1984-04-13 | Grateful Dead

Bands

Featured

Grateful Dead

2,064 shows

17,320 tapes

Phil Lesh and Friends

Bands

Animal Liberation Orchestra

Bela Fleck and the Flecktones

Bernie Worrell Orchestra

Blueground Undergrass

Circles Around The Sun

G. Love and Special Sauce

Godspeed You Black Emperor!

Hard Working Americans

Horseshoes and Hand Grenades

Infamous Stringdusters

Jazz Mandolin Project

206 shows

254 tapes

Jeff Austin and Chris Castino

12 shows

14 tapes

Jeff Austin And Friends

Jerry Joseph and the Jackmormons

1,084 shows

1,448 tapes

Jerry's Middle Finger

181 shows

217 tapes

Joe Russo Presents: Hooteroll? + Plus

2 shows

5 tapes

Joe Russo's Almost Dead

King Gizzard & the Lizard Wizard

New Riders of the Purple Sage

389 shows

568 tapes

North Mississippi Allstars

Pigeons Playing Ping Pong

String Cheese Incident

1,247 shows

1,996 tapes

Surprise Me Mr. Davis

Ted Leo and the Pharmacists

The California Honeydrops

Yonder Mountain String Band

1984

Carrier Dome, Syracuse U

Marin County Veterans Auditorium

Marin County Veterans Auditorium

Marin County Veterans Auditorium

Marin County Veterans Auditorium

Community War Memorial Auditorium

Niagara Falls Convention Center

Niagara Falls, NY, USA

Philadelphia Civic Arena

Philadelphia, PA, USA

Philadelphia Civic Arena

Philadelphia, PA, USA

Philadelphia Civic Arena

Philadelphia, PA, USA

Veterans Memorial Coliseum

Veterans Memorial Coliseum

Providence Civic Center

Providence Civic Center

Silva Hall, Hult Center

Silva Hall, Hult Center

Silva Hall, Hult Center

Red Rocks Amphitheatre

Red Rocks Amphitheatre

Red Rocks Amphitheatre

Kingswood Music Theater

Maple, Ontario, Canada

Saratoga Performing Arts Center

Saratoga Springs, NY, USA

Merriweather Post Pavilion

Merriweather Post Pavilion

Cuyahoga Falls, OH, USA

Indianapolis Sports and Music Center

Indianapolis, IN, USA

Pine Knob Music Theater

Cedar Rapids, IA, USA

Alpine Valley Music Theatre

Alpine Valley Music Theatre

Ventura County Fairgrounds

Ventura County Fairgrounds

Hartford Civic Center

Hartford Civic Center

East Rutherford, NJ, USA

East Rutherford, NJ, USA

Carrier Dome, Syracuse U.

Berkeley Community Theater

Berkeley Community Theater

Berkeley Community Theater

Berkeley Community Theater

Berkeley Community Theater

Berkeley Community Theater

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

3:04:23

24 tapes

Sources

SOURCE 1 OF 25

gd1984-04-13.sbd.miller.102499.flac16

Source:

SBD -> Cassette Master -> Cassette -> Dat (Panasonic SV3800/48k)

Lineage:

Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> Adobe Audition v1.5 -> FLAC

Taper Notes:

View NotesNotes:
-- Set 2 is seamless
-- This is a re-master of shnid=27733
-- Thanks to Joe B. Jones for his help with the pitch correction

SOURCE 2 OF 25

gd84-04-13.sbd.miller.27733.sbeok.flacf

Source:

<b>flac16</b> SBD> Cassette Master> Cassette> Dat (Panasonic SV3800/48k), plus patches from Eaton FOB Neumann U87> Cass source;

Lineage:

Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller

Taper Notes:

View Notes<b>flac16</b>; SBD> Cassette Master> Cassette> Dat (Panasonic SV3800/48k), plus patches from Eaton FOB Neumann U87> Cass source; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC;  Transferred and Edited By Charlie Miller

SOURCE 3 OF 25

gd1984-04-13.nak300.mccue.casey.ford.123178.sbeok.flac16

Source:

MAC; Nakamichi 300's(w/shotguns) > Sony D5 > Sony D6 (master) > 2 x Maxell XLII 90; Location/Info: center, directly behind SBD, 10-12 feet high; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (@ 24/88.2)> Lynx AES16e> WaveLab 7.2.1> .wav @ 24/88.2> Crystal Resampler> Apogee UV22HR> .wav @16/44.1> xACT(encoding/tracking/meta tagging)> flac16 (level eight); Tapers: Mark McCue and Kurt Casey; Transfer, editing and mastering: Alex Ford

Taper Notes:

View Notes- All editing and mastering with UAD-2 in 24bit/88.2 kHz

- Patches in the following places - crowd/tuning between New Minglewood and Dire Wolf, 
crowd/tuning between Dire Wolf and BIODTL, short patch during It's All Over Now, 14 seconds 
during Bird Song, final 21 seconds of Don't Ease Me In, short patches during Fire on the Mountain, 
Estimated, Space and U.S. Blues. All patch material taken from shnid #90470 - Eaton-Miller.   

Taper's notes:

Kurt Casey lead deck Nakamichi 300's w/shotguns> Sony D5> Sony D6 master. 
Mics were about 10 to 12 feet high centered right behind the soundboard - actually one step away.

I had just purchased my D6 from Jack's Music in Red Bank. Thanks Andy. 
My best friend Bill introduces me to Kurt for the patch. This was my 2nd mini tour so far. 
This show was the 1st master aud for me and I was so glad for the connection created by 
Bill and Adam. I was 17 years old and still in high school on Easter break for the 
1st shows 4 of this tour. Thanks Kurt where ever you are! At this point 12/12/12, 
I'll trust you'll like this show.ENJOY!!!!!!

McQ

Merry Christmas and Happy 2013 to all! Mark and Alex.

SOURCE 4 OF 25

Scott Clugston, Charlie Miller

SHNID:

gd1984-04-13.164045.senn421.blends.vita.miller.clugston.flac2496

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Robert Bryant and the folks responsible for the Schoeps CMC4 MK41 source which supplies a 0:57 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
October 2022

SOURCE 5 OF 25

Scott Clugston, Charlie Miller

SHNID:

gd1984-04-13.164044.senn421.blends.vita.miller.clugston.flac1648

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Robert Bryant and the folks responsible for the Schoeps CMC4 MK41 source which supplies a 0:57 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
October 2022

SOURCE 6 OF 25

2:32:55

Taper:

Recorded and Transferred by Rob Eaton

Transferrer:

Mastered by Charlie Miller [email protected] January 6, 2022

SHNID:

gd1984-04-13.155699.fob.neumann.U87.cm.eaton.miller.t.flac16

Source:

(FOB) Neumann U87 > Cassette Master (Nakamichi 550)

Lineage:

Master Cassettes (Nakamichi Dragon) > Avid Mbox Pro > Pro Tools 12 (WAV 24-bit/96k)

Taper Notes:

View NotesNotes:
-- Thanks to Rob Eaton for transferring his recordings for me
-- Thanks to Doug Lamarre and Scott Clugston for the patch source
-- Thanks to Joe B. Jones for checking the pitch
-- This is 155212 2496 > 1644

SOURCE 7 OF 25

Rob Eaton, Charlie Miller

SHNID:

gd1984-04-13.155212.u87.eaton.miller.flac24

Source:

(FOB) Neumann U87 > Cassette Master (Nakamichi 550)

Lineage:

Master Cassettes (Nakamichi Dragon) > Avid Mbox Pro > Pro Tools 12 (WAV 24-bit/96k)

Taper Notes:

View NotesNotes:
-- Thanks to Rob Eaton for transferring his recordings for me
-- Thanks to Doug Lamarre and Scott Clugston for the patch source
-- Thanks to Joe B. Jones for checking the pitch

SOURCE 8 OF 25

Scott Clugston and Charlie Miller

SHNID:

gd1984-04-13.154378.fob.senn441.lamarre.miller.clugston.flac2496

Source:

Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M

Lineage:

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Doug Lamarre for the master (FOB) cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Robert Bryant for the Schoeps CMC4 MK41 source (patched out of the Oade's) which supplies a 0:24 patch in "Drums"
- Pitch Corrected

Mastered by Scott Clugston
October 2021

SOURCE 9 OF 25

Scott Clugston and Charlie Miller

SHNID:

gd1984-04-13.154377.fob.senn441.lamarre.miller.clugston.flac1648

Source:

Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M

Lineage:

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Doug Lamarre for the master (FOB) cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Robert Bryant for the Schoeps CMC4 MK41 source (patched out of the Oade's) which supplies a 0:24 patch in "Drums"
- Pitch Corrected

Mastered by Scott Clugston
October 2021

SOURCE 10 OF 25

gd1984-04-13.137369.set2.mk41.oade.bryant.miller.flac16

Source:

(FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90)

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Two masters were used to make this complete
-- Recorded By Robert Bryant (patched out of the Oade brothers)
-- Thanks to Joe B. Jones for his help with the pitch correction

**This fileset is 16bit @ 44.1**
  24bit > 16bit with r8brain

SOURCE 11 OF 25

gd1984-04-13.137367.set2.mk41.miller.flac24

Source:

(FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90)

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Two masters were used to make this complete
-- Recorded By Robert Bryant (patched out of the Oade brothers)
-- Thanks to Joe B. Jones for his help with the pitch correction

SOURCE 12 OF 25

gd1984-04-13.neumann-u87.eaton.miller.90470.sbeok.flac16

Source:

(FOB) Neumann U87 -> Cassette Master (Sony D5) -> Dat (48k) D

Lineage:

Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC

Taper Notes:

View NotesNotes:
-- Seamless transition between discs 2 and 3
-- Thanks to J.J. Clifton for the Dat
-- Recorded by Rob Eaton

SOURCE 13 OF 25

2:33:14

SHNID:

gd1984-04-13.164369.neumann.u87.eaton.miller.clugston.flac2496

SOURCE 14 OF 25

2:33:14

SHNID:

gd1984-04-13.164368.neumann.u87.eaton.miller.clugston.flac1648

SOURCE 15 OF 25

2:30:54

SHNID:

gd1984-04-13.157541.aud.carpenter.flac2448

SOURCE 16 OF 25

2:27:49

Taper:

Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook)

Transferrer:

Kyle Holbrook

SHNID:

gd1984-04-13.149110.mke2002.kidwell.holbrook.flac2448

Source:

MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK.

Lineage:

Taper Notes:

View Notes# Mickey Hart on Djimbe

This is from the legendary 1984 Spring Tour run the first time they sold tour booklets, one ticket to every show that tour- we bought several booklets. The second set Scarlet >Fire is considered one of the top ten ever performed. Listen to Mickey on "talking drum" during Fire; the space/drums/space following Estimated is far far out there.
$ "T right here in Norfolk or wherever we are" - Bobby
* Brent scat singing with Bobby in middle of tune
/ = stopped deck between tunes to save tape/batteries.
// Tape flip

SOURCE 17 OF 25

Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook)

Transferrer:

Kyle Holbrook

SHNID:

gd1984-04-13.149109.mke2002.kidwell.holbrook.flac1644

Source:

MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK.

Lineage:

Taper Notes:

View Notes# Mickey Hart on Djimbe

This is from the legendary 1984 Spring Tour run the first time they sold tour booklets, one ticket to every show that tour- we bought several booklets. The second set Scarlet >Fire is considered one of the top ten ever performed. Listen to Mickey on "talking drum" during Fire; the space/drums/space following Estimated is far far out there.
$ "T right here in Norfolk or wherever we are" - Bobby
* Brent scat singing with Bobby in middle of tune
/ = stopped deck between tunes to save tape/batteries.
// Tape flip

SOURCE 18 OF 25

gd1984-04-13.132772.Sennheiser-holbrook.flac24

Source:

Source:Sennheiser MKE2002 Binaurals mounted on fake head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK.

Lineage:

Nakamichi LX-5 >ESI Juli@ at 24/48> Wavelab >FLAC; Recorded by executive crew (SM,CK (owner of MKE2002s),TP,KH); Transferred by Kyle Holbrook

Taper Notes:

View NotesNotes: # Mickey Hart on Djimbe

This is from the legendary 1984 Spring Tour run the first time they sold tour booklets, one ticket to every show that tour- we bought several.
The second set Scarlet >Fire is considered one of the top ten ever performed. Listen to Mickey on "talking drum" during Fire; the space/drums/space following Estimated is far far out there.

