Brown Eyed Women | 1977-05-08 | Grateful Dead

Bernie Worrell and the WOO Warriors

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	51	5

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	0	0m
7d	11	1
30d	38	5

Playback	Listens	Hours
48h	21	3
7d	80	13
30d	545	83

Playback	Listens	Hours
48h	182	25
7d	290	38
30d	2.1k	279

Playback	Listens	Hours
48h	7.5k	808
7d	17.3k	1.9k
30d	86.2k	8.8k

Playback	Listens	Hours
48h	81	6
7d	178	13
30d	1.4k	101

62 shows

76 tapes

Blueground Undergrass

145

Playback	Listens	Hours
48h	0	0m
7d	7	42m
30d	145	14

Playback	Listens	Hours
48h	195	23
7d	530	60
30d	2.7k	313

Playback	Listens	Hours
48h	298	37
7d	821	98
30d	4.5k	576

308 shows

512 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	53m

22 shows

28 tapes

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	13	2
7d	64	11
30d	615	97

450 shows

562 tapes

Buffalo Galaxy

Playback	Listens	Hours
48h	9	1
7d	15	2
30d	54	8

113 shows

119 tapes

Built To Spill

Playback	Listens	Hours
48h	58	6
7d	179	17
30d	1k	102

Playback	Listens	Hours
48h	183	18
7d	426	43
30d	1.7k	172

Playback	Listens	Hours
48h	27	2
7d	62	4
30d	342	18

Playback	Listens	Hours
48h	12	1
7d	51	7
30d	175	24

Playback	Listens	Hours
48h	30	2
7d	119	9
30d	429	31

244 shows

274 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	3	36m
30d	6	2

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	4	33m
7d	0	0m
30d	2	45m

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	1	2m
7d	10	1
30d	41	5

79 shows

93 tapes

Circles Around The Sun

1.7k

Playback	Listens	Hours
48h	92	20
7d	217	51
30d	1.7k	364

Playback	Listens	Hours
48h	4	52m
7d	35	9
30d	172	34

Playback	Listens	Hours
48h	72	6
7d	145	12
30d	709	58

Playback	Listens	Hours
48h	34	5
7d	58	8
30d	479	74

Playback	Listens	Hours
48h	262	34
7d	711	98
30d	4.7k	637

Playback	Listens	Hours
48h	291	39
7d	734	102
30d	5.3k	715

799 shows

1,061 tapes

Dave Harrington

Playback	Listens	Hours
48h	3	31m
7d	4	1
30d	31	6

Playback	Listens	Hours
48h	2	23m
7d	3	29m
30d	197	21

Playback	Listens	Hours
48h	2.1k	338
7d	5.6k	904
30d	39.4k	6.2k

Playback	Listens	Hours
48h	6	33m
7d	42	5
30d	341	38

Playback	Listens	Hours
48h	37	2
7d	152	8
30d	1.5k	87

Playback	Listens	Hours
48h	68	8
7d	220	25
30d	1.3k	157

Playback	Listens	Hours
48h	846	172
7d	2.2k	480
30d	12.6k	2.6k

Playback	Listens	Hours
48h	14	1
7d	36	4
30d	380	38

Playback	Listens	Hours
48h	272	48
7d	580	95
30d	2.8k	443

161 shows

221 tapes

Domocile

Playback	Listens	Hours
48h	4	45m
7d	4	1
30d	58	15

Playback	Listens	Hours
48h	170	17
7d	305	31
30d	1.9k	205

Playback	Listens	Hours
48h	48	7
7d	37	6
30d	239	40

Playback	Listens	Hours
48h	120	10
7d	336	29
30d	2.4k	207

Playback	Listens	Hours
48h	7	50m
7d	49	8
30d	449	75

Playback	Listens	Hours
48h	12	2
7d	13	2
30d	137	21

Playback	Listens	Hours
48h	229	37
7d	494	83
30d	2.1k	346

153 shows

296 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	14	3

Playback	Listens	Hours
48h	145	20
7d	247	36
30d	1.8k	253

831 shows

1,050 tapes

Electric Beethoven

Playback	Listens	Hours
48h	2	30m
7d	9	2
30d	31	9

Playback	Listens	Hours
48h	32	2
7d	230	13
30d	1.2k	66

156 shows

174 tapes

Eric Krasno

Playback	Listens	Hours
48h	10	2
7d	10	1
30d	55	8

125 shows

185 tapes

Everyone Orchestra

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	13	2

182 shows

286 tapes

Forgotten Space

Playback	Listens	Hours
48h	67	6
7d	50	5
30d	75	7

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	0	0m
7d	3	35m
30d	3	35m

Playback	Listens	Hours
48h	23	2
7d	76	9
30d	269	23

Playback	Listens	Hours
48h	0	0m
7d	47	3
30d	154	10

Playback	Listens	Hours
48h	14	1
7d	57	4
30d	227	17

Playback	Listens	Hours
48h	12	47m
7d	27	1
30d	115	7

Playback	Listens	Hours
48h	586	91
7d	1.7k	272
30d	10.7k	1.7k

246 shows

1,223 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	27m

14 shows

15 tapes

G. Love and Special Sauce

593

Playback	Listens	Hours
48h	2	21m
7d	107	10
30d	593	54

Playback	Listens	Hours
48h	23	3
7d	211	21
30d	1.3k	147

Playback	Listens	Hours
48h	2	11m
7d	5	31m
30d	113	15

Playback	Listens	Hours
48h	10	2
7d	18	4
30d	153	29

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	3	22m
7d	10	1
30d	31	4

51 shows

65 tapes

Ghost Light

Playback	Listens	Hours
48h	0	0m
7d	4	28m
30d	46	12

Playback	Listens	Hours
48h	215	24
7d	632	71
30d	2.3k	268

378 shows

514 tapes

Godspeed You Black Emperor!

