Dancin' In The Streets | 1977-05-08 | Grateful Dead

Bernie Worrell and the WOO Warriors

Playback	Listens	Hours
48h	5	25m
7d	11	46m
30d	24	3

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	8	1
7d	1	10m
30d	42	6

Playback	Listens	Hours
48h	55	8
7d	72	11
30d	489	69

Playback	Listens	Hours
48h	172	23
7d	255	35
30d	2.1k	279

Playback	Listens	Hours
48h	5.5k	546
7d	14.5k	1.4k
30d	88.8k	8.9k

Playback	Listens	Hours
48h	60	4
7d	471	31
30d	1.7k	122

62 shows

76 tapes

Blueground Undergrass

Playback	Listens	Hours
48h	0	0m
7d	66	5
30d	96	8

Playback	Listens	Hours
48h	154	18
7d	467	55
30d	2.3k	267

Playback	Listens	Hours
48h	363	51
7d	890	111
30d	5.3k	699

308 shows

512 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

22 shows

28 tapes

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	1	13m
30d	3	48m

Playback	Listens	Hours
48h	10	2
7d	151	24
30d	1.1k	185

451 shows

563 tapes

Buffalo Galaxy

Playback	Listens	Hours
48h	4	40m
7d	19	2
30d	62	7

Playback	Listens	Hours
48h	96	9
7d	174	15
30d	1.2k	118

Playback	Listens	Hours
48h	72	8
7d	331	34
30d	1.1k	116

Playback	Listens	Hours
48h	108	6
7d	22	1
30d	291	16

Playback	Listens	Hours
48h	0	0m
7d	46	6
30d	249	34

Playback	Listens	Hours
48h	18	1
7d	5	21m
30d	243	16

243 shows

272 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	47m

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	0	0m
7d	1	9m
30d	18	3

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	4	53m
7d	0	0m
30d	69	9

79 shows

93 tapes

Circles Around The Sun

1.6k

Playback	Listens	Hours
48h	171	37
7d	394	79
30d	1.6k	332

Playback	Listens	Hours
48h	13	1
7d	40	8
30d	272	52

Playback	Listens	Hours
48h	38	3
7d	266	23
30d	754	64

Playback	Listens	Hours
48h	10	1
7d	63	10
30d	552	82

Playback	Listens	Hours
48h	375	49
7d	836	110
30d	4.2k	578

Playback	Listens	Hours
48h	505	69
7d	1.4k	190
30d	6.5k	910

799 shows

1,061 tapes

Dave Harrington

Playback	Listens	Hours
48h	1	17m
7d	0	0m
30d	22	6

Playback	Listens	Hours
48h	7	50m
7d	31	3
30d	198	18

Playback	Listens	Hours
48h	2.5k	403
7d	7k	1.1k
30d	41.1k	6.6k

Playback	Listens	Hours
48h	36	4
7d	53	6
30d	292	33

Playback	Listens	Hours
48h	66	5
7d	288	18
30d	1.3k	80

Playback	Listens	Hours
48h	83	10
7d	287	34
30d	1.6k	187

Playback	Listens	Hours
48h	887	182
7d	2.5k	494
30d	13.3k	2.8k

Playback	Listens	Hours
48h	20	2
7d	104	10
30d	258	27

Playback	Listens	Hours
48h	216	35
7d	581	91
30d	3.3k	500

Playback	Listens	Hours
48h	0	0m
7d	11	2
30d	109	25

Playback	Listens	Hours
48h	179	20
7d	218	23
30d	1.7k	170

Playback	Listens	Hours
48h	9	1
7d	39	6
30d	265	43

Playback	Listens	Hours
48h	72	7
7d	451	41
30d	3.1k	278

Playback	Listens	Hours
48h	53	9
7d	77	12
30d	415	71

Playback	Listens	Hours
48h	14	2
7d	40	7
30d	154	21

Playback	Listens	Hours
48h	63	11
7d	327	58
30d	1.8k	300

151 shows

291 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	8m

Playback	Listens	Hours
48h	92	13
7d	367	53
30d	1.9k	269

831 shows

1,050 tapes

Electric Beethoven

Playback	Listens	Hours
48h	0	0m
7d	7	2
30d	13	5

Playback	Listens	Hours
48h	63	3
7d	120	6
30d	728	40

156 shows

174 tapes

Eric Krasno

Playback	Listens	Hours
48h	11	1
7d	5	37m
30d	78	11

123 shows

182 tapes

Everyone Orchestra

Playback	Listens	Hours
48h	0	0m
7d	1	17m
30d	40	10

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	101	12

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	0	0m
7d	3	52m
30d	8	2

Playback	Listens	Hours
48h	9	37m
7d	18	2
30d	273	30

Playback	Listens	Hours
48h	0	0m
7d	58	4
30d	109	7

Playback	Listens	Hours
48h	23	2
7d	27	2
30d	232	19

Playback	Listens	Hours
48h	2	5m
7d	20	1
30d	154	10

Playback	Listens	Hours
48h	904	140
7d	1.8k	277
30d	9.9k	1.5k

246 shows

1,221 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	11m

14 shows

15 tapes

G. Love and Special Sauce

631

Playback	Listens	Hours
48h	55	5
7d	54	5
30d	631	56

Playback	Listens	Hours
48h	156	17
7d	196	20
30d	1.2k	137

Playback	Listens	Hours
48h	18	2
7d	15	2
30d	127	16

Playback	Listens	Hours
48h	30	5
7d	44	9
30d	261	57

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	1	16m
7d	10	1
30d	17	3

51 shows

65 tapes

Ghost Light

Playback	Listens	Hours
48h	1	14m
7d	6	2
30d	61	15

Playback	Listens	Hours
48h	88	10
7d	330	38
30d	1.2k	141

374 shows

508 tapes

Godspeed You Black Emperor!

