Bands
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Bands
1983
Sources
SOURCE 5 OF 16
2:33:11
Taper:
Recording by Les Shields (Recording Guru) and Kevin T. Hughes, AICP, CEP (San Luis Obispo, CA 1981-1985).
Transferrer:
Transfer and mastering by Kevin T. Hughes
SHNID:
gd1983-09-10.162895.nak300-cp4.shields-hughes.flac2496
Source:
FOB location – Master Audience Recording produced by a pair of Nak CM300 Microphones w/ CP4 Shotgun Caps > Sony D5 > Sony D6 Recorders > (Master) Maxell MX 90 Cassette(s)
Lineage:
Denon DRM-555 Player > Acer Aspire AX 3910 PC via In Line 3.5 cm portal > Audacity 3.2.2 (Wave Editor for 24/96 FLAC Conversion).
Taper Notes:
View Notes// - tape paused or flipped * from Hunter Trix Vol.112 SBD/MTX (see mastering notes for details) Mastering Notes: This super clean recording sounds and feels like it did back in '80s. The show with recorded using an 8’ mic-stand that was placed 12' left of center from the middle of Healy’s Board facility. Thus, this recording has great vocal quality, a thick/bold bass sound and good signal separation on both channels. (a) Set I had a couple of sound quality issues found in 'Brother Esau' (i.e., a saturated bass problem associated with too high recording levels at the beginning of this song; and, it also had a very minor, 12 second, low volume problem that occurs within the first minute of track #1, 'The Music Never Stops'; and (b) The final FLAC recording used a different version of ‘Big Railroad Blues’ and ‘Beat It On Down The Line’. When the tape was flipped during the first set these 2 tracks were recorded over with the next song in the Set....'Tennessee Jed'. These tracks where added from Hunter Trix Vol.112 SBD/MTX recording to full-out the show's actual play list (Hunter's MTX recording can be found at https://archive.org/details/gd1983-09-10.139379.mtx.seamons.ht112.flac16). All editing was performed to ensure the highest sound compatibility between each version of the show (i.e., without any noticeable loss of listening "enjoyablity"). Kevin T. Hughes