Not Fade Away -> | 1977-05-08 | Grateful Dead

Bernie Worrell and the WOO Warriors

Playback	Listens	Hours
48h	1	1
7d	6	24m
30d	76	10

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	10	1
7d	1	11m
30d	12	2

Playback	Listens	Hours
48h	42	5
7d	58	9
30d	310	42

Playback	Listens	Hours
48h	174	24
7d	250	31
30d	2.2k	286

Playback	Listens	Hours
48h	5.4k	549
7d	13.2k	1.3k
30d	87.6k	8.7k

Playback	Listens	Hours
48h	64	4
7d	153	12
30d	1.7k	118

62 shows

76 tapes

Blueground Undergrass

Playback	Listens	Hours
48h	2	12m
7d	3	8m
30d	54	6

Playback	Listens	Hours
48h	179	19
7d	334	36
30d	2.2k	248

Playback	Listens	Hours
48h	356	44
7d	741	104
30d	5.6k	744

308 shows

512 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	3

22 shows

28 tapes

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	2	35m
30d	8	2

Playback	Listens	Hours
48h	66	11
7d	135	24
30d	954	160

451 shows

563 tapes

Buffalo Galaxy

Playback	Listens	Hours
48h	15	2
7d	5	42m
30d	41	5

Playback	Listens	Hours
48h	32	2
7d	206	21
30d	1.3k	126

Playback	Listens	Hours
48h	80	7
7d	216	23
30d	952	99

Playback	Listens	Hours
48h	15	46m
7d	19	1
30d	448	27

Playback	Listens	Hours
48h	5	58m
7d	45	7
30d	222	32

Playback	Listens	Hours
48h	18	1
7d	53	4
30d	261	17

243 shows

272 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	4	1

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	1	10m
7d	0	0m
30d	16	2

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	7	50m
7d	36	3
30d	96	9

79 shows

93 tapes

Circles Around The Sun

1.5k

Playback	Listens	Hours
48h	90	20
7d	205	41
30d	1.5k	308

Playback	Listens	Hours
48h	1	17m
7d	15	3
30d	328	65

Playback	Listens	Hours
48h	61	5
7d	97	8
30d	404	34

Playback	Listens	Hours
48h	68	9
7d	45	7
30d	491	72

Playback	Listens	Hours
48h	269	39
7d	605	80
30d	4.1k	566

Playback	Listens	Hours
48h	439	61
7d	737	100
30d	5.4k	760

796 shows

1,056 tapes

Dave Harrington

Playback	Listens	Hours
48h	5	1
7d	1	20m
30d	13	3

Playback	Listens	Hours
48h	8	41m
7d	53	5
30d	220	20

Playback	Listens	Hours
48h	2.3k	363
7d	6.1k	985
30d	38.7k	6.2k

Playback	Listens	Hours
48h	22	3
7d	51	6
30d	149	15

Playback	Listens	Hours
48h	133	9
7d	234	14
30d	1.4k	89

Playback	Listens	Hours
48h	97	11
7d	218	25
30d	1.7k	211

Playback	Listens	Hours
48h	956	197
7d	1.6k	342
30d	13.1k	2.7k

Playback	Listens	Hours
48h	21	2
7d	21	2
30d	213	22

Playback	Listens	Hours
48h	199	30
7d	503	77
30d	3.4k	503

155 shows

209 tapes

Domocile

Playback	Listens	Hours
48h	17	4
7d	5	1
30d	78	19

Playback	Listens	Hours
48h	153	15
7d	263	29
30d	1.7k	171

Playback	Listens	Hours
48h	6	52m
7d	49	8
30d	273	44

Playback	Listens	Hours
48h	200	18
7d	398	35
30d	3.1k	270

Playback	Listens	Hours
48h	16	2
7d	43	8
30d	509	90

Playback	Listens	Hours
48h	12	2
7d	20	3
30d	145	19

Playback	Listens	Hours
48h	107	20
7d	188	30
30d	1.7k	271

150 shows

288 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	6	1

Playback	Listens	Hours
48h	100	14
7d	195	25
30d	2.2k	311

830 shows

1,049 tapes

Electric Beethoven

Playback	Listens	Hours
48h	1	1m
7d	1	54m
30d	31	11

Playback	Listens	Hours
48h	58	3
7d	59	3
30d	638	36

156 shows

174 tapes

Eric Krasno

Playback	Listens	Hours
48h	10	2
7d	12	2
30d	74	11

121 shows

180 tapes

Everyone Orchestra

Playback	Listens	Hours
48h	2	4m
7d	3	34m
30d	48	11

182 shows

286 tapes

Forgotten Space

Playback	Listens	Hours
48h	0	0m
7d	3	8m
30d	63	8

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	5	54m

Playback	Listens	Hours
48h	48	6
7d	23	3
30d	230	26

Playback	Listens	Hours
48h	1	5m
7d	2	6m
30d	128	8

Playback	Listens	Hours
48h	5	27m
7d	0	0m
30d	150	12

Playback	Listens	Hours
48h	3	10m
7d	36	2
30d	188	12

Playback	Listens	Hours
48h	793	123
7d	1.2k	184
30d	9.5k	1.5k

246 shows

1,221 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	11m

14 shows

15 tapes

G. Love and Special Sauce

584

Playback	Listens	Hours
48h	38	3
7d	65	6
30d	584	51

Playback	Listens	Hours
48h	55	7
7d	126	15
30d	963	111

397 shows

476 tapes

Garage A Trois

Playback	Listens	Hours
48h	2	13m
7d	2	22m
30d	96	13

Playback	Listens	Hours
48h	10	2
7d	14	3
30d	309	66

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	1	11m
7d	0	0m
30d	10	2

Playback	Listens	Hours
48h	2	51m
7d	0	0m
30d	111	23

Playback	Listens	Hours
48h	54	6
7d	141	16
30d	839	98

370 shows

499 tapes

Godspeed You Black Emperor!