411

Playback	Listens	Hours
48h	21	6
7d	36	10
30d	411	116

Playback	Listens	Hours
48h	3	30m
7d	2	28m
30d	122	16

Playback	Listens	Hours
48h	4.3k	908
7d	12.7k	2.7k
30d	44.9k	9.4k

Playback	Listens	Hours
48h	66	6
7d	41	4
30d	251	22

363 shows

589 tapes

Grahame Lesh and Friends

1.9k

Playback	Listens	Hours
48h	191	30
7d	324	50
30d	1.9k	277

Playback	Listens	Hours
48h	9	1
7d	53	7
30d	115	15

Playback	Listens	Hours
48h	314	38
7d	939	109
30d	6.4k	748

Playback	Listens	Hours
48h	78	10
7d	191	23
30d	998	111

226 shows

313 tapes

GrooveSession

Playback	Listens	Hours
48h	5	1
7d	9	1
30d	21	4

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	1	3m
7d	1	5m
30d	53	3

53 shows

57 tapes

Guitarmageddon

Playback	Listens	Hours
48h	4	31m
7d	0	0m
30d	19	3

Playback	Listens	Hours
48h	7	26m
7d	47	3
30d	416	29

755 shows

1,036 tapes

Hard Working Americans

134

Playback	Listens	Hours
48h	2	2m
7d	17	2
30d	134	15

Playback	Listens	Hours
48h	12	2
7d	76	13
30d	408	68

187 shows

226 tapes

Horseshoes and Hand Grenades

Playback	Listens	Hours
48h	12	1
7d	12	55m
30d	35	3

Playback	Listens	Hours
48h	2	17m
7d	17	2
30d	235	23

674 shows

846 tapes

Infamous Stringdusters

1.5k

Playback	Listens	Hours
48h	80	9
7d	258	23
30d	1.5k	139

629 shows

1,016 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	9	2
30d	17	3

Playback	Listens	Hours
48h	267	18
7d	876	58
30d	5.1k	337

Playback	Listens	Hours
48h	28	3
7d	74	8
30d	280	28

364 shows

491 tapes

Jazz Mandolin Project

Playback	Listens	Hours
48h	7	2
7d	9	2
30d	96	16

222 shows

280 tapes

Jeff Austin and Chris Castino

150

Playback	Listens	Hours
48h	4	18m
7d	38	4
30d	150	14

12 shows

14 tapes

Jeff Austin And Friends

154

Playback	Listens	Hours
48h	6	33m
7d	23	2
30d	154	15

Playback	Listens	Hours
48h	101	16
7d	306	43
30d	1.4k	180

112 shows

162 tapes

Jerry Joseph and the Jackmormons

2.6k

Playback	Listens	Hours
48h	143	27
7d	389	64
30d	2.6k	432

1,124 shows

1,519 tapes

Jerry's Middle Finger

3.9k

Playback	Listens	Hours
48h	331	44
7d	624	87
30d	3.9k	547

259 shows

310 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	0	0m
7d	8	1
30d	15	2

2 shows

Karl Denson's Tiny Universe

Joe Russo's Almost Dead

43.9k

Playback	Listens	Hours
48h	2.3k	438
7d	7k	1.3k
30d	43.9k	8.3k

Playback	Listens	Hours
48h	20	3
7d	190	20
30d	655	74

Playback	Listens	Hours
48h	85	9
7d	285	27
30d	2.4k	214

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	0	0m
7d	9	1
30d	37	4

Playback	Listens	Hours
48h	1	7m
7d	6	23m
30d	158	12

Playback	Listens	Hours
48h	0	0m
7d	44	5
30d	106	10

73 shows

108 tapes

193

Playback	Listens	Hours
48h	0	0m
7d	38	5
30d	193	27

Playback	Listens	Hours
48h	290	31
7d	663	69
30d	4.5k	437

1,056 shows

1,396 tapes

Kikagaku Moyo

Playback	Listens	Hours
48h	11	2
7d	13	2
30d	72	11

43 shows

54 tapes

King Gizzard & the Lizard Wizard

15.7k

Playback	Listens	Hours
48h	1.2k	161
7d	2.8k	366
30d	15.7k	2.1k

Playback	Listens	Hours
48h	132	20
7d	428	58
30d	1.8k	246

315 shows

400 tapes

Kung Fu

Playback	Listens	Hours
48h	4	47m
7d	16	3
30d	63	9

Playback	Listens	Hours
48h	52	11
7d	130	25
30d	678	128

Playback	Listens	Hours
48h	67	8
7d	128	14
30d	836	98

Playback	Listens	Hours
48h	181	17
7d	544	55
30d	3.8k	355

Playback	Listens	Hours
48h	239	38
7d	641	100
30d	3.2k	539

Playback	Listens	Hours
48h	395	35
7d	696	65
30d	5.7k	537

Playback	Listens	Hours
48h	125	10
7d	215	18
30d	1.4k	110

Playback	Listens	Hours
48h	98	18
7d	332	66
30d	1.4k	253

436 shows

621 tapes

Marco Benevento

Playback	Listens	Hours
48h	0	0m
7d	17	1
30d	77	7

Playback	Listens	Hours
48h	97	9
7d	490	46
30d	2.4k	227

Playback	Listens	Hours
48h	14	2
7d	38	3
30d	252	27

349 shows

446 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

16 shows

23 tapes

Max Creek

Playback	Listens	Hours
48h	230	39
7d	505	78
30d	4k	637

Playback	Listens	Hours
48h	4	13m
7d	16	1
30d	409	25

