Scarlet Begonias -> | 1977-05-08 | Grateful Dead

Bernie Worrell and the WOO Warriors

Playback	Listens	Hours
48h	1	1
7d	6	24m
30d	82	11

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	8	53m
7d	1	11m
30d	17	2

Playback	Listens	Hours
48h	67	8
7d	72	11
30d	337	46

Playback	Listens	Hours
48h	173	24
7d	359	46
30d	2.3k	298

Playback	Listens	Hours
48h	5.2k	546
7d	16.4k	1.7k
30d	90k	9k

Playback	Listens	Hours
48h	86	6
7d	216	17
30d	1.7k	120

62 shows

76 tapes

Blueground Undergrass

Playback	Listens	Hours
48h	2	12m
7d	3	8m
30d	54	6

Playback	Listens	Hours
48h	255	27
7d	450	49
30d	2.3k	255

Playback	Listens	Hours
48h	332	40
7d	929	129
30d	5.8k	765

308 shows

512 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	3

22 shows

28 tapes

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	2	35m
30d	8	2

Playback	Listens	Hours
48h	45	8
7d	192	32
30d	978	166

451 shows

563 tapes

Buffalo Galaxy

Playback	Listens	Hours
48h	0	0m
7d	5	42m
30d	41	5

Playback	Listens	Hours
48h	20	1
7d	277	28
30d	1.3k	128

Playback	Listens	Hours
48h	70	7
7d	248	26
30d	968	100

Playback	Listens	Hours
48h	21	1
7d	19	1
30d	448	27

Playback	Listens	Hours
48h	17	3
7d	45	7
30d	226	32

Playback	Listens	Hours
48h	13	53m
7d	53	4
30d	280	19

243 shows

272 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	4	1

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	0	0m
7d	2	21m
30d	17	2

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	0	0m
7d	36	3
30d	97	9

79 shows

93 tapes

Circles Around The Sun

1.6k

Playback	Listens	Hours
48h	71	14
7d	224	45
30d	1.6k	317

Playback	Listens	Hours
48h	3	30m
7d	15	3
30d	340	67

Playback	Listens	Hours
48h	43	4
7d	108	9
30d	420	35

Playback	Listens	Hours
48h	70	9
7d	59	9
30d	503	74

Playback	Listens	Hours
48h	253	37
7d	763	104
30d	4.2k	580

Playback	Listens	Hours
48h	369	51
7d	997	136
30d	5.6k	780

796 shows

1,056 tapes

Dave Harrington

Playback	Listens	Hours
48h	5	1
7d	1	20m
30d	18	5

Playback	Listens	Hours
48h	3	14m
7d	98	8
30d	220	20

Playback	Listens	Hours
48h	2.5k	407
7d	7.7k	1.2k
30d	40.3k	6.4k

Playback	Listens	Hours
48h	31	4
7d	52	6
30d	149	15

Playback	Listens	Hours
48h	181	12
7d	293	16
30d	1.4k	90

Playback	Listens	Hours
48h	102	12
7d	294	34
30d	1.8k	220

Playback	Listens	Hours
48h	821	170
7d	2.1k	445
30d	13.5k	2.8k

Playback	Listens	Hours
48h	23	2
7d	30	3
30d	221	23

Playback	Listens	Hours
48h	163	24
7d	699	106
30d	3.5k	525

155 shows

209 tapes

Domocile

Playback	Listens	Hours
48h	12	3
7d	5	1
30d	86	21

Playback	Listens	Hours
48h	138	14
7d	296	32
30d	1.7k	174

Playback	Listens	Hours
48h	6	52m
7d	50	8
30d	277	45

Playback	Listens	Hours
48h	203	18
7d	571	51
30d	3.1k	275

Playback	Listens	Hours
48h	36	6
7d	68	13
30d	542	96

Playback	Listens	Hours
48h	16	2
7d	20	3
30d	148	19

Playback	Listens	Hours
48h	101	18
7d	266	43
30d	1.8k	289

150 shows

288 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	11	2

Playback	Listens	Hours
48h	46	7
7d	264	34
30d	2.3k	322

830 shows

1,049 tapes

Electric Beethoven

Playback	Listens	Hours
48h	0	0m
7d	1	54m
30d	31	11

Playback	Listens	Hours
48h	99	6
7d	90	5
30d	650	36

156 shows

174 tapes

Eric Krasno

Playback	Listens	Hours
48h	6	1
7d	12	2
30d	83	12

121 shows

180 tapes

Everyone Orchestra

Playback	Listens	Hours
48h	2	4m
7d	4	51m
30d	65	14

182 shows

286 tapes

Forgotten Space

Playback	Listens	Hours
48h	0	0m
7d	3	8m
30d	67	9

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	5	54m

Playback	Listens	Hours
48h	13	1
7d	25	3
30d	247	28

Playback	Listens	Hours
48h	0	0m
7d	9	36m
30d	186	12

Playback	Listens	Hours
48h	5	27m
7d	3	15m
30d	155	12

Playback	Listens	Hours
48h	17	1
7d	36	2
30d	188	12

Playback	Listens	Hours
48h	724	113
7d	1.4k	222
30d	9.9k	1.6k

246 shows

1,221 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	11m

14 shows

15 tapes

G. Love and Special Sauce

598

Playback	Listens	Hours
48h	8	35m
7d	94	8
30d	598	53

Playback	Listens	Hours
48h	29	4
7d	161	19
30d	981	114

397 shows

476 tapes

Garage A Trois

Playback	Listens	Hours
48h	0	0m
7d	20	2
30d	96	13

Playback	Listens	Hours
48h	9	2
7d	24	5
30d	317	67

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	10	2

Playback	Listens	Hours
48h	0	0m
7d	11	4
30d	111	23

Playback	Listens	Hours
48h	105	13
7d	167	20
30d	871	102

370 shows

499 tapes

Godspeed You Black Emperor!

