Mama Tried | 1977-05-08 | Grateful Dead

Bernie Worrell and the WOO Warriors

Playback	Listens	Hours
48h	6	24m
7d	0	0m
30d	76	11

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	0	0m
7d	1	11m
30d	22	3

Playback	Listens	Hours
48h	51	7
7d	21	4
30d	332	45

Playback	Listens	Hours
48h	80	11
7d	351	45
30d	2.3k	299

Playback	Listens	Hours
48h	6.1k	622
7d	16.1k	1.6k
30d	90.2k	9k

Playback	Listens	Hours
48h	55	5
7d	201	15
30d	1.7k	120

62 shows

76 tapes

Blueground Undergrass

Playback	Listens	Hours
48h	2	3m
7d	3	19m
30d	59	7

Playback	Listens	Hours
48h	208	23
7d	323	37
30d	2.2k	249

1,226 shows

1,775 tapes

Bob Weir

Playback	Listens	Hours
48h	236	32
7d	1.2k	170
30d	6k	791

308 shows

512 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	3

22 shows

28 tapes

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	2	35m
30d	8	2

Playback	Listens	Hours
48h	47	9
7d	295	50
30d	962	162

451 shows

563 tapes

Buffalo Galaxy

Playback	Listens	Hours
48h	0	0m
7d	8	60m
30d	41	5

Playback	Listens	Hours
48h	80	8
7d	265	28
30d	1.3k	126

Playback	Listens	Hours
48h	151	16
7d	222	21
30d	876	90

Playback	Listens	Hours
48h	4	8m
7d	33	2
30d	449	27

Playback	Listens	Hours
48h	18	3
7d	25	4
30d	264	35

Playback	Listens	Hours
48h	28	2
7d	42	3
30d	270	18

243 shows

272 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	4	1

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	0	0m
7d	2	21m
30d	17	2

Playback	Listens	Hours
48h	6	46m
7d	35	3
30d	100	10

79 shows

93 tapes

Circles Around The Sun

1.5k

Playback	Listens	Hours
48h	137	27
7d	229	48
30d	1.5k	304

Playback	Listens	Hours
48h	0	0m
7d	37	8
30d	412	79

Playback	Listens	Hours
48h	74	6
7d	36	3
30d	420	35

Playback	Listens	Hours
48h	27	4
7d	73	11
30d	569	85

Playback	Listens	Hours
48h	149	19
7d	751	104
30d	4.5k	617

Playback	Listens	Hours
48h	321	43
7d	1k	147
30d	5.6k	779

794 shows

1,053 tapes

Dave Harrington

Playback	Listens	Hours
48h	0	0m
7d	1	20m
30d	18	5

Playback	Listens	Hours
48h	32	3
7d	67	6
30d	188	18

Playback	Listens	Hours
48h	3.1k	501
7d	7k	1.1k
30d	40.7k	6.5k

Playback	Listens	Hours
48h	45	5
7d	18	2
30d	112	11

Playback	Listens	Hours
48h	119	7
7d	190	11
30d	1.4k	87

398 shows

605 tapes

Derek Trucks Band

Playback	Listens	Hours
48h	117	13
7d	311	38
30d	2k	239

Playback	Listens	Hours
48h	681	151
7d	2.4k	508
30d	13.7k	2.9k

Playback	Listens	Hours
48h	10	1
7d	45	5
30d	238	25

Playback	Listens	Hours
48h	210	32
7d	707	106
30d	3.5k	535

155 shows

209 tapes

Domocile

Playback	Listens	Hours
48h	0	0m
7d	18	4
30d	89	22

Playback	Listens	Hours
48h	121	14
7d	240	26
30d	1.8k	173

Playback	Listens	Hours
48h	0	0m
7d	71	11
30d	298	48

Playback	Listens	Hours
48h	137	12
7d	690	62
30d	3.1k	275

Playback	Listens	Hours
48h	25	5
7d	43	8
30d	549	96

Playback	Listens	Hours
48h	3	25m
7d	26	3
30d	154	20

Playback	Listens	Hours
48h	80	12
7d	289	49
30d	1.9k	302

150 shows

288 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	11	2

Playback	Listens	Hours
48h	69	8
7d	335	45
30d	2.4k	344

830 shows

1,049 tapes

Electric Beethoven

Playback	Listens	Hours
48h	0	0m
7d	2	2
30d	37	12

Playback	Listens	Hours
48h	45	2
7d	104	6
30d	729	41

Playback	Listens	Hours
48h	4	48m
7d	34	5
30d	131	17

121 shows

180 tapes

Everyone Orchestra

Playback	Listens	Hours
48h	0	0m
7d	4	51m
30d	65	14

182 shows

286 tapes

Forgotten Space

Playback	Listens	Hours
48h	1	5m
7d	4	23m
30d	77	10

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	5	54m

Playback	Listens	Hours
48h	2	17m
7d	37	4
30d	301	35

Playback	Listens	Hours
48h	0	0m
7d	10	38m
30d	243	15

Playback	Listens	Hours
48h	0	0m
7d	6	32m
30d	166	13

Playback	Listens	Hours
48h	9	38m
7d	25	2
30d	190	12

Playback	Listens	Hours
48h	748	115
7d	1.3k	209
30d	9.9k	1.6k

246 shows

1,221 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	11m

14 shows

15 tapes

G. Love and Special Sauce

604

Playback	Listens	Hours
48h	28	3
7d	83	7
30d	604	53

Playback	Listens	Hours
48h	77	9
7d	147	18
30d	1.1k	124

397 shows

476 tapes

Garage A Trois

Playback	Listens	Hours
48h	0	0m
7d	37	5
30d	99	14

Playback	Listens	Hours
48h	0	0m
7d	69	15
30d	323	68

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	0	0m
7d	5	28m
30d	10	2

Playback	Listens	Hours
48h	0	0m
7d	17	5
30d	131	26

Playback	Listens	Hours
48h	56	7
7d	115	13
30d	833	97

370 shows

499 tapes

Godspeed You Black Emperor!