Playback	Listens	Hours
48h	21	2
7d	19	2
30d	189	19

157 shows

172 tapes

Minutemen

Playback	Listens	Hours
48h	6	11m
7d	2	4m
30d	72	2

Playback	Listens	Hours
48h	28	2
7d	106	7
30d	1.1k	72

Playback	Listens	Hours
48h	674	110
7d	2.1k	363
30d	10.6k	1.7k

1,986 shows

4,483 tapes

Mogwai

Playback	Listens	Hours
48h	1	4m
7d	11	1
30d	46	5

Playback	Listens	Hours
48h	0	0m
7d	3	8m
30d	126	11

Playback	Listens	Hours
48h	214	22
7d	686	70
30d	4.8k	489

412 shows

599 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	8	54m
30d	36	3

46 shows

51 tapes

Neal Francis

Playback	Listens	Hours
48h	1	5m
7d	0	0m
30d	54	5

Playback	Listens	Hours
48h	17	3
7d	78	11
30d	538	77

137 shows

249 tapes

Nels Cline

Playback	Listens	Hours
48h	2	9m
7d	1	15m
30d	25	5

62 shows

73 tapes

New Riders of the Purple Sage

1.8k

Playback	Listens	Hours
48h	197	17
7d	301	27
30d	1.8k	149

410 shows

597 tapes

North Mississippi Allstars

1.3k

Playback	Listens	Hours
48h	127	12
7d	243	24
30d	1.3k	126

Playback	Listens	Hours
48h	91	9
7d	229	24
30d	888	94

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	15m

Playback	Listens	Hours
48h	22	4
7d	32	6
30d	141	25

130 shows

260 tapes

Percy Hill

Playback	Listens	Hours
48h	5	31m
7d	8	58m
30d	99	14

Playback	Listens	Hours
48h	91	17
7d	222	44
30d	1.4k	275

689 shows

920 tapes

Phil Lesh and Friends

15.3k

Playback	Listens	Hours
48h	976	166
7d	2.4k	423
30d	15.3k	2.7k

788 shows

2,861 tapes

Pigeons Playing Ping Pong

Playback	Listens	Hours
48h	126	22
7d	361	60
30d	2k	315

Playback	Listens	Hours
48h	406	52
7d	641	77
30d	4.1k	525

293 shows

435 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	213	28
7d	720	94
30d	4.1k	534

1,236 shows

2,197 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	5	22m

Playback	Listens	Hours
48h	25	3
7d	155	20
30d	500	64

Playback	Listens	Hours
48h	497	64
7d	1.4k	174
30d	7.3k	961

Playback	Listens	Hours
48h	177	15
7d	304	25
30d	1.4k	111

Playback	Listens	Hours
48h	69	6
7d	691	53
30d	1.9k	158

Playback	Listens	Hours
48h	166	14
7d	315	26
30d	2.2k	195

581 shows

729 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	29m

10 shows

Ted Leo and the Pharmacists

Ryley Walker

Playback	Listens	Hours
48h	3	38m
7d	5	39m
30d	7	1

Playback	Listens	Hours
48h	295	28
7d	688	64
30d	3.9k	369

128 shows

193 tapes

Scott Metzger

Playback	Listens	Hours
48h	11	1
7d	0	0m
30d	55	6

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	1	9m
7d	26	5
30d	80	11

Playback	Listens	Hours
48h	5	40m
7d	5	37m
30d	116	13

Playback	Listens	Hours
48h	31	3
7d	150	13
30d	1.3k	106

Playback	Listens	Hours
48h	221	34
7d	597	96
30d	2.8k	451

Playback	Listens	Hours
48h	125	28
7d	210	49
30d	1.4k	324

Playback	Listens	Hours
48h	12	47m
7d	22	1
30d	296	17

87 shows

95 tapes

Stanton Moore

Playback	Listens	Hours
48h	0	0m
7d	13	2
30d	26	4

Playback	Listens	Hours
48h	72	7
7d	156	25
30d	733	119

Playback	Listens	Hours
48h	128	28
7d	263	61
30d	1.8k	408

Playback	Listens	Hours
48h	112	16
7d	179	25
30d	1.7k	232

667 shows

1,139 tapes

String Cheese Incident

20.5k

Playback	Listens	Hours
48h	1.7k	275
7d	4.4k	746
30d	20.5k	3.4k

1,285 shows

2,081 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	9	59m
7d	35	4
30d	95	10

Playback	Listens	Hours
48h	2	19m
7d	6	1
30d	246	45

Playback	Listens	Hours
48h	0	0m
7d	25	3
30d	149	20

Playback	Listens	Hours
48h	22	3
7d	149	16
30d	771	82

729 shows

1,116 tapes

Playback	Listens	Hours
48h	0	0m
7d	12	58m
30d	13	1

Playback	Listens	Hours
48h	914	98
7d	2.5k	286
30d	12.8k	1.5k

Playback	Listens	Hours
48h	36	2
7d	70	3
30d	153	8

Playback	Listens	Hours
48h	113	13
7d	251	32
30d	1.7k	208

Playback	Listens	Hours
48h	2	19m
7d	33	5
30d	355	55

473 shows

627 tapes

The California Honeydrops

468

Playback	Listens	Hours
48h	9	2
7d	54	8
30d	468	60

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	390	56
7d	703	93
30d	2.8k	391