375

Playback	Listens	Hours
48h	14	5
7d	78	22
30d	375	98

Playback	Listens	Hours
48h	0	0m
7d	10	32m
30d	212	28

Playback	Listens	Hours
48h	2.6k	554
7d	4.8k	984
30d	34.6k	7.1k

Playback	Listens	Hours
48h	29	3
7d	34	3
30d	258	24

363 shows

589 tapes

Grahame Lesh and Friends

2.5k

Playback	Listens	Hours
48h	99	14
7d	288	42
30d	2.5k	363

34 shows

109 tapes

Grampas Grass

Playback	Listens	Hours
48h	8	1
7d	13	2
30d	31	4

Playback	Listens	Hours
48h	495	63
7d	847	98
30d	5.8k	663

Playback	Listens	Hours
48h	65	7
7d	129	14
30d	894	97

226 shows

313 tapes

GrooveSession

Playback	Listens	Hours
48h	0	0m
7d	6	1
30d	21	3

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	3	8m
7d	8	30m
30d	31	2

53 shows

57 tapes

Guitarmageddon

Playback	Listens	Hours
48h	0	0m
7d	10	1
30d	22	3

Playback	Listens	Hours
48h	6	36m
7d	28	2
30d	371	26

749 shows

1,030 tapes

Hard Working Americans

179

Playback	Listens	Hours
48h	13	1
7d	0	0m
30d	179	19

Playback	Listens	Hours
48h	29	5
7d	67	11
30d	414	68

187 shows

226 tapes

Horseshoes and Hand Grenades

Playback	Listens	Hours
48h	0	0m
7d	12	1
30d	22	2

Playback	Listens	Hours
48h	0	0m
7d	53	5
30d	223	23

674 shows

846 tapes

Infamous Stringdusters

1.8k

Playback	Listens	Hours
48h	24	2
7d	196	17
30d	1.8k	165

629 shows

1,016 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	69	13

Playback	Listens	Hours
48h	309	20
7d	677	44
30d	5.5k	353

Playback	Listens	Hours
48h	21	3
7d	48	4
30d	247	23

364 shows

491 tapes

Jazz Mandolin Project

100

Playback	Listens	Hours
48h	4	35m
7d	5	2
30d	100	17

221 shows

278 tapes

Jeff Austin and Chris Castino

109

Playback	Listens	Hours
48h	0	0m
7d	48	4
30d	109	10

12 shows

14 tapes

Jeff Austin And Friends

127

Playback	Listens	Hours
48h	1	5m
7d	56	6
30d	127	12

Playback	Listens	Hours
48h	40	7
7d	188	23
30d	981	119

112 shows

162 tapes

Jerry Joseph and the Jackmormons

2.7k

Playback	Listens	Hours
48h	170	32
7d	392	67
30d	2.7k	449

1,124 shows

1,519 tapes

Jerry's Middle Finger

4.6k

Playback	Listens	Hours
48h	111	17
7d	573	77
30d	4.6k	660

255 shows

306 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	24	3

2 shows

Karl Denson's Tiny Universe

Joe Russo's Almost Dead

42.1k

Playback	Listens	Hours
48h	3.3k	648
7d	7.7k	1.4k
30d	42.1k	8k

Playback	Listens	Hours
48h	37	4
7d	91	10
30d	508	58

Playback	Listens	Hours
48h	128	11
7d	429	39
30d	2.3k	208

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	0	0m
7d	1	5m
30d	36	4

Playback	Listens	Hours
48h	0	0m
7d	86	6
30d	193	15

Playback	Listens	Hours
48h	0	0m
7d	15	1
30d	145	14

73 shows

108 tapes

169

Playback	Listens	Hours
48h	1	4m
7d	17	2
30d	169	23

Playback	Listens	Hours
48h	311	27
7d	787	71
30d	4.5k	436

Playback	Listens	Hours
48h	15	2
7d	3	23m
30d	101	13

43 shows

54 tapes

King Gizzard & the Lizard Wizard

15.2k

Playback	Listens	Hours
48h	906	121
7d	2.5k	322
30d	15.2k	2k

Playback	Listens	Hours
48h	165	24
7d	318	43
30d	1.6k	219

Playback	Listens	Hours
48h	0	0m
7d	13	2
30d	104	15

Playback	Listens	Hours
48h	12	2
7d	77	16
30d	820	158

Playback	Listens	Hours
48h	58	6
7d	45	5
30d	899	108

Playback	Listens	Hours
48h	331	28
7d	547	47
30d	3.7k	338

976 shows

1,313 tapes

Lettuce

Playback	Listens	Hours
48h	214	32
7d	389	67
30d	3k	537

Playback	Listens	Hours
48h	290	25
7d	855	80
30d	5.8k	542

Playback	Listens	Hours
48h	44	4
7d	263	20
30d	1.4k	111

Playback	Listens	Hours
48h	152	26
7d	174	29
30d	916	166

436 shows

618 tapes

Marco Benevento

Playback	Listens	Hours
48h	1	20m
7d	6	38m
30d	71	8

Playback	Listens	Hours
48h	120	11
7d	405	42
30d	2.1k	204

Playback	Listens	Hours
48h	0	0m
7d	55	6
30d	201	23

349 shows

446 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	207	34
7d	781	110
30d	4.7k	757