388

Playback	Listens	Hours
48h	63	14
7d	123	32
30d	388	101

535 shows

800 tapes

Golden Gate Wingmen

Playback	Listens	Hours
48h	6	1
7d	8	1
30d	78	12

Playback	Listens	Hours
48h	2.2k	448
7d	5.5k	1.2k
30d	52.2k	11.4k

Playback	Listens	Hours
48h	57	6
7d	92	8
30d	412	34

363 shows

589 tapes

Grahame Lesh and Friends

2.2k

Playback	Listens	Hours
48h	260	41
7d	274	42
30d	2.2k	323

Playback	Listens	Hours
48h	5	32m
7d	4	22m
30d	108	14

Playback	Listens	Hours
48h	319	39
7d	749	91
30d	5.3k	650

Playback	Listens	Hours
48h	51	5
7d	127	14
30d	793	91

226 shows

313 tapes

GrooveSession

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	27	4

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	27	1

53 shows

57 tapes

Guitarmageddon

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	9	2

Playback	Listens	Hours
48h	2	10m
7d	37	3
30d	360	26

756 shows

1,037 tapes

Hard Working Americans

Playback	Listens	Hours
48h	0	0m
7d	20	2
30d	73	8

Playback	Listens	Hours
48h	14	3
7d	19	4
30d	378	60

187 shows

226 tapes

Horseshoes and Hand Grenades

Playback	Listens	Hours
48h	19	2
7d	19	2
30d	58	6

Playback	Listens	Hours
48h	11	57m
7d	26	3
30d	229	23

675 shows

847 tapes

Infamous Stringdusters

1.6k

Playback	Listens	Hours
48h	121	10
7d	238	21
30d	1.6k	149

629 shows

1,016 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	9	2

Playback	Listens	Hours
48h	235	17
7d	703	46
30d	4.6k	313

Playback	Listens	Hours
48h	2	15m
7d	31	2
30d	304	28

366 shows

493 tapes

Jazz Mandolin Project

120

Playback	Listens	Hours
48h	6	57m
7d	9	2
30d	120	21

222 shows

280 tapes

Jeff Austin and Chris Castino

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	22	2

12 shows

14 tapes

Jeff Austin And Friends

Playback	Listens	Hours
48h	5	27m
7d	3	13m
30d	91	9

Playback	Listens	Hours
48h	35	4
7d	75	10
30d	819	106

112 shows

162 tapes

Jerry Joseph and the Jackmormons

Playback	Listens	Hours
48h	134	24
7d	345	61
30d	2k	350

1,124 shows

1,519 tapes

Jerry's Middle Finger

3.9k

Playback	Listens	Hours
48h	217	29
7d	773	109
30d	3.9k	537

262 shows

315 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	24	4

2 shows

Karl Denson's Tiny Universe

Joe Russo's Almost Dead

31k

Playback	Listens	Hours
48h	2.7k	476
7d	6.1k	1.1k
30d	31k	5.7k

Playback	Listens	Hours
48h	99	11
7d	177	21
30d	743	84

Playback	Listens	Hours
48h	285	26
7d	555	50
30d	2.6k	224

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	32	4

Playback	Listens	Hours
48h	12	50m
7d	51	4
30d	197	16

Playback	Listens	Hours
48h	17	2
7d	12	1
30d	123	12

73 shows

109 tapes

Playback	Listens	Hours
48h	1	4m
7d	1	4m
30d	71	15

Playback	Listens	Hours
48h	134	12
7d	527	48
30d	3.5k	341

Playback	Listens	Hours
48h	16	3
7d	15	3
30d	146	22

43 shows

54 tapes

King Gizzard & the Lizard Wizard

14.6k

Playback	Listens	Hours
48h	1k	135
7d	2.2k	302
30d	14.6k	2k

Playback	Listens	Hours
48h	119	17
7d	292	39
30d	2.1k	275

315 shows

401 tapes

Kung Fu

Playback	Listens	Hours
48h	1	13m
7d	1	13m
30d	25	4

Playback	Listens	Hours
48h	27	6
7d	84	17
30d	571	113

Playback	Listens	Hours
48h	64	7
7d	91	11
30d	559	67

Playback	Listens	Hours
48h	350	33
7d	632	54
30d	3.8k	344

981 shows

1,323 tapes

Lettuce

Playback	Listens	Hours
48h	139	25
7d	635	95
30d	3k	479

Playback	Listens	Hours
48h	287	27
7d	640	60
30d	4.4k	402

Playback	Listens	Hours
48h	80	5
7d	157	12
30d	1.3k	95

Playback	Listens	Hours
48h	89	16
7d	185	34
30d	1.5k	286

437 shows

624 tapes

Marco Benevento

Playback	Listens	Hours
48h	5	22m
7d	3	13m
30d	48	4

Playback	Listens	Hours
48h	109	10
7d	352	32
30d	2.3k	206

Playback	Listens	Hours
48h	8	56m
7d	30	3
30d	196	21

349 shows

446 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	10m

Playback	Listens	Hours
48h	218	35
7d	664	107
30d	3.4k	557

Playback	Listens	Hours
48h	7	34m
7d	44	2
30d	206	12

Playback	Listens	Hours
48h	1	15m
7d	0	0m
30d	167	17

157 shows

172 tapes

Minutemen

Playback	Listens	Hours
48h	19	25m
7d	9	14m
30d	49	2

Playback	Listens	Hours
48h	55	4
7d	161	11
30d	735	51

Playback	Listens	Hours
48h	593	99
7d	1.5k	249
30d	9.5k	1.6k

1,994 shows

4,511 tapes

Mogwai

Playback	Listens	Hours
48h	0	0m
7d	3	13m
30d	52	5

381 shows

482 tapes

Moon Taxi

Playback	Listens	Hours
48h	0	0m
7d	30	2
30d	63	5

Playback	Listens	Hours
48h	251	26
7d	714	73
30d	3.5k	360

413 shows

602 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	64	6

46 shows

51 tapes

Neal Francis

Playback	Listens	Hours
48h	12	53m
7d	9	36m
30d	32	2

Playback	Listens	Hours
48h	112	14
7d	219	26
30d	728	92

141 shows

255 tapes

Nels Cline

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	49	9

62 shows

73 tapes

New Riders of the Purple Sage

1.6k

Playback	Listens	Hours
48h	63	6
7d	197	17
30d	1.6k	142

411 shows

599 tapes

North Mississippi Allstars

1.2k

Playback	Listens	Hours
48h	22	2
7d	153	15
30d	1.2k	117

Playback	Listens	Hours
48h	127	13
7d	337	34
30d	1.3k	140

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	3	12m
30d	3	12m

Playback	Listens	Hours
48h	15	3
7d	6	1
30d	157	29

130 shows

260 tapes

Percy Hill

Playback	Listens	Hours
48h	8	1
7d	9	1
30d	68	10

Playback	Listens	Hours
48h	73	14
7d	181	32
30d	1.2k	219

689 shows

920 tapes

Phil Lesh and Friends

15.2k

Playback	Listens	Hours
48h	1.1k	174
7d	2.4k	401
30d	15.2k	2.6k

788 shows

2,861 tapes

Pigeons Playing Ping Pong

1.6k

Playback	Listens	Hours
48h	61	10
7d	243	41
30d	1.6k	268

Playback	Listens	Hours
48h	174	21
7d	551	63
30d	3.9k	473

295 shows

438 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	245	32
7d	568	77
30d	3.7k	487