381

Playback	Listens	Hours
48h	25	7
7d	119	33
30d	381	98

Playback	Listens	Hours
48h	0	0m
7d	23	3
30d	223	29

Playback	Listens	Hours
48h	2.2k	447
7d	6k	1.2k
30d	36.4k	7.4k

Playback	Listens	Hours
48h	25	2
7d	21	2
30d	244	22

363 shows

589 tapes

Grahame Lesh and Friends

2.7k

Playback	Listens	Hours
48h	167	25
7d	314	44
30d	2.7k	388

34 shows

109 tapes

Grampas Grass

Playback	Listens	Hours
48h	12	2
7d	12	2
30d	19	3

58 shows

69 tapes

Greensky Bluegrass

Playback	Listens	Hours
48h	413	48
7d	1.3k	150
30d	6k	675

Playback	Listens	Hours
48h	59	6
7d	142	17
30d	892	98

226 shows

313 tapes

GrooveSession

Playback	Listens	Hours
48h	0	0m
7d	6	1
30d	21	3

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	0	0m
7d	14	54m
30d	32	2

53 shows

57 tapes

Guitarmageddon

Playback	Listens	Hours
48h	0	0m
7d	10	1
30d	22	3

Playback	Listens	Hours
48h	10	37m
7d	75	5
30d	382	27

749 shows

1,030 tapes

Hard Working Americans

218

Playback	Listens	Hours
48h	0	0m
7d	18	3
30d	218	22

Playback	Listens	Hours
48h	34	5
7d	95	16
30d	399	65

187 shows

226 tapes

Horseshoes and Hand Grenades

Playback	Listens	Hours
48h	9	46m
7d	0	0m
30d	22	2

Playback	Listens	Hours
48h	16	2
7d	40	4
30d	209	22

674 shows

846 tapes

Infamous Stringdusters

1.9k

Playback	Listens	Hours
48h	106	9
7d	275	25
30d	1.9k	172

629 shows

1,016 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	71	13

Playback	Listens	Hours
48h	409	26
7d	729	47
30d	5.6k	363

Playback	Listens	Hours
48h	8	45m
7d	38	3
30d	282	27

364 shows

491 tapes

Jazz Mandolin Project

151

Playback	Listens	Hours
48h	2	1
7d	12	2
30d	151	22

221 shows

278 tapes

Jeff Austin and Chris Castino

Playback	Listens	Hours
48h	0	0m
7d	26	2
30d	86	8

12 shows

14 tapes

Jeff Austin And Friends

Playback	Listens	Hours
48h	43	4
7d	17	2
30d	96	9

Playback	Listens	Hours
48h	82	11
7d	305	39
30d	969	118

112 shows

162 tapes

Jerry Joseph and the Jackmormons

2.9k

Playback	Listens	Hours
48h	152	26
7d	584	95
30d	2.9k	469

1,124 shows

1,519 tapes

Jerry's Middle Finger

4.8k

Playback	Listens	Hours
48h	264	37
7d	782	108
30d	4.8k	685

255 shows

306 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	0	0m
7d	2	23m
30d	25	3

2 shows

Karl Denson's Tiny Universe

Joe Russo's Almost Dead

41.7k

Playback	Listens	Hours
48h	3.5k	656
7d	7k	1.3k
30d	41.7k	7.9k

Playback	Listens	Hours
48h	54	5
7d	74	8
30d	472	55

Playback	Listens	Hours
48h	220	19
7d	516	46
30d	2.3k	209

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	0	0m
7d	10	40m
30d	37	4

Playback	Listens	Hours
48h	42	3
7d	44	3
30d	161	13

Playback	Listens	Hours
48h	15	1
7d	4	28m
30d	195	19

73 shows

108 tapes

202

Playback	Listens	Hours
48h	0	0m
7d	31	5
30d	202	27

Playback	Listens	Hours
48h	390	36
7d	769	70
30d	4.6k	449

Playback	Listens	Hours
48h	0	0m
7d	3	23m
30d	148	20

43 shows

54 tapes

King Gizzard & the Lizard Wizard

15.6k

Playback	Listens	Hours
48h	1.1k	138
7d	3.1k	409
30d	15.6k	2.1k

Playback	Listens	Hours
48h	144	19
7d	312	42
30d	1.7k	235

315 shows

400 tapes

Kung Fu

Playback	Listens	Hours
48h	13	2
7d	10	1
30d	93	13

Playback	Listens	Hours
48h	29	6
7d	183	37
30d	908	173

Playback	Listens	Hours
48h	17	2
7d	174	21
30d	1.2k	140

Playback	Listens	Hours
48h	161	15
7d	784	68
30d	3.8k	345

Playback	Listens	Hours
48h	172	34
7d	458	93
30d	3.2k	568

Playback	Listens	Hours
48h	377	34
7d	1.1k	103
30d	6.1k	567

Playback	Listens	Hours
48h	182	13
7d	177	14
30d	1.4k	108

795 shows

955 tapes

Lotus

Playback	Listens	Hours
48h	67	9
7d	162	31
30d	1k	184

436 shows

618 tapes

Marco Benevento

Playback	Listens	Hours
48h	0	0m
7d	12	1
30d	98	11

Playback	Listens	Hours
48h	130	11
7d	387	41
30d	2.2k	216

Playback	Listens	Hours
48h	30	3
7d	43	5
30d	186	21

349 shows

446 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