382

Playback	Listens	Hours
48h	15	4
7d	95	26
30d	382	100

Playback	Listens	Hours
48h	0	0m
7d	10	32m
30d	214	28

Playback	Listens	Hours
48h	2.2k	467
7d	6k	1.2k
30d	35.7k	7.3k

Playback	Listens	Hours
48h	36	3
7d	34	3
30d	259	24

363 shows

589 tapes

Grahame Lesh and Friends

2.7k

Playback	Listens	Hours
48h	55	9
7d	338	49
30d	2.7k	380

34 shows

109 tapes

Grampas Grass

Playback	Listens	Hours
48h	16	2
7d	24	4
30d	31	4

58 shows

69 tapes

Greensky Bluegrass

Playback	Listens	Hours
48h	406	47
7d	1.1k	126
30d	6k	677

Playback	Listens	Hours
48h	120	12
7d	179	20
30d	925	100

226 shows

313 tapes

GrooveSession

Playback	Listens	Hours
48h	0	0m
7d	6	1
30d	21	3

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	2	6m
7d	8	30m
30d	31	2

53 shows

57 tapes

Guitarmageddon

Playback	Listens	Hours
48h	0	0m
7d	10	1
30d	22	3

Playback	Listens	Hours
48h	22	2
7d	60	4
30d	373	26

749 shows

1,030 tapes

Hard Working Americans

190

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	190	20

Playback	Listens	Hours
48h	20	3
7d	67	11
30d	433	71

187 shows

226 tapes

Horseshoes and Hand Grenades

Playback	Listens	Hours
48h	22	2
7d	12	1
30d	22	2

Playback	Listens	Hours
48h	11	47m
7d	56	6
30d	223	23

674 shows

846 tapes

Infamous Stringdusters

1.9k

Playback	Listens	Hours
48h	87	8
7d	276	25
30d	1.9k	173

629 shows

1,016 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	71	13

Playback	Listens	Hours
48h	378	25
7d	911	59
30d	5.5k	358

Playback	Listens	Hours
48h	27	3
7d	53	5
30d	290	28

364 shows

491 tapes

Jazz Mandolin Project

114

Playback	Listens	Hours
48h	1	10m
7d	6	2
30d	114	19

221 shows

278 tapes

Jeff Austin and Chris Castino

109

Playback	Listens	Hours
48h	23	2
7d	48	4
30d	109	10

12 shows

14 tapes

Jeff Austin And Friends

130

Playback	Listens	Hours
48h	30	3
7d	56	6
30d	130	13

Playback	Listens	Hours
48h	48	8
7d	267	33
30d	986	119

112 shows

162 tapes

Jerry Joseph and the Jackmormons

2.9k

Playback	Listens	Hours
48h	134	25
7d	561	93
30d	2.9k	474

1,124 shows

1,519 tapes

Jerry's Middle Finger

4.8k

Playback	Listens	Hours
48h	175	23
7d	672	91
30d	4.8k	679

255 shows

306 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	24	3

2 shows

Karl Denson's Tiny Universe

Joe Russo's Almost Dead

43.2k

Playback	Listens	Hours
48h	3.5k	678
7d	8.8k	1.6k
30d	43.2k	8.2k

Playback	Listens	Hours
48h	60	7
7d	101	10
30d	514	59

Playback	Listens	Hours
48h	147	13
7d	517	47
30d	2.3k	212

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	6	26m
7d	1	5m
30d	36	4

Playback	Listens	Hours
48h	35	3
7d	86	6
30d	193	15

Playback	Listens	Hours
48h	0	0m
7d	19	2
30d	194	19

73 shows

108 tapes

169

Playback	Listens	Hours
48h	1	4m
7d	30	4
30d	169	23

Playback	Listens	Hours
48h	305	27
7d	934	86
30d	4.7k	457

Playback	Listens	Hours
48h	6	60m
7d	3	23m
30d	111	15

43 shows

54 tapes

King Gizzard & the Lizard Wizard

15.6k

Playback	Listens	Hours
48h	801	107
7d	3k	400
30d	15.6k	2.1k

Playback	Listens	Hours
48h	111	18
7d	371	50
30d	1.7k	230

Playback	Listens	Hours
48h	0	0m
7d	14	2
30d	104	15

Playback	Listens	Hours
48h	21	3
7d	109	23
30d	849	163

Playback	Listens	Hours
48h	60	7
7d	65	8
30d	930	112

Playback	Listens	Hours
48h	257	23
7d	697	59
30d	3.8k	349

Playback	Listens	Hours
48h	174	35
7d	451	80
30d	3.2k	568

452 shows

705 tapes

Little Feat

Playback	Listens	Hours
48h	231	19
7d	1k	94
30d	6k	559

Playback	Listens	Hours
48h	43	3
7d	290	22
30d	1.5k	112

795 shows

955 tapes

Lotus

Playback	Listens	Hours
48h	73	10
7d	192	32
30d	1k	183

436 shows

618 tapes

Marco Benevento

Playback	Listens	Hours
48h	1	20m
7d	6	38m
30d	74	8

Playback	Listens	Hours
48h	206	18
7d	458	47
30d	2.2k	211

Playback	Listens	Hours
48h	0	0m
7d	55	6
30d	204	23

349 shows

446 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	164	24
7d	973	137
30d	4.9k	791