Playback	Listens	Hours
48h	41	4
7d	25	2
30d	319	27

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	4	34m
7d	0	0m
30d	20	2

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	5	30m
7d	1	4m
30d	19	1

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	7	44m
7d	0	0m
30d	3	14m

Playback	Listens	Hours
48h	22	3
7d	31	5
30d	382	64

Playback	Listens	Hours
48h	0	0m
7d	29	4
30d	133	16

275 shows

360 tapes

The Mountain Goats

Playback	Listens	Hours
48h	146	7
7d	1.3k	65
30d	3k	164

Playback	Listens	Hours
48h	74	5
7d	185	12
30d	958	68

Playback	Listens	Hours
48h	4	1
7d	108	17
30d	221	44

Playback	Listens	Hours
48h	116	12
7d	163	17
30d	977	103

Playback	Listens	Hours
48h	154	23
7d	214	31
30d	1.6k	244

Playback	Listens	Hours
48h	727	67
7d	1.4k	137
30d	6.8k	673

1,452 shows

1,651 tapes

The Walkmen

Playback	Listens	Hours
48h	28	2
7d	12	44m
30d	62	4

Playback	Listens	Hours
48h	20	2
7d	188	20
30d	872	90

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	9	2
7d	10	2
30d	21	4

Playback	Listens	Hours
48h	92	9
7d	150	18
30d	1.5k	152

Playback	Listens	Hours
48h	138	9
7d	200	13
30d	938	62

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	18	2

Playback	Listens	Hours
48h	316	51
7d	1.2k	170
30d	7.5k	1.1k

Playback	Listens	Hours
48h	25	2
7d	66	6
30d	102	10

Playback	Listens	Hours
48h	124	18
7d	268	42
30d	1.7k	278

438 shows

727 tapes

Umphrey's McGee

Playback	Listens	Hours
48h	338	48
7d	1k	151
30d	5k	748

Playback	Listens	Hours
48h	0	0m
7d	33	3
30d	287	26

Playback	Listens	Hours
48h	136	10
7d	279	20
30d	1.5k	113

Playback	Listens	Hours
48h	984	82
7d	2.3k	189
30d	13.4k	1.1k

623 shows

1,140 tapes

White Denim

Playback	Listens	Hours
48h	1	7m
7d	16	2
30d	71	6

Playback	Listens	Hours
48h	12.4k	1.5k
7d	28.9k	3.4k
30d	143.4k	17k

Playback	Listens	Hours
48h	75	13
7d	203	33
30d	852	127

1,416 shows

2,242 tapes

Yonder Mountain String Band

11.9k

Playback	Listens	Hours
48h	887	85
7d	2.4k	230
30d	11.9k	1.1k

Playback	Listens	Hours
48h	167	26
7d	304	53
30d	1.3k	207

21 shows

29 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	82	14
7d	219	38
30d	1.7k	303

461 shows

665 tapes

Zoofunkyou

Playback	Listens	Hours
48h	0	0m
7d	6	32m
30d	17	2

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	1.6k	195
7d	5.3k	736
30d	26.4k	3.6k

