1983-04-13 | Grateful Dead

View Notesatch info:
shnid: 21921 - Mark Horvath FOB Recording
d2t08 - 3:38 - 9:47
 
Fix info:
d2t01 - The right channel drops out from 12:15 - 13:30.  Repaired.

SOURCE 2 OF 17

2:40:39

SBD

Rating:

6.40 / 10 ratings

SHNID:

gd83-04-13.sbd.lai.23849.sbeok.shnf

Source:

SDB> CM> C> DAT> CDR

Taper Notes:

View NotesSDB> CM> C> DAT> CDR; transfer by Mike Lai from Bruce Fried seed

SOURCE 3 OF 17

gd83-04-13.sbd.sacks.1614.sbeok.shnf

Source:

MSC -> Reel (3 3/4 ips) -> Revox A-77 (reel to reel deck) -> Alesis Masterlink ML-9600 (A/D conversion and CDR mastering) -> CDRs -> EAC -> SHN

Taper Notes:

View NotesMSC -> Reel (3 3/4 ips) -> Revox A-77 (reel to reel deck) -> Alesis Masterlink ML-9600 (A/D conversion and CDR mastering) -> CDRs -> EAC -> SHN; via Jim Wise, Darrin Sacks

SOURCE 4 OF 17

2:46:08

SHNID:

gd1983-04-13.162702.senn421.blend.vita.miller.clugston.flac2496

SOURCE 5 OF 17

2:46:08

SHNID:

gd1983-04-13.162701.senn421.blend.vita.miller.clugston.flac1648

SOURCE 6 OF 17

gd1983-04-13.141637.senn421.executive-crew.holbrook.flac2448

Source:

flac24/48 Location: 50ft from Right Stack about row 17 aisle seatsFirst Gen AUD: Master was: 1 Sennheiser 441 in middle 2 Sennheiser 421's PAS -> Uher ? -> Sony TCD5M (2nd in line)|TDK MA (OJ,KH)

Lineage:

JVC -> Sony TCD5MTransfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD

Taper Notes:

View NotesRecording Information
Both tapes had an odd underlying intermittent but present for long time periods noise, like a fuzz on it. I also have a first gen made in 1983 which had the same fuzzy tone so I guess it was either the master tape or the PA.

We were directly on axis with the Right stack which was placed on the stage.

// /    Cut  at end,flip; missed ~90 seconds of music;spliced end of Eyes then uncut into Maybe You know
//^     cut for lead deck flip, didn't start until space

// *    tape swap

SOURCE 7 OF 17

gd1983-04-13.141636.senn421.executive-crew.holbrook.flac1644

Source:

flac16/44.1 Location: 50ft from Right Stack about row 17 aisle seatsFirst Gen AUD: Master was: 1 Sennheiser 441 in middle 2 Sennheiser 421's PAS -> Uher ? -> Sony TCD5M (2nd in line)|TDK MA (OJ,KH)

Lineage:

JVC -> Sony TCD5MTransfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD

Taper Notes:

View NotesRecording Information
Both tapes had an odd underlying intermittent but present for long time periods noise, like a fuzz on it. I also have a first gen made in 1983 which had the same fuzzy tone so I guess it was either the master tape or the PA.

We were directly on axis with the Right stack which was placed on the stage.

// /    Cut  at end,flip; missed ~90 seconds of music;spliced end of Eyes then uncut into Maybe You know
//^     cut for lead deck flip, didn't start until space

// *    tape swap

SOURCE 8 OF 17

gd1983-04-13.140090.aud.lamarre.berger.flac24

Source:

aud cassette master; nak 300 shotguns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger

SOURCE 9 OF 17

gd1983-04-13.140089.aud.lamarre.berger.flac16

Source:

aud cassette master; nak 300 shotguns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger

SOURCE 10 OF 17

gd1983-04-13.119845.aud.horvath.flac24

Source:

Lineage: (2) Sennheiser 421>d-5>d-5 (mine)> Sony Tc We435> Sbm-1>d-8>soundcard> Cdwave 44100/stereo/24 Bit> Traders Little Helper Encoding Option 8; Taper: Mark Horvath

SOURCE 11 OF 17

gd1983-04-13.119845.chasingwilma.flac24

Source:

Updated Source Info: (2) sennheiser 421 fob>d-5; conversion: sony tc we435>sony pcm m-10 96khz/24bit> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/stereo/24 bit; Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures

SOURCE 12 OF 17

gd1983-04-13.nak300.morrone.119554.flac1644

Source:

AUD: 2x Nakamichi CM300 w/CP-1 cardioid capsules > Sony TC-D5M > Maxell MX90's, in bleachers directly behind soundboard, taped by Joe Morrone.

Lineage:

MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2012

Taper Notes:

View NotesSame recording as ID-82876, however this one originates from the 
lead deck, with better signal & equipment, onto metal tapes, and without
the tape damage present on the ID-82876 master. Overall, the sound is an 
improvement... An alternate 1st-gen AUD patches Jack Straw 0:00 > 0:18. 
MAC from ID-82876 patches tape-flip in Eyes 7:02 > 7:08. Drums has been 
patched in from ID-1614 and re-mixed in Wavelab to more resemble an AUD.

SOURCE 13 OF 17

gd1983-04-13.nak300.morrone.119531.flac2448

Source:

AUD: 2x Nakamichi CM300 w/CP-1 cardioid capsules > Sony TC-D5M > Maxell MX90's, in bleachers directly behind soundboard, taped by Joe Morrone.

Lineage:

MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Transferred by Andrew F.

Taper Notes:

View NotesSame recording as ID-82876, however this one originates from the 
lead deck, with better signal & equipment, onto metal tapes, and without
the tape damage present on the ID-82876 master. Overall, the sound is an 
improvement... An alternate 1st-gen AUD patches Jack Straw 0:00 > 0:18. 
MAC from ID-82876 patches tape-flip in Eyes 7:02 > 7:08. Drums missing 
from the recordings, cross-faded together at start of Space track-ID.

SOURCE 14 OF 17

gd1983-04-13.mtx.seamons.113852.flac16

Source:

Matrix by Jubal H. Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)

SOURCE 15 OF 17

My Cassette>Nak DR-1>Sony R300>44.1>ZA2>SoundForge4.5>WAV>FlacFrontEnd>FLAC (2 Discs Audio / 1 Disc FLAC)

Taper Notes:

View NotesNotes:
-- Rhythm Devils is severely cut
-- Fire on the Mountain is not cut
-- Space is not cut
-- Morning Dew is not cut
-- in spring 1983, i went to my friend Tim Paisley's house in Garden City, NY and copied as many of his cousin's master cassettes as i could; he told me they used a three-mic setup to record this

SOURCE 16 OF 17

gd1983-04-13.nak300.andrewf.82876.flac16

Source:

Nakamichi CM-300's (no shotguns) > patched thru one Sony D5 > Marantz PMD-340 > TDK SA-90's. Mics on stand aprx six feet high, set up second or third row up in the bleachers directly behind the soundboard.

Lineage:

MAC > Sony TC-D5M (no Dolby) > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 > FLAC.

Taper Notes:

View NotesNotes: 
- I did not record the drums at this concert... D'OH! 
- Patches taken from ShnID-21921, located as follows: 
- Jack Straw 0:00 > 0:03. 
- Far From Me 0:00 > 0:09. 
- Eyes of the World 6:13 > 6:19. 
- Soundforge used to make fades, add patches, repair drop-outs. 
- TLH used for SBE-OK, lossless compression, checksums.

SOURCE 17 OF 17

gd83-04-13.horvath-sennheiser.ladner.21921.sbeok.shnf

Source:

MAC(FOB Sennheiser 421)>DAT>CDR>WAV>SHN.

Taper Notes:

View NotesSource:  MAC(FOB Sennheiser 421)>DAT>CDR>WAV>SHN.
Taper:  M.Horvath