Playback	Listens	Hours
48h	17	1
7d	64	3
30d	392	22

Playback	Listens	Hours
48h	0	0m
7d	11	1
30d	138	14

157 shows

172 tapes

Minutemen

Playback	Listens	Hours
48h	25	40m
7d	13	17m
30d	44	1

Playback	Listens	Hours
48h	37	3
7d	209	14
30d	1.3k	89

Playback	Listens	Hours
48h	697	113
7d	1.1k	185
30d	9.9k	1.6k

1,978 shows

4,443 tapes

Mogwai

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	81	9

380 shows

481 tapes

Moon Taxi

Playback	Listens	Hours
48h	7	31m
7d	29	2
30d	75	6

95 shows

121 tapes

My Morning Jacket

Playback	Listens	Hours
48h	210	22
7d	812	82
30d	5k	500

410 shows

596 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	28	2

46 shows

51 tapes

Neal Francis

Playback	Listens	Hours
48h	9	42m
7d	9	1
30d	86	8

Playback	Listens	Hours
48h	28	5
7d	87	12
30d	647	88

137 shows

249 tapes

Nels Cline

Playback	Listens	Hours
48h	3	1
7d	6	1
30d	8	2

62 shows

73 tapes

New Riders of the Purple Sage

1.9k

Playback	Listens	Hours
48h	75	5
7d	257	23
30d	1.9k	156

410 shows

596 tapes

North Mississippi Allstars

1.3k

Playback	Listens	Hours
48h	37	3
7d	251	26
30d	1.3k	129

Playback	Listens	Hours
48h	34	4
7d	61	7
30d	725	78

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	12m

Playback	Listens	Hours
48h	0	0m
7d	21	4
30d	120	21

Playback	Listens	Hours
48h	0	0m
7d	13	2
30d	128	19

Playback	Listens	Hours
48h	92	18
7d	198	39
30d	1.6k	291

689 shows

920 tapes

Phil Lesh and Friends

16.1k

Playback	Listens	Hours
48h	850	147
7d	2.4k	425
30d	16.1k	2.8k

788 shows

2,858 tapes

Pigeons Playing Ping Pong

1.8k

Playback	Listens	Hours
48h	125	20
7d	351	52
30d	1.8k	280

Playback	Listens	Hours
48h	337	43
7d	754	99
30d	3.9k	512

293 shows

435 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	12m

Playback	Listens	Hours
48h	316	42
7d	548	69
30d	3.7k	485

1,236 shows

2,196 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	27	2

Playback	Listens	Hours
48h	40	5
7d	53	6
30d	387	49

Playback	Listens	Hours
48h	448	60
7d	957	132
30d	6.8k	891

Playback	Listens	Hours
48h	72	5
7d	268	20
30d	1.1k	92

Playback	Listens	Hours
48h	237	18
7d	339	29
30d	1.5k	130

Playback	Listens	Hours
48h	93	8
7d	183	16
30d	2.3k	202

581 shows

729 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	7	2

10 shows

11 tapes

Ryley Walker

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	6	1

Playback	Listens	Hours
48h	314	30
7d	613	56
30d	3.7k	346

128 shows

192 tapes

Scott Metzger

Playback	Listens	Hours
48h	4	15m
7d	0	0m
30d	87	10

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	0	0m
7d	37	4
30d	54	7

28 shows

28 tapes

Sigur Rós

Playback	Listens	Hours
48h	16	2
7d	4	21m
30d	47	6

Playback	Listens	Hours
48h	89	7
7d	208	16
30d	1.6k	136

Playback	Listens	Hours
48h	172	26
7d	382	60
30d	2.6k	422

Playback	Listens	Hours
48h	130	28
7d	228	53
30d	1.1k	259

Playback	Listens	Hours
48h	2	8m
7d	69	4
30d	306	18

87 shows

95 tapes

Stanton Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	21	3

Playback	Listens	Hours
48h	58	14
7d	53	11
30d	741	114

Playback	Listens	Hours
48h	112	27
7d	232	52
30d	1.7k	376

370 shows

565 tapes

Strangefolk

Playback	Listens	Hours
48h	98	12
7d	148	20
30d	2k	277

667 shows

1,139 tapes

String Cheese Incident

18.1k

Playback	Listens	Hours
48h	1.3k	209
7d	3k	484
30d	18.1k	3k

1,281 shows

2,074 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	0	0m
7d	1	8m
30d	47	5

Playback	Listens	Hours
48h	12	3
7d	24	4
30d	216	38

Playback	Listens	Hours
48h	3	22m
7d	53	7
30d	164	21

Playback	Listens	Hours
48h	90	10
7d	136	15
30d	818	86

727 shows

1,114 tapes

Ted Leo and the Pharmacists

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	700	86
7d	1.9k	224
30d	13k	1.6k