1,237 shows

2,200 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	18	1
30d	65	5

Playback	Listens	Hours
48h	49	7
7d	50	8
30d	461	68

279 shows

399 tapes

Ratdog

Playback	Listens	Hours
48h	570	73
7d	996	133
30d	7k	912

Playback	Listens	Hours
48h	99	7
7d	240	19
30d	1.4k	113

Playback	Listens	Hours
48h	158	12
7d	145	12
30d	1.4k	114

Playback	Listens	Hours
48h	36	4
7d	188	17
30d	1.7k	148

581 shows

729 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	15	2

10 shows

Ted Leo and the Pharmacists

Ryley Walker

Playback	Listens	Hours
48h	0	0m
7d	3	22m
30d	14	2

77 shows

96 tapes

Sam Grisman Project

Playback	Listens	Hours
48h	64	7
7d	394	38
30d	3k	287

133 shows

199 tapes

Scott Metzger

Playback	Listens	Hours
48h	5	36m
7d	6	42m
30d	98	12

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	28	5

28 shows

28 tapes

Sigur Rós

Playback	Listens	Hours
48h	1	9m
7d	12	1
30d	99	10

Playback	Listens	Hours
48h	33	3
7d	81	7
30d	796	67

Playback	Listens	Hours
48h	91	15
7d	552	87
30d	3.1k	486

Playback	Listens	Hours
48h	70	17
7d	184	51
30d	1.1k	256

Playback	Listens	Hours
48h	32	2
7d	21	1
30d	199	12

87 shows

96 tapes

Stanton Moore

Playback	Listens	Hours
48h	0	0m
7d	1	7m
30d	30	4

Playback	Listens	Hours
48h	20	4
7d	95	18
30d	595	98

385 shows

614 tapes

Steve Kimock Band

Playback	Listens	Hours
48h	177	41
7d	315	72
30d	2k	439

370 shows

565 tapes

Strangefolk

Playback	Listens	Hours
48h	22	3
7d	133	18
30d	1k	131

667 shows

1,139 tapes

String Cheese Incident

19k

Playback	Listens	Hours
48h	1k	170
7d	3.2k	514
30d	19k	3.1k

1,285 shows

2,082 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	73	7

Playback	Listens	Hours
48h	12	2
7d	77	13
30d	126	21

Playback	Listens	Hours
48h	3	27m
7d	20	2
30d	137	18

Playback	Listens	Hours
48h	62	7
7d	230	25
30d	959	108

730 shows

1,117 tapes

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	6	21m

Playback	Listens	Hours
48h	620	76
7d	1.8k	219
30d	12.1k	1.4k

Playback	Listens	Hours
48h	4	23m
7d	3	11m
30d	266	14

Playback	Listens	Hours
48h	55	7
7d	243	32
30d	1.6k	200

Playback	Listens	Hours
48h	14	3
7d	42	7
30d	270	40

473 shows

627 tapes

The California Honeydrops

534

Playback	Listens	Hours
48h	25	4
7d	71	9
30d	534	67

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	7m

Playback	Listens	Hours
48h	128	18
7d	231	30
30d	3.4k	482

Playback	Listens	Hours
48h	6	35m
7d	34	3
30d	228	18

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	1	7m
7d	0	0m
30d	26	4

160 shows

219 tapes

The Higgs

Playback	Listens	Hours
48h	3	3m
7d	0	0m
30d	12	2

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	3	26m
30d	17	2

Playback	Listens	Hours
48h	0	0m
7d	23	4
30d	245	40

Playback	Listens	Hours
48h	6	1
7d	45	7
30d	140	18

Playback	Listens	Hours
48h	179	9
7d	464	25
30d	4.1k	217

Playback	Listens	Hours
48h	68	5
7d	92	7
30d	727	53

Playback	Listens	Hours
48h	8	2
7d	3	45m
30d	159	38

247 shows

328 tapes

The New Mastersounds

Playback	Listens	Hours
48h	32	3
7d	168	18
30d	1k	106

Playback	Listens	Hours
48h	217	34
7d	277	41
30d	2.4k	350

Playback	Listens	Hours
48h	399	40
7d	1.1k	103
30d	7.6k	731

Playback	Listens	Hours
48h	2	10m
7d	4	17m
30d	190	14

18 shows

19 tapes

The War on Drugs

Playback	Listens	Hours
48h	60	5
7d	105	12
30d	1k	111

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	0	0m
7d	7	51m
30d	43	8

Playback	Listens	Hours
48h	52	5
7d	160	13
30d	1.1k	103

224 shows

286 tapes

Trampled by Turtles

Playback	Listens	Hours
48h	11	46m
7d	198	13
30d	1k	69

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	14m

Playback	Listens	Hours
48h	220	33
7d	612	98
30d	4.5k	679

Playback	Listens	Hours
48h	5	28m
7d	40	4
30d	194	19

Playback	Listens	Hours
48h	294	54
7d	431	85
30d	1.7k	292

439 shows

729 tapes

Umphrey's McGee

Playback	Listens	Hours
48h	446	62
7d	844	124
30d	6k	881

Playback	Listens	Hours
48h	23	1
7d	54	4
30d	205	17

Playback	Listens	Hours
48h	65	5
7d	375	26
30d	1.3k	98

Playback	Listens	Hours
48h	962	93
7d	2.2k	215
30d	14.6k	1.2k

Playback	Listens	Hours
48h	0	0m
7d	78	5
30d	170	11

Playback	Listens	Hours
48h	12.6k	1.5k
7d	33.5k	4k
30d	202.8k	24.2k

Playback	Listens	Hours
48h	23	3
7d	165	20
30d	994	143

1,416 shows

2,242 tapes

Yonder Mountain String Band

11.1k

Playback	Listens	Hours
48h	614	57
7d	1.5k	144
30d	11.1k	1.1k

Playback	Listens	Hours
48h	64	9
7d	109	16
30d	1.3k	214

21 shows

29 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	2	4m
30d	3	6m

Playback	Listens	Hours
48h	52	10
7d	253	44
30d	1.2k	222

464 shows

675 tapes

Zoofunkyou

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	5	29m

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	465	61
7d	1.7k	229
30d	27.2k	3.6k

