1973-06-10 | Grateful Dead | Relisten

Bands

Featured

Phil Lesh and Friends

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Bands

American Babies

Animal Collective

Animal Liberation Orchestra

Aquarium Rescue Unit

Assembly of Dust

Barefoot Manner

Bela Fleck and the Flecktones

Benevento Russo Duo

Bernie Worrell Orchestra

Billy & the Kids

Blueground Undergrass

Camper Van Beethoven

Choice And Company

Circles Around The Sun

Dark Star Orchestra

Dave Harrington

Dead and Company

Deep Banana Blackout

Del McCoury Band

Derek Trucks Band

Donna the Buffalo

Drive-By Truckers

ekoostik hookah

Electric Beethoven

Everyone Orchestra

Forgotten Space

From Good Homes

G. Love and Special Sauce

Godspeed You Black Emperor!

God Street Wine

Greensky Bluegrass

Greyboy Allstars

Hard Working Americans

Horseshoes and Hand Grenades

Hot Buttered Rum

Infamous Stringdusters

Jazz Mandolin Project

Jeff Austin and Chris Castino

Jeff Austin And Friends

Jeff Austin Band

Jerry Joseph and the Jackmormons

Jerry's Middle Finger

Joe Russo Presents: Hooteroll? + Plus

Joe Russo's Almost Dead

Keller Williams

King Gizzard & the Lizard Wizard

Kitchen Dwellers

Leftover Salmon

Marco Benevento

Marcus King Band

My Morning Jacket

New Riders of the Purple Sage

North Mississippi Allstars

Perpetual Groove

Pigeons Playing Ping Pong

Pink Talking Fish

Quality Cinema Band

Rumpke Mountain Boys

Smashing Pumpkins

Sound Tribe Sector 9

Steve Kimock Band

String Cheese Incident

Surprise Me Mr. Davis

Tedeschi Trucks Band

Ted Leo and the Pharmacists

The California Honeydrops

The Clock Reads

The Decemberists

The HippoCampus

The Mountain Goats

The New Mastersounds

The War on Drugs

The Wood Brothers

Trampled by Turtles

Umphrey's McGee

Widespread Panic

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Yonder Mountain String Band

Shows

Sources

SOURCE 1 OF 14

6.67 / 3 ratings

Matrix by Dave Usborne

gd1973-06-10.131065.mtx.dusborne.flac16

2 Source Matrix by Dusborne; Soundboard (shnid:89730) - Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC; All Transfers and Mastering By Charlie Miller and Audience (shnid:121031) - Source: taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder; Sony ECM 99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up; FOB center infield, between sbd platform and stage platform;

transferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD Tag

View NotesMatrix by dusborne

08-22-2014
-------------------------------------------------------------------------------

Tagging notes:
Show information is embedded within the header
of each flac file. It will display on any player 
capable of directly playing flac files. 
If converted to wav during processing, all tags 
will be stripped, however audio data will remain 
unaffected. If you must transcode to a lossy format, 
do so directly Flac > Lossy.
Use st5 to validate audio integrity.
Md5 values will change if tagging is altered.

Dave Usborne 08-22-2014

SOURCE 2 OF 14

9.08 / 13 ratings

Charlie Miller and Kevin Tobin

gd1973-06-10.sbd.miller.tobin.patched-89730.90979.flac16

SBD -> Master Reel -> Dat -> CD

CD -> Samplitude Professional v10.01 -> FLAC

View NotesThis is the Miller sbd (89730) patched with the two audience sources (90351 and 89681), and then pitch corrected. See text file for details. Kevin Tobin did the work.

SOURCE 3 OF 14

9.83 / 12 ratings

gd1973-06-10.sbd.miller.fix-89640.89730.flac16

SBD -> Master Reel -> Dat -> CD D

CD -> Samplitude Professional v10.01 -> FLAC

SOURCE 4 OF 14

9.68 / 19 ratings

gd1973-06-10.sbd.miller.89640.sbeok.flac16

SBD -> Master Reel -> Dat -> CD

CD -> Samplitude Professional v10.01 -> FLAC

SOURCE 5 OF 14

2.50 / 4 ratings

gd1973-06-10.121031.barry.smith.AUD-fob.flac2496

Source: taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder Sony ECM 99 single-point stereo mic is hand-held on mic-stand shaft, with arm raised up FOB center infield, between sbd platform and stage platform;

transferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD Tag

SOURCE 6 OF 14

gd1973-06-10.121030.barry.smith.AUD-fob.flac16

taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder > Sony ECM 99 single-point stereo mic is hand-held on mic-stand shaft, with arm raised up FOB center infield, between sbd platform and stage platform;

transferred by Matt Smith MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > 16/44 > TLH > SBEs fixed > CD Tag