Playback	Listens	Hours
48h	6	32m
7d	79	4
30d	405	23

Playback	Listens	Hours
48h	0	0m
7d	14	1
30d	150	15

157 shows

172 tapes

Minutemen

Playback	Listens	Hours
48h	25	40m
7d	13	17m
30d	44	1

Playback	Listens	Hours
48h	4	12m
7d	224	15
30d	1.4k	94

Playback	Listens	Hours
48h	549	88
7d	1.4k	224
30d	10.2k	1.7k

1,978 shows

4,443 tapes

Mogwai

Playback	Listens	Hours
48h	0	0m
7d	1	7m
30d	81	9

380 shows

481 tapes

Moon Taxi

Playback	Listens	Hours
48h	3	11m
7d	30	2
30d	75	6

Playback	Listens	Hours
48h	319	33
7d	981	100
30d	5.1k	511

410 shows

596 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	28	2

46 shows

51 tapes

Neal Francis

Playback	Listens	Hours
48h	9	1
7d	11	1
30d	86	8

Playback	Listens	Hours
48h	16	3
7d	118	17
30d	745	101

137 shows

249 tapes

Nels Cline

Playback	Listens	Hours
48h	3	1
7d	7	1
30d	8	2

62 shows

73 tapes

New Riders of the Purple Sage

1.9k

Playback	Listens	Hours
48h	71	5
7d	295	26
30d	1.9k	161

410 shows

596 tapes

North Mississippi Allstars

1.4k

Playback	Listens	Hours
48h	25	2
7d	274	28
30d	1.4k	135

Playback	Listens	Hours
48h	34	4
7d	92	11
30d	771	82

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	12m

Playback	Listens	Hours
48h	16	3
7d	31	6
30d	123	22

Playback	Listens	Hours
48h	4	30m
7d	26	4
30d	137	20

Playback	Listens	Hours
48h	69	14
7d	284	54
30d	1.7k	304

689 shows

920 tapes

Phil Lesh and Friends

16.6k

Playback	Listens	Hours
48h	894	159
7d	3k	526
30d	16.6k	2.9k

788 shows

2,858 tapes

Pigeons Playing Ping Pong

1.8k

Playback	Listens	Hours
48h	171	26
7d	380	57
30d	1.8k	291

Playback	Listens	Hours
48h	307	41
7d	916	123
30d	4.1k	531

293 shows

435 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	12m

Playback	Listens	Hours
48h	230	29
7d	661	84
30d	3.8k	495

1,236 shows

2,196 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	27	2

Playback	Listens	Hours
48h	27	3
7d	59	7
30d	418	54

279 shows

398 tapes

Ratdog

Playback	Listens	Hours
48h	474	66
7d	1.2k	160
30d	7k	926

Playback	Listens	Hours
48h	75	5
7d	357	27
30d	1.2k	97

Playback	Listens	Hours
48h	150	11
7d	393	34
30d	1.5k	131

Playback	Listens	Hours
48h	88	7
7d	280	26
30d	2.3k	203

581 shows

729 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	9	2

10 shows

11 tapes

Ryley Walker

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	18	2

Playback	Listens	Hours
48h	430	40
7d	784	72
30d	3.9k	361

128 shows

192 tapes

Scott Metzger

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	87	10

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	0	0m
7d	37	4
30d	54	7

28 shows

28 tapes

Sigur Rós

Playback	Listens	Hours
48h	10	1
7d	4	21m
30d	48	6

Playback	Listens	Hours
48h	51	4
7d	250	19
30d	1.6k	138

Playback	Listens	Hours
48h	127	20
7d	499	79
30d	2.7k	434

Playback	Listens	Hours
48h	111	25
7d	257	60
30d	1.1k	268

Playback	Listens	Hours
48h	34	2
7d	79	4
30d	306	18

87 shows

95 tapes

Stanton Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	21	3

Playback	Listens	Hours
48h	33	9
7d	64	13
30d	746	115

Playback	Listens	Hours
48h	119	30
7d	309	67
30d	1.8k	386

Playback	Listens	Hours
48h	67	9
7d	182	25
30d	2.2k	293

667 shows

1,139 tapes

String Cheese Incident

18.6k

Playback	Listens	Hours
48h	1.4k	220
7d	3.8k	618
30d	18.6k	3k

1,281 shows

2,074 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	0	0m
7d	1	8m
30d	47	5

Playback	Listens	Hours
48h	16	3
7d	33	6
30d	216	38

Playback	Listens	Hours
48h	0	0m
7d	54	7
30d	170	22

Playback	Listens	Hours
48h	62	7
7d	182	20
30d	836	88

727 shows

1,114 tapes

Ted Leo and the Pharmacists

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	852	102
7d	2.3k	281
30d	13.5k	1.6k