Playback	Listens	Hours
48h	2.1k	279
7d	10.5k	1.4k
30d	26.1k	3.5k

Playback	Listens	Hours
48h	582	78
7d	1.8k	239
30d	14.4k	1.9k

Playback	Listens	Hours
48h	314	43
7d	1.2k	152
30d	15.8k	2k

Playback	Listens	Hours
48h	2.2k	283
7d	2.4k	321
30d	22.4k	3k

Playback	Listens	Hours
48h	11k	1.4k
7d	19.1k	2.5k
30d	92.2k	12k

Playback	Listens	Hours
48h	4.7k	586
7d	31.6k	3.9k
30d	116.8k	14.8k

Playback	Listens	Hours
48h	1.9k	219
7d	7.9k	917
30d	50.3k	6.1k

Playback	Listens	Hours
48h	2k	231
7d	7.9k	922
30d	62.5k	7k

Playback	Listens	Hours
48h	565	63
7d	1.3k	146
30d	19k	2.1k

Playback	Listens	Hours
48h	4.6k	546
7d	14.9k	1.8k
30d	72.2k	8.4k

Playback	Listens	Hours
48h	10.8k	1.4k
7d	6.1k	781
30d	58.6k	7.4k

Playback	Listens	Hours
48h	1.2k	153
7d	2.9k	365
30d	24.6k	3.2k

Playback	Listens	Hours
48h	1.1k	137
7d	6.2k	756
30d	20.7k	2.6k

Playback	Listens	Hours
48h	1.4k	180
7d	4.5k	568
30d	55.7k	7k

Playback	Listens	Hours
48h	1.5k	175
7d	4.1k	471
30d	29.4k	3.4k

Playback	Listens	Hours
48h	1.3k	180
7d	3.3k	463
30d	25.1k	3.4k

Playback	Listens	Hours
48h	1.7k	240
7d	4.7k	642
30d	57.6k	7.6k

Playback	Listens	Hours
48h	5.1k	736
7d	14.8k	2.1k
30d	91.2k	12.8k

Playback	Listens	Hours
48h	2.7k	355
7d	19.1k	2.5k
30d	97.5k	12.9k

Playback	Listens	Hours
48h	307	31
7d	828	85
30d	3.8k	397

Playback	Listens	Hours
48h	7.3k	960
7d	16.8k	2.2k
30d	79k	10.4k

Playback	Listens	Hours
48h	2.7k	352
7d	8.1k	1k
30d	66.1k	8.5k

Playback	Listens	Hours
48h	10.1k	1.2k
7d	14.5k	1.8k
30d	44.5k	5.5k

Playback	Listens	Hours
48h	1.4k	157
7d	3.8k	426
30d	27.2k	3k

Playback	Listens	Hours
48h	1.5k	167
7d	3.5k	389
30d	28k	3k

Playback	Listens	Hours
48h	738	97
7d	2k	286
30d	20.4k	2.8k

Playback	Listens	Hours
48h	403	54
7d	904	114
30d	5.3k	681

41 shows

125 tapes

1967

Playback	Listens	Hours
48h	123	16
7d	447	51
30d	2k	260

Playback	Listens	Hours
48h	190	14
7d	1.8k	138
30d	7.5k	548

Playback	Listens	Hours
48h	11	45m
7d	97	6
30d	442	26

1977

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	5

435

Playback	Listens	Hours
48h	63	10
7d	85	14
30d	435	68

335

Playback	Listens	Hours
48h	9	2
7d	42	7
30d	335	53

616

Playback	Listens	Hours
48h	11	1
7d	72	9
30d	616	76

401

Playback	Listens	Hours
48h	22	2
7d	48	6
30d	401	48

Playback	Listens	Hours
48h	12	2
7d	154	18
30d	770	91

2:52:12

Community War Memorial Auditorium

11/05SBD

Rochester, NY, USA

423

Playback	Listens	Hours
48h	28	3
7d	40	6
30d	423	55

2:57:39

6 tapes

11/04SBD

Cotterrell Gym, Colgate U.

Hamilton, NY, USA

619

Playback	Listens	Hours
48h	64	7
7d	60	8
30d	619	76

3:03:06

Field House, Seneca College

11/02SBD

Toronto, Ontario, Canada

293

Playback	Listens	Hours
48h	20	3
7d	66	9
30d	293	41

Playback	Listens	Hours
48h	23	3
7d	120	16
30d	414	55

2:29:26

2 tapes

10/30SBD

Assembly Hall, Indiana U

Bloomington, IN, USA

246

Playback	Listens	Hours
48h	18	2
7d	33	4
30d	246	31

2:37:00

Field House, Northern Illinois U.