16 shows

23 tapes

Max Creek

Playback	Listens	Hours
48h	303	43
7d	890	133
30d	5k	800

Playback	Listens	Hours
48h	52	3
7d	62	4
30d	364	20

Playback	Listens	Hours
48h	7	34m
7d	33	3
30d	143	15

157 shows

172 tapes

Minutemen

Playback	Listens	Hours
48h	4	6m
7d	11	16m
30d	43	1

Playback	Listens	Hours
48h	34	2
7d	250	17
30d	1.5k	102

Playback	Listens	Hours
48h	530	82
7d	1.5k	246
30d	10.3k	1.7k

1,978 shows

4,443 tapes

Mogwai

Playback	Listens	Hours
48h	0	0m
7d	2	15m
30d	83	9

380 shows

481 tapes

Moon Taxi

Playback	Listens	Hours
48h	25	2
7d	5	25m
30d	51	4

Playback	Listens	Hours
48h	421	42
7d	907	95
30d	5.1k	518

410 shows

596 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	28	2

46 shows

51 tapes

Neal Francis

Playback	Listens	Hours
48h	9	1
7d	18	2
30d	83	8

Playback	Listens	Hours
48h	14	3
7d	143	19
30d	845	113

137 shows

249 tapes

Nels Cline

Playback	Listens	Hours
48h	0	0m
7d	8	2
30d	8	2

62 shows

73 tapes

New Riders of the Purple Sage

1.9k

Playback	Listens	Hours
48h	140	12
7d	264	23
30d	1.9k	161

410 shows

596 tapes

North Mississippi Allstars

1.4k

Playback	Listens	Hours
48h	126	13
7d	218	22
30d	1.4k	145

Playback	Listens	Hours
48h	31	4
7d	132	16
30d	890	96

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	12m

Playback	Listens	Hours
48h	11	2
7d	29	5
30d	110	19

Playback	Listens	Hours
48h	4	30m
7d	30	4
30d	139	20

Playback	Listens	Hours
48h	59	13
7d	353	67
30d	1.7k	304

689 shows

920 tapes

Phil Lesh and Friends

16.9k

Playback	Listens	Hours
48h	1.1k	186
7d	2.7k	473
30d	16.9k	3k

788 shows

2,858 tapes

Pigeons Playing Ping Pong

1.7k

Playback	Listens	Hours
48h	192	26
7d	357	56
30d	1.7k	275

321 shows

461 tapes

Pink Talking Fish

Playback	Listens	Hours
48h	318	43
7d	745	103
30d	4k	521

293 shows

435 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	12m

Playback	Listens	Hours
48h	225	28
7d	740	96
30d	3.9k	500

1,236 shows

2,196 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	3	13m
30d	27	2

Playback	Listens	Hours
48h	27	3
7d	63	8
30d	407	54

Playback	Listens	Hours
48h	477	67
7d	1.1k	147
30d	7.1k	939

Playback	Listens	Hours
48h	35	3
7d	407	31
30d	1.3k	104

Playback	Listens	Hours
48h	157	14
7d	314	26
30d	1.4k	121

Playback	Listens	Hours
48h	102	9
7d	368	34
30d	2.4k	208

581 shows

729 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	19	5

10 shows

Ted Leo and the Pharmacists

Ryley Walker

Playback	Listens	Hours
48h	0	0m
7d	2	43m
30d	18	2

Playback	Listens	Hours
48h	317	29
7d	823	75
30d	3.8k	356

128 shows

192 tapes

Scott Metzger

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	93	11

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	10	1
7d	43	5
30d	44	5

28 shows

28 tapes

Sigur Rós

Playback	Listens	Hours
48h	4	21m
7d	2	24m
30d	44	5

Playback	Listens	Hours
48h	94	7
7d	292	23
30d	1.7k	141

Playback	Listens	Hours
48h	215	35
7d	424	66
30d	2.6k	426

Playback	Listens	Hours
48h	103	25
7d	255	57
30d	1.1k	270

Playback	Listens	Hours
48h	53	3
7d	44	2
30d	275	16

87 shows

95 tapes

Stanton Moore

Playback	Listens	Hours
48h	0	0m
7d	3	27m
30d	21	3

Playback	Listens	Hours
48h	18	5
7d	87	15
30d	844	130

Playback	Listens	Hours
48h	86	20
7d	361	77
30d	1.8k	383

Playback	Listens	Hours
48h	77	10
7d	200	28
30d	2.4k	316

667 shows

1,139 tapes

String Cheese Incident

18.1k

Playback	Listens	Hours
48h	1.4k	236
7d	3.6k	595
30d	18.1k	2.9k

1,281 shows

2,073 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	0	0m
7d	1	8m
30d	47	5

Playback	Listens	Hours
48h	17	3
7d	16	3
30d	201	36

Playback	Listens	Hours
48h	14	2
7d	47	6
30d	214	28

Playback	Listens	Hours
48h	28	3
7d	179	20
30d	815	85

727 shows

1,114 tapes

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	884	106
7d	2.3k	283
30d	13.8k	1.7k