Playback	Listens	Hours
48h	1.5k	222
7d	3.3k	471
30d	17.5k	2.5k

Playback	Listens	Hours
48h	1.7k	243
7d	7.2k	967
30d	36.9k	4.8k

Playback	Listens	Hours
48h	1.6k	198
7d	5k	606
30d	39.9k	5.1k

Playback	Listens	Hours
48h	1.7k	230
7d	9.4k	1.3k
30d	58.3k	7.8k

Playback	Listens	Hours
48h	3.7k	462
7d	14.5k	1.9k
30d	66k	8.7k

Playback	Listens	Hours
48h	2.9k	360
7d	7.6k	959
30d	48.8k	6.1k

Playback	Listens	Hours
48h	2.7k	307
7d	9.6k	1.1k
30d	31.4k	3.6k

Playback	Listens	Hours
48h	6.9k	773
7d	7.1k	800
30d	51.5k	5.7k

Playback	Listens	Hours
48h	1.1k	120
7d	3.4k	375
30d	14.9k	1.7k

Playback	Listens	Hours
48h	6.2k	659
7d	13.4k	1.5k
30d	45.4k	5.2k

Playback	Listens	Hours
48h	5k	683
7d	7.5k	903
30d	32.7k	4k

Playback	Listens	Hours
48h	3.6k	453
7d	7.2k	922
30d	30.3k	4k

Playback	Listens	Hours
48h	1.1k	139
7d	3.2k	405
30d	20.8k	2.6k

Playback	Listens	Hours
48h	1.5k	195
7d	3.8k	487
30d	26.9k	3.4k

Playback	Listens	Hours
48h	3.1k	370
7d	6k	702
30d	76.7k	8.9k

Playback	Listens	Hours
48h	1.5k	206
7d	4k	572
30d	21.4k	3k

Playback	Listens	Hours
48h	2.2k	287
7d	9.7k	1.2k
30d	41.6k	5.5k

Playback	Listens	Hours
48h	7.2k	1k
7d	17.2k	2.4k
30d	161.2k	22.3k

Playback	Listens	Hours
48h	8.2k	1.1k
7d	22.4k	3k
30d	143.8k	19.5k

Playback	Listens	Hours
48h	237	26
7d	588	62
30d	7.3k	744

Playback	Listens	Hours
48h	8.8k	1.2k
7d	23.2k	2.8k
30d	92.6k	11.9k

Playback	Listens	Hours
48h	5k	620
7d	18.7k	2.4k
30d	79.3k	10.4k

Playback	Listens	Hours
48h	2.6k	325
7d	6.5k	810
30d	41.9k	5.2k

Playback	Listens	Hours
48h	1.6k	182
7d	5k	555
30d	32.5k	3.7k

Playback	Listens	Hours
48h	1.7k	195
7d	6.1k	620
30d	38.8k	4.1k

Playback	Listens	Hours
48h	2.3k	289
7d	2.5k	366
30d	27.3k	4k

Playback	Listens	Hours
48h	334	39
7d	987	125
30d	7.4k	939

Playback	Listens	Hours
48h	91	15
7d	258	42
30d	2.1k	289

23 shows

55 tapes

1966

Playback	Listens	Hours
48h	247	19
7d	689	53
30d	5k	341

Playback	Listens	Hours
48h	50	3
7d	53	4
30d	559	33

1977

Playback	Listens	Hours
48h	2	3
7d	0	0m
30d	8	12

376

Playback	Listens	Hours
48h	34	5
7d	68	10
30d	376	58

394

Playback	Listens	Hours
48h	20	3
7d	16	3
30d	394	59

709

Playback	Listens	Hours
48h	53	6
7d	86	10
30d	709	87

442

Playback	Listens	Hours
48h	7	53m
7d	89	11
30d	442	54

Playback	Listens	Hours
48h	57	7
7d	79	10
30d	831	100

2:52:12

Community War Memorial Auditorium

11/05SBD

Rochester, NY, USA

622

Playback	Listens	Hours
48h	48	5
7d	73	9
30d	622	76

2:57:39

6 tapes

11/04SBD

Cotterrell Gym, Colgate U.

Hamilton, NY, USA

750

Playback	Listens	Hours
48h	9	2
7d	120	15
30d	750	94

3:03:06

Field House, Seneca College

11/02SBD

Toronto, Ontario, Canada

340

Playback	Listens	Hours
48h	16	2
7d	82	11
30d	340	45

Playback	Listens	Hours
48h	24	3
7d	76	10
30d	210	28

2:29:26

2 tapes

10/30SBD

Assembly Hall, Indiana U

Bloomington, IN, USA

353

Playback	Listens	Hours
48h	3	19m
7d	64	8
30d	353	46

2:37:00

Field House, Northern Illinois U.