10/29SBD

De Kalb, IL, USA

906

Playback	Listens	Hours
48h	75	10
7d	291	39
30d	906	123

3:20:06

Soldiers' and Sailors' Memorial Hall

10/28SBD

Kansas City, KS, USA

218

Playback	Listens	Hours
48h	4	30m
7d	64	8
30d	218	30

3:00:28

6 tapes

10/16SBD

Assembly Center, Lousiana State U

Baton Rouge, LA, USA

454

Playback	Listens	Hours
48h	22	3
7d	91	13
30d	454	66

2:39:05

Lloyd Noble Center, U. of Oklahoma

10/15SBD

Moody Coliseum, S.M.U

Dallas, TX, USA

230

Playback	Listens	Hours
48h	0	0m
7d	4	29m
30d	230	29

Playback	Listens	Hours
48h	20	3
7d	43	6
30d	391	53

Playback	Listens	Hours
48h	2	16m
7d	1	3m
30d	214	24

2:34:16

4 tapes

10/11SBD

Norman, OK, USA

485

Playback	Listens	Hours
48h	7	1
7d	110	16
30d	485	71

2:37:06

Activity Center. Arizona State U

10/09SBD

McNichols Sports Arena

Denver, CO, USA

478

Playback	Listens	Hours
48h	12	1
7d	40	5
30d	478	64

Playback	Listens	Hours
48h	5	1
7d	25	4
30d	177	28

1:26:51

4 tapes

10/06SBD

Tempe, AZ, USA

438

Playback	Listens	Hours
48h	57	8
7d	39	6
30d	438	62

Playback	Listens	Hours
48h	45	6
7d	83	11
30d	899	121

Playback	Listens	Hours
48h	3	25m
7d	115	14
30d	505	62

2:43:45

Paramount Northwest Theater

9/29SBD

Seattle, WA, USA

396

Playback	Listens	Hours
48h	6	46m
7d	59	9
30d	396	61

2:53:08

Paramount Northwest Theater

9/28SBD

Seattle, WA, USA

277

Playback	Listens	Hours
48h	8	59m
7d	18	3
30d	277	38

Playback	Listens	Hours
48h	87	13
7d	232	32
30d	2k	275

5.7k

Playback	Listens	Hours
48h	299	39
7d	665	86
30d	5.7k	730

1.3k

Playback	Listens	Hours
48h	82	11
7d	115	17
30d	1.3k	207

4.3k

Playback	Listens	Hours
48h	176	25
7d	506	68
30d	4.3k	581

Playback	Listens	Hours
48h	14	2
7d	80	10
30d	561	68

3:05:07

3 tapes

5/28SBD

Hartford Civic Center

Hartford, CT, USA

2.2k

Playback	Listens	Hours
48h	170	26
7d	480	70
30d	2.2k	338

3:19:35

5/26SBD

Baltimore Civic Center

Baltimore, MD, USA

1.7k

Playback	Listens	Hours
48h	106	13
7d	266	38
30d	1.7k	232

Playback	Listens	Hours
48h	127	18
7d	428	57
30d	2.8k	368

Pembroke Pines, FL, USA

Playback	Listens	Hours
48h	300	43
7d	1k	142
30d	6k	826

3:17:29

4nuyKoY91WKwR6HLq7Gzkl Lakeland, FL, USA

5/21SBD

Lakeland Civic Center

1.4k

Playback	Listens	Hours
48h	89	11
7d	270	35
30d	1.4k	176

Playback	Listens	Hours
48h	60	10
7d	203	30
30d	1.7k	242

Playback	Listens	Hours
48h	65	10
7d	210	29
30d	1.2k	169

2:56:45

3 tapes

5/17SBD

Memorial Coliseum, U. of Alabama

Tuscaloosa, AL, USA

3.6k

Playback	Listens	Hours
48h	222	29
7d	738	95
30d	3.6k	464

Playback	Listens	Hours
48h	20	3
7d	142	20
30d	1k	134

Playback	Listens	Hours
48h	72	9
7d	178	21
30d	969	121

Playback	Listens	Hours
48h	3	17m
7d	28	3
30d	141	18

2:29:28

2 tapes

5/11SBD

St. Paul Civic Center

St. Paul, MN, USA

3.2k

Playback	Listens	Hours
48h	170	23
7d	517	69
30d	3.2k	430

5:53:21

5/09SBD

War Memorial Auditorium

Buffalo, NY, USA

8.1k

Playback	Listens	Hours
48h	506	74
7d	1.5k	213
30d	8.1k	1.2k

5:15:24

Barton Hall, Cornell University

5/08SBD

Ithaca, NY, USA

8.6k

Playback	Listens	Hours
48h	473	76
7d	1.5k	237
30d	8.6k	1.3k

Playback	Listens	Hours
48h	198	30
7d	739	109
30d	4.9k	714

3:15:28

9 tapes

5/05SBD

Veterans Memorial Coliseum

New Haven, CT, USA

2.3k

Playback	Listens	Hours
48h	90	14
7d	250	39
30d	2.3k	346

Playback	Listens	Hours
48h	142	24
7d	292	48
30d	1.7k	275

Playback	Listens	Hours
48h	12	1
7d	18	2
30d	534	65

Playback	Listens	Hours