Playback	Listens	Hours
48h	12	36m
7d	34	2
30d	221	10

Playback	Listens	Hours
48h	118	14
7d	471	58
30d	2.2k	267

Playback	Listens	Hours
48h	29	3
7d	101	16
30d	409	65

473 shows

627 tapes

The California Honeydrops

627

Playback	Listens	Hours
48h	24	3
7d	77	9
30d	627	78

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	21	4

Playback	Listens	Hours
48h	130	20
7d	423	59
30d	2.8k	398

Playback	Listens	Hours
48h	3	32m
7d	33	3
30d	402	34

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	0	0m
7d	11	57m
30d	24	3

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	2	10m
7d	5	23m
30d	21	2

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	14	2

Playback	Listens	Hours
48h	92	15
7d	44	8
30d	408	70

Playback	Listens	Hours
48h	1	1m
7d	38	4
30d	139	16

Playback	Listens	Hours
48h	106	7
7d	355	20
30d	952	59

Playback	Listens	Hours
48h	33	2
7d	116	8
30d	1.4k	103

Playback	Listens	Hours
48h	15	3
7d	20	5
30d	331	66

Playback	Listens	Hours
48h	40	4
7d	172	18
30d	981	100

Playback	Listens	Hours
48h	95	14
7d	316	45
30d	1.8k	270

Playback	Listens	Hours
48h	439	40
7d	1.1k	113
30d	6.8k	680

1,451 shows

1,648 tapes

The Walkmen

Playback	Listens	Hours
48h	0	0m
7d	3	12m
30d	66	6

18 shows

19 tapes

The War on Drugs

Playback	Listens	Hours
48h	77	9
7d	122	12
30d	1k	107

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	1	9m
7d	3	39m
30d	10	2

Playback	Listens	Hours
48h	98	9
7d	195	27
30d	1.3k	136

Playback	Listens	Hours
48h	54	4
7d	168	11
30d	955	65

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	14	1
30d	44	4

Playback	Listens	Hours
48h	373	51
7d	1.5k	229
30d	7.5k	1.1k

464 shows

464 tapes

Turkuaz

Playback	Listens	Hours
48h	3	15m
7d	16	2
30d	66	6

Playback	Listens	Hours
48h	117	18
7d	286	50
30d	1.8k	289

Playback	Listens	Hours
48h	306	46
7d	839	121
30d	5.3k	787

Playback	Listens	Hours
48h	11	54m
7d	44	4
30d	383	32

Playback	Listens	Hours
48h	67	4
7d	299	23
30d	1.8k	130

Playback	Listens	Hours
48h	800	68
7d	2.3k	192
30d	14.2k	1.2k

622 shows

1,136 tapes

White Denim

Playback	Listens	Hours
48h	5	21m
7d	2	8m
30d	63	5

Playback	Listens	Hours
48h	8.3k	988
7d	24.2k	2.9k
30d	142.1k	16.8k

Playback	Listens	Hours
48h	51	7
7d	134	18
30d	865	120

1,416 shows

2,242 tapes

Yonder Mountain String Band

11.4k

Playback	Listens	Hours
48h	470	43
7d	1.9k	180
30d	11.4k	1.1k

Playback	Listens	Hours
48h	108	16
7d	440	63
30d	998	148

18 shows

24 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	4m

Playback	Listens	Hours
48h	114	20
7d	408	73
30d	1.7k	301

461 shows

665 tapes

Zoofunkyou

Playback	Listens	Hours
48h	0	0m
7d	1	9m
30d	18	3

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	435	59
7d	1.5k	203
30d	30.1k	4.2k

