Deal | 1977-05-08 | Grateful Dead

Bernie Worrell and the WOO Warriors

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	38	4

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	0	0m
7d	2	23m
30d	32	5

Playback	Listens	Hours
48h	36	5
7d	57	9
30d	483	74

Playback	Listens	Hours
48h	99	15
7d	391	54
30d	2.1k	282

Playback	Listens	Hours
48h	7.3k	805
7d	22.8k	2.5k
30d	93.7k	9.7k

Playback	Listens	Hours
48h	91	7
7d	301	21
30d	1.3k	95

62 shows

76 tapes

Blueground Undergrass

104

Playback	Listens	Hours
48h	12	1
7d	12	1
30d	104	11

Playback	Listens	Hours
48h	112	16
7d	499	61
30d	2.8k	323

Playback	Listens	Hours
48h	320	40
7d	1k	135
30d	4.7k	588

308 shows

512 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	3	23m
30d	4	1

22 shows

28 tapes

Boyfriends

Playback	Listens	Hours
48h	28	4
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	96	13
7d	114	18
30d	583	93

450 shows

562 tapes

Buffalo Galaxy

Playback	Listens	Hours
48h	0	0m
7d	1	3m
30d	51	7

113 shows

119 tapes

Built To Spill

Playback	Listens	Hours
48h	36	4
7d	177	17
30d	1k	102

Playback	Listens	Hours
48h	72	7
7d	211	22
30d	1.6k	163

Playback	Listens	Hours
48h	20	59m
7d	3	4m
30d	193	11

Playback	Listens	Hours
48h	25	3
7d	29	4
30d	170	24

Playback	Listens	Hours
48h	0	0m
7d	22	1
30d	410	29

244 shows

274 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	6	2

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	5	29m
7d	11	2
30d	13	3

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	0	0m
7d	1	2m
30d	38	4

79 shows

93 tapes

Circles Around The Sun

1.5k

Playback	Listens	Hours
48h	135	32
7d	235	51
30d	1.5k	330

Playback	Listens	Hours
48h	7	3
7d	18	7
30d	145	34

Playback	Listens	Hours
48h	57	4
7d	163	12
30d	679	54

Playback	Listens	Hours
48h	38	6
7d	122	19
30d	533	83

Playback	Listens	Hours
48h	229	33
7d	658	89
30d	4.3k	597

Playback	Listens	Hours
48h	291	39
7d	684	94
30d	4.7k	630

799 shows

1,061 tapes

Dave Harrington

Playback	Listens	Hours
48h	0	0m
7d	3	31m
30d	33	6

Playback	Listens	Hours
48h	3	13m
7d	20	2
30d	193	20

Playback	Listens	Hours
48h	2.4k	389
7d	6.5k	1k
30d	38.7k	6.1k

Playback	Listens	Hours
48h	54	6
7d	45	5
30d	306	35

Playback	Listens	Hours
48h	105	6
7d	118	7
30d	1.4k	78

Playback	Listens	Hours
48h	83	9
7d	248	28
30d	1.3k	153

Playback	Listens	Hours
48h	753	150
7d	2.3k	483
30d	12.5k	2.6k

Playback	Listens	Hours
48h	23	2
7d	74	8
30d	360	36

Playback	Listens	Hours
48h	199	30
7d	551	90
30d	2.8k	433

161 shows

221 tapes

Domocile

Playback	Listens	Hours
48h	9	2
7d	11	3
30d	65	17

38 shows

38 tapes

Donna the Buffalo

Playback	Listens	Hours
48h	134	11
7d	413	40
30d	2k	211

Playback	Listens	Hours
48h	30	5
7d	77	12
30d	278	45

Playback	Listens	Hours
48h	127	11
7d	523	45
30d	2.6k	223

Playback	Listens	Hours
48h	66	10
7d	87	17
30d	417	72

375 shows

528 tapes

Eddie Roberts

Playback	Listens	Hours
48h	8	1
7d	0	0m
30d	95	14

Playback	Listens	Hours
48h	138	22
7d	353	59
30d	2.1k	357

153 shows

296 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	14	3

Playback	Listens	Hours
48h	63	9
7d	373	49
30d	1.9k	258

831 shows

1,050 tapes

Electric Beethoven

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	24	7

Playback	Listens	Hours
48h	141	8
7d	159	9
30d	1.2k	65

156 shows

174 tapes

Eric Krasno

Playback	Listens	Hours
48h	1	0m
7d	23	4
30d	67	10

125 shows

185 tapes

Everyone Orchestra

Playback	Listens	Hours
48h	1	1m
7d	0	0m
30d	12	2

Playback	Listens	Hours
48h	0	0m
7d	41	4
30d	116	11

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	0	0m
7d	1	11m
30d	4	46m

Playback	Listens	Hours
48h	10	58m
7d	30	3
30d	260	23

Playback	Listens	Hours
48h	18	1
7d	37	3
30d	146	10

Playback	Listens	Hours
48h	0	0m
7d	30	2
30d	234	17

Playback	Listens	Hours
48h	4	26m
7d	34	2
30d	147	9

Playback	Listens	Hours
48h	575	86
7d	1.8k	270
30d	10.3k	1.6k

246 shows

1,223 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	27m

14 shows

15 tapes

G. Love and Special Sauce

557

Playback	Listens	Hours
48h	26	3
7d	61	6
30d	557	51

Playback	Listens	Hours
48h	55	7
7d	91	12
30d	1.2k	132

404 shows

485 tapes

Garage A Trois

Playback	Listens	Hours
48h	3	18m
7d	11	2
30d	97	13

Playback	Listens	Hours
48h	2	24m
7d	17	4
30d	119	24

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	10	1
7d	3	22m
30d	24	3

51 shows

65 tapes

Ghost Light

Playback	Listens	Hours
48h	6	54m
7d	9	2
30d	52	13

Playback	Listens	Hours
48h	89	11
7d	324	37
30d	2.4k	273

378 shows

514 tapes

Godspeed You Black Emperor!