48h	48	7
7d	41	5
30d	313	41

Playback	Listens	Hours
48h	19	2
7d	55	6
30d	392	46

Playback	Listens	Hours
48h	21	3
7d	62	10
30d	417	61

Playback	Listens	Hours
48h	26	4
7d	146	22
30d	813	127

Playback	Listens	Hours
48h	2	11m
7d	7	46m
30d	82	11

Playback	Listens	Hours
48h	26	3
7d	85	9
30d	325	36

2:38:35

4/23SBD

Springfield Civic Center

Springfield, MA, USA

3.2k

Playback	Listens	Hours
48h	213	29
7d	664	94
30d	3.2k	434

Philadelphia, PA, USA

735

Playback	Listens	Hours
48h	54	9
7d	132	22
30d	735	117

782

Playback	Listens	Hours
48h	35	4
7d	122	17
30d	782	109

963

Playback	Listens	Hours
48h	110	17
7d	170	27
30d	963	150

Robertson Gym, UC Santa Barbara

1.5k

Playback	Listens	Hours
48h	81	12
7d	245	35
30d	1.5k	212

Playback	Listens	Hours
48h	2	2
7d	11	4
30d	26	6

3:10:50

1 tape

2/27SBD

Goleta, CA, USA

330

Playback	Listens	Hours
48h	25	3
7d	54	7
30d	330	40

San Bernardino, CA, USA

4.4k

Playback	Listens	Hours
48h	341	46
7d	851	114
30d	4.4k	601

5:39:22

Studio (Terrapin Station Outtakes)

2/20SBD

Novato, CA

114

Playback	Listens	Hours
48h	3	15m
7d	29	4
30d	114	15

Playback	Listens	Hours
48h	22	3
7d	35	4
30d	266	32

1:16:53

3 tapes

Sources

Taper: Betty Cantor

Source & Transfer by Anonymous;Edited & Mastered using Adobe Audition by Joe Noel

gd1977-05-08.148737.SBD.Betty.Anon.Noel.t-flac2448

Source: Betty Cantor's SBD Reel Master > PCM (undecoded) > DAT via spdif/Sony PCM601esd > wav file via spdif/RME multiface > Wave 24/48 (decoded) > Myteck Stereo DAC96 > DBX150X > Korg MR2000 > WAV 24/48

gd1977-05-08.mtx.seamons.97274.sbeok.flac16

View Notespatch info:
- shnid 137569 supplies
- s1t01; start - 01:00
- s1t08; 03:18 - end
- s1t09; start - 00:25
- s2t10; 04:36 - end

Notes:
- Thanks to anonymous, for sharing this source while hiding out away from the Bay Area
- Thanks to dusborne for his work on the matrix

Transferrer: Hunter Seamons

Matrix mix (SBD/AUD)

View Notes----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)

Source 3 of 23

1:03:29

SBD

gd1977-05-08.sbd.cube.87486.flac16

Transferrer: Dan Haugh

gd1977-05-08.mtx.dan.35086.flac24

DVD-A 24/96 SBD+AUD1+AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

gd77-05-08.sbd.hicks.4982.sbeok.shnf

View Notes---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital 
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on 
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > 
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam 
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, 
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch 
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob 
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit 
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > 
First Gen Reel > Played directly to hard drive > CDR > SHN 

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.   CEP2.0 used to adjust 
the volume for the SBD & both AUDs. CEP was used to do the 
multitrack mixdown to 24/96.  This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  DiscWelder was used to author and create the 
DVD-Audio in 24/96.  DVD Decryptor read and created the ISO 
image file.  This incorporates 2 channels of 24/96 wave files.     
- Mixed by [email protected]
- FLAC conversion 08-MAY-2005  
- Artwork by [email protected] 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double DVD case.