Playback	Listens	Hours
48h	6	17m
7d	27	1
30d	200	9

52 shows

58 tapes

The Big Wu

Playback	Listens	Hours
48h	24	3
7d	278	34
30d	2k	243

Playback	Listens	Hours
48h	15	2
7d	94	13
30d	398	62

473 shows

627 tapes

The California Honeydrops

594

Playback	Listens	Hours
48h	1	8m
7d	41	6
30d	594	74

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	11	2

Playback	Listens	Hours
48h	140	22
7d	410	58
30d	2.6k	380

Playback	Listens	Hours
48h	9	2
7d	12	1
30d	382	32

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	0	0m
7d	11	57m
30d	20	2

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	2	7m
7d	5	14m
30d	18	1

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	6	36m

Playback	Listens	Hours
48h	5	1
7d	126	21
30d	413	70

Playback	Listens	Hours
48h	3	23m
7d	37	4
30d	118	13

273 shows

358 tapes

The Mountain Goats

Playback	Listens	Hours
48h	403	21
7d	302	19
30d	1k	60

Playback	Listens	Hours
48h	46	3
7d	117	8
30d	1.2k	90

Playback	Listens	Hours
48h	19	3
7d	27	6
30d	316	64

Playback	Listens	Hours
48h	147	16
7d	117	11
30d	882	90

Playback	Listens	Hours
48h	50	8
7d	194	27
30d	1.7k	257

Playback	Listens	Hours
48h	341	32
7d	1.1k	101
30d	6.3k	628

1,451 shows

1,648 tapes

The Walkmen

Playback	Listens	Hours
48h	0	0m
7d	3	12m
30d	66	6

18 shows

19 tapes

The War on Drugs

Playback	Listens	Hours
48h	47	4
7d	141	14
30d	1k	103

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	0	0m
7d	1	9m
30d	10	2

Playback	Listens	Hours
48h	110	11
7d	180	25
30d	1.3k	133

Playback	Listens	Hours
48h	88	6
7d	126	9
30d	895	61

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	44	4

Playback	Listens	Hours
48h	474	69
7d	785	117
30d	7.3k	1.1k

464 shows

464 tapes

Turkuaz

Playback	Listens	Hours
48h	0	0m
7d	19	2
30d	58	6

Playback	Listens	Hours
48h	69	13
7d	223	37
30d	1.8k	283

Playback	Listens	Hours
48h	403	64
7d	644	94
30d	4.8k	721

Playback	Listens	Hours
48h	26	2
7d	25	2
30d	359	30

Playback	Listens	Hours
48h	129	8
7d	201	15
30d	1.7k	124

Playback	Listens	Hours
48h	681	58
7d	1.8k	145
30d	13.6k	1.1k

623 shows

1,138 tapes

White Denim

Playback	Listens	Hours
48h	0	0m
7d	14	1
30d	75	6

Playback	Listens	Hours
48h	9.9k	1.2k
7d	19.2k	2.3k
30d	133.4k	15.7k

Playback	Listens	Hours
48h	62	9
7d	123	16
30d	825	116

1,416 shows

2,242 tapes

Yonder Mountain String Band

10.9k

Playback	Listens	Hours
48h	646	62
7d	1.4k	131
30d	10.9k	1k

Playback	Listens	Hours
48h	41	6
7d	329	48
30d	1.1k	158

18 shows

24 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	4m

Playback	Listens	Hours
48h	210	37
7d	332	59
30d	1.6k	294

461 shows

665 tapes

Zoofunkyou

Playback	Listens	Hours
48h	0	0m
7d	1	9m
30d	17	3

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	1.6k	192
7d	1.1k	148
30d	29.8k	4.1k

