It Must Have Been The Roses | 1980-10-23 | Grateful Dead

View NotesNotes:
- Thanks to Mark Cohen for the (FOB) master cassette recording
- Thanks to Charlie Miller for the fresh transfer and coordinating this effort
- Flaws (channel dropouts, skips, cuts) noted in previous version (shnid13140), are not present on this transcription
- Thanks to Jim Wise and Charlie Miller for the shnid100416 Sony ECM-280 source which supplies a 0:12 patch in "Ripple", a 0:08 patch in the transition between "Terrapin Station" and "Drums", as well as a 0:19 patch in "Drums"
- Noodle into Wheel included in  "The Wheel"
- Pitch corrected

Mastered by Scott Clugston
October 2018

SOURCE 2 OF 9

3:04:06

Taper:

Mark Cowen

Transferrer:

Scott Clugston and Charlie Miller

SHNID:

gd1980-10-23.143351.fob.nak700.cohen.miller.clugston.flac1648

Source:

Mark Cohen's (FOB) Master Audience Cassettes; Nakamichi 700 mics > Sony D5 (located in the orchestra seats)

Lineage:

Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Mark Cohen for the (FOB) master cassette recording
- Thanks to Charlie Miller for the fresh transfer and coordinating this effort
- Flaws (channel dropouts, skips, cuts) noted in previous version (shnid13140), are not present on this transcription
- Thanks to Jim Wise and Charlie Miller for the shnid100416 Sony ECM-280 source which supplies a 0:12 patch in "Ripple", a 0:08 patch in the transition between "Terrapin Station" and "Drums", as well as a 0:19 patch in "Drums"
- Noodle into Wheel included in  "The Wheel"
- Pitch corrected

Mastered by Scott Clugston
October 2018

SOURCE 3 OF 9

gd1980-10-23.fob.sonyecm280.wise.miller.101256.flac16

Source:

(FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B)

Lineage:

Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16

Taper Notes:

View NotesNotes:
-- Discs 2 and 3 are seamless
-- Recorded By Jim Wise
-- Thanks to Jim Wise for lending me his master cassettes
-- Thanks to Joe B. Jones for his help with the pitch correction

SOURCE 4 OF 9

Keith Gatto & Pete Jaeger

Transferrer:

Michael Turi

SHNID:

gd1980-10-23.120072.fob-nak700.gatto-jaeger.dusborne.flac16

Source:

Loge Dead front center; Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0 ; Tracked in Audacity 2.0 by dusborne

Taper Notes:

View Notes--------------------------------------------------------------------------------

Loge 
Dead front center

Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac



Recorded by Keith Gatto & Pete Jaeger


Extracted & flac encoded by Michael Turi

Patched and Edited in Sound Forge Pro. 10.0 
Tracked in Audacity 2.0  by dusborne 

05-06-2012

----------------------------------------------------------------------------------

Patched With:

gd80-10-23.fob-sonyECM280.wise-miller.101256.flac16

Recording Info:
(FOB) Sony ECM-280 -> Cassette Master 
(Sony TC-D5M/Maxell UDXLII-C90/Dolby B)

Transfer Info:
Cassette Master (Nakamichi DR-1/Dolby B) -> 
Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> 
Samplitude Professional v10.21 -> FLAC/16
(3 Discs Audio / 2 Discs FLAC)

All Transfers and Mastering By Charlie Miller
[email protected]
September 9, 2009

Notes:
-- Discs 2 and 3 are seamless
-- Recorded By Jim Wise
-- Thanks to Jim Wise for lending me his master cassettes
-- Thanks to Joe B. Jones for his help with the pitch correction


----------------------------------------------------------------------------------------

---Thank You Keith Gatto, Pete Jaeger and Jim Wise for recording the show.
---Thank You Michael Turi For extracting the files from your personal cd's.
---Thank you Charlie Miller for your work on Jim's recording.
---Thanks to germain for everything;seeding,encouragement,advice and tutelage.