10/29SBD

De Kalb, IL, USA

880

Playback	Listens	Hours
48h	26	4
7d	105	15
30d	880	121

3:20:06

Soldiers' and Sailors' Memorial Hall

10/28SBD

Kansas City, KS, USA

247

Playback	Listens	Hours
48h	28	4
7d	93	13
30d	247	34

3:00:28

6 tapes

10/16SBD

Assembly Center, Lousiana State U

Baton Rouge, LA, USA

463

Playback	Listens	Hours
48h	20	3
7d	87	13
30d	463	68

2:39:05

Lloyd Noble Center, U. of Oklahoma

10/15SBD

Moody Coliseum, S.M.U

Dallas, TX, USA

152

Playback	Listens	Hours
48h	10	2
7d	38	5
30d	152	20

Playback	Listens	Hours
48h	8	1
7d	20	3
30d	482	68

Playback	Listens	Hours
48h	1	5m
7d	18	2
30d	155	18

2:34:16

4 tapes

10/11SBD

Norman, OK, USA

383

Playback	Listens	Hours
48h	18	2
7d	41	6
30d	383	56

2:37:06

Activity Center. Arizona State U

10/09SBD

McNichols Sports Arena

Denver, CO, USA

435

Playback	Listens	Hours
48h	45	6
7d	55	7
30d	435	56

Playback	Listens	Hours
48h	9	1
7d	29	4
30d	135	22

1:26:51

4 tapes

10/06SBD

Tempe, AZ, USA

724

Playback	Listens	Hours
48h	18	2
7d	118	17
30d	724	104

Playback	Listens	Hours
48h	40	6
7d	192	25
30d	1.2k	157

Playback	Listens	Hours
48h	28	3
7d	66	8
30d	509	61

2:43:45

Paramount Northwest Theater

9/29SBD

Seattle, WA, USA

406

Playback	Listens	Hours
48h	21	4
7d	54	9
30d	406	65

2:53:08

Paramount Northwest Theater

9/28SBD

Seattle, WA, USA

175

Playback	Listens	Hours
48h	20	3
7d	25	3
30d	175	24

Playback	Listens	Hours
48h	269	36
7d	338	46
30d	2.1k	288

17.9k

Playback	Listens	Hours
48h	533	68
7d	1.4k	180
30d	17.9k	2.3k

8.5k

Playback	Listens	Hours
48h	165	29
7d	342	52
30d	8.5k	1.3k

17.1k

Playback	Listens	Hours
48h	504	69
7d	985	133
30d	17.1k	2.3k

Playback	Listens	Hours
48h	68	9
7d	121	15
30d	9.1k	1.1k

3:05:07

3 tapes

5/28SBD

Hartford Civic Center

Hartford, CT, USA

Playback	Listens	Hours
48h	155	23
7d	505	74
30d	6k	890

3:19:35

5/26SBD

Baltimore Civic Center

Baltimore, MD, USA

2.8k

Playback	Listens	Hours
48h	116	16
7d	314	43
30d	2.8k	381

Playback	Listens	Hours
48h	197	26
7d	517	68
30d	4.9k	650

Pembroke Pines, FL, USA

10.2k

Playback	Listens	Hours
48h	390	53
7d	1.3k	181
30d	10.2k	1.4k

3:17:29

4nuyKoY91WKwR6HLq7Gzkl Lakeland, FL, USA

5/21SBD

Lakeland Civic Center

2.1k

Playback	Listens	Hours
48h	101	13
7d	132	16
30d	2.1k	272

Playback	Listens	Hours
48h	97	13
7d	304	41
30d	2.2k	316

Playback	Listens	Hours
48h	98	14
7d	205	31
30d	1.5k	213

2:56:45

3 tapes

5/17SBD

Memorial Coliseum, U. of Alabama

Tuscaloosa, AL, USA

5.7k

Playback	Listens	Hours
48h	286	36
7d	679	88
30d	5.7k	744

Playback	Listens	Hours
48h	58	8
7d	182	23
30d	1k	133

Playback	Listens	Hours
48h	65	8
7d	170	21
30d	1k	124

Playback	Listens	Hours
48h	11	1
7d	6	1
30d	219	28

2:29:28

2 tapes

5/11SBD

St. Paul Civic Center

St. Paul, MN, USA

4.4k

Playback	Listens	Hours
48h	305	40
7d	624	83
30d	4.4k	592

5:53:21

5/09SBD

War Memorial Auditorium

Buffalo, NY, USA

12.2k

Playback	Listens	Hours
48h	877	126
7d	1.3k	192
30d	12.2k	1.8k

5:15:24

Barton Hall, Cornell University

5/08SBD

Ithaca, NY, USA

9.7k

Playback	Listens	Hours
48h	485	76
7d	1.2k	196
30d	9.7k	1.5k

Playback	Listens	Hours
48h	397	57
7d	976	145
30d	7.5k	1.1k

3:15:28

9 tapes

5/05SBD

Veterans Memorial Coliseum

New Haven, CT, USA

2.9k

Playback	Listens	Hours
48h	212	32
7d	704	89
30d	2.9k	423

Playback	Listens	Hours
48h	71	12
7d	403	67
30d	2.7k	435

Playback	Listens	Hours
48h	53	6
7d	181	23
30d	621	75

Playback	Listens	Hours
48h	2	17m
7d	96	12
30d	573	75

Playback	Listens	Hours
48h	42	5
7d	59	7
30d	420	50

Playback	Listens	Hours
48h	81	11
7d	159	23
30d	624	92

Playback	Listens	Hours
48h	42	7
7d	241	36
30d	952	147

Playback	Listens	Hours
48h	11	1
7d	39	5
30d	164	21

Playback	Listens	Hours
48h	45	5
7d	78	9
30d	714	80

2:38:35

4/23SBD

Springfield Civic Center

Springfield, MA, USA

3.5k

Playback	Listens	Hours
48h	158	21
7d	451	64
30d	3.5k	498

Philadelphia, PA, USA

966

Playback	Listens	Hours
48h	50	7
7d	84	12
30d	966	156

1.1k

Playback	Listens	Hours
48h	70	10
7d	52	7
30d	1.1k	145

1.1k

Playback	Listens	Hours
48h	64	10
7d	208	31
30d	1.1k	163

Robertson Gym, UC Santa Barbara

1.5k

Playback	Listens	Hours
48h	194	26
7d	219	31
30d	1.5k	210

Playback	Listens	Hours
48h	10	1
7d	10	1
30d	90	18

3:10:50

1 tape

2/27SBD

Goleta, CA, USA

469

Playback	Listens	Hours
48h	21	2
7d	95	12
30d	469	57

San Bernardino, CA, USA

4.9k

Playback	Listens	Hours
48h	337	47
7d	687	95
30d	4.9k	662

5:39:22

Studio (Terrapin Station Outtakes)

2/20SBD

Novato, CA

128

Playback	Listens	Hours
48h	11	1
7d	10	1
30d	128	17

Playback	Listens	Hours
48h	11	1
7d	50	6
30d	313	37

1:16:53

3 tapes

Sources

Taper: Betty Cantor

Source & Transfer by Anonymous;Edited & Mastered using Adobe Audition by Joe Noel

gd1977-05-08.148737.SBD.Betty.Anon.Noel.t-flac2448

Source: Betty Cantor's SBD Reel Master > PCM (undecoded) > DAT via spdif/Sony PCM601esd > wav file via spdif/RME multiface > Wave 24/48 (decoded) > Myteck Stereo DAC96 > DBX150X > Korg MR2000 > WAV 24/48

gd1977-05-08.mtx.seamons.97274.sbeok.flac16

View Notespatch info:
- shnid 137569 supplies
- s1t01; start - 01:00
- s1t08; 03:18 - end
- s1t09; start - 00:25
- s2t10; 04:36 - end

Notes:
- Thanks to anonymous, for sharing this source while hiding out away from the Bay Area
- Thanks to dusborne for his work on the matrix

Transferrer: Hunter Seamons

Matrix mix (SBD/AUD)

View Notes----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)

Source 3 of 23

1:03:29

SBD

gd1977-05-08.sbd.cube.87486.flac16

Transferrer: Dan Haugh

gd1977-05-08.mtx.dan.35086.flac24

DVD-A 24/96 SBD+AUD1+AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

gd77-05-08.sbd.hicks.4982.sbeok.shnf

View Notes---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital 
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on 
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > 
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam 
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, 
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch 
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob 
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit 
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > 
First Gen Reel > Played directly to hard drive > CDR > SHN 

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.   CEP2.0 used to adjust 
the volume for the SBD & both AUDs. CEP was used to do the 
multitrack mixdown to 24/96.  This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  DiscWelder was used to author and create the 
DVD-Audio in 24/96.  DVD Decryptor read and created the ISO 
image file.  This incorporates 2 channels of 24/96 wave files.     
- Mixed by [email protected]
- FLAC conversion 08-MAY-2005  
- Artwork by [email protected] 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double DVD case.