Playback	Listens	Hours
48h	806	116
7d	3.3k	519
30d	12.4k	1.8k

Playback	Listens	Hours
48h	3.1k	403
7d	5.9k	789
30d	37.5k	4.9k

Playback	Listens	Hours
48h	1.9k	256
7d	7.5k	1k
30d	44.8k	6k

Playback	Listens	Hours
48h	2.9k	382
7d	10.1k	1.3k
30d	42.2k	5.7k

Playback	Listens	Hours
48h	8.4k	1.2k
7d	6.7k	883
30d	47.2k	6.1k

Playback	Listens	Hours
48h	2.1k	257
7d	6.1k	765
30d	47.6k	5.9k

Playback	Listens	Hours
48h	1.2k	145
7d	2.7k	319
30d	19.7k	2.3k

Playback	Listens	Hours
48h	2.1k	252
7d	12.6k	1.5k
30d	41.6k	4.7k

Playback	Listens	Hours
48h	782	89
7d	2.1k	235
30d	12.2k	1.4k

Playback	Listens	Hours
48h	9.9k	1.1k
7d	4.9k	571
30d	24.1k	2.8k

Playback	Listens	Hours
48h	1.2k	151
7d	8.8k	1k
30d	26.4k	3.3k

Playback	Listens	Hours
48h	1.2k	152
7d	2.7k	354
30d	20.1k	2.6k

Playback	Listens	Hours
48h	1.3k	154
7d	2.9k	360
30d	41.7k	5.2k

Playback	Listens	Hours
48h	1.7k	215
7d	4k	503
30d	29.3k	3.7k

Playback	Listens	Hours
48h	2.4k	284
7d	14k	1.7k
30d	69.5k	8.1k

Playback	Listens	Hours
48h	1.2k	169
7d	3.3k	469
30d	20.8k	2.9k

Playback	Listens	Hours
48h	1.7k	225
7d	3.9k	530
30d	37.1k	5k

Playback	Listens	Hours
48h	7.1k	987
7d	19.4k	2.7k
30d	249.5k	34.5k

Playback	Listens	Hours
48h	12.3k	1.7k
7d	34.5k	4.6k
30d	91.1k	12.3k

Playback	Listens	Hours
48h	356	38
7d	780	81
30d	6.1k	624

Playback	Listens	Hours
48h	8.5k	1.2k
7d	7.5k	971
30d	86.7k	11k

Playback	Listens	Hours
48h	3.7k	491
7d	11.8k	1.6k
30d	88.6k	11.4k

Playback	Listens	Hours
48h	2.3k	286
7d	5.6k	709
30d	57.5k	7k

Playback	Listens	Hours
48h	1.9k	206
7d	3.4k	378
30d	32.7k	3.8k

Playback	Listens	Hours
48h	1.3k	157
7d	3.4k	404
30d	38.2k	4.1k

Playback	Listens	Hours
48h	1.1k	157
7d	3.2k	461
30d	27.9k	4.2k

Playback	Listens	Hours
48h	554	70
7d	1.3k	162
30d	7.4k	939

Playback	Listens	Hours
48h	71	11
7d	277	38
30d	1.6k	227

Playback	Listens	Hours
48h	537	34
7d	649	47
30d	7.9k	529

Playback	Listens	Hours
48h	36	2
7d	62	4
30d	622	37

1977

Playback	Listens	Hours
48h	0	0m
7d	2	3
30d	10	15

474

Playback	Listens	Hours
48h	15	2
7d	43	7
30d	474	73

398

Playback	Listens	Hours
48h	22	3
7d	40	6
30d	398	61

713

Playback	Listens	Hours
48h	25	3
7d	84	10
30d	713	88

477

Playback	Listens	Hours
48h	38	5
7d	44	6
30d	477	57

Playback	Listens	Hours
48h	11	1
7d	218	25
30d	1k	125

2:52:12

Community War Memorial Auditorium

11/05SBD

Rochester, NY, USA

644

Playback	Listens	Hours
48h	7	1
7d	74	9
30d	644	76

2:57:39

6 tapes

11/04SBD

Cotterrell Gym, Colgate U.

Hamilton, NY, USA

633

Playback	Listens	Hours
48h	4	32m
7d	102	13
30d	633	79

3:03:06

11 tapes

11/02SBD

Field House, Seneca College

Toronto, Ontario, Canada

333

Playback	Listens	Hours
48h	39	5
7d	57	8
30d	333	44

Playback	Listens	Hours
48h	10	1
7d	27	3
30d	202	27

2:29:26

2 tapes

10/30SBD

Assembly Hall, Indiana U

Bloomington, IN, USA

297

Playback	Listens	Hours
48h	7	55m
7d	10	1
30d	297	39

2:37:00

Field House, Northern Illinois U.