Playback	Listens	Hours
48h	12	32m
7d	27	1
30d	200	9

Playback	Listens	Hours
48h	54	7
7d	317	38
30d	2.1k	253

Playback	Listens	Hours
48h	12	2
7d	101	14
30d	398	62

473 shows

627 tapes

The California Honeydrops

638

Playback	Listens	Hours
48h	9	1
7d	59	8
30d	638	79

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	11	2

Playback	Listens	Hours
48h	158	23
7d	460	65
30d	2.7k	390

Playback	Listens	Hours
48h	0	0m
7d	25	2
30d	388	33

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	0	0m
7d	11	57m
30d	21	2

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	1	6m
7d	5	14m
30d	23	2

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	14	2

Playback	Listens	Hours
48h	36	5
7d	135	23
30d	420	71

Playback	Listens	Hours
48h	4	24m
7d	37	4
30d	131	15

273 shows

358 tapes

The Mountain Goats

Playback	Listens	Hours
48h	217	12
7d	372	23
30d	1k	60

Playback	Listens	Hours
48h	29	2
7d	119	8
30d	1.3k	97

Playback	Listens	Hours
48h	19	3
7d	33	8
30d	341	68

Playback	Listens	Hours
48h	83	9
7d	143	14
30d	956	97

Playback	Listens	Hours
48h	67	10
7d	332	46
30d	1.7k	265

Playback	Listens	Hours
48h	325	33
7d	1.2k	118
30d	6.6k	657

1,451 shows

1,648 tapes

The Walkmen

Playback	Listens	Hours
48h	0	0m
7d	3	12m
30d	66	6

Playback	Listens	Hours
48h	51	5
7d	145	15
30d	1.1k	108

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	0	0m
7d	2	22m
30d	10	2

Playback	Listens	Hours
48h	100	11
7d	230	30
30d	1.3k	136

Playback	Listens	Hours
48h	87	6
7d	153	10
30d	926	63

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	44	4

Playback	Listens	Hours
48h	524	76
7d	1.1k	169
30d	7.5k	1.1k

464 shows

464 tapes

Turkuaz

Playback	Listens	Hours
48h	0	0m
7d	19	2
30d	69	7

Playback	Listens	Hours
48h	70	11
7d	291	50
30d	1.8k	289

Playback	Listens	Hours
48h	299	45
7d	774	114
30d	5.1k	761

Playback	Listens	Hours
48h	0	0m
7d	44	4
30d	366	30

Playback	Listens	Hours
48h	183	13
7d	262	20
30d	1.7k	126

Playback	Listens	Hours
48h	751	67
7d	2.3k	185
30d	14k	1.2k

623 shows

1,138 tapes

White Denim

Playback	Listens	Hours
48h	12	55m
7d	14	1
30d	75	6

Playback	Listens	Hours
48h	8.8k	1k
7d	24.3k	2.9k
30d	138.4k	16.3k

Playback	Listens	Hours
48h	95	11
7d	154	20
30d	889	122

1,416 shows

2,242 tapes

Yonder Mountain String Band

11.2k

Playback	Listens	Hours
48h	501	48
7d	1.8k	166
30d	11.2k	1k

Playback	Listens	Hours
48h	70	10
7d	405	59
30d	1.1k	159

18 shows

24 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	4m

Playback	Listens	Hours
48h	105	19
7d	426	76
30d	1.7k	302

461 shows

665 tapes

Zoofunkyou

Playback	Listens	Hours
48h	0	0m
7d	1	9m
30d	18	3

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	1.6k	188
7d	1.4k	185
30d	30.1k	4.2k

