4/23/83 Grateful Dead

View Notes<b>flac16</b>; SBD -> Cassette Master -> Reel -> Dat -> CD

Transferred and Edited By Charlie Miller; 

Scarlet -> Fire patched from Charlie Miller's Aud:
(FOB) Senn 421 -> Cassette Master -> Sound Forge -> CD

2:56:29

SBD

Taper:

Executive Crew: Kyle Holbrook, Tom Pinney

Transferrer:

Kyle Holbrook

SHNID:

gd1983-04-23.141736.beyerm201.pinney.holbrook.flac2448

Source:

flac24/48 First Gen AUD Cassette: TDK MA 90 x 2 noNR Master was: Beyer M201's hypercardiod XY 120 ft from stage DFC (1st row behind SBD)->Sony TCD5M|TDK MA 90 No Dolby

Lineage:

Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD

Taper Notes:

View NotesShow Notes:
P.A. system squealing (Bob's guitar) during GSET and Candyman

Recording Notes:
* Very end of song someone kicked the mic stand-loud bump
# Some channel drop outs ~5 min mark
/ tape paused between songs
// tape flip
//& Lead deck flipped before us near end

*** see tour story in text file***

2:56:29

SBD

Taper:

Executive Crew: Kyle Holbrook, Tom Pinney

Transferrer:

Kyle Holbrook

SHNID:

gd1983-04-23.141735.beyerm201.pinney.holbrook.flac1644

Source:

flac16/44.1 First Gen AUD Cassette: TDK MA 90 x 2 noNR Master was: Beyer M201's hypercardiod XY 120 ft from stage DFC (1st row behind SBD)->Sony TCD5M|TDK MA 90 No Dolby

Lineage:

Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD

Taper Notes:

View NotesShow Notes:
P.A. system squealing (Bob's guitar) during GSET and Candyman

Recording Notes:
* Very end of song someone kicked the mic stand-loud bump
# Some channel drop outs ~5 min mark
/ tape paused between songs
// tape flip
//& Lead deck flipped before us near end

*** see tour story in text file***

gd1983-04-23.124568.set2.aud-sbd.jcannon.flac16

Rob Eaton, Scott Clugston, Charlie Miller

SHNID:

gd1983-04-23.163834.senn441.eaton.miller.clugston.flac2496

Source:

Rob Eaton's Master (FOB) Audience Cassettes; Sennheiser 441 mics (16th row, DFC) > Sony D5M

Lineage:

Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496

Taper Notes:

View NotesNotes:
- Thanks to Rob Eaton for the recording, as well as the transfer and harddrive
- Thanks to Charlie Miller for coordinating this effort
- Thanks to Jim Wise for the Sennheiser 421 source which supplies a 4:09 patch in "Drums", as well as "Not Fade Away" and the "One More Saturday Night > Brokedown Palace" encores
- Other One space included in "The Other One"
- Pitch verified

Mastered by Scott Clugston
November 2022

Rob Eaton, Scott Clugston, Charlie Miller

SHNID:

gd1983-04-23.163833.senn441.eaton.miller.clugston.flac1648

Source:

Rob Eaton's Master (FOB) Audience Cassettes; Sennheiser 441 mics (16th row, DFC) > Sony D5M

Lineage:

Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496

Taper Notes:

View NotesNotes:
- Thanks to Rob Eaton for the recording, as well as the transfer and harddrive
- Thanks to Charlie Miller for coordinating this effort
- Thanks to Jim Wise for the Sennheiser 421 source which supplies a 4:09 patch in "Drums", as well as "Not Fade Away" and the "One More Saturday Night > Brokedown Palace" encores
- Other One space included in "The Other One"
- Pitch verified

Mastered by Scott Clugston
November 2022

Scott Clugston, Charlie Miller

SHNID:

gd1983-04-23.163305.senn421.vita.miller.clugston.flac2496

Source:

Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics (1st Set 17th row, center; 2nd set 20th row, center) > Sony D5M (Maxell XLII-S)

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Jim Wise and the folks responsible for the(FOB) Sennheiser 421 source which supplies a 2:57 patch in "Drums", as well as a 0:09 patch in "Throwing Stones"
- Other One space included in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
August 2022

Scott Clugston, Charlie Miller

SHNID:

gd1983-04-23.163304.senn421.vita.miller.clugston.flac1648

Source:

Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics (1st Set 17th row, center; 2nd set 20th row, center) > Sony D5M (Maxell XLII-S)

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Jim Wise and the folks responsible for the(FOB) Sennheiser 421 source which supplies a 2:57 patch in "Drums", as well as a 0:09 patch in "Throwing Stones"
- Other One space included in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
August 2022

Scott Clugston and Charlie Miller

SHNID:

gd1983-04-23.143127.fob.senn421.wise.clugston.miller.flac2496

Source:

Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5M (Maxell UDXLII C90)

Lineage:

Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Wise for recording the show and the fresh transcription of his FOB audience master
- Thanks to Charlie Miller for coordinating this effort
- Two sets of masters were used to make this complete
- Noodle into Truckin' included in "Truckin'"
- Pitch corrected
- Another very nice listen

Mastered by Scott Clugston
September 2018

Scott Clugston and Charlie Miller and Jim Wise

SHNID:

gd1983-04-23.143126.fob.senn421.wise.clugston.miller.flac1648

Source:

Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5M (Maxell UDXLII C90)

Lineage:

Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Wise for recording the show and the fresh transcription of his FOB audience master
- Thanks to Charlie Miller for coordinating this effort
- Two sets of masters were used to make this complete
- Other One space included in "The Other One"
- Pitch corrected
- Another very nice listen

Mastered by Scott Clugston
September 2018

gd1983-04-23.s2.senn421.miller.119875.flac24

Source:

(FOB) Sennheiser 421 -> Cassette Master (Sony D6/Maxell UDXL-II90)

Lineage:

Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) ->Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/24

Taper Notes:

View NotesNotes:
-- We were sitting a few rows FOB with the mics over 10 feet high
-- I lost my Set 1 master so this is all I have left
-- Thanks to Joe B. Jones for his help with the pitch correction

gd1983-04-23.s2.senn421.miller.119873.flac16

Source:

(FOB) Sennheiser 421 -> Cassette Master (Sony D6/Maxell UDXL-II90)

Lineage:

Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) ->Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16

Taper Notes:

View NotesNotes:
-- We were sitting a few rows FOB with the mics over 10 feet high
-- I lost my Set 1 master so this is all I have left
-- Thanks to Joe B. Jones for his help with the pitch correction

gd1983-04-23.140325.aud.lamarre.berger.flac2496

Source:

source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlII90, xlIIs90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger

gd1983-04-23.140324.aud.lamarre.berger.flac1644

gd1983-04-23.120025.chasingwilma.flac24

Source:

Updated

Lineage:

(2) nakamichi 300 fob> d-5> sony tc we435> sony pcm m-10 96khz/24bit> cdwave> traders little helper encoding option 8; conversion rate: 96kHz/24bit; Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures

gd1983-04-23.120025.aud.chasingwilma.flac24

Source:

source claimed to be: (2) nakamichi 300 fob>d-5>d-5 (mine); conversion: sony tc we435> sbm-1>d-8>sony pcm m-10 96khz/24bit> cdwave> traders little helper encoding option 8; conversion rate: 96khz/24bit; Note: Filesets from this seeder have been flagged as suspect because they are thought to be mislabeled or re-sampled at a high bitrate

gd1983-04-23.beyer-m88.morrone.119742.flac1644

Source:

AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, set up at the end of the floor, first row in the riser, taped by Joe Morrone.