10/29SBD

De Kalb, IL, USA

972

Playback	Listens	Hours
48h	57	8
7d	129	19
30d	972	135

3:20:06

Soldiers' and Sailors' Memorial Hall

10/28SBD

Kansas City, KS, USA

132

Playback	Listens	Hours
48h	10	1
7d	6	48m
30d	132	18

3:00:28

6 tapes

10/16SBD

Assembly Center, Lousiana State U

Baton Rouge, LA, USA

459

Playback	Listens	Hours
48h	49	7
7d	68	10
30d	459	68

2:39:05

Lloyd Noble Center, U. of Oklahoma

10/15SBD

Moody Coliseum, S.M.U

Dallas, TX, USA

164

Playback	Listens	Hours
48h	5	36m
7d	5	49m
30d	164	22

Playback	Listens	Hours
48h	75	10
7d	131	18
30d	497	70

Playback	Listens	Hours
48h	19	2
7d	29	3
30d	158	17

2:34:16

4 tapes

10/11SBD

Norman, OK, USA

341

Playback	Listens	Hours
48h	28	4
7d	51	6
30d	341	49

2:37:06

Activity Center. Arizona State U

10/09SBD

McNichols Sports Arena

Denver, CO, USA

392

Playback	Listens	Hours
48h	26	4
7d	47	6
30d	392	51

Playback	Listens	Hours
48h	18	3
7d	8	2
30d	135	22

1:26:51

4 tapes

10/06SBD

Tempe, AZ, USA

601

Playback	Listens	Hours
48h	6	59m
7d	329	46
30d	601	86

Playback	Listens	Hours
48h	41	6
7d	243	32
30d	1.1k	144

Playback	Listens	Hours
48h	48	5
7d	91	11
30d	538	66

2:43:45

Paramount Northwest Theater

9/29SBD

Seattle, WA, USA

420

Playback	Listens	Hours
48h	23	4
7d	32	5
30d	420	67

2:53:08

Paramount Northwest Theater

9/28SBD

Seattle, WA, USA

237

Playback	Listens	Hours
48h	2	11m
7d	40	5
30d	237	33

Playback	Listens	Hours
48h	51	8
7d	289	39
30d	2.1k	286

14.4k

Playback	Listens	Hours
48h	895	114
7d	3.1k	391
30d	14.4k	1.8k

7.8k

Playback	Listens	Hours
48h	235	34
7d	700	109
30d	7.8k	1.2k

15.3k

Playback	Listens	Hours
48h	615	85
7d	1.4k	186
30d	15.3k	2.1k

Playback	Listens	Hours
48h	48	6
7d	103	13
30d	9k	1.1k

3:05:07

3 tapes

5/28SBD

Hartford Civic Center

Hartford, CT, USA

17.6k

Playback	Listens	Hours
48h	279	36
7d	312	48
30d	17.6k	2.6k

3:19:35

11 tapes

5/26SBD

Baltimore Civic Center

Baltimore, MD, USA

12.2k

Playback	Listens	Hours
48h	106	14
7d	292	41
30d	12.2k	1.7k

Playback	Listens	Hours
48h	231	30
7d	427	57
30d	16.8k	2.2k

Pembroke Pines, FL, USA

32k

Playback	Listens	Hours
48h	421	59
7d	1.4k	192
30d	32k	4.4k

3:17:29

4nuyKoY91WKwR6HLq7Gzkl Lakeland, FL, USA

5/21SBD

Lakeland Civic Center

13k

Playback	Listens	Hours
48h	124	16
7d	197	26
30d	13k	1.7k

Playback	Listens	Hours
48h	155	22
7d	303	43
30d	13.7k	1.9k

Playback	Listens	Hours
48h	92	13
7d	200	29
30d	5.6k	839

2:56:45

3 tapes

5/17SBD

Memorial Coliseum, U. of Alabama

Tuscaloosa, AL, USA

9.4k

Playback	Listens	Hours
48h	275	37
7d	680	89
30d	9.4k	1.2k

Playback	Listens	Hours
48h	54	7
7d	85	11
30d	1.6k	212

Playback	Listens	Hours
48h	45	6
7d	173	21
30d	1.5k	190

Playback	Listens	Hours
48h	8	51m
7d	36	5
30d	365	46

2:29:28

2 tapes

5/11SBD

St. Paul Civic Center

St. Paul, MN, USA

5.7k

Playback	Listens	Hours
48h	206	28
7d	439	58
30d	5.7k	762

5:53:21

5/09SBD

War Memorial Auditorium

Buffalo, NY, USA

15.4k

Playback	Listens	Hours
48h	535	80
7d	1.9k	275
30d	15.4k	2.2k

5:15:24

Barton Hall, Cornell University

5/08SBD

Ithaca, NY, USA

11.7k

Playback	Listens	Hours
48h	479	78
7d	1.4k	211
30d	11.7k	1.8k

Playback	Listens	Hours
48h	382	56
7d	969	140
30d	8.8k	1.3k

3:15:28

9 tapes

5/05SBD

Veterans Memorial Coliseum

New Haven, CT, USA

2.8k

Playback	Listens	Hours
48h	132	20
7d	303	46
30d	2.8k	419

Playback	Listens	Hours
48h	119	19
7d	383	60
30d	3k	487

Playback	Listens	Hours
48h	23	2
7d	43	5
30d	646	78

Playback	Listens	Hours
48h	41	6
7d	78	11
30d	624	81

Playback	Listens	Hours
48h	33	4
7d	80	9
30d	586	71

Playback	Listens	Hours
48h	34	5
7d	108	16
30d	538	80

Playback	Listens	Hours
48h	44	7
7d	62	9
30d	893	140

Playback	Listens	Hours
48h	17	2
7d	58	8
30d	132	18

Playback	Listens	Hours
48h	50	6
7d	45	6
30d	672	75

2:38:35

4/23SBD

Springfield Civic Center

Springfield, MA, USA

3.7k

Playback	Listens	Hours
48h	155	21
7d	509	71
30d	3.7k	521

Philadelphia, PA, USA

1.1k

Playback	Listens	Hours
48h	67	11
7d	129	21
30d	1.1k	183

1.2k

Playback	Listens	Hours
48h	86	12
7d	139	19
30d	1.2k	159

986

Playback	Listens	Hours
48h	60	9
7d	128	20
30d	986	152

Robertson Gym, UC Santa Barbara

1.5k

Playback	Listens	Hours
48h	102	15
7d	220	31
30d	1.5k	212

Playback	Listens	Hours
48h	7	2
7d	1	2
30d	66	18

3:10:50

1 tape

2/27SBD

Goleta, CA, USA

352

Playback	Listens	Hours
48h	39	5
7d	90	11
30d	352	41

San Bernardino, CA, USA

Playback	Listens	Hours
48h	211	29
7d	766	102
30d	5k	672

5:39:22

10 tapes

2/20SBD

Studio (Terrapin Station Outtakes)

Novato, CA

133

Playback	Listens	Hours
48h	26	3
7d	21	2
30d	133	18

Playback	Listens	Hours
48h	15	1
7d	23	3
30d	410	49

1:16:53

3 tapes

Sources

Taper: Betty Cantor

Source & Transfer by Anonymous;Edited & Mastered using Adobe Audition by Joe Noel

gd1977-05-08.148737.SBD.Betty.Anon.Noel.t-flac2448

Source: Betty Cantor's SBD Reel Master > PCM (undecoded) > DAT via spdif/Sony PCM601esd > wav file via spdif/RME multiface > Wave 24/48 (decoded) > Myteck Stereo DAC96 > DBX150X > Korg MR2000 > WAV 24/48

gd1977-05-08.mtx.seamons.97274.sbeok.flac16

View Notespatch info:
- shnid 137569 supplies
- s1t01; start - 01:00
- s1t08; 03:18 - end
- s1t09; start - 00:25
- s2t10; 04:36 - end

Notes:
- Thanks to anonymous, for sharing this source while hiding out away from the Bay Area
- Thanks to dusborne for his work on the matrix

Transferrer: Hunter Seamons

Matrix mix (SBD/AUD)

View Notes----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)

Source 3 of 23

1:03:29

SBD

gd1977-05-08.sbd.cube.87486.flac16

Transferrer: Dan Haugh

gd1977-05-08.mtx.dan.35086.flac24

DVD-A 24/96 SBD+AUD1+AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

gd77-05-08.sbd.hicks.4982.sbeok.shnf

View Notes---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital 
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on 
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > 
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam 
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, 
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch 
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob 
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit 
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > 
First Gen Reel > Played directly to hard drive > CDR > SHN 

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.   CEP2.0 used to adjust 
the volume for the SBD & both AUDs. CEP was used to do the 
multitrack mixdown to 24/96.  This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  DiscWelder was used to author and create the 
DVD-Audio in 24/96.  DVD Decryptor read and created the ISO 
image file.  This incorporates 2 channels of 24/96 wave files.     
- Mixed by [email protected]
- FLAC conversion 08-MAY-2005  
- Artwork by [email protected] 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double DVD case.