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

This represents the 24 bit files that are the result of all 
my editing and the multitrack mixdown. It is unclear exactly 
what we have in the way of high resolution. However it seems 
there is agreement that what we have cannot be represented 
accurately in 16/44. What you are getting is the full result 
of the matrix mix process. How much different does this sound? 
is this better? A little and yes. This is more accurate and 
has more dynamic range.  24/96 resolution versus a 16/44 of 
the same material will usually result in very subtle but 
important differences.  Most of it relying on the quality of
the DVD-A player and the D to A conversion.  With that in 
mind, this 24 bit copy is no different.  Small but important 
gains over the same material in 16/44.  This is just one 
man's take.  Take it or leave it.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

---------------------------------------------------------

Burning Instructions A & B

A. Use DVD Decryptor or similar program to burn as an image 
file (ISO) onto a DVDR.  Enjoy.

B. This may also circulate as 2 channel FLAC files and will
require assembly.  Included is the discwelder file. If you 
use that program, decode all the FLAC file and stick them in 
a folder. Click on the DiscWelder file (which will open 
DiscWelder) and point it towards that folder with the wave 
files and VIOLA! DVD-A pre-assembled and ready to author.

---------------------------------------------------------

Taper: Steve Maizner

Matrix (see notes)

gd1977-05-08.sbd.cantor.sacks.266.shnf

View Notesfreshly remastered Betty Board with AUD splices, by Rob Eaton;

Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

Audience Portion -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive.  The excellent aud splices were normalized and patched using ProTools by Karen Hicks 

Taper: Betty Cantor

WBOTB Source -- 7" two track BBD reel encoded w/ DBX-1 noise reduction @ 7 1/2 ips > Sony PCM501ES @ 44.055 kHz. Sony PCM501ES analog out > DBX-1 decoder > analog in PCM501ES. PCM501ES analog out > Fostex D5 @ 48 kHz>DATs>ZA2>CDRs>EAC>SHN

Charlie Miller;Rob Berger

View NotesAudience Splices -- Teddy Goodbear's Panasonic AM/FM Stereo 'boom box' (w/condenser mics) > CM (Cassette Master) > various equalizers & editors > CD

Taper: Jerry Moore

gd1977-05-08.ecm33p.moore.berger.miller.117027.flac24

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above); 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Jerry Moore

Charlie Miller, Rob Berger

gd1977-05-08.ecm33p.moore.berger.miller.117026.flac16

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac; encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Recording by Rich Petrunis.

Recording by Rich Petrunis.

Transferrer:

Transferred by Andrew F. 04/2021

gd1977-05-08.152379.aud.petrunis.flac2448

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.

View NotesNote: Most of the stand-alone tracks clip-in abruptly with small
amounts missing. Noted flaws: The tape broke, causing drop-outs
at Lazy Lightning 4:01 and Brown Eyed Women 3:33. Supplication
cuts-out near the end. Taper got disrupted or lowered the mic in
Row Jimmy 8:41 > 9:01. Small gaps in Dancing in the Street mended
together at 0:18 & 14:32. Tape-flip start of Not Fade Away 0:33.
With thanks to John and Rich Petrunis for sharing their tapes!

Transferrer: Matrix by Dave Usborne

2:56:25

Transferrer:

gd1977-05-08.137572.mtx-2aud.dusborne.flac16

2 Source Matrix by Dusborne; Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011, mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137571.mtx-2aud.dusborne.flac24

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC; MC>CDR>EAC>WAV>FLAC,Recording And Transfer: Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137570.mtx.dusborne.flac16

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster);Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC, Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

3:02:47

REMASTER

Transferrer:

gd1977-05-08.137569.mtx.dusborne.flac24

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster); Audience 1 (shnid:117027)source: aud taped by Jerry Moore a) cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b) Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b) The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303)Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Taper: Jim Cooper

gd1977-05-08.134093.aud.cooper.berger.flac24

source: aud cassette master; taped by Jim Cooper; sony ecm22p > hitachi trq232; nakamichi dragon > benchmark ADC1 24/96 > tascam hd-p2, compact flash > mac > adobe audition CC > xACT flac; transferred and seeded by Rob Berger

Transferrer: Hunter Seamons

gd1977-05-08.111493.mtx.seamons.sbeok.flac16

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); this source fixes a flaw in d1t08 from <a href="http://db.etree.org/shn/97274">source ID 97274</a>

DTS and Matrixing by Dan Haugh

View Notes1) Warning: this might steal your face - the sound is impeccable, thanks to truly excellent sources for a matrix.


Jerry Garcia - Lead Guitar, Vocals
Donna Jean Godchaux - Vocals
Keith Godchaux - Keyboards
Mickey Hart - Drums
Bill Kreutzmann - Drums
Phil Lesh - Electric Bass, Vocals
Bob Weir - Rhythm Guitar, Vocals



*40th Matrix* 

----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 

I removed a "click" sound I mistakenly added to the AUD-only portion of Supplication at 0:06. I fixed this by patching in the unscathed AUD there, rather than using a de-clicker filter. This "click" had always driven me nuts and warranted a fixing.

Thank you for your continued patience and support.

-Hunter

February 14, 2010

Taper: See info file

gd1977-05-08.mtx.dts.dan.30756.flac16

View NotesTech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.  CEP2.0 used to adjust the 
volume for both AUDs, matrix/CTR and LFE channels.  Surcode 
CD Pro DTS was used to encode to DTS. The center matrix track 
is a 60% SBD, 40% AUD2 mix.   
- Mixed by [email protected]
- FLAC conversion 08-MAY-2005  
- Artwork by [email protected] 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

DTS-Audio-CD Info

Front  	
Left Channel SBD Reel 
Right Channel SBD Reel

Center 	
Mixed to mono -6db SBD+AUD2 Matrix 

Surround 
Left Channel -2db AUD1 (with some AUD2 patches)
Right Channel -2db AUD1 (with some AUD2 patches)

Sub/LFE
Mixed to mono -4db SBD Reel

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you 
didn't really read the text file, did you?  