Playback	Listens	Hours
48h	1.5k	233
7d	4.5k	665
30d	12.7k	1.8k

Playback	Listens	Hours
48h	1.9k	259
7d	6.9k	909
30d	38k	5k

Playback	Listens	Hours
48h	2.8k	375
7d	8.2k	1.1k
30d	45.1k	6k

Playback	Listens	Hours
48h	2.7k	355
7d	11.1k	1.4k
30d	43k	5.8k

Playback	Listens	Hours
48h	5.5k	785
7d	12.4k	1.6k
30d	48.5k	6.3k

Playback	Listens	Hours
48h	2.2k	278
7d	7.4k	925
30d	48.9k	6.1k

Playback	Listens	Hours
48h	1.1k	128
7d	3.4k	397
30d	20.3k	2.3k

Playback	Listens	Hours
48h	3.8k	476
7d	13.8k	1.7k
30d	42.7k	4.8k

Playback	Listens	Hours
48h	840	97
7d	2.6k	292
30d	12.5k	1.4k

Playback	Listens	Hours
48h	7k	804
7d	5.9k	693
30d	24.7k	2.9k

Playback	Listens	Hours
48h	2.1k	260
7d	12.1k	1.4k
30d	27k	3.3k

Playback	Listens	Hours
48h	955	121
7d	3.4k	441
30d	21k	2.7k

Playback	Listens	Hours
48h	1.2k	153
7d	3.6k	443
30d	42.4k	5.3k

Playback	Listens	Hours
48h	1.9k	234
7d	5.3k	665
30d	31.2k	3.9k

Playback	Listens	Hours
48h	3.7k	424
7d	15.3k	1.8k
30d	71.1k	8.3k

Playback	Listens	Hours
48h	1.2k	172
7d	4.1k	580
30d	21.7k	3k

Playback	Listens	Hours
48h	1.6k	224
7d	4.9k	672
30d	38.8k	5.2k

Playback	Listens	Hours
48h	7.6k	1.1k
7d	26.6k	3.7k
30d	267.8k	37k

Playback	Listens	Hours
48h	16k	2.2k
7d	42k	5.6k
30d	91.9k	12.4k

Playback	Listens	Hours
48h	429	45
7d	882	91
30d	6.3k	647

Playback	Listens	Hours
48h	3.3k	424
7d	9.8k	1.3k
30d	89.9k	11.4k

Playback	Listens	Hours
48h	3.9k	508
7d	18.7k	2.6k
30d	90.4k	11.6k

Playback	Listens	Hours
48h	2.5k	313
7d	6.6k	846
30d	62.9k	7.7k

Playback	Listens	Hours
48h	1.6k	172
7d	4.3k	482
30d	33.7k	3.9k

Playback	Listens	Hours
48h	1.3k	155
7d	4.3k	504
30d	39.3k	4.2k

Playback	Listens	Hours
48h	1.4k	221
7d	3.8k	540
30d	28.3k	4.2k

Playback	Listens	Hours
48h	666	83
7d	1.7k	205
30d	8.1k	1k

Playback	Listens	Hours
48h	139	19
7d	313	45
30d	1.7k	233

23 shows

55 tapes

1966

Playback	Listens	Hours
48h	470	29
7d	892	61
30d	8k	538

Playback	Listens	Hours
48h	31	2
7d	109	7
30d	639	38

1977

Playback	Listens	Hours
48h	0	0m
7d	2	3
30d	10	15

476

Playback	Listens	Hours
48h	29	4
7d	57	9
30d	476	73

405

Playback	Listens	Hours
48h	32	5
7d	76	11
30d	405	63

718

Playback	Listens	Hours
48h	55	7
7d	129	15
30d	718	89

496

Playback	Listens	Hours
48h	42	5
7d	54	7
30d	496	60

Playback	Listens	Hours
48h	4	26m
7d	232	27
30d	1.1k	132

2:52:12

Community War Memorial Auditorium

11/05SBD

Rochester, NY, USA

647

Playback	Listens	Hours
48h	8	1
7d	78	10
30d	647	76

2:57:39

6 tapes

11/04SBD

Cotterrell Gym, Colgate U.

Hamilton, NY, USA

635

Playback	Listens	Hours
48h	16	3
7d	128	17
30d	635	80

3:03:06

11 tapes

11/02SBD

Field House, Seneca College

Toronto, Ontario, Canada

353

Playback	Listens	Hours
48h	48	7
7d	70	9
30d	353	47

Playback	Listens	Hours
48h	19	2
7d	28	4
30d	205	27

2:29:26

2 tapes

10/30SBD

Assembly Hall, Indiana U

Bloomington, IN, USA

319

Playback	Listens	Hours
48h	5	45m
7d	15	2
30d	319	42

2:37:00

Field House, Northern Illinois U.