Playback	Listens	Hours
48h	2.1k	349
7d	3.8k	486
30d	10.8k	1.5k

Playback	Listens	Hours
48h	2.4k	308
7d	7.5k	975
30d	40k	5.3k

Playback	Listens	Hours
48h	2.5k	344
7d	7.8k	1k
30d	42.8k	5.7k

Playback	Listens	Hours
48h	2.8k	372
7d	11.5k	1.5k
30d	41.4k	5.6k

Playback	Listens	Hours
48h	2.8k	371
7d	18.7k	2.3k
30d	48.6k	6.3k

Playback	Listens	Hours
48h	2.8k	350
7d	7k	865
30d	49.2k	6.1k

Playback	Listens	Hours
48h	1.4k	168
7d	3.1k	361
30d	20.7k	2.4k

Playback	Listens	Hours
48h	7.4k	928
7d	7.6k	852
30d	36.9k	4k

Playback	Listens	Hours
48h	926	105
7d	2.3k	260
30d	12.3k	1.4k

Playback	Listens	Hours
48h	2.4k	281
7d	4.4k	507
30d	23.2k	2.7k

Playback	Listens	Hours
48h	4.9k	575
7d	9.7k	1.1k
30d	23.2k	2.9k

Playback	Listens	Hours
48h	1.3k	162
7d	3.3k	441
30d	22k	2.9k

Playback	Listens	Hours
48h	1.5k	193
7d	3.3k	407
30d	42.2k	5.2k

Playback	Listens	Hours
48h	1.9k	232
7d	4.9k	608
30d	42k	5.3k

Playback	Listens	Hours
48h	8.6k	1k
7d	12.1k	1.4k
30d	68.1k	7.9k

Playback	Listens	Hours
48h	1.5k	208
7d	4.1k	581
30d	21.5k	3k

Playback	Listens	Hours
48h	1.9k	256
7d	4.8k	658
30d	44.4k	6k

Playback	Listens	Hours
48h	9.6k	1.3k
7d	37.8k	5.2k
30d	282.2k	39k

Playback	Listens	Hours
48h	10.7k	1.4k
7d	35.8k	4.8k
30d	81.7k	11k

Playback	Listens	Hours
48h	441	44
7d	991	101
30d	6.4k	660

Playback	Listens	Hours
48h	3.9k	483
7d	13.4k	1.8k
30d	93.2k	11.8k

Playback	Listens	Hours
48h	4.8k	632
7d	19.4k	2.6k
30d	89.5k	11.5k

Playback	Listens	Hours
48h	2.8k	365
7d	6k	757
30d	66k	8k

Playback	Listens	Hours
48h	1.8k	193
7d	4.2k	474
30d	33.8k	3.9k

Playback	Listens	Hours
48h	1.8k	212
7d	4.7k	530
30d	41k	4.4k

Playback	Listens	Hours
48h	1.6k	242
7d	3.9k	578
30d	27.7k	4.1k

Playback	Listens	Hours
48h	785	96
7d	1.7k	227
30d	7.6k	951

Playback	Listens	Hours
48h	109	15
7d	333	45
30d	1.7k	226

23 shows

55 tapes

1966

Playback	Listens	Hours
48h	223	17
7d	953	60
30d	8k	536

Playback	Listens	Hours
48h	34	2
7d	103	7
30d	627	37

1977

Playback	Listens	Hours
48h	1	2
7d	1	2
30d	10	15

488

Playback	Listens	Hours
48h	22	3
7d	32	6
30d	488	76

401

Playback	Listens	Hours
48h	33	5
7d	72	11
30d	401	63

744

Playback	Listens	Hours
48h	40	5
7d	141	16
30d	744	92

565

Playback	Listens	Hours
48h	13	2
7d	81	10
30d	565	67

Playback	Listens	Hours
48h	119	14
7d	193	23
30d	1k	126

2:52:12

Community War Memorial Auditorium

11/05SBD

Rochester, NY, USA

696

Playback	Listens	Hours
48h	20	3
7d	94	11
30d	696	83

2:57:39

6 tapes

11/04SBD

Cotterrell Gym, Colgate U.

Hamilton, NY, USA

718

Playback	Listens	Hours
48h	79	10
7d	65	8
30d	718	89

3:03:06

Field House, Seneca College

11/02SBD

Toronto, Ontario, Canada

337

Playback	Listens	Hours
48h	11	1
7d	78	10
30d	337	45

Playback	Listens	Hours
48h	16	2
7d	31	4
30d	218	29

2:29:26

2 tapes

10/30SBD

Assembly Hall, Indiana U

Bloomington, IN, USA

319

Playback	Listens	Hours
48h	0	0m
7d	57	7
30d	319	42

2:37:00

Field House, Northern Illinois U.