Recording Notes:
1] The Sennheiser binaurals were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. This is one of the best representations of how they sounded in this type of live environment. this will sound BEST through headphones; through a stereo you may choose to increase bass slightly.
2] First set tape was stopped between every song break; we must have been trying to conserve batteries. Second set same method until after drums.
+ Tape flip ~41.05
3] First minute has recording level variations; the Sound crew doesn't get it set for levels until start of second song.

SOURCE 19 OF 25

gd1984-04-13.132771.Sennheiser-holbrook.flac16

Source:

Source:Sennheiser MKE2002 Binaurals mounted on fake head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK.

Lineage:

Nakamichi LX-5 >ESI Juli@ at 24/48> Wavelab >FLAC; Recorded by executive crew (SM,CK (owner of MKE2002s),TP,KH); Transferred by Kyle Holbrook

Taper Notes:

View NotesNotes: # Mickey Hart on Djimbe
This is from the legendary 1984 Spring Tour run the first time they sold tour booklets, one ticket to every show that tour- we bought several. The second set Scarlet >Fire is considered one of the top ten ever performed. Listen to Mickey on "talking drum" during Fire; the space/drums/space following Estimated is far far out there.

Recording Notes:
1] The Sennheiser binaurals were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. This is one of the best representations of how they sounded in this type of live environment. this will sound BEST through headphones; through a stereo you may choose to increase bass slightly.
2] First set tape was stopped between every song break; we must have been trying to conserve batteries. Second set same method until after drums.
+ Tape flip ~41.05
3] First minute has recording level variations; the Sound crew doesn't get it set for levels until start of second song.

SOURCE 20 OF 25

2:38:12

SHNID:

gd1984-04-13.126039.beyer_m160.scarletdog.flac16

Source:

Master: 2 Beter M-160s and Sony TC-D5m; 2nd deck in line after another D5;

Lineage:

Playback Sony UCX-S cassette masters on Sony TC-D5m to Marantz PMD-670

SOURCE 21 OF 25

gd1984-04-13.122974.chasingwilma.flac24

Source:

source: (3) audio technica atm 11 fob>tcm-d-5; conversion: sony tc we435> sony pcm m-10 96khz/24bit> cdwave> traders little helper encoding option 8; conversion rate: 96khz/24bit

SOURCE 22 OF 25

gd1984-04-13.109288.beyer-senn.daweez.D5scott.flac16

Source:

source: 3 Beyer M160's (up front) > custom made blend box> Sony TC-D5M (Dolby on) - analog master cassettes;

Lineage:

Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files

Taper Notes:

View Notes-----------------------------------------------------------------------------------------------------------------------------------------------------------------
R.I.P. Sandy - aka "Bigfoot"  He was a friend of mine and "Da Weez" who had nothing to do with this recording, but we all sure do miss him!
-----------------------------------------------------------------------------------------------------------------------------------------------------------------

SOURCE 23 OF 25

2:37:55

SHNID:

gd1984-04-13.fob.bandrofcheck.34469.sbeok.shnf

Taper Notes:

View NotesThis recording was done to capture as much as possible. There were no tape flips requiring fast forwarding or rewinding during the actual recording. Side A of the first tape was recorded then Side A of the second cassette. Everything was then fast forwarded at the break and the B Sides were recorded. Very little crowd noise has been removed.

SOURCE 24 OF 25

gd84-04-13.fob-eaton.21130.sbeok.shnf

Source:

Rob Eaton FOB Center (Neumann U89)>Sony TC-D5>DAT>CDR>EAC>SHN

Taper Notes:

View NotesRob Eaton FOB Center (Neumann U89)>Sony TC-D5>DAT>CDR>EAC>SHN

Comments:
Static pops at 3:49.9 of Dire Wolf (d103)*, 7:52.9 of West LA (d105)*, 0:03.4 of Bird Song (d107), 24:38.4 of Scarlet-Fire (d201), 0:07.8 of Estimated (d202)*
0.35 sec buzz at 24:38.5 of Scarlet-Fire (d201)
* These occur when the audience appears to be muted between songs

SOURCE 25 OF 25

gd84-04-13.aud-neumann.pj.1521.sbeok.shnf

Source:

Neumann U-87 mics > Sony D6 cass > Dat > CDR

Taper Notes:

View NotesNeumann U-87 mics > Sony D6 cass > Dat > CDR; via PJ to abgd; includes alternate tracking suggestion for 2 discs