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel 
sound, like DTS and Dolby Digital.  While the Audio-CD 
standard (Red Book) hasn't changed to accommodate these 
new sound formats, it is still possible to go around the 
specification and to put a 5.1 surround recording on a 
regular Audio-CD.  To play a DTS-Audio-CD you must connect 
your DVD/CD player via a digital cable (optical or coaxial) 
to your DTS Dolby-Digital receiver. It is not 100% sure 
that your receiver will recognize a DTS-Audio CD, so the 
first time you're trying to playback a DTS-Audio-CD you 
must do a test to determine if it can. Begin with the 
volume very low, start the disc and raise the volume 
gradually. NEVER listen to a DTS-Audio-CD through the 
analog audio outputs of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any 
normal Audio-CD from FLAC files.

Taper: See info file

Matrixing by Dan Haugh

gd1977-05-08.mtx.dan.29511.flac16

View NotesSBD + AUD1 + AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) >
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster)

AUD1
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B,
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master >
First Gen Reel > Played directly to hard drive > CDR > SHN

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch the SBD & both AUD sources.   CEP2.0 used to adjust the
volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  
- Mixed by [email protected]
- FLAC conversion 08-MAY-2005  
- Artwork by [email protected] 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a
fake AUD recording by mixing crowd cheer with the SBD. This
was effective at creating patches for the rear channels in
the 5.1 presentation but also maintained a smooth quality in
the stereo matrix mix as well.  These patches are numerous
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources
to pull up the vocals and give the center channel a unique
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo
field moves.  The result, although not perfect, I think
provides the listener with a more enjoyable and natural
listening experience.  Maybe you disagree.  For those of you
who would rather have a patch using a matrix mix of the 2 AUD
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 -
43:16.362.  This was patched using a matrix mix of the 2 AUD
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is
still pretty good.  The switch back to SBD is actually
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you
didn't really read the text file, did you?

Taper: Jeff Stevenson

gd1977-05-08.shure57.stevenson.29303.flac16

Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC

MC>CDR>EAC>WAV>FLAC

Rob Berger and Chris Larson

View NotesNotes:10 Feet From Stage=Great Instrement Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many,Tape Filp After D01T08,D03T03
Flip Durning NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's 
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
if Anyone Wants To  Matrix This Feel Free, I'd Love To Hear It!

Transferrer: Rob Berger and Chris Larson

gd1977-05-08.aud.moore.berger.28354.flac16

MAC>R>CD

Rob Berger and Sean Cribbs

View NotesJerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

Taper: Jerry Moore

gd1977-05-08.aud.moore.cribbs.28301.shnf

MAC>R>CD

gd77-05-08.matrix.dan.26857.sbeok.flacf

View NotesMAC>R>CD
Audience Recording by Jerry Moore

Jerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

EAC>WAV>SHN encoding by Sean Cribbs 2/19/2005.

Transferrer: Dan

Matrix - 3 Sources

gd77-05-08.dts.dan.26856.sbeok.flacf

View NotesSBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN 

Tech Notes: 

SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave.  CEP2.0 was used to align & synch the SBD & both AUD sources.   CEP2.0 used to adjust the volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1, 20% AUD2 mix.  

- Mixed by [email protected]
- FLAC conversion 08-MAY-2005  
- Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case.

Notes: 

I looked at the 4 pages of notes I had on this project and it made me sick to think about typing them up.  So, although not complete, you will get a good idea of what was done to bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both AUD recordings suffered from btwn song pauses that not only cut the crowd cheer out but clipped the beginning of many songs. The 2 AUD source coverage allowed my to patch 1 with the other in some situations.  A couple spots I created a fake AUD recording by mixing crowd cheer with the SBD. This was effective at creating patches for the rear channels in the 5.1 presentation but also maintained a smooth quality in the stereo matrix mix as well.  These patches are numerous and I think completely smooth and most likely undetectable.

d1t01 The first 16.041 seconds of Minglewood blues was cut on the SBD.  Starting this monster project with an unrecoverable flaw was unacceptable to me.  I decided to patch that opening portion with a SBD and AUD recording from 5-7-77.  As this patch ends you will hear some slight phasing as the stereo field moves.  The result, although not perfect, I think provides the listener with a more enjoyable and natural listening experience.  Maybe you disagree.  For those of you who would rather have a patch using a matrix mix of the 2 AUD sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 43:16.362.  This was patched using a matrix mix of the 2 AUD sources and then EQ'ed to best match the sound spectrum of the SBD.  I also tried to match the volume on the SBD.  A switch in sources is obvious to the listener but this is still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418. This was fixed using a quick channel swap.   This is smooth and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you didn't really read the text file, did you?

Source 22 of 23

<b>DTS Audio 5.1</b>: Soundboard (Betty Board) > Master 7

gd77-05-08.maizner.hicks.5002.sbeok.shnf

View Notes<b>Lossies (including stream version) removed because 5.1 channel files do not properly encode to 2 channel MP3's - the result is static.</b>

<b>DTS Audio 5.1</b>: SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT> DAT> Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD (Steve Maizner) > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN; see pub comments re additional reflac version

Taper: Steve Maizner

Audience - Sony ECM-990

Sony ECM-990 > Sony TC-152 (aud master) > First Gen Reel > played directly to hard drive