratio The AUD did receive a little EQ to revive some of the high end that was lost to previously employed NR. The SBD remained untouched sonically. Conceptually, all I was trying to do here is to add some dimension to the SBD, which is pretty dry, by using the ambience of the AUD. The result is a lively but clear recording, hopefully close to how it sounded at the show. If I had to guess the SBD/AUD ratio would be somewhere between 3:1 and 4:1, leaning more towards the 3:1 end of things. - Edits The following are places where the SBD had holes or incomplete coverage in reference to the final matrix timeline. SBD: d1t02 (5:16 - 5:27) - missing (crowd) d1t04 (7:33 - 7:37) - missing (crowd) d1t05 (7:07 - 7:10) - missing (crowd) d1t06 (7:43 - 8:57) - missing d1t06 (10:03 - 10:07) - missing (crowd) d1t07 (5:28 - 5:34) - missing (crowd) d1t09 (8:07 - 8:16) - missing (crowd) d2t01 (4:47 - 6:12) - missing (crowd) d2t02 (0:00 - 0:02) - missing d2t02 (4:40 - 4:46) - missing (crowd) d2t03 (0:00 - 0:03) - missing d2t03 (3:17 - 3:22) - missing (crowd) d2t04 (8:53 - 8:59) - missing (crowd) d2t05 (14:52 - 14:56) - missing (crowd) d3t01 (0:00 - 0:03) - missing d3t01 (5:03 - 5:43) - missing (crowd) d3t02 (6:13 - 8:13) - missing (crowd) d3t03 (4:15 - 4:51) - missing (crowd) d3t04>d3t05 (16:16 - 0:07) - missing d3t05 (11:39:21 - 11:39:39) - missing d3t06 (8:06 - 9:15) - missing (crowd) d3t07 (9:04 - 9:13) - missing (crowd) AUD: d1t01 (0:00 - 0:10) - missing d1t01 (3:04 - 3:06) - missing (crowd) d1t02 (5:27 - 5:32) - missing (crowd) d1t06 (10:07 - 10:09) - missing (crowd) d2t01 (3:33 - 3:52) - missing d2t05 (10:29 - 10:46) - missing d3t04 (6:23 - 6:42) - missing d3t06 (0:37 - 0:47) - missing - Recap Full coverage was achieved by combining both sources. The most significant pieces missing from the SBD are 1:14 in the middle of Birdsong, and 20 seconds of the transition from Dark Star > Eyes, both likely due to reel changes. The rest is tuning/crowd and a few clipped intros. All of it is covered nicely by the AUD. The missing elements from the AUD are also likely due to reel changes, and are not that noticeable, although I encourage the avid listener to locate those points so as to hear the matrix coming back in - this will reveal the effect of the combination of the two sources.
SOURCE 3 OF 11
2:52:02
SBD
Rating:
9.00 / 4 ratings
Transferrer:
J.D. Baker
SHNID:
gd1973-06-30.sbd.baker.19903.shnf
Source:
This is a patched and re-tracked version of the previously circulating soundboard source shnid = 177
Taper Notes:
View Notes
More information about the previously circulating sources can be found here: Soundboard: http://db.etree.org/shninfo_detail.php?shnid=177 Audience: http://db.etree.org/shninfo_detail.php?shnid=6019 Thanks to Matt Z. for providing the audience source, and to Chris K. for providing the soundboard. Notes: Source shn files were converted to wav with mkwACT. Audience patches were pitch shifted and otherwise manipulated in Sound Forge, and were mixed with the soundboard source in Sonic Foundry Vegas Audio. All three discs were re-tracked using CD Wave to better match the start of each song with the beginning of the track. Sector boundaries were verified/fixed with shntool, and files were shortened with seek tables appended. JD Baker 10/10/2003
SOURCE 4 OF 11
2:50:34
SBD
Rating:
8.76 / 21 ratings
SHNID:
gd73-06-30.sbd.Jerugim.177.sbefail.shnf
Source:
Soundboard
Lineage:
SBD> ?> DAT> CD> EAC> SHN
Taper Notes:
View Notes
SBD> ?> DAT> CD> EAC> SHN; (note <a href="http://www.resourcesfortapers.com/circulation/index.html" rel="nofollow">Tiedrich's site</a> lists a circulating SBD> reel master> 1 reel gen> DAT> 1 cass gen> DAT> circulation); Known Flaws: Some digi-noise beginning d1t1, Reel flip middle d1t6, Reel flip beginnning d3t2; via A. Jerugim; note "E2 USB" is not listed in databases as an encore- may be filler? (has 2 drummers?)- thanks to J. Grimes for alert
SOURCE 5 OF 11
2:54:10
Rating:
2.00 / 1 rating
Transferrer:
Matt Smith and Will Boswell
SHNID:
gd1973-06-30.130561.aud.boswell-smith.flac16
Source:
Audience Source Tape: Reel dubbed in 1979 by Will Boswell (3 3/4ips) from Jerry Garcia's personal collection. Original recording made by the sound crew at the soundboard; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
SOURCE 6 OF 11
2:54:09
Rating:
4.67 / 3 ratings
Transferrer:
Matt Smith and Will Boswell
SHNID:
gd1973-06-30.130557.aud.boswell-smith.flac24
Source:
Audience Source Tape: Reel dubbed in 1979 by Will Boswell (3 3/4ips) from Jerry Garcia's personal collection. Original recording made by the sound crew at the soundboard; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
SOURCE 7 OF 11
2:56:20
Rating:
9.33 / 3 ratings
Transferrer:
Noah Weiner and Matt Smith
SHNID:
gd1973-06-30.aud.weiner.100346.flac16
Source:
Aud -> Master Reel
Lineage:
AudMR > Reel(3 3/4ips) > DVD(WAV 24/96) > FLAC. Akai GX636 > Apogee Mini Me(24/96)/Apogee Mini DAC(monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > DVD > Soundforge 8.0 (track IDs and cross fades) > downsampled to 16/44 in r8brain (with dithering) > FLAC(level 8)
Taper Notes:
View Notes