495

Playback	Listens	Hours
48h	26	6
7d	151	42
30d	495	130

Playback	Listens	Hours
48h	2	10m
7d	37	6
30d	108	17

Playback	Listens	Hours
48h	1.9k	405
7d	5.8k	1.2k
30d	45.9k	10k

Playback	Listens	Hours
48h	1	5m
7d	48	5
30d	376	31

363 shows

589 tapes

Grahame Lesh and Friends

2.2k

Playback	Listens	Hours
48h	98	15
7d	428	66
30d	2.2k	324

41 shows

116 tapes

Grampas Grass

Playback	Listens	Hours
48h	0	0m
7d	1	10m
30d	67	8

Playback	Listens	Hours
48h	250	32
7d	877	106
30d	5.3k	649

Playback	Listens	Hours
48h	25	3
7d	57	6
30d	615	68

226 shows

313 tapes

GrooveSession

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	6	39m

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	1	4m
7d	0	0m
30d	25	1

53 shows

57 tapes

Guitarmageddon

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	5	1

Playback	Listens	Hours
48h	15	53m
7d	44	3
30d	360	26

756 shows

1,037 tapes

Hard Working Americans

Playback	Listens	Hours
48h	13	1
7d	16	2
30d	70	7

Playback	Listens	Hours
48h	41	7
7d	40	9
30d	351	57

187 shows

226 tapes

Horseshoes and Hand Grenades

Playback	Listens	Hours
48h	3	15m
7d	1	3m
30d	35	4

Playback	Listens	Hours
48h	12	1
7d	55	5
30d	277	27

675 shows

847 tapes

Infamous Stringdusters

1.8k

Playback	Listens	Hours
48h	152	14
7d	371	32
30d	1.8k	165

629 shows

1,016 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	278	21
7d	765	53
30d	4.7k	319

Playback	Listens	Hours
48h	48	4
7d	96	8
30d	327	28

366 shows

493 tapes

Jazz Mandolin Project

116

Playback	Listens	Hours
48h	3	21m
7d	5	42m
30d	116	20

222 shows

280 tapes

Jeff Austin and Chris Castino

Playback	Listens	Hours
48h	1	1m
7d	0	0m
30d	5	29m

12 shows

14 tapes

Jeff Austin And Friends

106

Playback	Listens	Hours
48h	2	8m
7d	45	5
30d	106	11

Playback	Listens	Hours
48h	15	2
7d	115	16
30d	652	80

112 shows

162 tapes

Jerry Joseph and the Jackmormons

1.9k

Playback	Listens	Hours
48h	136	25
7d	328	57
30d	1.9k	342

1,124 shows

1,519 tapes

Jerry's Middle Finger

3.8k

Playback	Listens	Hours
48h	226	32
7d	585	80
30d	3.8k	521

262 shows

315 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	1	1m
7d	1	1m
30d	20	3

2 shows

Karl Denson's Tiny Universe

Joe Russo's Almost Dead

30.4k

Playback	Listens	Hours
48h	1.8k	330
7d	5.9k	1.1k
30d	30.4k	5.5k

Playback	Listens	Hours
48h	45	4
7d	201	20
30d	799	87

462 shows

747 tapes

John Mayer

Playback	Listens	Hours
48h	165	15
7d	681	60
30d	3k	256

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	27	3

Playback	Listens	Hours
48h	10	38m
7d	55	4
30d	245	19

Playback	Listens	Hours
48h	4	15m
7d	25	2
30d	108	10

73 shows

109 tapes

Playback	Listens	Hours
48h	8	49m
7d	14	1
30d	63	13

Playback	Listens	Hours
48h	323	25
7d	550	49
30d	3.2k	308

Playback	Listens	Hours
48h	16	2
7d	29	5
30d	160	24

43 shows

54 tapes

King Gizzard & the Lizard Wizard

14.1k

Playback	Listens	Hours
48h	826	108
7d	2.4k	325
30d	14.1k	1.9k

Playback	Listens	Hours
48h	145	19
7d	347	45
30d	2.1k	266

315 shows

401 tapes

Kung Fu

Playback	Listens	Hours
48h	37	6
7d	19	3
30d	31	5

Playback	Listens	Hours
48h	20	4
7d	65	13
30d	461	92

Playback	Listens	Hours
48h	77	9
7d	231	28
30d	653	79

Playback	Listens	Hours
48h	240	23
7d	864	78
30d	3.9k	353

Playback	Listens	Hours
48h	250	32
7d	532	85
30d	2.9k	465

Playback	Listens	Hours
48h	236	22
7d	820	75
30d	4.3k	399

Playback	Listens	Hours
48h	92	7
7d	255	20
30d	1.2k	87

Playback	Listens	Hours
48h	89	15
7d	220	39
30d	1.4k	261

437 shows

624 tapes

Marco Benevento

Playback	Listens	Hours
48h	0	0m
7d	12	1
30d	60	5

Playback	Listens	Hours
48h	111	10
7d	372	33
30d	2.2k	195

Playback	Listens	Hours
48h	7	49m
7d	30	3
30d	193	21

349 shows

446 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	1	1m
30d	3	11m

Playback	Listens	Hours
48h	323	52
7d	621	100
30d	3.4k	557

Playback	Listens	Hours
48h	24	45m
7d	35	3
30d	221	13

Playback	Listens	Hours
48h	26	2
7d	8	1
30d	104	11

157 shows

172 tapes

Minutemen

Playback	Listens	Hours
48h	16	29m
7d	33	54m
30d	74	2

Playback	Listens	Hours
48h	61	5
7d	90	6
30d	694	48

21 shows

25 tapes

moe.