10/29SBD

De Kalb, IL, USA

Playback	Listens	Hours
48h	71	10
7d	186	27
30d	1k	142

3:20:06

Soldiers' and Sailors' Memorial Hall

10/28SBD

Kansas City, KS, USA

141

Playback	Listens	Hours
48h	12	2
7d	6	48m
30d	141	20

3:00:28

6 tapes

10/16SBD

Assembly Center, Lousiana State U

Baton Rouge, LA, USA

470

Playback	Listens	Hours
48h	31	5
7d	90	13
30d	470	70

2:39:05

Lloyd Noble Center, U. of Oklahoma

10/15SBD

Moody Coliseum, S.M.U

Dallas, TX, USA

164

Playback	Listens	Hours
48h	6	44m
7d	7	1
30d	164	22

Playback	Listens	Hours
48h	50	7
7d	141	19
30d	511	72

Playback	Listens	Hours
48h	13	2
7d	39	4
30d	158	17

2:34:16

4 tapes

10/11SBD

Norman, OK, USA

341

Playback	Listens	Hours
48h	24	4
7d	91	13
30d	341	49

2:37:06

Activity Center. Arizona State U

10/09SBD

McNichols Sports Arena

Denver, CO, USA

411

Playback	Listens	Hours
48h	12	2
7d	55	7
30d	411	54

Playback	Listens	Hours
48h	18	3
7d	8	2
30d	137	22

1:26:51

4 tapes

10/06SBD

Tempe, AZ, USA

601

Playback	Listens	Hours
48h	70	10
7d	345	49
30d	601	86

Playback	Listens	Hours
48h	56	8
7d	298	39
30d	1.1k	147

Playback	Listens	Hours
48h	27	3
7d	96	12
30d	553	67

2:43:45

Paramount Northwest Theater

9/29SBD

Seattle, WA, USA

425

Playback	Listens	Hours
48h	12	2
7d	36	6
30d	425	68

2:53:08

Paramount Northwest Theater

9/28SBD

Seattle, WA, USA

246

Playback	Listens	Hours
48h	3	22m
7d	42	6
30d	246	34

Playback	Listens	Hours
48h	81	11
7d	392	53
30d	2.2k	294

14.5k

Playback	Listens	Hours
48h	698	91
7d	6.4k	813
30d	14.5k	1.8k

7.8k

Playback	Listens	Hours
48h	209	32
7d	1.2k	177
30d	7.8k	1.2k

15.3k

Playback	Listens	Hours
48h	861	119
7d	1.8k	247
30d	15.3k	2.1k

Playback	Listens	Hours
48h	34	4
7d	221	27
30d	9k	1.1k

3:05:07

3 tapes

5/28SBD

Hartford Civic Center

Hartford, CT, USA

17.6k

Playback	Listens	Hours
48h	124	16
7d	367	58
30d	17.6k	2.6k

3:19:35

11 tapes

5/26SBD

Baltimore Civic Center

Baltimore, MD, USA

12.3k

Playback	Listens	Hours
48h	125	16
7d	353	49
30d	12.3k	1.7k

Playback	Listens	Hours
48h	275	36
7d	538	70
30d	16.8k	2.2k

Pembroke Pines, FL, USA

32.1k

Playback	Listens	Hours
48h	516	72
7d	1.6k	223
30d	32.1k	4.4k

3:17:29

4nuyKoY91WKwR6HLq7Gzkl Lakeland, FL, USA

5/21SBD

Lakeland Civic Center

13.1k

Playback	Listens	Hours
48h	118	15
7d	247	32
30d	13.1k	1.7k

Playback	Listens	Hours
48h	81	12
7d	401	56
30d	13.9k	1.9k

Playback	Listens	Hours
48h	121	18
7d	232	33
30d	15.8k	2.3k

2:56:45

3 tapes

5/17SBD

Memorial Coliseum, U. of Alabama

Tuscaloosa, AL, USA

13.3k

Playback	Listens	Hours
48h	215	28
7d	780	102
30d	13.3k	1.7k

Playback	Listens	Hours
48h	91	12
7d	104	14
30d	1.9k	252

Playback	Listens	Hours
48h	108	12
7d	179	22
30d	1.6k	206

Playback	Listens	Hours
48h	15	2
7d	36	5
30d	375	47

2:29:28

2 tapes

5/11SBD

St. Paul Civic Center

St. Paul, MN, USA

Playback	Listens	Hours
48h	202	27
7d	549	73
30d	6k	801

5:53:21

5/09SBD

War Memorial Auditorium

Buffalo, NY, USA

16k

Playback	Listens	Hours
48h	690	101
7d	2.2k	324
30d	16k	2.3k

5:15:24

Barton Hall, Cornell University

5/08SBD

Ithaca, NY, USA

12.2k

Playback	Listens	Hours
48h	508	83
7d	1.6k	248
30d	12.2k	1.9k

Playback	Listens	Hours
48h	489	70
7d	1.2k	176
30d	9.2k	1.4k

3:15:28

9 tapes

5/05SBD

Veterans Memorial Coliseum

New Haven, CT, USA

2.9k

Playback	Listens	Hours
48h	239	35
7d	334	51
30d	2.9k	436

Playback	Listens	Hours
48h	140	22
7d	426	66
30d	3.1k	508

Playback	Listens	Hours
48h	20	2
7d	63	8
30d	677	82

Playback	Listens	Hours
48h	40	6
7d	80	11
30d	656	85

Playback	Listens	Hours
48h	16	2
7d	92	10
30d	625	76

Playback	Listens	Hours
48h	18	3
7d	132	19
30d	562	84

Playback	Listens	Hours
48h	21	3
7d	78	12
30d	930	146

Playback	Listens	Hours
48h	2	19m
7d	58	8
30d	132	18

Playback	Listens	Hours
48h	52	6
7d	76	9
30d	688	77

2:38:35

4/23SBD

Springfield Civic Center

Springfield, MA, USA

3.9k

Playback	Listens	Hours
48h	188	27
7d	588	83
30d	3.9k	549

Philadelphia, PA, USA

1.2k

Playback	Listens	Hours
48h	73	12
7d	186	31
30d	1.2k	190

1.2k

Playback	Listens	Hours
48h	75	11
7d	179	24
30d	1.2k	166

Playback	Listens	Hours
48h	75	12
7d	142	22
30d	1k	155

Robertson Gym, UC Santa Barbara

1.5k

Playback	Listens	Hours
48h	121	18
7d	280	39
30d	1.5k	221

Playback	Listens	Hours
48h	0	0m
7d	1	2
30d	66	18

3:10:50

1 tape

2/27SBD

Goleta, CA, USA

354

Playback	Listens	Hours
48h	43	5
7d	90	11
30d	354	41

San Bernardino, CA, USA

5.1k

Playback	Listens	Hours
48h	218	29
7d	965	129
30d	5.1k	695

5:39:22

10 tapes

2/20SBD

Studio (Terrapin Station Outtakes)

Novato, CA

133

Playback	Listens	Hours
48h	25	3
7d	23	3
30d	133	18

Playback	Listens	Hours
48h	3	31m
7d	27	4
30d	426	51

1:16:53

3 tapes

Sources

Taper: Betty Cantor

Source & Transfer by Anonymous;Edited & Mastered using Adobe Audition by Joe Noel

gd1977-05-08.148737.SBD.Betty.Anon.Noel.t-flac2448

Source: Betty Cantor's SBD Reel Master > PCM (undecoded) > DAT via spdif/Sony PCM601esd > wav file via spdif/RME multiface > Wave 24/48 (decoded) > Myteck Stereo DAC96 > DBX150X > Korg MR2000 > WAV 24/48

gd1977-05-08.mtx.seamons.97274.sbeok.flac16

View Notespatch info:
- shnid 137569 supplies
- s1t01; start - 01:00
- s1t08; 03:18 - end
- s1t09; start - 00:25
- s2t10; 04:36 - end

Notes:
- Thanks to anonymous, for sharing this source while hiding out away from the Bay Area
- Thanks to dusborne for his work on the matrix

Transferrer: Hunter Seamons

Matrix mix (SBD/AUD)

View Notes----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)

Source 3 of 23

1:03:29

SBD

gd1977-05-08.sbd.cube.87486.flac16

Transferrer: Dan Haugh

gd1977-05-08.mtx.dan.35086.flac24

DVD-A 24/96 SBD+AUD1+AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

gd77-05-08.sbd.hicks.4982.sbeok.shnf

View Notes---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital 
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on 
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > 
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam 
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, 
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch 
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob 
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit 
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > 
First Gen Reel > Played directly to hard drive > CDR > SHN 

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.   CEP2.0 used to adjust 
the volume for the SBD & both AUDs. CEP was used to do the 
multitrack mixdown to 24/96.  This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  DiscWelder was used to author and create the 
DVD-Audio in 24/96.  DVD Decryptor read and created the ISO 
image file.  This incorporates 2 channels of 24/96 wave files.     
- Mixed by [email protected]
- FLAC conversion 08-MAY-2005  
- Artwork by [email protected] 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double DVD case.