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

This represents the 24 bit files that are the result of all 
my editing and the multitrack mixdown. It is unclear exactly 
what we have in the way of high resolution. However it seems 
there is agreement that what we have cannot be represented 
accurately in 16/44. What you are getting is the full result 
of the matrix mix process. How much different does this sound? 
is this better? A little and yes. This is more accurate and 
has more dynamic range.  24/96 resolution versus a 16/44 of 
the same material will usually result in very subtle but 
important differences.  Most of it relying on the quality of
the DVD-A player and the D to A conversion.  With that in 
mind, this 24 bit copy is no different.  Small but important 
gains over the same material in 16/44.  This is just one 
man's take.  Take it or leave it.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

---------------------------------------------------------

Burning Instructions A & B

A. Use DVD Decryptor or similar program to burn as an image 
file (ISO) onto a DVDR.  Enjoy.

B. This may also circulate as 2 channel FLAC files and will
require assembly.  Included is the discwelder file. If you 
use that program, decode all the FLAC file and stick them in 
a folder. Click on the DiscWelder file (which will open 
DiscWelder) and point it towards that folder with the wave 
files and VIOLA! DVD-A pre-assembled and ready to author.

---------------------------------------------------------

Taper: Steve Maizner

Matrix (see notes)

gd1977-05-08.sbd.cantor.sacks.266.shnf

View Notesfreshly remastered Betty Board with AUD splices, by Rob Eaton;

Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

Audience Portion -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive.  The excellent aud splices were normalized and patched using ProTools by Karen Hicks 

Taper: Betty Cantor

WBOTB Source -- 7" two track BBD reel encoded w/ DBX-1 noise reduction @ 7 1/2 ips > Sony PCM501ES @ 44.055 kHz. Sony PCM501ES analog out > DBX-1 decoder > analog in PCM501ES. PCM501ES analog out > Fostex D5 @ 48 kHz>DATs>ZA2>CDRs>EAC>SHN

Charlie Miller;Rob Berger

View NotesAudience Splices -- Teddy Goodbear's Panasonic AM/FM Stereo 'boom box' (w/condenser mics) > CM (Cassette Master) > various equalizers & editors > CD

Taper: Jerry Moore

gd1977-05-08.ecm33p.moore.berger.miller.117027.flac24

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above); 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Jerry Moore

Charlie Miller, Rob Berger

gd1977-05-08.ecm33p.moore.berger.miller.117026.flac16

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac; encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Recording by Rich Petrunis.

Recording by Rich Petrunis.

Transferrer:

Transferred by Andrew F. 04/2021

gd1977-05-08.152379.aud.petrunis.flac2448

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.

View NotesNote: Most of the stand-alone tracks clip-in abruptly with small
amounts missing. Noted flaws: The tape broke, causing drop-outs
at Lazy Lightning 4:01 and Brown Eyed Women 3:33. Supplication
cuts-out near the end. Taper got disrupted or lowered the mic in
Row Jimmy 8:41 > 9:01. Small gaps in Dancing in the Street mended
together at 0:18 & 14:32. Tape-flip start of Not Fade Away 0:33.
With thanks to John and Rich Petrunis for sharing their tapes!

Transferrer: Matrix by Dave Usborne

2:56:25

Transferrer:

gd1977-05-08.137572.mtx-2aud.dusborne.flac16

2 Source Matrix by Dusborne; Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011, mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137571.mtx-2aud.dusborne.flac24

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC; MC>CDR>EAC>WAV>FLAC,Recording And Transfer: Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137570.mtx.dusborne.flac16

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster);Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC, Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

3:02:47

REMASTER

Transferrer:

gd1977-05-08.137569.mtx.dusborne.flac24

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster); Audience 1 (shnid:117027)source: aud taped by Jerry Moore a) cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b) Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b) The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303)Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Taper: Jim Cooper

gd1977-05-08.134093.aud.cooper.berger.flac24

source: aud cassette master; taped by Jim Cooper; sony ecm22p > hitachi trq232; nakamichi dragon > benchmark ADC1 24/96 > tascam hd-p2, compact flash > mac > adobe audition CC > xACT flac; transferred and seeded by Rob Berger

Transferrer: Hunter Seamons

gd1977-05-08.111493.mtx.seamons.sbeok.flac16

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); this source fixes a flaw in d1t08 from <a href="http://db.etree.org/shn/97274">source ID 97274</a>

DTS and Matrixing by Dan Haugh

View Notes1) Warning: this might steal your face - the sound is impeccable, thanks to truly excellent sources for a matrix.


Jerry Garcia - Lead Guitar, Vocals
Donna Jean Godchaux - Vocals
Keith Godchaux - Keyboards
Mickey Hart - Drums
Bill Kreutzmann - Drums
Phil Lesh - Electric Bass, Vocals
Bob Weir - Rhythm Guitar, Vocals



*40th Matrix* 

----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 

I removed a "click" sound I mistakenly added to the AUD-only portion of Supplication at 0:06. I fixed this by patching in the unscathed AUD there, rather than using a de-clicker filter. This "click" had always driven me nuts and warranted a fixing.

Thank you for your continued patience and support.

-Hunter

February 14, 2010

Taper: See info file

gd1977-05-08.mtx.dts.dan.30756.flac16

View NotesTech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.  CEP2.0 used to adjust the 
volume for both AUDs, matrix/CTR and LFE channels.  Surcode 
CD Pro DTS was used to encode to DTS. The center matrix track 
is a 60% SBD, 40% AUD2 mix.   
- Mixed by [email protected]
- FLAC conversion 08-MAY-2005  
- Artwork by [email protected] 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

DTS-Audio-CD Info

Front  	
Left Channel SBD Reel 
Right Channel SBD Reel

Center 	
Mixed to mono -6db SBD+AUD2 Matrix 

Surround 
Left Channel -2db AUD1 (with some AUD2 patches)
Right Channel -2db AUD1 (with some AUD2 patches)

Sub/LFE
Mixed to mono -4db SBD Reel

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you 
didn't really read the text file, did you?  