Playback	Listens	Hours
48h	578	96
7d	1.5k	246
30d	9k	1.5k

1,994 shows

4,511 tapes

Mogwai

Playback	Listens	Hours
48h	11	2
7d	11	2
30d	56	6

381 shows

482 tapes

Moon Taxi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	63	5

Playback	Listens	Hours
48h	448	46
7d	757	80
30d	3.6k	372

413 shows

602 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	64	6

46 shows

51 tapes

Neal Francis

Playback	Listens	Hours
48h	8	38m
7d	15	2
30d	46	4

Playback	Listens	Hours
48h	41	6
7d	188	24
30d	806	101

141 shows

255 tapes

Nels Cline

Playback	Listens	Hours
48h	3	31m
7d	3	15m
30d	50	9

62 shows

73 tapes

New Riders of the Purple Sage

1.5k

Playback	Listens	Hours
48h	44	4
7d	203	18
30d	1.5k	132

411 shows

599 tapes

North Mississippi Allstars

1.1k

Playback	Listens	Hours
48h	18	2
7d	137	13
30d	1.1k	100

Playback	Listens	Hours
48h	286	30
7d	553	61
30d	1.7k	182

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	1	4m
7d	0	0m
30d	3	12m

Playback	Listens	Hours
48h	0	0m
7d	15	3
30d	124	22

130 shows

260 tapes

Percy Hill

Playback	Listens	Hours
48h	11	2
7d	9	1
30d	69	10

Playback	Listens	Hours
48h	60	10
7d	203	37
30d	1.1k	206

689 shows

920 tapes

Phil Lesh and Friends

15.6k

Playback	Listens	Hours
48h	1.1k	194
7d	2.9k	487
30d	15.6k	2.7k

788 shows

2,861 tapes

Pigeons Playing Ping Pong

1.6k

Playback	Listens	Hours
48h	106	17
7d	329	50
30d	1.6k	255

Playback	Listens	Hours
48h	188	24
7d	378	45
30d	3.5k	412

295 shows

438 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	143	19
7d	755	95
30d	3.9k	508

1,237 shows

2,200 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	65	5

Playback	Listens	Hours
48h	12	2
7d	78	11
30d	475	72

Playback	Listens	Hours
48h	584	72
7d	1.5k	196
30d	7.2k	934

Playback	Listens	Hours
48h	119	11
7d	358	27
30d	1.3k	107

Playback	Listens	Hours
48h	60	5
7d	373	30
30d	1.3k	106

Playback	Listens	Hours
48h	38	3
7d	183	17
30d	1.5k	129

581 shows

729 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	15	2

10 shows

Ted Leo and the Pharmacists

Ryley Walker

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	6	45m

Playback	Listens	Hours
48h	199	20
7d	268	27
30d	2.6k	246

133 shows

199 tapes

Scott Metzger

Playback	Listens	Hours
48h	0	0m
7d	1	4m
30d	88	11

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	0m

Playback	Listens	Hours
48h	6	49m
7d	16	2
30d	109	11

Playback	Listens	Hours
48h	50	4
7d	144	12
30d	832	69

Playback	Listens	Hours
48h	153	24
7d	425	64
30d	2.9k	446

Playback	Listens	Hours
48h	84	22
7d	281	57
30d	1.1k	254

Playback	Listens	Hours
48h	37	2
7d	40	3
30d	206	13

87 shows

96 tapes

Stanton Moore

Playback	Listens	Hours
48h	0	0m
7d	15	2
30d	45	6

Playback	Listens	Hours
48h	63	10
7d	148	27
30d	593	104

Playback	Listens	Hours
48h	106	26
7d	310	69
30d	1.9k	432

Playback	Listens	Hours
48h	188	18
7d	161	16
30d	895	107

667 shows

1,139 tapes

String Cheese Incident

17.9k

Playback	Listens	Hours
48h	986	158
7d	3.1k	506
30d	17.9k	2.9k

1,285 shows

2,082 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	1	4m
7d	0	0m
30d	37	4