SOURCE 7 OF 14

gd1973-06-10.dts.tobin.90794.flac

SBD (89730) + AUD (90351) + AUD (89681)

SOURCE 8 OF 14

7.83 / 12 ratings

gd1973-06-10.mtx.tobin.90771.flac16

SBD (89730) + AUD (90351) + AUD (89681)

SOURCE 9 OF 14

9.01 / 203 ratings

David Hollister and G.S. Hamilton

gd73-06-10.sbd.hollister.174.sbeok.shnf

SBD > MR (10'' reels) > DAT > CD > EAC > SHN

View Notesd1t2 BIODTL begining cut (thanks to Andrew Pitner for noticing)
d1t09 (The Race Is On) several anomalies at the 
 1:33, 1:34, 1:36, & 1:44 marks (thanks to Scott Clugston for noticing)
D2t01 (Bird Song): very brief tape waver @ 2:44
D2t03 (Eyes) transient sound system glitch @ 5:06; subsecond dropout @ 6:54 
D4t06 (GDTRFB): reel flip/splice @ 6:42

SOURCE 10 OF 14

Charlie Miller; Neil Sturtevant

gd1973-06-10.partial.fob.gadsden.89681.sbeok.flac16

Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC

View Notes-- Disc change is seamless
-- Recorded by Bill Gadsden

SOURCE 11 OF 14

Jimmy & Laurie Cooper, & Arti

gd1973-06-10.136253.aud.cooper.berger.flac16

Partial Sets 1 & 2; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; Arti’s akg 200 series mics > hitachi trq-222; maxell ud-c90; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > 16/44.1 > xACT flac; power by furman p-2400IT; transfer & mastering - Rob Berger

View Notesnotes:* as per Jim Cooper, the story of why
this is an offering of only part of this epic
day:

This is my most frustrating concert ever. Arti offered to use his AKG's for this as an experiment with the Hitachi, as I had never used premium mics before.
(the database needs to be changed regarding the mics)
We were not able to go Saturday, but went on sunday. My old friend and his girlfriend offered to drive us all there.  Laurie, Arti & I, with our gear and a full cooler (thank goodness) sat in the backseat.
At the show, My friend & his GF went into the stands, as she couldn't take the heat, which was excessive.
Laurie Arti & I found a sweet spot about halfway between the stage & the soundboard, arti had poles.
The opening act sucked and played longtime. ABB came on and played a long time. we did not record them due to limitations on our resources, although a group of die hard ABB fans with a R2R and a dead car battery begged us to.
We were tripping of course, as were most. The duration and heat combined to create a very challenging experience, thank goodness for the large woman who befriended us and sat on the cooler, keeping out the baked refugees all around us. There was no water provided.
As the night came, cooling things down the dead began and they were UNBELIEVABLE, They were experimenting with phil's sub sound and the heat combined to produce a very soothing effect on the brain each time phil plucked a sustained bass note. 
The stadium echoed the sound (Stella Blue) to enhance the trippiness of the 2nd set especially.
We recorded everything, we were so thrilled as we observed the levels with the AKG's, man we were psyched.
THEN about almost just before the encore, my friends found us and wanted to leave, the GF had to take an exam in the morning in NYC,
WE did not want to go, they left us there.
Show was over and we went out and started hitchhiking, with all our gear and the cooler.
NO Rides
We walked around the parking lot and found a van with NY plates and asked the people if they had room. They said yes, but they wanted to crash for a while.
We said OK and sat down and began playing tapes of the show, I had brought the speakers along for the car ride.
We were listening to this very tape when we 3 fell asleep. We awoke when we heard car noises and our ride was getting ready to go, we gathered up our stuff and got into the back of the van.
We slept off & on to NYC, it was almost 7am as we hit the GWB.
I went looking for something in my pack, (a cassette carrying case, about 24 tapes.) and it was missing, I had brought a bunch of live shows, including GD soundchecks from nassau coliseum with a few "box of rain" and other gems.
We checked our stuff, artis mics were gone as was our canon slr and all of the fuckin tapes which we just recorded, EXCEPT this one.
We cried once we heard how  good the sound of the tape was, and we all knew all knew just what a great show it was.

