1977-02-26 | Grateful Dead

Bands

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Grateful Dead

2,064 shows

17,320 tapes

Phil Lesh and Friends

Bands

Animal Liberation Orchestra

Bela Fleck and the Flecktones

Bernie Worrell Orchestra

Blueground Undergrass

Circles Around The Sun

G. Love and Special Sauce

Godspeed You Black Emperor!

Hard Working Americans

Horseshoes and Hand Grenades

Infamous Stringdusters

Jazz Mandolin Project

206 shows

254 tapes

Jeff Austin and Chris Castino

12 shows

14 tapes

Jeff Austin And Friends

Jerry Joseph and the Jackmormons

1,084 shows

1,448 tapes

Jerry's Middle Finger

181 shows

216 tapes

Joe Russo Presents: Hooteroll? + Plus

2 shows

5 tapes

Joe Russo's Almost Dead

King Gizzard & the Lizard Wizard

New Riders of the Purple Sage

389 shows

568 tapes

North Mississippi Allstars

Pigeons Playing Ping Pong

String Cheese Incident

1,247 shows

1,995 tapes

Surprise Me Mr. Davis

Ted Leo and the Pharmacists

The California Honeydrops

Yonder Mountain String Band

1977

Studio (Terrapin Station Outtakes)

San Bernardino, CA, USA

Robertson Gym, UC Santa Barbara

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

Spring 1977

Philadelphia, PA, USA

Springfield Civic Center

Late Show Port Chester, NY, USA

Late Show Port Chester, NY, USA

Late Show Port Chester, NY, USA

Veterans Memorial Coliseum

Barton Hall, Cornell University

War Memorial Auditorium

St. Paul Civic Center

Memorial Coliseum, U. of Alabama

Lakeland Civic Center

4nuyKoY91WKwR6HLq7Gzkl Lakeland, FL, USA

Pembroke Pines, FL, USA

Baltimore Civic Center

Hartford Civic Center

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

Paramount Northwest Theater

Paramount Northwest Theater

Activity Center. Arizona State U

McNichols Sports Arena

Lloyd Noble Center, U. of Oklahoma

Moody Coliseum, S.M.U

Assembly Center, Lousiana State U

Soldiers' and Sailors' Memorial Hall

Field House, Northern Illinois U.

Assembly Hall, Indiana U

Field House, Seneca College

Toronto, Ontario, Canada

Cotterrell Gym, Colgate U.

Community War Memorial Auditorium

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

2/26/77

techinal difficulties

1:11

techinal difficulties

Playing In The Band \>

14:47

Playing In The Band >

The Music Never Stopped

6:14

The Music Never Stopped

Eyes Of The World \> Jam \>

12:12

Eyes Of The World > Jam >

12:12

Dancin\' In The Streets \>

9:48

Dancin' In The Streets >

FIN

Sources

SOURCE 1 OF 10

gd1977-02-26.sbd.cantor.deibert.83283.flac16

Source:

Betty Soundboard

Lineage:

7" Betty Board Reel @ 7 1/2 ips > PCM501ES > DBX Type 1 decoder > PCM501ES analog out > Fostex D5 @ 48kHz > Fostex D5 optical S/PDIF out (Jace's tape) > disk (Tim Deibert)

Taper Notes:

View Notes* Sound Forge 5.0 peak normalization to 98%.
 * Tuning and stage chatter has been preserved.
 * SBE's fixed with TLH by trailmix 3-12-07

SOURCE 2 OF 10

gd1977-02-26.sbd.wizard.32009.sbefail.shnf

Source:

SBD>MR>DAT>CD

Taper Notes:

View NotesThis is the older of two currently circulating soundboard sources for this show.
The newer one is highly compressed and I think the older one has better dynamics.
Both will be available from the OBV.

Most tunings were cut on this source. They were restored from a SBD>MR>C>C>CD source
that I have had for some time. Other patches were supplied by the AUD tape,
AUD: Sony ECM-280>Sony TC-153SD>MC>RR>DAT>CDR. Here is a general summary.
The cut start of Estimated was restored from the Aud source.
The glich in Sugaree patched with the Aud source.
The glich in Sampson patched with the Aud source.
The glich in Music was was patched with the alt SBD source.
The glich in Franklin's was patched with the alt SBD source.
The flip in Around patched with the Aud source.
Lots of misc. pops removed.
All patches were processed to match the source as best as possible.
All editing and mastering done with DCArt Millennium Software.

SOURCE 3 OF 10

gd77-02-26.sbd.owen.23808.sbeok.shnf

Source:

Soundboard

Lineage:

SBD>MR>DATs>CDR>EAC>CDR>EAC>CDWAV>SHN. With AUD patches from: Sony ECM-280>Sony TC-153SD>MC>RR>DAT>CDR and between song tuning patches from: SBD>MR>C>C>CD.

Taper Notes:

View NotesFrom the Owen Brothers Vault. Main source: SBD>MR>DATs>CDR>EAC>CDR>EAC>CDWAV>SHN.  With AUD patches from: Sony ECM-280>Sony TC-153SD>MC>RR>DAT>CDR and between song tuning patches from: SBD>MR>C>C>CD.

SOURCE 4 OF 10

gd77-02-26.sbd.alphadog.9752.sbeok.shnf

Source:

Soundboard

Lineage:

SBD > Master Reel > PCM > DAT > CD-R

Taper Notes:

View NotesREEL PROBLEMS: 
- Sugaree (d1t05)  6:59 - 7:01 there is a funny reel generated boo  boo

- PITB (d2t01)  8:42 another reel problem

- Franklin's (d2t09)  there is a reel change in there that is one of the  better ones we've heard.