Playback	Listens	Hours
48h	11	2
7d	16	3
30d	128	21

Playback	Listens	Hours
48h	1	10m
7d	1	2m
30d	108	14

Playback	Listens	Hours
48h	3	20m
7d	105	12
30d	956	107

730 shows

1,117 tapes

Playback	Listens	Hours
48h	0	0m
7d	1	4m
30d	4	13m

Playback	Listens	Hours
48h	949	110
7d	2.4k	284
30d	11.9k	1.4k

Playback	Listens	Hours
48h	1	2m
7d	30	2
30d	231	13

Playback	Listens	Hours
48h	107	15
7d	239	30
30d	1.5k	195

Playback	Listens	Hours
48h	7	56m
7d	36	5
30d	255	38

473 shows

627 tapes

The California Honeydrops

574

Playback	Listens	Hours
48h	2	15m
7d	96	12
30d	574	70

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	7m

Playback	Listens	Hours
48h	199	29
7d	664	91
30d	3.3k	461

Playback	Listens	Hours
48h	0	0m
7d	8	42m
30d	171	14

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	0	0m
7d	1	7m
30d	23	3

160 shows

219 tapes

The Higgs

Playback	Listens	Hours
48h	0	0m
7d	6	10m
30d	12	1

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	10	1

Playback	Listens	Hours
48h	22	4
7d	29	5
30d	219	37

Playback	Listens	Hours
48h	2	10m
7d	17	2
30d	148	20

Playback	Listens	Hours
48h	284	15
7d	333	16
30d	3.6k	188

Playback	Listens	Hours
48h	40	3
7d	98	8
30d	594	45

Playback	Listens	Hours
48h	1	1m
7d	16	3
30d	156	36

Playback	Listens	Hours
48h	58	5
7d	107	11
30d	891	92

Playback	Listens	Hours
48h	171	26
7d	518	77
30d	2.6k	379

78 shows

255 tapes

The Radiators

Playback	Listens	Hours
48h	318	31
7d	1.3k	124
30d	7k	675

Playback	Listens	Hours
48h	2	5m
7d	8	28m
30d	158	12

Playback	Listens	Hours
48h	104	10
7d	185	17
30d	1.1k	111

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	0	0m
7d	2	21m
30d	24	4

Playback	Listens	Hours
48h	75	6
7d	286	25
30d	1.2k	103

224 shows

286 tapes

Trampled by Turtles

Playback	Listens	Hours
48h	89	6
7d	223	14
30d	1k	67

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	14m

12 shows

12 tapes

Trey Anastasio

Playback	Listens	Hours
48h	183	29
7d	537	77
30d	4k	603

Playback	Listens	Hours
48h	30	3
7d	21	2
30d	140	14

133 shows

209 tapes

Twiddle

Playback	Listens	Hours
48h	200	36
7d	689	126
30d	2k	362

Playback	Listens	Hours
48h	404	54
7d	1k	150
30d	5.9k	870

Playback	Listens	Hours
48h	4	26m
7d	24	2
30d	196	15

Playback	Listens	Hours
48h	109	9
7d	252	19
30d	1.3k	99

Playback	Listens	Hours
48h	652	53
7d	2.4k	204
30d	14.5k	1.2k

Playback	Listens	Hours
48h	19	2
7d	48	4
30d	207	13

Playback	Listens	Hours
48h	11k	1.4k
7d	33.8k	4.1k
30d	202.9k	24.3k

Playback	Listens	Hours
48h	61	8
7d	140	17
30d	941	128

1,416 shows

2,242 tapes

Yonder Mountain String Band

10k

Playback	Listens	Hours
48h	665	63
7d	1.6k	150
30d	10k	945

Playback	Listens	Hours
48h	20	4
7d	169	27
30d	1.1k	179

21 shows

29 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	6m

Playback	Listens	Hours
48h	58	10
7d	161	32
30d	1.2k	216

464 shows

675 tapes

Zoofunkyou

Playback	Listens	Hours
48h	0	0m
7d	2	7m
30d	4	19m

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	552	76
7d	1.4k	188
30d	23.1k	3.1k