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel 
sound, like DTS and Dolby Digital.  While the Audio-CD 
standard (Red Book) hasn't changed to accommodate these 
new sound formats, it is still possible to go around the 
specification and to put a 5.1 surround recording on a 
regular Audio-CD.  To play a DTS-Audio-CD you must connect 
your DVD/CD player via a digital cable (optical or coaxial) 
to your DTS Dolby-Digital receiver. It is not 100% sure 
that your receiver will recognize a DTS-Audio CD, so the 
first time you're trying to playback a DTS-Audio-CD you 
must do a test to determine if it can. Begin with the 
volume very low, start the disc and raise the volume 
gradually. NEVER listen to a DTS-Audio-CD through the 
analog audio outputs of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any 
normal Audio-CD from FLAC files.

Taper: See info file

Matrixing by Dan Haugh

gd1977-05-08.mtx.dan.29511.flac16

View NotesSBD + AUD1 + AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) >
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster)

AUD1
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B,
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master >
First Gen Reel > Played directly to hard drive > CDR > SHN

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch the SBD & both AUD sources.   CEP2.0 used to adjust the
volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  
- Mixed by [email protected]
- FLAC conversion 08-MAY-2005  
- Artwork by [email protected] 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a
fake AUD recording by mixing crowd cheer with the SBD. This
was effective at creating patches for the rear channels in
the 5.1 presentation but also maintained a smooth quality in
the stereo matrix mix as well.  These patches are numerous
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources
to pull up the vocals and give the center channel a unique
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo
field moves.  The result, although not perfect, I think
provides the listener with a more enjoyable and natural
listening experience.  Maybe you disagree.  For those of you
who would rather have a patch using a matrix mix of the 2 AUD
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 -
43:16.362.  This was patched using a matrix mix of the 2 AUD
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is
still pretty good.  The switch back to SBD is actually
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you
didn't really read the text file, did you?

Taper: Jeff Stevenson

gd1977-05-08.shure57.stevenson.29303.flac16

Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC

MC>CDR>EAC>WAV>FLAC

Rob Berger and Chris Larson

View NotesNotes:10 Feet From Stage=Great Instrement Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many,Tape Filp After D01T08,D03T03
Flip Durning NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's 
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
if Anyone Wants To  Matrix This Feel Free, I'd Love To Hear It!

Transferrer: Rob Berger and Chris Larson

gd1977-05-08.aud.moore.berger.28354.flac16

MAC>R>CD

Rob Berger and Sean Cribbs

View NotesJerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

Taper: Jerry Moore

gd1977-05-08.aud.moore.cribbs.28301.shnf

MAC>R>CD

gd77-05-08.matrix.dan.26857.sbeok.flacf

View NotesMAC>R>CD
Audience Recording by Jerry Moore

Jerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

EAC>WAV>SHN encoding by Sean Cribbs 2/19/2005.

Transferrer: Dan

Matrix - 3 Sources

gd77-05-08.dts.dan.26856.sbeok.flacf

View NotesSBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN 

Tech Notes: 

SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave.  CEP2.0 was used to align & synch the SBD & both AUD sources.   CEP2.0 used to adjust the volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1, 20% AUD2 mix.  

- Mixed by [email protected]
- FLAC conversion 08-MAY-2005  
- Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case.

Notes: 

I looked at the 4 pages of notes I had on this project and it made me sick to think about typing them up.  So, although not complete, you will get a good idea of what was done to bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both AUD recordings suffered from btwn song pauses that not only cut the crowd cheer out but clipped the beginning of many songs. The 2 AUD source coverage allowed my to patch 1 with the other in some situations.  A couple spots I created a fake AUD recording by mixing crowd cheer with the SBD. This was effective at creating patches for the rear channels in the 5.1 presentation but also maintained a smooth quality in the stereo matrix mix as well.  These patches are numerous and I think completely smooth and most likely undetectable.

d1t01 The first 16.041 seconds of Minglewood blues was cut on the SBD.  Starting this monster project with an unrecoverable flaw was unacceptable to me.  I decided to patch that opening portion with a SBD and AUD recording from 5-7-77.  As this patch ends you will hear some slight phasing as the stereo field moves.  The result, although not perfect, I think provides the listener with a more enjoyable and natural listening experience.  Maybe you disagree.  For those of you who would rather have a patch using a matrix mix of the 2 AUD sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 43:16.362.  This was patched using a matrix mix of the 2 AUD sources and then EQ'ed to best match the sound spectrum of the SBD.  I also tried to match the volume on the SBD.  A switch in sources is obvious to the listener but this is still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418. This was fixed using a quick channel swap.   This is smooth and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you didn't really read the text file, did you?

Source 22 of 23

<b>DTS Audio 5.1</b>: Soundboard (Betty Board) > Master 7

gd77-05-08.maizner.hicks.5002.sbeok.shnf

View Notes<b>Lossies (including stream version) removed because 5.1 channel files do not properly encode to 2 channel MP3's - the result is static.</b>

<b>DTS Audio 5.1</b>: SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT> DAT> Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD (Steve Maizner) > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN; see pub comments re additional reflac version

Taper: Steve Maizner

Audience - Sony ECM-990

Sony ECM-990 > Sony TC-152 (aud master) > First Gen Reel > played directly to hard drive