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

This represents the 24 bit files that are the result of all 
my editing and the multitrack mixdown. It is unclear exactly 
what we have in the way of high resolution. However it seems 
there is agreement that what we have cannot be represented 
accurately in 16/44. What you are getting is the full result 
of the matrix mix process. How much different does this sound? 
is this better? A little and yes. This is more accurate and 
has more dynamic range.  24/96 resolution versus a 16/44 of 
the same material will usually result in very subtle but 
important differences.  Most of it relying on the quality of
the DVD-A player and the D to A conversion.  With that in 
mind, this 24 bit copy is no different.  Small but important 
gains over the same material in 16/44.  This is just one 
man's take.  Take it or leave it.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

---------------------------------------------------------

Burning Instructions A & B

A. Use DVD Decryptor or similar program to burn as an image 
file (ISO) onto a DVDR.  Enjoy.

B. This may also circulate as 2 channel FLAC files and will
require assembly.  Included is the discwelder file. If you 
use that program, decode all the FLAC file and stick them in 
a folder. Click on the DiscWelder file (which will open 
DiscWelder) and point it towards that folder with the wave 
files and VIOLA! DVD-A pre-assembled and ready to author.

---------------------------------------------------------

Taper: Steve Maizner

Matrix (see notes)

gd1977-05-08.sbd.cantor.sacks.266.shnf

View Notesfreshly remastered Betty Board with AUD splices, by Rob Eaton;

Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

Audience Portion -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive.  The excellent aud splices were normalized and patched using ProTools by Karen Hicks 

Taper: Betty Cantor

WBOTB Source -- 7" two track BBD reel encoded w/ DBX-1 noise reduction @ 7 1/2 ips > Sony PCM501ES @ 44.055 kHz. Sony PCM501ES analog out > DBX-1 decoder > analog in PCM501ES. PCM501ES analog out > Fostex D5 @ 48 kHz>DATs>ZA2>CDRs>EAC>SHN

Charlie Miller;Rob Berger

View NotesAudience Splices -- Teddy Goodbear's Panasonic AM/FM Stereo 'boom box' (w/condenser mics) > CM (Cassette Master) > various equalizers & editors > CD

Taper: Jerry Moore

gd1977-05-08.ecm33p.moore.berger.miller.117027.flac24

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above); 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Jerry Moore

Charlie Miller, Rob Berger

gd1977-05-08.ecm33p.moore.berger.miller.117026.flac16

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac; encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Recording by Rich Petrunis.

Recording by Rich Petrunis.

Transferrer:

Transferred by Andrew F. 04/2021

gd1977-05-08.152379.aud.petrunis.flac2448

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.

View NotesNote: Most of the stand-alone tracks clip-in abruptly with small
amounts missing. Noted flaws: The tape broke, causing drop-outs
at Lazy Lightning 4:01 and Brown Eyed Women 3:33. Supplication
cuts-out near the end. Taper got disrupted or lowered the mic in
Row Jimmy 8:41 > 9:01. Small gaps in Dancing in the Street mended
together at 0:18 & 14:32. Tape-flip start of Not Fade Away 0:33.
With thanks to John and Rich Petrunis for sharing their tapes!

Transferrer: Matrix by Dave Usborne

2:56:25

Transferrer:

gd1977-05-08.137572.mtx-2aud.dusborne.flac16

2 Source Matrix by Dusborne; Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011, mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137571.mtx-2aud.dusborne.flac24

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC; MC>CDR>EAC>WAV>FLAC,Recording And Transfer: Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137570.mtx.dusborne.flac16

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster);Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC, Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

3:02:47

REMASTER

Transferrer:

gd1977-05-08.137569.mtx.dusborne.flac24

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster); Audience 1 (shnid:117027)source: aud taped by Jerry Moore a) cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b) Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b) The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303)Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Taper: Jim Cooper

gd1977-05-08.134093.aud.cooper.berger.flac24

source: aud cassette master; taped by Jim Cooper; sony ecm22p > hitachi trq232; nakamichi dragon > benchmark ADC1 24/96 > tascam hd-p2, compact flash > mac > adobe audition CC > xACT flac; transferred and seeded by Rob Berger

Transferrer: Hunter Seamons

gd1977-05-08.111493.mtx.seamons.sbeok.flac16

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); this source fixes a flaw in d1t08 from <a href="http://db.etree.org/shn/97274">source ID 97274</a>

DTS and Matrixing by Dan Haugh

View Notes1) Warning: this might steal your face - the sound is impeccable, thanks to truly excellent sources for a matrix.


Jerry Garcia - Lead Guitar, Vocals
Donna Jean Godchaux - Vocals
Keith Godchaux - Keyboards
Mickey Hart - Drums
Bill Kreutzmann - Drums
Phil Lesh - Electric Bass, Vocals
Bob Weir - Rhythm Guitar, Vocals



*40th Matrix* 

----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 

I removed a "click" sound I mistakenly added to the AUD-only portion of Supplication at 0:06. I fixed this by patching in the unscathed AUD there, rather than using a de-clicker filter. This "click" had always driven me nuts and warranted a fixing.

Thank you for your continued patience and support.

-Hunter

February 14, 2010

Taper: See info file

gd1977-05-08.mtx.dts.dan.30756.flac16

View NotesTech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.  CEP2.0 used to adjust the 
volume for both AUDs, matrix/CTR and LFE channels.  Surcode 
CD Pro DTS was used to encode to DTS. The center matrix track 
is a 60% SBD, 40% AUD2 mix.   
- Mixed by [email protected]
- FLAC conversion 08-MAY-2005  
- Artwork by [email protected] 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

DTS-Audio-CD Info

Front  	
Left Channel SBD Reel 
Right Channel SBD Reel

Center 	
Mixed to mono -6db SBD+AUD2 Matrix 

Surround 
Left Channel -2db AUD1 (with some AUD2 patches)
Right Channel -2db AUD1 (with some AUD2 patches)

Sub/LFE
Mixed to mono -4db SBD Reel

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you 
didn't really read the text file, did you?  