Playback	Listens	Hours
48h	2.4k	343
7d	6.8k	969
30d	29.1k	3.9k

Playback	Listens	Hours
48h	611	82
7d	1.8k	241
30d	10.8k	1.4k

Playback	Listens	Hours
48h	601	78
7d	1.3k	167
30d	11.8k	1.5k

Playback	Listens	Hours
48h	1.7k	226
7d	6.8k	873
30d	20.6k	2.7k

Playback	Listens	Hours
48h	3.3k	423
7d	22.4k	2.9k
30d	101.6k	13.2k

Playback	Listens	Hours
48h	4.1k	511
7d	12.6k	1.6k
30d	121.4k	15.4k

Playback	Listens	Hours
48h	1.3k	156
7d	4.7k	552
30d	46.2k	5.6k

Playback	Listens	Hours
48h	7.7k	875
7d	16.6k	1.8k
30d	66.5k	7.4k

Playback	Listens	Hours
48h	509	59
7d	1.3k	145
30d	17.4k	1.9k

Playback	Listens	Hours
48h	2.7k	308
7d	9.8k	1.1k
30d	63.9k	7.5k

Playback	Listens	Hours
48h	1k	140
7d	12.3k	1.6k
30d	60.9k	7.7k

Playback	Listens	Hours
48h	991	127
7d	3.4k	447
30d	18.7k	2.4k

Playback	Listens	Hours
48h	8k	903
7d	8.8k	1.2k
30d	26.2k	3.3k

Playback	Listens	Hours
48h	1.5k	200
7d	4.2k	531
30d	55.9k	7k

Playback	Listens	Hours
48h	1.5k	176
7d	4.5k	511
30d	27.5k	3.2k

Playback	Listens	Hours
48h	1.1k	151
7d	3.4k	481
30d	24.1k	3.3k

Playback	Listens	Hours
48h	1.9k	261
7d	5.8k	795
30d	53.4k	7.1k

Playback	Listens	Hours
48h	5.5k	747
7d	16.9k	2.4k
30d	88.9k	12.5k

Playback	Listens	Hours
48h	2.7k	353
7d	8.4k	1.1k
30d	84.6k	11.1k

Playback	Listens	Hours
48h	148	16
7d	1k	108
30d	4.1k	427

Playback	Listens	Hours
48h	10.3k	1.3k
7d	19.5k	2.4k
30d	76k	9.8k

Playback	Listens	Hours
48h	5.7k	749
7d	8.6k	1.1k
30d	59.1k	7.6k

Playback	Listens	Hours
48h	9.9k	1.3k
7d	23.2k	2.8k
30d	60.7k	7.5k

Playback	Listens	Hours
48h	1.3k	146
7d	4.5k	507
30d	27.3k	3.1k

Playback	Listens	Hours
48h	1.3k	153
7d	3.8k	432
30d	24.9k	2.7k

Playback	Listens	Hours
48h	895	125
7d	2.2k	307
30d	18.4k	2.6k

Playback	Listens	Hours
48h	258	35
7d	945	128
30d	5.2k	688

41 shows

125 tapes

1967

Playback	Listens	Hours
48h	103	16
7d	326	46
30d	2k	262

Playback	Listens	Hours
48h	184	13
7d	625	43
30d	7.5k	544

Playback	Listens	Hours
48h	23	2
7d	68	4
30d	426	25

1977

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	5

469

Playback	Listens	Hours
48h	12	2
7d	101	14
30d	469	72

334

Playback	Listens	Hours
48h	9	2
7d	38	6
30d	334	52

588

Playback	Listens	Hours
48h	35	4
7d	72	9
30d	588	73

389

Playback	Listens	Hours
48h	11	1
7d	98	11
30d	389	46

Playback	Listens	Hours
48h	86	10
7d	72	9
30d	740	87

2:52:12

Community War Memorial Auditorium

11/05SBD

Rochester, NY, USA

399

Playback	Listens	Hours
48h	18	2
7d	82	11
30d	399	53

2:57:39

6 tapes

11/04SBD

Cotterrell Gym, Colgate U.

Hamilton, NY, USA

640

Playback	Listens	Hours
48h	57	7
7d	148	17
30d	640	78

3:03:06

Field House, Seneca College

11/02SBD

Toronto, Ontario, Canada

231

Playback	Listens	Hours
48h	60	8
7d	31	4
30d	231	31

Playback	Listens	Hours
48h	69	9
7d	97	13
30d	435	58

2:29:26

2 tapes

10/30SBD

Assembly Hall, Indiana U

Bloomington, IN, USA

232

Playback	Listens	Hours
48h	0	0m
7d	11	2
30d	232	29

2:37:00

Field House, Northern Illinois U.