SOURCE 12 OF 14

Jimmy & Laurie Cooper, & Arti

gd1973-06-10.136252.aud.cooper.berger.flac24

Partial Sets 1 & 2; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; Arti’s akg mics > hitachi trq-222; maxell ud-c90; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > xACT flac; power by furman p-2400IT; transfer & mastering - Rob Berger

View Notesnotes:* as per Jim Cooper, the story of why
this is an offering of only part of this epic
day:

This is my most frustrating concert ever. Arti offered to use his AKG's for this as an experiment with the Hitachi, as I had never used premium mics before.
(the database needs to be changed regarding the mics)
We were not able to go Saturday, but went on sunday. My old friend and his girlfriend offered to drive us all there.  Laurie, Arti & I, with our gear and a full cooler (thank goodness) sat in the backseat.
At the show, My friend & his GF went into the stands, as she couldn't take the heat, which was excessive.
Laurie Arti & I found a sweet spot about halfway between the stage & the soundboard, arti had poles.
The opening act sucked and played longtime. ABB came on and played a long time. we did not record them due to limitations on our resources, although a group of die hard ABB fans with a R2R and a dead car battery begged us to.
We were tripping of course, as were most. The duration and heat combined to create a very challenging experience, thank goodness for the large woman who befriended us and sat on the cooler, keeping out the baked refugees all around us. There was no water provided.
As the night came, cooling things down the dead began and they were UNBELIEVABLE, They were experimenting with phil's sub sound and the heat combined to produce a very soothing effect on the brain each time phil plucked a sustained bass note. 
The stadium echoed the sound (Stella Blue) to enhance the trippiness of the 2nd set especially.
We recorded everything, we were so thrilled as we observed the levels with the AKG's, man we were psyched.
THEN about almost just before the encore, my friends found us and wanted to leave, the GF had to take an exam in the morning in NYC,
WE did not want to go, they left us there.
Show was over and we went out and started hitchhiking, with all our gear and the cooler.
NO Rides
We walked around the parking lot and found a van with NY plates and asked the people if they had room. They said yes, but they wanted to crash for a while.
We said OK and sat down and began playing tapes of the show, I had brought the speakers along for the car ride.
We were listening to this very tape when we 3 fell asleep. We awoke when we heard car noises and our ride was getting ready to go, we gathered up our stuff and got into the back of the van.
We slept off & on to NYC, it was almost 7am as we hit the GWB.
I went looking for something in my pack, (a cassette carrying case, about 24 tapes.) and it was missing, I had brought a bunch of live shows, including GD soundchecks from nassau coliseum with a few "box of rain" and other gems.
We checked our stuff, artis mics were gone as was our canon slr and all of the fuckin tapes which we just recorded, EXCEPT this one.
We cried once we heard how  good the sound of the tape was, and we all knew all knew just what a great show it was.

SOURCE 13 OF 14

10.00 / 2 ratings

gd1973-06-10.aud.barry-gadsden.tobin.90796.flac16

Composite Audience

SOURCE 14 OF 14

9.33 / 12 ratings

gd1973-06-10.fob.barry.90351.flac16

FOB > Single-point Mic > Sonny TC 110 > MAC

MAC > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > FLAC

View Notes-- This show is complete
-- Most track changes are seemless
-- Patches are cross-faded
-- SBD patches have "concert hall" echo/delay effects applied

-- Playing in the Band --------- tape change dropout at 5:22, Gadsden-Miller patched until 6:23
-- Eyes of the World ----------- missing content until 14:35, Gadsden-Miller AUD patched
-- It Takes A Train to To Cry -- SBD patched due to tape damage, 1:42 to 1:47, 3:03 to 3:16
-- That's Alright Mama --------- SBD patched due to tape damage, 3:35 to 3:50,  5:56 to 8:58
-- GDTRFB ---------------------- tape change dropout at 4:37, SBD patched until 5:01