10/29SBD

De Kalb, IL, USA

Playback	Listens	Hours
48h	86	13
7d	146	21
30d	1k	137

3:20:06

Soldiers' and Sailors' Memorial Hall

10/28SBD

Kansas City, KS, USA

162

Playback	Listens	Hours
48h	4	32m
7d	5	35m
30d	162	23

3:00:28

6 tapes

10/16SBD

Assembly Center, Lousiana State U

Baton Rouge, LA, USA

467

Playback	Listens	Hours
48h	25	4
7d	147	22
30d	467	69

2:39:05

Lloyd Noble Center, U. of Oklahoma

10/15SBD

Moody Coliseum, S.M.U

Dallas, TX, USA

170

Playback	Listens	Hours
48h	3	28m
7d	14	2
30d	170	23

Playback	Listens	Hours
48h	43	6
7d	156	21
30d	491	69

Playback	Listens	Hours
48h	21	2
7d	19	2
30d	139	15

2:34:16

4 tapes

10/11SBD

Norman, OK, USA

324

Playback	Listens	Hours
48h	30	4
7d	82	12
30d	324	47

2:37:06

Activity Center. Arizona State U

10/09SBD

McNichols Sports Arena

Denver, CO, USA

454

Playback	Listens	Hours
48h	5	47m
7d	88	11
30d	454	60

Playback	Listens	Hours
48h	6	1
7d	13	3
30d	143	23

1:26:51

4 tapes

10/06SBD

Tempe, AZ, USA

464

Playback	Listens	Hours
48h	156	22
7d	208	30
30d	464	66

Playback	Listens	Hours
48h	84	11
7d	308	39
30d	1.1k	141

Playback	Listens	Hours
48h	31	4
7d	89	11
30d	552	67

2:43:45

Paramount Northwest Theater

9/29SBD

Seattle, WA, USA

410

Playback	Listens	Hours
48h	18	3
7d	29	5
30d	410	66

2:53:08

Paramount Northwest Theater

9/28SBD

Seattle, WA, USA

233

Playback	Listens	Hours
48h	22	3
7d	32	4
30d	233	32

Playback	Listens	Hours
48h	196	27
7d	295	41
30d	2.2k	296

13.5k

Playback	Listens	Hours
48h	1.1k	143
7d	11.1k	1.4k
30d	13.5k	1.7k

7.6k

Playback	Listens	Hours
48h	274	44
7d	6.3k	950
30d	7.6k	1.1k

14.6k

Playback	Listens	Hours
48h	734	99
7d	4.6k	640
30d	14.6k	2k

Playback	Listens	Hours
48h	18	2
7d	493	60
30d	9.1k	1.1k

3:05:07

3 tapes

5/28SBD

Hartford Civic Center

Hartford, CT, USA

17.5k

Playback	Listens	Hours
48h	217	32
7d	476	74
30d	17.5k	2.6k

3:19:35

5/26SBD

Baltimore Civic Center

Baltimore, MD, USA

12.1k

Playback	Listens	Hours
48h	197	26
7d	203	30
30d	12.1k	1.7k

Playback	Listens	Hours
48h	230	31
7d	435	56
30d	16.7k	2.2k

Pembroke Pines, FL, USA

31.6k

Playback	Listens	Hours
48h	714	98
7d	1.4k	192
30d	31.6k	4.3k

3:17:29

4nuyKoY91WKwR6HLq7Gzkl Lakeland, FL, USA

5/21SBD

Lakeland Civic Center

13.2k

Playback	Listens	Hours
48h	144	18
7d	234	30
30d	13.2k	1.7k

Playback	Listens	Hours
48h	125	17
7d	423	59
30d	13.9k	2k

Playback	Listens	Hours
48h	142	20
7d	115	17
30d	15.9k	2.3k

2:56:45

3 tapes

5/17SBD

Memorial Coliseum, U. of Alabama

Tuscaloosa, AL, USA

22.1k

Playback	Listens	Hours
48h	319	41
7d	779	102
30d	22.1k	2.9k

Playback	Listens	Hours
48h	28	4
7d	96	12
30d	4.6k	603

Playback	Listens	Hours
48h	119	14
7d	75	10
30d	2.1k	259

Playback	Listens	Hours
48h	19	2
7d	43	6
30d	414	52

2:29:28

2 tapes

5/11SBD

St. Paul Civic Center

St. Paul, MN, USA

6.7k

Playback	Listens	Hours
48h	251	33
7d	543	72
30d	6.7k	900

5:53:21

5/09SBD

War Memorial Auditorium

Buffalo, NY, USA

17.4k

Playback	Listens	Hours
48h	989	143
7d	2k	289
30d	17.4k	2.5k

5:15:24

Barton Hall, Cornell University

5/08SBD

Ithaca, NY, USA

13.3k

Playback	Listens	Hours
48h	820	124
7d	1.4k	216
30d	13.3k	2k

Playback	Listens	Hours
48h	452	65
7d	1.2k	175
30d	9.9k	1.5k

3:15:28

9 tapes

5/05SBD

Veterans Memorial Coliseum

New Haven, CT, USA

3.2k

Playback	Listens	Hours
48h	201	31
7d	184	29
30d	3.2k	489

Playback	Listens	Hours
48h	181	28
7d	408	65
30d	3.2k	526

Playback	Listens	Hours
48h	11	2
7d	81	9
30d	699	85

Playback	Listens	Hours
48h	41	6
7d	61	8
30d	633	82

Playback	Listens	Hours
48h	24	3
7d	101	12
30d	704	86

Playback	Listens	Hours
48h	52	7
7d	121	18
30d	556	84

Playback	Listens	Hours
48h	32	5
7d	87	13
30d	975	152

Playback	Listens	Hours
48h	23	3
7d	36	5
30d	141	19

Playback	Listens	Hours
48h	37	5
7d	65	7
30d	723	80

2:38:35

4/23SBD

Springfield Civic Center

Springfield, MA, USA

4.1k

Playback	Listens	Hours
48h	242	33
7d	575	82
30d	4.1k	580

Philadelphia, PA, USA

1.2k

Playback	Listens	Hours
48h	39	6
7d	205	35
30d	1.2k	203

1.2k

Playback	Listens	Hours
48h	76	10
7d	226	32
30d	1.2k	170

961

Playback	Listens	Hours
48h	99	15
7d	110	18
30d	961	148

Robertson Gym, UC Santa Barbara

1.5k

Playback	Listens	Hours
48h	84	12
7d	264	37
30d	1.5k	218

Playback	Listens	Hours
48h	1	2
7d	14	3
30d	78	19

3:10:50

1 tape

2/27SBD

Goleta, CA, USA

316

Playback	Listens	Hours
48h	61	7
7d	35	4
30d	316	37

San Bernardino, CA, USA

5.2k

Playback	Listens	Hours
48h	503	66
7d	862	117
30d	5.2k	697

5:39:22

Studio (Terrapin Station Outtakes)

2/20SBD

Novato, CA

120

Playback	Listens	Hours
48h	15	2
7d	16	2
30d	120	16

Playback	Listens	Hours
48h	3	28m
7d	57	7
30d	466	55

1:16:53

3 tapes

Sources

Taper: Betty Cantor

Source & Transfer by Anonymous;Edited & Mastered using Adobe Audition by Joe Noel

gd1977-05-08.148737.SBD.Betty.Anon.Noel.t-flac2448

Source: Betty Cantor's SBD Reel Master > PCM (undecoded) > DAT via spdif/Sony PCM601esd > wav file via spdif/RME multiface > Wave 24/48 (decoded) > Myteck Stereo DAC96 > DBX150X > Korg MR2000 > WAV 24/48

gd1977-05-08.mtx.seamons.97274.sbeok.flac16

View Notespatch info:
- shnid 137569 supplies
- s1t01; start - 01:00
- s1t08; 03:18 - end
- s1t09; start - 00:25
- s2t10; 04:36 - end

Notes:
- Thanks to anonymous, for sharing this source while hiding out away from the Bay Area
- Thanks to dusborne for his work on the matrix

Transferrer: Hunter Seamons

Matrix mix (SBD/AUD)

View Notes----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)

Source 3 of 23

1:03:29

SBD

gd1977-05-08.sbd.cube.87486.flac16

Transferrer: Dan Haugh

gd1977-05-08.mtx.dan.35086.flac24

DVD-A 24/96 SBD+AUD1+AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

gd77-05-08.sbd.hicks.4982.sbeok.shnf

View Notes---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital 
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on 
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > 
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam 
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, 
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch 
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob 
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit 
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > 
First Gen Reel > Played directly to hard drive > CDR > SHN 

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.   CEP2.0 used to adjust 
the volume for the SBD & both AUDs. CEP was used to do the 
multitrack mixdown to 24/96.  This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  DiscWelder was used to author and create the 
DVD-Audio in 24/96.  DVD Decryptor read and created the ISO 
image file.  This incorporates 2 channels of 24/96 wave files.     
- Mixed by [email protected]
- FLAC conversion 08-MAY-2005  
- Artwork by [email protected] 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double DVD case.