10/29SBD

De Kalb, IL, USA

990

Playback	Listens	Hours
48h	65	8
7d	150	21
30d	990	135

3:20:06

Soldiers' and Sailors' Memorial Hall

10/28SBD

Kansas City, KS, USA

201

Playback	Listens	Hours
48h	36	5
7d	39	5
30d	201	28

3:00:28

6 tapes

10/16SBD

Assembly Center, Lousiana State U

Baton Rouge, LA, USA

451

Playback	Listens	Hours
48h	19	3
7d	57	9
30d	451	66

2:39:05

Lloyd Noble Center, U. of Oklahoma

10/15SBD

Moody Coliseum, S.M.U

Dallas, TX, USA

194

Playback	Listens	Hours
48h	19	3
7d	2	16m
30d	194	24

Playback	Listens	Hours
48h	23	3
7d	59	9
30d	407	56

Playback	Listens	Hours
48h	1	7m
7d	7	46m
30d	192	22

2:34:16

4 tapes

10/11SBD

Norman, OK, USA

454

Playback	Listens	Hours
48h	16	2
7d	23	3
30d	454	68

2:37:06

Activity Center. Arizona State U

10/09SBD

McNichols Sports Arena

Denver, CO, USA

445

Playback	Listens	Hours
48h	7	1
7d	38	5
30d	445	59

Playback	Listens	Hours
48h	12	2
7d	5	44m
30d	154	25

1:26:51

4 tapes

10/06SBD

Tempe, AZ, USA

385

Playback	Listens	Hours
48h	3	31m
7d	61	9
30d	385	54

Playback	Listens	Hours
48h	23	3
7d	96	13
30d	831	112

Playback	Listens	Hours
48h	2	18m
7d	13	2
30d	427	52

2:43:45

Paramount Northwest Theater

9/29SBD

Seattle, WA, USA

371

Playback	Listens	Hours
48h	15	2
7d	22	4
30d	371	57

2:53:08

Paramount Northwest Theater

9/28SBD

Seattle, WA, USA

242

Playback	Listens	Hours
48h	38	5
7d	7	53m
30d	242	33

Playback	Listens	Hours
48h	160	24
7d	300	40
30d	1.8k	247

Playback	Listens	Hours
48h	282	36
7d	739	94
30d	5k	637

Playback	Listens	Hours
48h	65	10
7d	156	24
30d	1k	162

3.8k

Playback	Listens	Hours
48h	148	20
7d	690	96
30d	3.8k	519

Playback	Listens	Hours
48h	43	5
7d	62	8
30d	497	60

3:05:07

3 tapes

5/28SBD

Hartford Civic Center

Hartford, CT, USA

2.2k

Playback	Listens	Hours
48h	229	33
7d	457	64
30d	2.2k	320

3:19:35

5/26SBD

Baltimore Civic Center

Baltimore, MD, USA

1.5k

Playback	Listens	Hours
48h	30	5
7d	241	31
30d	1.5k	210

Playback	Listens	Hours
48h	104	14
7d	318	43
30d	2.6k	345

Pembroke Pines, FL, USA

6.1k

Playback	Listens	Hours
48h	279	39
7d	1.3k	183
30d	6.1k	849

3:17:29

4nuyKoY91WKwR6HLq7Gzkl Lakeland, FL, USA

5/21SBD

Lakeland Civic Center

1.3k

Playback	Listens	Hours
48h	59	8
7d	157	20
30d	1.3k	170

Playback	Listens	Hours
48h	96	15
7d	123	18
30d	1.5k	211

Playback	Listens	Hours
48h	45	6
7d	143	21
30d	1.1k	157

2:56:45

3 tapes

5/17SBD

Memorial Coliseum, U. of Alabama

Tuscaloosa, AL, USA

3.4k

Playback	Listens	Hours
48h	192	25
7d	513	67
30d	3.4k	435

Playback	Listens	Hours
48h	30	4
7d	131	18
30d	908	122

Playback	Listens	Hours
48h	76	9
7d	118	15
30d	908	115

Playback	Listens	Hours
48h	9	1
7d	19	2
30d	134	17

2:29:28

2 tapes

5/11SBD

St. Paul Civic Center

St. Paul, MN, USA

2.8k

Playback	Listens	Hours
48h	162	22
7d	364	49
30d	2.8k	378

5:53:21

5/09SBD

War Memorial Auditorium

Buffalo, NY, USA

7.5k

Playback	Listens	Hours
48h	448	65
7d	1.2k	169
30d	7.5k	1.1k

5:15:24

Barton Hall, Cornell University

5/08SBD

Ithaca, NY, USA

8.5k

Playback	Listens	Hours
48h	564	85
7d	1.2k	190
30d	8.5k	1.3k

Playback	Listens	Hours
48h	214	31
7d	757	113
30d	4.6k	672

3:15:28

9 tapes

5/05SBD

Veterans Memorial Coliseum

New Haven, CT, USA

1.9k

Playback	Listens	Hours
48h	97	15
7d	273	41
30d	1.9k	292

Playback	Listens	Hours
48h	109	19
7d	299	50
30d	1.6k	269

Playback	Listens	Hours
48h	13	2
7d	58	7
30d	420	50

Playback	Listens	Hours
48h	45	6
7d	62	9
30d	322	43

Playback	Listens	Hours
48h	5	45m
7d	45	5
30d	306	35

Playback	Listens	Hours
48h	42	6
7d	42	6
30d	304	45

Playback	Listens	Hours
48h	34	5
7d	138	21
30d	719	112

Playback	Listens	Hours
48h	0	0m
7d	16	2
30d	83	11

Playback	Listens	Hours
48h	20	2
7d	48	6
30d	279	31

2:38:35

4/23SBD

Springfield Civic Center

Springfield, MA, USA

3.1k

Playback	Listens	Hours
48h	506	53
7d	486	68
30d	3.1k	424

Philadelphia, PA, USA

779

Playback	Listens	Hours
48h	38	7
7d	137	23
30d	779	126

817

Playback	Listens	Hours
48h	115	16
7d	131	16
30d	817	111

1.1k

Playback	Listens	Hours
48h	43	6
7d	312	49
30d	1.1k	175

Robertson Gym, UC Santa Barbara

1.4k

Playback	Listens	Hours
48h	42	6
7d	273	37
30d	1.4k	193

Playback	Listens	Hours
48h	5	32m
7d	0	0m
30d	16	5

3:10:50

1 tape

2/27SBD

Goleta, CA, USA

274

Playback	Listens	Hours
48h	22	3
7d	44	5
30d	274	32

San Bernardino, CA, USA

4.4k

Playback	Listens	Hours
48h	387	52
7d	795	109
30d	4.4k	596

5:39:22

Studio (Terrapin Station Outtakes)

2/20SBD

Novato, CA

105

Playback	Listens	Hours
48h	0	0m
7d	3	15m
30d	105	14

Playback	Listens	Hours
48h	1	5m
7d	63	7
30d	273	32

1:16:53

3 tapes

Sources

Taper: Betty Cantor

Source & Transfer by Anonymous;Edited & Mastered using Adobe Audition by Joe Noel

gd1977-05-08.148737.SBD.Betty.Anon.Noel.t-flac2448

Source: Betty Cantor's SBD Reel Master > PCM (undecoded) > DAT via spdif/Sony PCM601esd > wav file via spdif/RME multiface > Wave 24/48 (decoded) > Myteck Stereo DAC96 > DBX150X > Korg MR2000 > WAV 24/48

gd1977-05-08.mtx.seamons.97274.sbeok.flac16

View Notespatch info:
- shnid 137569 supplies
- s1t01; start - 01:00
- s1t08; 03:18 - end
- s1t09; start - 00:25
- s2t10; 04:36 - end

Notes:
- Thanks to anonymous, for sharing this source while hiding out away from the Bay Area
- Thanks to dusborne for his work on the matrix

Transferrer: Hunter Seamons

Matrix mix (SBD/AUD)

View Notes----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)

Source 3 of 23

1:03:29

SBD

gd1977-05-08.sbd.cube.87486.flac16

Transferrer: Dan Haugh

gd1977-05-08.mtx.dan.35086.flac24

DVD-A 24/96 SBD+AUD1+AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

gd77-05-08.sbd.hicks.4982.sbeok.shnf

View Notes---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital 
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on 
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > 
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam 
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, 
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch 
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob 
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit 
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > 
First Gen Reel > Played directly to hard drive > CDR > SHN 

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.   CEP2.0 used to adjust 
the volume for the SBD & both AUDs. CEP was used to do the 
multitrack mixdown to 24/96.  This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  DiscWelder was used to author and create the 
DVD-Audio in 24/96.  DVD Decryptor read and created the ISO 
image file.  This incorporates 2 channels of 24/96 wave files.     
- Mixed by [email protected]
- FLAC conversion 08-MAY-2005  
- Artwork by [email protected] 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double DVD case.