Source Tape: Reel dubbed in 1979 by Will Boswell from Jerry Garcia's personal collection. Original recording made by the sound crew at the soundboard. It is assumed that the 1979 dub came direct off of the master. This is the same master recording that is heard on shnid=6019, but casts that lineage into question as this transfer is a clear upgrade. Edits: *tape cut in Jack Straw cross faded at approximately 3:30 *tape cut in Playin' cross faded at approximately 10:24 *tape cut in Dark Star cross faded at approximately 6:00 *tape cut in Stella Blue cross faded at approximately 0:35
SOURCE 8 OF 11
2:56:20
Transferrer:
Noah Weiner and Matt Smith
SHNID:
gd1973-06-30.aud.weiner.100345.flac24
Source:
Aud -> Reel
Lineage:
Master Reel > Reel(3 3/4ips) > DVD(WAV 24/96) > FLAC. Akai GX636 > Apogee Mini Me(24/96)/Apogee Mini DAC(monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > DVD > Soundforge 8.0 (track IDs and cross fades) > FLAC(level 8)
Taper Notes:
View Notes
Source Tape: Reel dubbed in 1979 by Will Boswell from Jerry Garcia's personal collection. Original recording made by the sound crew at the soundboard. It is assumed that the 1979 dub came direct off of the master. This is the same master recording that is heard on shnid=6019, but casts that lineage into question as this transfer is a clear upgrade. Edits: *tape cut in Jack Straw cross faded at approximately 3:30 *tape cut in Playin' cross faded at approximately 10:24 *tape cut in Dark Star cross faded at approximately 6:00 *tape cut in Stella Blue cross faded at approximately 0:35
SOURCE 9 OF 11
2:56:43
Rating:
8.00 / 2 ratings
Transferrer:
Noah Weiner
SHNID:
gd1973-06-30.aud.weiner.99703.sbeok.flac16
Source:
Aud > MR > ?
Lineage:
? > DAT > WAV > FLAC
Taper Notes:
View Notes
Alternate copy originating from same original master recording as shnid=6019 Edits: *tape cut in Jack Straw cross faded at approximately 3:32 *tape cut in Playin' cross faded at approximately 10:29 *tape cut in Dark Star cross faded at approximately 6:45 *tape cut in Stella Blue cross faded at approximately 0:37 *end of OMSN patched at 1:51 from shnid=6019 Notes: Around August, 2001, when I put a digital copy of this show (shnid=6019) into circulation, a trading partner sent me a DAT containing a copy sourced off the same AUD master. At the time, this DAT copy's caveats led me to the conclusion to only circulate the known first gen reel transfer I performed in 2001. I recently pulled this DAT out, and upon listening decided it was worth circulating despite some of the tapes issues. Given the spirit and completeness of the online archival community, it seemed appropriate to "add this to the pile" while I am as confident as I can be that the true master recording is yet to be "unearthed." Whether one deems this an upgrade, downgrade, or sidegrade is open to debate. For me, I know that I will continue to pull this version out when I want to revisit this personal favorite show. That was enough reason for me to risk "polluting the gene pool" a little bit. This is the same master recording as shinid=6019. The tape had all the exact same cuts and flips requiring repair. I chose to re-perform the cross fades, rather than introduce what were, in my opinion, more disruptive SBD patches. The Caveats: This entire tape sounds like there was some analog noise reduction applied at some point, followed by the tape being run with the Dolby off and on again, perhaps while going to DAT. That said, this low gen copy has a fantastic spectrum of high and low end, beautifully upgrading the one disappointment in the current circulating copy of the same recording - muted high end. Someday, when the true master tape itself is found and circulated, this recording will likely claim the crown of being the best audience tape from 1973.
SOURCE 10 OF 11
2:56:27
Rating:
9.33 / 3 ratings
Transferrer:
SIRMick
SHNID:
gd1973-06-30.aud.sirmick.85816.sbeok.flac16
Source:
Audience > Reel
Lineage:
Master Reel > Reel >Dat > WAV > FLAC (Reel labeled: through the Debbie connection: P.A. Harmon Kardon; probably recorded from the soundboard)
Taper Notes:
View Notes
notes: This is a remaster of shnid 6019 - cleaned up transitions between d1t05-d1t06, d1t06-d1t07 - a few minor volume adjustments have been made - fixed errors at 2:07 & 2:25 in d1t08 - repaired small drop out at 14:26 in left channel of Eyes - removed large click in Stella at 3:10 in right channel - the bottom was very heavy in places which caused some moments of distortion on phil's bass, this has been reduced but some distortion still remains in places - top end brightened as the vocals were a little muddy sounding. - retracked additional notes from the original seeder: (1) tape cut at 3:32 repaired with a cross fade (2) tape cut at 10:29 repaired with a cross fade (3) tape cut at 6:45 repaired with a cross fade (4) tape cut at 0:37 repaired with a cross fade remastered with iZotope Ozone and Waves SIRMick February 2006
SOURCE 11 OF 11
2:47:31
Rating:
6.00 / 4 ratings
Transferrer:
Noah Weiner
SHNID:
gd73-06-30.aud.weiner.gdADT.6019.sbefail.shnf
Source:
Audience Recording
Lineage:
AudMR > R > DAT > WAV > SHN
Taper Notes:
View Notes
AudMR > R > DAT > WAV > SHN; A > D transfer by Noah Weiner; d1 tracked for 80 min; see info file for notes; via Audience Devotional Tree