Lineage:

MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2012

Taper Notes:

View NotesNotes: P.A. system squealing (Bob's guitar) during GSET and Candyman. 
ID-102044 patches, Drums 4:56 > Space 0:03 (3:46) and NFA 0:58 > 1:05. 
CDR's: D1 s1t01 > s1t10, D2 s2t01 > s2t05, D3 s2t06 > s2t13.

gd1983-04-23.beyer-m88.morrone.119741.flac2448

Source:

AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, set up at the end of the floor, first row in the riser, taped by Joe Morrone.

Lineage:

MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2012

Taper Notes:

View NotesNotes: P.A. system squealing (Bob's guitar) during GSET and Candyman. 
ID-102044 patches, Drums 4:56 > Space 0:03 (3:46) and NFA 0:58 > 1:05.

gd1983-04-23.117598.Sennheiser421.daweez.d5scott.flac16

Source:

Source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes;

Lineage:

Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files

Taper Notes:

View Notes---------------------------------
R.I.P. Sandy - aka "Bigfoot"  
---------------------------------

gd1983-04-23.nak300.morris.102044.sbeok.flac16

Source:

Nakamichi shotgun x2 (CM-300?) > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Recorded behind the board

Lineage:

Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)

gd1983-04-23.fob.senn421.patched.sirmick.96150.sbeok.flac16

Source:

FOB-Sennheiser 421 > Master Cass (Sony D5) > Dat

Lineage:

Dat > CDR > EAC > SHN > Wav > flac

Taper Notes:

View NotesNotes:

This is a remaster of shnid 1864

- dc offset removed and gain in left channel increased to make the sound more central
- repeated section of 1:22, removed from "Space"  
- small gaps in "Lost Sailor" and "Throwing Stones" closed
- a number of small dropouts have been repaired
- the tape was paused between some songs, these have been cleaned up with crossfades
- seamless change between d2 and d3

Patches:

source Sennheiser MD421's > Sony D5 (shnid 88482)

- the start of Peggy-O was clipped, about 15 seconds added to include some crowd
- "Scarlet Begonias"  3:00 - 3:25
- tape flip of 4:03 between "Drums" and "Space"
- "Not Fade Away" 0:05 - 0:11


Comments:

- Weir has guitar problems during "Greatest Story" and beginning of "Candyman", a squeaking
   noise can be heard  
- "Funiculi Funicula" tuning before "Candyman"


edited with Adobe Audition and remastered with iZotope Ozone

Rick "Coyotte" Colyard

Transferrer:

Muletaper

SHNID:

gd1983-04-23.fob.senn421.coyotte.muletaper.88482.sbeok.flac16

Source:

2-Sennheiser MD421's (location: FOB-11th row DFC @6 ft high on stand) > Sony D5 (Two maxell UD-XL2-cassettes)

Lineage:

Master Cassette > ony ES-950>Edirol Digi-Mod [email protected]>Optical out>>Nomad JB3>WAV>Poulderbits Sound Editor for (fades/cuts)>FlacFrontend (level-8)>flac-16

Taper Notes:

View NotesNo hiss reduction
Audio editing
Raw off the cassette masters.
The second set suffered some level loss thru the years but still killer. First set is pristine sounding!

Notes:
Set 1:
*Lazy Lightning>-(fades out)/cut
*Supplication- /missing begins at crowd of Peggio.

Set 2
*/ Fades in..Drumz>
*Throwing Stones>[email protected]:10

gd1983-04-23.fob.senn421.jeffm.1864.sbeok.shnf

Source:

FOB-Sennheiser 421>Master Cass(Sony D5)>Dat

Lineage:

Dat>CDR>EAC>SHN

Taper Notes:

View NotesKnown Flaws: About a 20 second cut during 3rd verse of Scarlet.
Squeaking during Greatest Story and beginning of
Candyman are Weir having Guitar problems-not a recording flaw.
    
*I beleive this to be the best circulating copy of this show.
(although if someone wants to drop the board on me, I wouldn't
refuse;-)*