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

This represents the 24 bit files that are the result of all 
my editing and the multitrack mixdown. It is unclear exactly 
what we have in the way of high resolution. However it seems 
there is agreement that what we have cannot be represented 
accurately in 16/44. What you are getting is the full result 
of the matrix mix process. How much different does this sound? 
is this better? A little and yes. This is more accurate and 
has more dynamic range.  24/96 resolution versus a 16/44 of 
the same material will usually result in very subtle but 
important differences.  Most of it relying on the quality of
the DVD-A player and the D to A conversion.  With that in 
mind, this 24 bit copy is no different.  Small but important 
gains over the same material in 16/44.  This is just one 
man's take.  Take it or leave it.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

---------------------------------------------------------

Burning Instructions A & B

A. Use DVD Decryptor or similar program to burn as an image 
file (ISO) onto a DVDR.  Enjoy.

B. This may also circulate as 2 channel FLAC files and will
require assembly.  Included is the discwelder file. If you 
use that program, decode all the FLAC file and stick them in 
a folder. Click on the DiscWelder file (which will open 
DiscWelder) and point it towards that folder with the wave 
files and VIOLA! DVD-A pre-assembled and ready to author.

---------------------------------------------------------

Taper: Steve Maizner

Matrix (see notes)

gd1977-05-08.sbd.cantor.sacks.266.shnf

View Notesfreshly remastered Betty Board with AUD splices, by Rob Eaton;

Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

Audience Portion -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive.  The excellent aud splices were normalized and patched using ProTools by Karen Hicks 

Taper: Betty Cantor

WBOTB Source -- 7" two track BBD reel encoded w/ DBX-1 noise reduction @ 7 1/2 ips > Sony PCM501ES @ 44.055 kHz. Sony PCM501ES analog out > DBX-1 decoder > analog in PCM501ES. PCM501ES analog out > Fostex D5 @ 48 kHz>DATs>ZA2>CDRs>EAC>SHN

Charlie Miller;Rob Berger

View NotesAudience Splices -- Teddy Goodbear's Panasonic AM/FM Stereo 'boom box' (w/condenser mics) > CM (Cassette Master) > various equalizers & editors > CD

Taper: Jerry Moore

gd1977-05-08.ecm33p.moore.berger.miller.117027.flac24

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above); 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Jerry Moore

Charlie Miller, Rob Berger

gd1977-05-08.ecm33p.moore.berger.miller.117026.flac16

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac; encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Recording by Rich Petrunis.

Recording by Rich Petrunis.

Transferrer:

Transferred by Andrew F. 04/2021

gd1977-05-08.152379.aud.petrunis.flac2448

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.

View NotesNote: Most of the stand-alone tracks clip-in abruptly with small
amounts missing. Noted flaws: The tape broke, causing drop-outs
at Lazy Lightning 4:01 and Brown Eyed Women 3:33. Supplication
cuts-out near the end. Taper got disrupted or lowered the mic in
Row Jimmy 8:41 > 9:01. Small gaps in Dancing in the Street mended
together at 0:18 & 14:32. Tape-flip start of Not Fade Away 0:33.
With thanks to John and Rich Petrunis for sharing their tapes!

Transferrer: Matrix by Dave Usborne

2:56:25

Transferrer:

gd1977-05-08.137572.mtx-2aud.dusborne.flac16

2 Source Matrix by Dusborne; Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011, mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137571.mtx-2aud.dusborne.flac24

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC; MC>CDR>EAC>WAV>FLAC,Recording And Transfer: Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137570.mtx.dusborne.flac16

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster);Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC, Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

3:02:47

REMASTER

Transferrer:

gd1977-05-08.137569.mtx.dusborne.flac24

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster); Audience 1 (shnid:117027)source: aud taped by Jerry Moore a) cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b) Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b) The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303)Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Taper: Jim Cooper

gd1977-05-08.134093.aud.cooper.berger.flac24

source: aud cassette master; taped by Jim Cooper; sony ecm22p > hitachi trq232; nakamichi dragon > benchmark ADC1 24/96 > tascam hd-p2, compact flash > mac > adobe audition CC > xACT flac; transferred and seeded by Rob Berger

Transferrer: Hunter Seamons

gd1977-05-08.111493.mtx.seamons.sbeok.flac16

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); this source fixes a flaw in d1t08 from <a href="http://db.etree.org/shn/97274">source ID 97274</a>

DTS and Matrixing by Dan Haugh

View Notes1) Warning: this might steal your face - the sound is impeccable, thanks to truly excellent sources for a matrix.


Jerry Garcia - Lead Guitar, Vocals
Donna Jean Godchaux - Vocals
Keith Godchaux - Keyboards
Mickey Hart - Drums
Bill Kreutzmann - Drums
Phil Lesh - Electric Bass, Vocals
Bob Weir - Rhythm Guitar, Vocals



*40th Matrix* 

----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 

I removed a "click" sound I mistakenly added to the AUD-only portion of Supplication at 0:06. I fixed this by patching in the unscathed AUD there, rather than using a de-clicker filter. This "click" had always driven me nuts and warranted a fixing.

Thank you for your continued patience and support.

-Hunter

February 14, 2010

Taper: See info file

gd1977-05-08.mtx.dts.dan.30756.flac16

View NotesTech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.  CEP2.0 used to adjust the 
volume for both AUDs, matrix/CTR and LFE channels.  Surcode 
CD Pro DTS was used to encode to DTS. The center matrix track 
is a 60% SBD, 40% AUD2 mix.   
- Mixed by [email protected]
- FLAC conversion 08-MAY-2005  
- Artwork by [email protected] 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

DTS-Audio-CD Info

Front  	
Left Channel SBD Reel 
Right Channel SBD Reel

Center 	
Mixed to mono -6db SBD+AUD2 Matrix 

Surround 
Left Channel -2db AUD1 (with some AUD2 patches)
Right Channel -2db AUD1 (with some AUD2 patches)

Sub/LFE
Mixed to mono -4db SBD Reel

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you 
didn't really read the text file, did you?  