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

This represents the 24 bit files that are the result of all 
my editing and the multitrack mixdown. It is unclear exactly 
what we have in the way of high resolution. However it seems 
there is agreement that what we have cannot be represented 
accurately in 16/44. What you are getting is the full result 
of the matrix mix process. How much different does this sound? 
is this better? A little and yes. This is more accurate and 
has more dynamic range.  24/96 resolution versus a 16/44 of 
the same material will usually result in very subtle but 
important differences.  Most of it relying on the quality of
the DVD-A player and the D to A conversion.  With that in 
mind, this 24 bit copy is no different.  Small but important 
gains over the same material in 16/44.  This is just one 
man's take.  Take it or leave it.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

---------------------------------------------------------

Burning Instructions A & B

A. Use DVD Decryptor or similar program to burn as an image 
file (ISO) onto a DVDR.  Enjoy.

B. This may also circulate as 2 channel FLAC files and will
require assembly.  Included is the discwelder file. If you 
use that program, decode all the FLAC file and stick them in 
a folder. Click on the DiscWelder file (which will open 
DiscWelder) and point it towards that folder with the wave 
files and VIOLA! DVD-A pre-assembled and ready to author.

---------------------------------------------------------

Taper: Steve Maizner

Matrix (see notes)

gd1977-05-08.sbd.cantor.sacks.266.shnf

View Notesfreshly remastered Betty Board with AUD splices, by Rob Eaton;

Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

Audience Portion -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive.  The excellent aud splices were normalized and patched using ProTools by Karen Hicks 

Taper: Betty Cantor

WBOTB Source -- 7" two track BBD reel encoded w/ DBX-1 noise reduction @ 7 1/2 ips > Sony PCM501ES @ 44.055 kHz. Sony PCM501ES analog out > DBX-1 decoder > analog in PCM501ES. PCM501ES analog out > Fostex D5 @ 48 kHz>DATs>ZA2>CDRs>EAC>SHN

Charlie Miller;Rob Berger

View NotesAudience Splices -- Teddy Goodbear's Panasonic AM/FM Stereo 'boom box' (w/condenser mics) > CM (Cassette Master) > various equalizers & editors > CD

Taper: Jerry Moore

gd1977-05-08.ecm33p.moore.berger.miller.117027.flac24

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above); 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Jerry Moore

Charlie Miller, Rob Berger

gd1977-05-08.ecm33p.moore.berger.miller.117026.flac16

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac; encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Recording by Rich Petrunis.

Recording by Rich Petrunis.

Transferrer:

Transferred by Andrew F. 04/2021

gd1977-05-08.152379.aud.petrunis.flac2448

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.

View NotesNote: Most of the stand-alone tracks clip-in abruptly with small
amounts missing. Noted flaws: The tape broke, causing drop-outs
at Lazy Lightning 4:01 and Brown Eyed Women 3:33. Supplication
cuts-out near the end. Taper got disrupted or lowered the mic in
Row Jimmy 8:41 > 9:01. Small gaps in Dancing in the Street mended
together at 0:18 & 14:32. Tape-flip start of Not Fade Away 0:33.
With thanks to John and Rich Petrunis for sharing their tapes!

Transferrer: Matrix by Dave Usborne

2:56:25

Transferrer:

gd1977-05-08.137572.mtx-2aud.dusborne.flac16

2 Source Matrix by Dusborne; Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011, mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137571.mtx-2aud.dusborne.flac24

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC; MC>CDR>EAC>WAV>FLAC,Recording And Transfer: Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137570.mtx.dusborne.flac16

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster);Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC, Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

3:02:47

REMASTER

Transferrer:

gd1977-05-08.137569.mtx.dusborne.flac24

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster); Audience 1 (shnid:117027)source: aud taped by Jerry Moore a) cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b) Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b) The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303)Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Taper: Jim Cooper

gd1977-05-08.134093.aud.cooper.berger.flac24

source: aud cassette master; taped by Jim Cooper; sony ecm22p > hitachi trq232; nakamichi dragon > benchmark ADC1 24/96 > tascam hd-p2, compact flash > mac > adobe audition CC > xACT flac; transferred and seeded by Rob Berger

Transferrer: Hunter Seamons

gd1977-05-08.111493.mtx.seamons.sbeok.flac16

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); this source fixes a flaw in d1t08 from <a href="http://db.etree.org/shn/97274">source ID 97274</a>

DTS and Matrixing by Dan Haugh

View Notes1) Warning: this might steal your face - the sound is impeccable, thanks to truly excellent sources for a matrix.


Jerry Garcia - Lead Guitar, Vocals
Donna Jean Godchaux - Vocals
Keith Godchaux - Keyboards
Mickey Hart - Drums
Bill Kreutzmann - Drums
Phil Lesh - Electric Bass, Vocals
Bob Weir - Rhythm Guitar, Vocals



*40th Matrix* 

----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 

I removed a "click" sound I mistakenly added to the AUD-only portion of Supplication at 0:06. I fixed this by patching in the unscathed AUD there, rather than using a de-clicker filter. This "click" had always driven me nuts and warranted a fixing.

Thank you for your continued patience and support.

-Hunter

February 14, 2010

Taper: See info file

gd1977-05-08.mtx.dts.dan.30756.flac16

View NotesTech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.  CEP2.0 used to adjust the 
volume for both AUDs, matrix/CTR and LFE channels.  Surcode 
CD Pro DTS was used to encode to DTS. The center matrix track 
is a 60% SBD, 40% AUD2 mix.   
- Mixed by [email protected]
- FLAC conversion 08-MAY-2005  
- Artwork by [email protected] 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

DTS-Audio-CD Info

Front  	
Left Channel SBD Reel 
Right Channel SBD Reel

Center 	
Mixed to mono -6db SBD+AUD2 Matrix 

Surround 
Left Channel -2db AUD1 (with some AUD2 patches)
Right Channel -2db AUD1 (with some AUD2 patches)

Sub/LFE
Mixed to mono -4db SBD Reel

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you 
didn't really read the text file, did you?  