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel 
sound, like DTS and Dolby Digital.  While the Audio-CD 
standard (Red Book) hasn't changed to accommodate these 
new sound formats, it is still possible to go around the 
specification and to put a 5.1 surround recording on a 
regular Audio-CD.  To play a DTS-Audio-CD you must connect 
your DVD/CD player via a digital cable (optical or coaxial) 
to your DTS Dolby-Digital receiver. It is not 100% sure 
that your receiver will recognize a DTS-Audio CD, so the 
first time you're trying to playback a DTS-Audio-CD you 
must do a test to determine if it can. Begin with the 
volume very low, start the disc and raise the volume 
gradually. NEVER listen to a DTS-Audio-CD through the 
analog audio outputs of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any 
normal Audio-CD from FLAC files.

Taper: See info file

Matrixing by Dan Haugh

gd1977-05-08.mtx.dan.29511.flac16

View NotesSBD + AUD1 + AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) >
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster)

AUD1
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B,
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master >
First Gen Reel > Played directly to hard drive > CDR > SHN

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch the SBD & both AUD sources.   CEP2.0 used to adjust the
volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  
- Mixed by [email protected]
- FLAC conversion 08-MAY-2005  
- Artwork by [email protected] 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a
fake AUD recording by mixing crowd cheer with the SBD. This
was effective at creating patches for the rear channels in
the 5.1 presentation but also maintained a smooth quality in
the stereo matrix mix as well.  These patches are numerous
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources
to pull up the vocals and give the center channel a unique
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo
field moves.  The result, although not perfect, I think
provides the listener with a more enjoyable and natural
listening experience.  Maybe you disagree.  For those of you
who would rather have a patch using a matrix mix of the 2 AUD
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 -
43:16.362.  This was patched using a matrix mix of the 2 AUD
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is
still pretty good.  The switch back to SBD is actually
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you
didn't really read the text file, did you?

Taper: Jeff Stevenson

gd1977-05-08.shure57.stevenson.29303.flac16

Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC

MC>CDR>EAC>WAV>FLAC

Rob Berger and Chris Larson

View NotesNotes:10 Feet From Stage=Great Instrement Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many,Tape Filp After D01T08,D03T03
Flip Durning NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's 
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
if Anyone Wants To  Matrix This Feel Free, I'd Love To Hear It!

Transferrer: Rob Berger and Chris Larson

gd1977-05-08.aud.moore.berger.28354.flac16

MAC>R>CD

Rob Berger and Sean Cribbs

View NotesJerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

Taper: Jerry Moore

gd1977-05-08.aud.moore.cribbs.28301.shnf

MAC>R>CD

gd77-05-08.matrix.dan.26857.sbeok.flacf

View NotesMAC>R>CD
Audience Recording by Jerry Moore

Jerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

EAC>WAV>SHN encoding by Sean Cribbs 2/19/2005.

Transferrer: Dan

Matrix - 3 Sources

gd77-05-08.dts.dan.26856.sbeok.flacf

View NotesSBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN 

Tech Notes: 

SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave.  CEP2.0 was used to align & synch the SBD & both AUD sources.   CEP2.0 used to adjust the volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1, 20% AUD2 mix.  

- Mixed by [email protected]
- FLAC conversion 08-MAY-2005  
- Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case.

Notes: 

I looked at the 4 pages of notes I had on this project and it made me sick to think about typing them up.  So, although not complete, you will get a good idea of what was done to bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both AUD recordings suffered from btwn song pauses that not only cut the crowd cheer out but clipped the beginning of many songs. The 2 AUD source coverage allowed my to patch 1 with the other in some situations.  A couple spots I created a fake AUD recording by mixing crowd cheer with the SBD. This was effective at creating patches for the rear channels in the 5.1 presentation but also maintained a smooth quality in the stereo matrix mix as well.  These patches are numerous and I think completely smooth and most likely undetectable.

d1t01 The first 16.041 seconds of Minglewood blues was cut on the SBD.  Starting this monster project with an unrecoverable flaw was unacceptable to me.  I decided to patch that opening portion with a SBD and AUD recording from 5-7-77.  As this patch ends you will hear some slight phasing as the stereo field moves.  The result, although not perfect, I think provides the listener with a more enjoyable and natural listening experience.  Maybe you disagree.  For those of you who would rather have a patch using a matrix mix of the 2 AUD sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 43:16.362.  This was patched using a matrix mix of the 2 AUD sources and then EQ'ed to best match the sound spectrum of the SBD.  I also tried to match the volume on the SBD.  A switch in sources is obvious to the listener but this is still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418. This was fixed using a quick channel swap.   This is smooth and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you didn't really read the text file, did you?

Source 22 of 23

<b>DTS Audio 5.1</b>: Soundboard (Betty Board) > Master 7

gd77-05-08.maizner.hicks.5002.sbeok.shnf

View Notes<b>Lossies (including stream version) removed because 5.1 channel files do not properly encode to 2 channel MP3's - the result is static.</b>

<b>DTS Audio 5.1</b>: SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT> DAT> Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD (Steve Maizner) > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN; see pub comments re additional reflac version

Taper: Steve Maizner

Audience - Sony ECM-990

Sony ECM-990 > Sony TC-152 (aud master) > First Gen Reel > played directly to hard drive