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel 
sound, like DTS and Dolby Digital.  While the Audio-CD 
standard (Red Book) hasn't changed to accommodate these 
new sound formats, it is still possible to go around the 
specification and to put a 5.1 surround recording on a 
regular Audio-CD.  To play a DTS-Audio-CD you must connect 
your DVD/CD player via a digital cable (optical or coaxial) 
to your DTS Dolby-Digital receiver. It is not 100% sure 
that your receiver will recognize a DTS-Audio CD, so the 
first time you're trying to playback a DTS-Audio-CD you 
must do a test to determine if it can. Begin with the 
volume very low, start the disc and raise the volume 
gradually. NEVER listen to a DTS-Audio-CD through the 
analog audio outputs of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any 
normal Audio-CD from FLAC files.

Taper: See info file

Matrixing by Dan Haugh

gd1977-05-08.mtx.dan.29511.flac16

View NotesSBD + AUD1 + AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) >
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster)

AUD1
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B,
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master >
First Gen Reel > Played directly to hard drive > CDR > SHN

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch the SBD & both AUD sources.   CEP2.0 used to adjust the
volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  
- Mixed by [email protected]
- FLAC conversion 08-MAY-2005  
- Artwork by [email protected] 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a
fake AUD recording by mixing crowd cheer with the SBD. This
was effective at creating patches for the rear channels in
the 5.1 presentation but also maintained a smooth quality in
the stereo matrix mix as well.  These patches are numerous
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources
to pull up the vocals and give the center channel a unique
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo
field moves.  The result, although not perfect, I think
provides the listener with a more enjoyable and natural
listening experience.  Maybe you disagree.  For those of you
who would rather have a patch using a matrix mix of the 2 AUD
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 -
43:16.362.  This was patched using a matrix mix of the 2 AUD
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is
still pretty good.  The switch back to SBD is actually
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you
didn't really read the text file, did you?

Taper: Jeff Stevenson

gd1977-05-08.shure57.stevenson.29303.flac16

Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC

MC>CDR>EAC>WAV>FLAC

Rob Berger and Chris Larson

View NotesNotes:10 Feet From Stage=Great Instrement Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many,Tape Filp After D01T08,D03T03
Flip Durning NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's 
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
if Anyone Wants To  Matrix This Feel Free, I'd Love To Hear It!

Transferrer: Rob Berger and Chris Larson

gd1977-05-08.aud.moore.berger.28354.flac16

MAC>R>CD

Rob Berger and Sean Cribbs

View NotesJerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

Taper: Jerry Moore

gd1977-05-08.aud.moore.cribbs.28301.shnf

MAC>R>CD

gd77-05-08.matrix.dan.26857.sbeok.flacf

View NotesMAC>R>CD
Audience Recording by Jerry Moore

Jerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

EAC>WAV>SHN encoding by Sean Cribbs 2/19/2005.

Transferrer: Dan

Matrix - 3 Sources

gd77-05-08.dts.dan.26856.sbeok.flacf

View NotesSBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN 

Tech Notes: 

SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave.  CEP2.0 was used to align & synch the SBD & both AUD sources.   CEP2.0 used to adjust the volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1, 20% AUD2 mix.  

- Mixed by [email protected]
- FLAC conversion 08-MAY-2005  
- Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case.

Notes: 

I looked at the 4 pages of notes I had on this project and it made me sick to think about typing them up.  So, although not complete, you will get a good idea of what was done to bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both AUD recordings suffered from btwn song pauses that not only cut the crowd cheer out but clipped the beginning of many songs. The 2 AUD source coverage allowed my to patch 1 with the other in some situations.  A couple spots I created a fake AUD recording by mixing crowd cheer with the SBD. This was effective at creating patches for the rear channels in the 5.1 presentation but also maintained a smooth quality in the stereo matrix mix as well.  These patches are numerous and I think completely smooth and most likely undetectable.

d1t01 The first 16.041 seconds of Minglewood blues was cut on the SBD.  Starting this monster project with an unrecoverable flaw was unacceptable to me.  I decided to patch that opening portion with a SBD and AUD recording from 5-7-77.  As this patch ends you will hear some slight phasing as the stereo field moves.  The result, although not perfect, I think provides the listener with a more enjoyable and natural listening experience.  Maybe you disagree.  For those of you who would rather have a patch using a matrix mix of the 2 AUD sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 43:16.362.  This was patched using a matrix mix of the 2 AUD sources and then EQ'ed to best match the sound spectrum of the SBD.  I also tried to match the volume on the SBD.  A switch in sources is obvious to the listener but this is still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418. This was fixed using a quick channel swap.   This is smooth and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you didn't really read the text file, did you?

Source 22 of 23

<b>DTS Audio 5.1</b>: Soundboard (Betty Board) > Master 7

gd77-05-08.maizner.hicks.5002.sbeok.shnf

View Notes<b>Lossies (including stream version) removed because 5.1 channel files do not properly encode to 2 channel MP3's - the result is static.</b>

<b>DTS Audio 5.1</b>: SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT> DAT> Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD (Steve Maizner) > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN; see pub comments re additional reflac version

Taper: Steve Maizner

Audience - Sony ECM-990

Sony ECM-990 > Sony TC-152 (aud master) > First Gen Reel > played directly to hard drive