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

This represents the 24 bit files that are the result of all 
my editing and the multitrack mixdown. It is unclear exactly 
what we have in the way of high resolution. However it seems 
there is agreement that what we have cannot be represented 
accurately in 16/44. What you are getting is the full result 
of the matrix mix process. How much different does this sound? 
is this better? A little and yes. This is more accurate and 
has more dynamic range.  24/96 resolution versus a 16/44 of 
the same material will usually result in very subtle but 
important differences.  Most of it relying on the quality of
the DVD-A player and the D to A conversion.  With that in 
mind, this 24 bit copy is no different.  Small but important 
gains over the same material in 16/44.  This is just one 
man's take.  Take it or leave it.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

---------------------------------------------------------

Burning Instructions A & B

A. Use DVD Decryptor or similar program to burn as an image 
file (ISO) onto a DVDR.  Enjoy.

B. This may also circulate as 2 channel FLAC files and will
require assembly.  Included is the discwelder file. If you 
use that program, decode all the FLAC file and stick them in 
a folder. Click on the DiscWelder file (which will open 
DiscWelder) and point it towards that folder with the wave 
files and VIOLA! DVD-A pre-assembled and ready to author.

---------------------------------------------------------

Taper: Steve Maizner

Matrix (see notes)

gd1977-05-08.sbd.cantor.sacks.266.shnf

View Notesfreshly remastered Betty Board with AUD splices, by Rob Eaton;

Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

Audience Portion -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive.  The excellent aud splices were normalized and patched using ProTools by Karen Hicks 

Taper: Betty Cantor

WBOTB Source -- 7" two track BBD reel encoded w/ DBX-1 noise reduction @ 7 1/2 ips > Sony PCM501ES @ 44.055 kHz. Sony PCM501ES analog out > DBX-1 decoder > analog in PCM501ES. PCM501ES analog out > Fostex D5 @ 48 kHz>DATs>ZA2>CDRs>EAC>SHN

Charlie Miller;Rob Berger

View NotesAudience Splices -- Teddy Goodbear's Panasonic AM/FM Stereo 'boom box' (w/condenser mics) > CM (Cassette Master) > various equalizers & editors > CD

Taper: Jerry Moore

gd1977-05-08.ecm33p.moore.berger.miller.117027.flac24

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above); 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Jerry Moore

Charlie Miller, Rob Berger

gd1977-05-08.ecm33p.moore.berger.miller.117026.flac16

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac; encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Recording by Rich Petrunis.

Recording by Rich Petrunis.

Transferrer:

Transferred by Andrew F. 04/2021

gd1977-05-08.152379.aud.petrunis.flac2448

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.

View NotesNote: Most of the stand-alone tracks clip-in abruptly with small
amounts missing. Noted flaws: The tape broke, causing drop-outs
at Lazy Lightning 4:01 and Brown Eyed Women 3:33. Supplication
cuts-out near the end. Taper got disrupted or lowered the mic in
Row Jimmy 8:41 > 9:01. Small gaps in Dancing in the Street mended
together at 0:18 & 14:32. Tape-flip start of Not Fade Away 0:33.
With thanks to John and Rich Petrunis for sharing their tapes!

Transferrer: Matrix by Dave Usborne

2:56:25

Transferrer:

gd1977-05-08.137572.mtx-2aud.dusborne.flac16

2 Source Matrix by Dusborne; Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011, mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137571.mtx-2aud.dusborne.flac24

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC; MC>CDR>EAC>WAV>FLAC,Recording And Transfer: Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137570.mtx.dusborne.flac16

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster);Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC, Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

3:02:47

REMASTER

Transferrer:

gd1977-05-08.137569.mtx.dusborne.flac24

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster); Audience 1 (shnid:117027)source: aud taped by Jerry Moore a) cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b) Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b) The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303)Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Taper: Jim Cooper

gd1977-05-08.134093.aud.cooper.berger.flac24

source: aud cassette master; taped by Jim Cooper; sony ecm22p > hitachi trq232; nakamichi dragon > benchmark ADC1 24/96 > tascam hd-p2, compact flash > mac > adobe audition CC > xACT flac; transferred and seeded by Rob Berger

Transferrer: Hunter Seamons

gd1977-05-08.111493.mtx.seamons.sbeok.flac16

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); this source fixes a flaw in d1t08 from <a href="http://db.etree.org/shn/97274">source ID 97274</a>

DTS and Matrixing by Dan Haugh

View Notes1) Warning: this might steal your face - the sound is impeccable, thanks to truly excellent sources for a matrix.


Jerry Garcia - Lead Guitar, Vocals
Donna Jean Godchaux - Vocals
Keith Godchaux - Keyboards
Mickey Hart - Drums
Bill Kreutzmann - Drums
Phil Lesh - Electric Bass, Vocals
Bob Weir - Rhythm Guitar, Vocals



*40th Matrix* 

----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 

I removed a "click" sound I mistakenly added to the AUD-only portion of Supplication at 0:06. I fixed this by patching in the unscathed AUD there, rather than using a de-clicker filter. This "click" had always driven me nuts and warranted a fixing.

Thank you for your continued patience and support.

-Hunter

February 14, 2010

Taper: See info file

gd1977-05-08.mtx.dts.dan.30756.flac16

View NotesTech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.  CEP2.0 used to adjust the 
volume for both AUDs, matrix/CTR and LFE channels.  Surcode 
CD Pro DTS was used to encode to DTS. The center matrix track 
is a 60% SBD, 40% AUD2 mix.   
- Mixed by [email protected]
- FLAC conversion 08-MAY-2005  
- Artwork by [email protected] 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

DTS-Audio-CD Info

Front  	
Left Channel SBD Reel 
Right Channel SBD Reel

Center 	
Mixed to mono -6db SBD+AUD2 Matrix 

Surround 
Left Channel -2db AUD1 (with some AUD2 patches)
Right Channel -2db AUD1 (with some AUD2 patches)

Sub/LFE
Mixed to mono -4db SBD Reel

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you 
didn't really read the text file, did you?  