ALL of these are in every copy I have heard and are believed to be from the Master Reel.

SOURCE 5 OF 10

gd1977-02-26.sbd.hamilton.2519.shnf

SOURCE 6 OF 10

gd1977-02-26.sbd.steve.253.shnf

Taper Notes:

View NotesLike most older shows.. there are a few dropouts and reel changes.
This is a BettyBoard show and sound incredible.

Dropouts noted: Samson and Delilah @ 1:54; Music Never Stopped @ 2:04.

SOURCE 7 OF 10

Source 1 - Transferred by Tim Deibert 2-17-2002. Remastered by Joe Noel February 17, 2020

Transferrer:

Source 2 - DAT transferred & provided by anonymous Edited & Mastered using Adobe Audition by Joe Noel February 16, 2020

SHNID:

gd1977-02-26.151834.BettyBoardDeibertremasterAnonNoelpartialupgradet-flac16

Source:

Source #1: 7" Betty Board Reel @ 7 1/2 ips > PCM501ES > DBX Type 1 decoder > PCM501ES analog out > Fostex D5 @ 48kHz > Fostex D5 optical S/PDIF out (Jace's tape) > disk; - Source #2: Betty Board > Reel Master > PCM (original) > pcm clone > sony 601esd > spdif digital clone to dat > vx pocket > laptop

Lineage:

Playback & dbx decode; laptop > vx pocket spdif out > mytek stereo 96 dac > balanced analog out > dbx150X type I dbx decoder > balanced analog out to mr2000 balanced in, 1 bit recorded > Audiogate WAV 24/48

Taper Notes:

View NotesPatch info:
- shnid 110231 (Sony ECM-22P) supplies
- s1t03; 07:06 - end
- s1t04; start - 00:08
- s2t08; 03:36 - 04:06
- s2t13; 05:46 - 06:20

Notes:
- Thanks to Betty Cantor-Jackson for her work on the Soundboard.
- Thanks to anonymous for sharing the partial source, while hiding out away from the Bay Area.
- emphasis decoded & dc offset removed
- Thanks to Tim Deibert for the transfer of shnid 83283
- Thanks to everyone involved with the patch source.
- Source #1 (shnid 83283) supplies Terrapin Station trough Playin' reprise (00:37) & Eyes of the World through end of show
- Source #2 supplies Playin' reprise (00:37) through Promised Land
- Officially released as Dave's Pick Volume #29
* First performance

SOURCE 8 OF 10

Transferred by Tim Deibert 2-17-2002. Remastered by Joe Noel February 17, 2020. DAT transferred & provided by anonymous Edited & Mastered using Adobe Audition by Joe Noel February 16, 2020

SHNID:

gd1977-02-26.152023.remaster.partial.upgr.fixed.151834.Betty.Deibert.Anon.Noel.t-flac16

Source:

- Source #1: 7" Betty Board Reel @ 7 1/2 ips > PCM501ES > DBX Type 1 decoder > PCM501ES analog out > Fostex D5 @ 48kHz > Fostex D5 optical S/PDIF out (Jace's tape) > disk. - Source #2: Betty Board > Reel Master > PCM (original) > pcm clone > sony 601esd > spdif digital clone to dat > vx pocket > laptop

Lineage:

Taper Notes:

View NotesPatch info:
- shnid 110231 (Sony ECM-22P) supplies
- s1t03; 07:06 - end
- s1t04; start - 00:08
- s2t08; 03:36 - 04:06
- s2t13; 05:46 - 06:20

Notes:
- Thanks to Betty Cantor-Jackson for her work on the Soundboard.
- Thanks to anonymous for sharing the partial source, while hiding out away from the Bay Area.
- emphasis decoded & dc offset removed
- Thanks to Tim Deibert for the transfer of shnid 83283
- Thanks to everyone involved with the patch source.
- Source #1 (shnid 83283) supplies Terrapin Station trough Playin' reprise (00:37) & Eyes of the World through end of show
- Source #2 supplies Playin' reprise (00:37) through Promised Land
- Officially released as Dave's Pick Volume #29
* First performance

Additional notes (3/8/21);
- stereo image from source #1 has been corrected.

SOURCE 9 OF 10

gd1977-02-26.aud.bertrando.110231.flac16

Source:

Sony ECM-22P's > 153SD cassette (Maxell UDXLII Dolby) > Technics 1506 reel 3.75 ips Dolby > Tascam CDR > dbPoweramp > wav > FLAC. Recording and transfer by Rob Bertrando. Pitch adjustments, tracking and FLACing by Hunter Seamons.

Taper Notes:

View NotesPitch adjustments, tracking and FLACing by Hunter Seamons
October 10, 2010

*First time played

SOURCE 10 OF 10

gd1977-02-26.mtx.seamons-bertrando.110037.flac16

Source:

Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)

Lineage:

Sony ECM-22P's > 153SD cassette (Maxell UDXLII Dolby) > Technics 1506 reel 3.75 ips Dolby > Tascam CDR > dbPoweramp > wav > FLAC. Recording by Rob Bertrando Transferred September 20, 2010

Taper Notes:

View Notes*First time played

Notes:

1) A faint, warbly sound begins during Eyes onward, apparently from the sound system since the AUD has a similar effect. 

2) Several brief cuts were in both SBD and AUD, but did not overlap, making the show now complete.

Thank you to Jace, Tim Diebert and Trailmix for the SBD transfer,
to Joe B. Jones for help with pitch correction,
and to Rob Bertrando for recording the show and generously providing the AUD, as well as feedback.

Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT) 
October 1, 2010