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel 
sound, like DTS and Dolby Digital.  While the Audio-CD 
standard (Red Book) hasn't changed to accommodate these 
new sound formats, it is still possible to go around the 
specification and to put a 5.1 surround recording on a 
regular Audio-CD.  To play a DTS-Audio-CD you must connect 
your DVD/CD player via a digital cable (optical or coaxial) 
to your DTS Dolby-Digital receiver. It is not 100% sure 
that your receiver will recognize a DTS-Audio CD, so the 
first time you're trying to playback a DTS-Audio-CD you 
must do a test to determine if it can. Begin with the 
volume very low, start the disc and raise the volume 
gradually. NEVER listen to a DTS-Audio-CD through the 
analog audio outputs of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any 
normal Audio-CD from FLAC files.

Taper: See info file

Matrixing by Dan Haugh

gd1977-05-08.mtx.dan.29511.flac16

View NotesSBD + AUD1 + AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) >
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster)

AUD1
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B,
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master >
First Gen Reel > Played directly to hard drive > CDR > SHN

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch the SBD & both AUD sources.   CEP2.0 used to adjust the
volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  
- Mixed by [email protected]
- FLAC conversion 08-MAY-2005  
- Artwork by [email protected] 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a
fake AUD recording by mixing crowd cheer with the SBD. This
was effective at creating patches for the rear channels in
the 5.1 presentation but also maintained a smooth quality in
the stereo matrix mix as well.  These patches are numerous
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources
to pull up the vocals and give the center channel a unique
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo
field moves.  The result, although not perfect, I think
provides the listener with a more enjoyable and natural
listening experience.  Maybe you disagree.  For those of you
who would rather have a patch using a matrix mix of the 2 AUD
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 -
43:16.362.  This was patched using a matrix mix of the 2 AUD
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is
still pretty good.  The switch back to SBD is actually
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you
didn't really read the text file, did you?

Taper: Jeff Stevenson

gd1977-05-08.shure57.stevenson.29303.flac16

Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC

MC>CDR>EAC>WAV>FLAC

Rob Berger and Chris Larson

View NotesNotes:10 Feet From Stage=Great Instrement Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many,Tape Filp After D01T08,D03T03
Flip Durning NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's 
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
if Anyone Wants To  Matrix This Feel Free, I'd Love To Hear It!

Transferrer: Rob Berger and Chris Larson

gd1977-05-08.aud.moore.berger.28354.flac16

MAC>R>CD

Rob Berger and Sean Cribbs

View NotesJerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

Taper: Jerry Moore

gd1977-05-08.aud.moore.cribbs.28301.shnf

MAC>R>CD

gd77-05-08.matrix.dan.26857.sbeok.flacf

View NotesMAC>R>CD
Audience Recording by Jerry Moore

Jerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

EAC>WAV>SHN encoding by Sean Cribbs 2/19/2005.

Transferrer: Dan

Matrix - 3 Sources

gd77-05-08.dts.dan.26856.sbeok.flacf

View NotesSBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN 

Tech Notes: 

SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave.  CEP2.0 was used to align & synch the SBD & both AUD sources.   CEP2.0 used to adjust the volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1, 20% AUD2 mix.  

- Mixed by [email protected]
- FLAC conversion 08-MAY-2005  
- Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case.

Notes: 

I looked at the 4 pages of notes I had on this project and it made me sick to think about typing them up.  So, although not complete, you will get a good idea of what was done to bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both AUD recordings suffered from btwn song pauses that not only cut the crowd cheer out but clipped the beginning of many songs. The 2 AUD source coverage allowed my to patch 1 with the other in some situations.  A couple spots I created a fake AUD recording by mixing crowd cheer with the SBD. This was effective at creating patches for the rear channels in the 5.1 presentation but also maintained a smooth quality in the stereo matrix mix as well.  These patches are numerous and I think completely smooth and most likely undetectable.

d1t01 The first 16.041 seconds of Minglewood blues was cut on the SBD.  Starting this monster project with an unrecoverable flaw was unacceptable to me.  I decided to patch that opening portion with a SBD and AUD recording from 5-7-77.  As this patch ends you will hear some slight phasing as the stereo field moves.  The result, although not perfect, I think provides the listener with a more enjoyable and natural listening experience.  Maybe you disagree.  For those of you who would rather have a patch using a matrix mix of the 2 AUD sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 43:16.362.  This was patched using a matrix mix of the 2 AUD sources and then EQ'ed to best match the sound spectrum of the SBD.  I also tried to match the volume on the SBD.  A switch in sources is obvious to the listener but this is still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418. This was fixed using a quick channel swap.   This is smooth and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you didn't really read the text file, did you?

Source 22 of 23

<b>DTS Audio 5.1</b>: Soundboard (Betty Board) > Master 7

gd77-05-08.maizner.hicks.5002.sbeok.shnf

View Notes<b>Lossies (including stream version) removed because 5.1 channel files do not properly encode to 2 channel MP3's - the result is static.</b>

<b>DTS Audio 5.1</b>: SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT> DAT> Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD (Steve Maizner) > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN; see pub comments re additional reflac version

Taper: Steve Maizner

Audience - Sony ECM-990

Sony ECM-990 > Sony TC-152 (aud master) > First Gen Reel > played directly to hard drive