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel 
sound, like DTS and Dolby Digital.  While the Audio-CD 
standard (Red Book) hasn't changed to accommodate these 
new sound formats, it is still possible to go around the 
specification and to put a 5.1 surround recording on a 
regular Audio-CD.  To play a DTS-Audio-CD you must connect 
your DVD/CD player via a digital cable (optical or coaxial) 
to your DTS Dolby-Digital receiver. It is not 100% sure 
that your receiver will recognize a DTS-Audio CD, so the 
first time you're trying to playback a DTS-Audio-CD you 
must do a test to determine if it can. Begin with the 
volume very low, start the disc and raise the volume 
gradually. NEVER listen to a DTS-Audio-CD through the 
analog audio outputs of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any 
normal Audio-CD from FLAC files.

Taper: See info file

Matrixing by Dan Haugh

gd1977-05-08.mtx.dan.29511.flac16

View NotesSBD + AUD1 + AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) >
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster)

AUD1
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B,
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master >
First Gen Reel > Played directly to hard drive > CDR > SHN

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch the SBD & both AUD sources.   CEP2.0 used to adjust the
volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  
- Mixed by [email protected]
- FLAC conversion 08-MAY-2005  
- Artwork by [email protected] 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a
fake AUD recording by mixing crowd cheer with the SBD. This
was effective at creating patches for the rear channels in
the 5.1 presentation but also maintained a smooth quality in
the stereo matrix mix as well.  These patches are numerous
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources
to pull up the vocals and give the center channel a unique
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo
field moves.  The result, although not perfect, I think
provides the listener with a more enjoyable and natural
listening experience.  Maybe you disagree.  For those of you
who would rather have a patch using a matrix mix of the 2 AUD
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 -
43:16.362.  This was patched using a matrix mix of the 2 AUD
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is
still pretty good.  The switch back to SBD is actually
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you
didn't really read the text file, did you?

Taper: Jeff Stevenson

gd1977-05-08.shure57.stevenson.29303.flac16

Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC

MC>CDR>EAC>WAV>FLAC

Rob Berger and Chris Larson

View NotesNotes:10 Feet From Stage=Great Instrement Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many,Tape Filp After D01T08,D03T03
Flip Durning NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's 
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
if Anyone Wants To  Matrix This Feel Free, I'd Love To Hear It!

Transferrer: Rob Berger and Chris Larson

gd1977-05-08.aud.moore.berger.28354.flac16

MAC>R>CD

Rob Berger and Sean Cribbs

View NotesJerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

Taper: Jerry Moore

gd1977-05-08.aud.moore.cribbs.28301.shnf

MAC>R>CD

gd77-05-08.matrix.dan.26857.sbeok.flacf

View NotesMAC>R>CD
Audience Recording by Jerry Moore

Jerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

EAC>WAV>SHN encoding by Sean Cribbs 2/19/2005.

Transferrer: Dan

Matrix - 3 Sources

gd77-05-08.dts.dan.26856.sbeok.flacf

View NotesSBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN 

Tech Notes: 

SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave.  CEP2.0 was used to align & synch the SBD & both AUD sources.   CEP2.0 used to adjust the volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1, 20% AUD2 mix.  

- Mixed by [email protected]
- FLAC conversion 08-MAY-2005  
- Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case.

Notes: 

I looked at the 4 pages of notes I had on this project and it made me sick to think about typing them up.  So, although not complete, you will get a good idea of what was done to bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both AUD recordings suffered from btwn song pauses that not only cut the crowd cheer out but clipped the beginning of many songs. The 2 AUD source coverage allowed my to patch 1 with the other in some situations.  A couple spots I created a fake AUD recording by mixing crowd cheer with the SBD. This was effective at creating patches for the rear channels in the 5.1 presentation but also maintained a smooth quality in the stereo matrix mix as well.  These patches are numerous and I think completely smooth and most likely undetectable.

d1t01 The first 16.041 seconds of Minglewood blues was cut on the SBD.  Starting this monster project with an unrecoverable flaw was unacceptable to me.  I decided to patch that opening portion with a SBD and AUD recording from 5-7-77.  As this patch ends you will hear some slight phasing as the stereo field moves.  The result, although not perfect, I think provides the listener with a more enjoyable and natural listening experience.  Maybe you disagree.  For those of you who would rather have a patch using a matrix mix of the 2 AUD sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 43:16.362.  This was patched using a matrix mix of the 2 AUD sources and then EQ'ed to best match the sound spectrum of the SBD.  I also tried to match the volume on the SBD.  A switch in sources is obvious to the listener but this is still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418. This was fixed using a quick channel swap.   This is smooth and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you didn't really read the text file, did you?

Source 22 of 23

<b>DTS Audio 5.1</b>: Soundboard (Betty Board) > Master 7

gd77-05-08.maizner.hicks.5002.sbeok.shnf

View Notes<b>Lossies (including stream version) removed because 5.1 channel files do not properly encode to 2 channel MP3's - the result is static.</b>

<b>DTS Audio 5.1</b>: SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT> DAT> Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD (Steve Maizner) > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN; see pub comments re additional reflac version

Taper: Steve Maizner

Audience - Sony ECM-990

Sony ECM-990 > Sony TC-152 (aud master) > First Gen Reel > played directly to hard drive