-------------------------------------------------------------------------------------



----------------------------------------------------------------------------------------

Patch Notes:

Acoustic set 1

Lead into On the Road Again - 47 seconds
On the Road Again-It Must Have Been The Roses transition - 24 seconds
It Must Have Been The Roses-Dark Hollow transition - 56 seconds
Dark Hollow-Jack-A-Roe transition - 34 seconds
Jack-A-Roe-Cassidy transition - 47 seconds
Cassidy-China Doll transition - 59 seconds
China Doll-Monkey & the Engineer transition - 2 seconds

Smoothed cuts with fades
many mic bumps smoothed out as best as could be done without hurting music



Tagging notes:
Show information is embedded within the header of each flac file. 
It will display on any player capable of directly playing flac 
files. If converted to wav during processing, all tags will be 
stripped, however audio data will remain unaffected. If you must 
transcode to a lossy format, do so directly Flac > Lossy.
Use ffp to validate audio integrity.
Md5 values will change if tagging is altered.

dusborne 5-6-2012

SOURCE 5 OF 9

gd1980-10-23.aud.morris.fixed.111029.flac24

Source:

(FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/TDK SA-C90 except Set 3: Maxell UDXLII-C90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded from Orchestra Row A, Seat 310, by Bob Morris; This is an upgrade to shn 108016: deleted extraneous bad tracks; renamed files; Patched with ID 101256

Taper Notes:

View NotesThis is an upgrade to shn 108016: deleted extraneous bad tracks; renamed files.
Patched with ID 101256 SonyECM280 (Audiogate 1644>2496 conversion) in the following:
All of s1t01, s1t02, s2t01 and s2t02; Roses (0:00-0:41; 1:01-1:03).
Tape flip in Drums spliced at 3:19 and dropouts edited at 4:40 & 5:58.
Recorded from Orchestra Row A, Seat 310, by Bob Morris.
Thanks to Sam for help and to Dave B for lending his Naks. 
Transfer (Jul 09), edits/patches (Dec 09), upgrade (9/10) by Bob Morris.

SOURCE 6 OF 9

gd1980-10-23.aud.morris.108016.flac24

Source:

(FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/TDK SA-C90 except Set 3: Maxell UDXLII-C90)

Lineage:

Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits)

Taper Notes:

View NotesPatches using ID 101256 SonyECM280 in the following:
All of d1t1, d1t2, d2t1 and d2t2; Roses (0:00-0:41; 1:01-1:03).
In Drums, tape flip spliced at 3:19 & dropouts edited at 4:40 & 5:58.
Recorded from Orchestra Row A, Seat 310, by Bob Morris.
Thanks to Sam for help and to Dave B for lending his Naks. 
Transfer (Jul 09) and edits / patches (Dec 09) by Bob Morris.

SOURCE 7 OF 9

gd1980-10-23.fob.nak300.morris.102026.sbeok.flac16

Source:

(FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/TDK SA-C90 except Set 3: Maxell UDXLII-C90) ; Recorded from Orchestra Row A, Seat 310

Lineage:

Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)

SOURCE 8 OF 9

gd80-10-23.cohen.vernon.13140.sbeok.shnf

Source:

Audience Recording: Nak 700's

Lineage:

AUD from orchestra seats with Nak 700s > Sony D5; AUDMC > Cass > DAT > CDR via Jay Jurina, conversion Matt Vernon

Taper Notes:

View NotesMark Cohen AUD from orchestra seats with Nak 700s > Sony D5; Lineage: AUDMC > Cass > DAT > CDR via Jay Jurina, conversion Matt Vernon

SOURCE 9 OF 9

gd80-10-23.sonyecm280.wiley.8700.sbeok.shnf

Source:

Audience Recording: Sony ECM-280 mics

Lineage:

AUD (Sony ECM-280's)> MC> DAT> CDR

Taper Notes:

View NotesAUD(Sony ECM-280Âs)>MC>DAT>CDR; Seeded to etree by Tim Wiley