1984-06-21 | Grateful Dead

View NotesPatch info
- shnid 32640 (Sennheiser 441) supplies;
- s1t06; 02:57 - end
- s1t07; start - 00:03
- s2t07; 00:34 - 00:56
- s2t08; 07:12 - end
- s2t09; start - 00:19

Notes:
- Thanks to Ray for his generosity
- Thanks to Charlie for aiding & abetting
- significant upgrade to shnid 32640
- The Band opened for The Band or was it The Band
- SEVA Benefit & Summer Solstice.
- "Thus the ancient kings made music in order to honor merit and offer it with splendor to the supreme deity inviting their ancestors to be present from a memorial times the inspiring effect of the invisible sounds that moves all hearts and draws them together as mystified mankind.  Are you ready for the rainbow makers?? Romney
- "I guess this is The Dead in Wonderland." Weir
- ten count BIODTL
- "I can stroke em, but I can't make em come." Kesey
- last New Orleans; 11/11/70
- last Big Boss Man; 12/31/83
* w/ Rick Danko and Levon Helm

SOURCE 2 OF 22

2:44:22

SBD

gd1984-06-21.147382.mke2002.holbrook.flac1644

Source:

eg: SBD > DAT

Lineage:

eg: DAT > SoundBlast Audigy X2 > SHN

SOURCE 3 OF 22

Edited & Mastered by Joe Noel;

SHNID:

gd1984-06-21.145045.nak.blend.ackerman.miller.noel.t-flac1644

Source:

Lineage:

Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96

Taper Notes:

View NotesEdited & Mastered by Joe Noel;
WAV > Audacity > FLAC 24/96
March 30, 2018

Patch info
- shnid 32640 (Sennheiser 441) supplies;
- s1t06; 02:57 - end
- s1t07; start - 00:03
- s2t07; 00:34 - 00:56
- s2t08; 07:12 - end
- s2t09; start - 00:19

Notes:
- Thanks to Ray for his generosity
- Thanks to Charlie for aiding & abetting
- significant upgrade to shnid 32640
- The Band opened for The Band or was it The Band
- SEVA Benefit & Summer Solstice.
- "Thus the ancient kings made music in order to honor merit and offer it with splendor to the supreme deity inviting their ancestors to be present from a memorial times the inspiring effect of the invisible sounds that moves all hearts and draws them together as mystified mankind.  Are you ready for the rainbow makers?? Romney
- "I guess this is The Dead in Wonderland." Weir
- ten count BIODTL
- "I can stroke em, but I can't make em come." Kesey
- last New Orleans; 11/11/70
- last Big Boss Man; 12/31/83
* w/ Rick Danko and Levon Helm
- This file set is 16 bit @ 44.1

SOURCE 4 OF 22

gd1984-06-21.sbd.liberated-Boot.devos.352.shnf

Source:

"liberated" Bootleg CD > EAC > SHN

SOURCE 5 OF 22

Scott Clugston, Charlie Miller

SHNID:

gd1984-06-21.164300.senn441.lamarre.miller.clugston.flac2496

Source:

Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M

Lineage:

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Doug Lamarre for the master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Ray Ackerman and andrewf for the Nakamichi 304 source which supplies some crowd and the beginning of "Looks Like Rain" (0:25 total), some crowd and first notes of "Scarlet Begonias" (0:23 total), some crowd and first notes of "Never Trust A Woman" (0:22 total), a 0:06 patch in "Terrapin Station", as well as a 8:43 patch in "Drums"
- PA issues during "Touch Of Grey"
- Encores with Rick Danko & Levon Helm
- Thanks to Joe B. Jones for his assistance with the pitch correction

Mastered by Scott Clugston
April 2023

SOURCE 6 OF 22

Scott Clugston, Charlie Miller

SHNID:

gd1984-06-21.164299.senn441.lamarre.miller.clugston.flac1648

Source:

Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M

Lineage:

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Doug Lamarre for the master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Ray Ackerman and andrewf for the Nakamichi 304 source which supplies some crowd and the beginning of "Looks Like Rain" (0:25 total), some crowd and first notes of "Scarlet Begonias" (0:23 total), some crowd and first notes of "Never Trust A Woman" (0:22 total), a 0:06 patch in "Terrapin Station", as well as a 8:43 patch in "Drums"
- PA issues during "Touch Of Grey"
- Encores with Rick Danko & Levon Helm
- Thanks to Joe B. Jones for his assistance with the pitch correction

Mastered by Scott Clugston
April 2023

SOURCE 7 OF 22

Recording, Transfer and Mastering by Rob Eaton Additional Mastering by Charlie Miller charliemiller87@earthlink.net December 24, 2020

SHNID:

gd1984-06-21.151598.fm.cm.eaton.miller.t.flac16

Source:

FM > Cassette Master (Tascam 122)

Lineage:

Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools 12 > WAV (24-bit/96k)

Taper Notes:

View NotesNotes:
-- Thanks to Rob Eaton for sharing his recording
-- Encores with Rick Danko and Levon Helm
-- The station ID's were previously removed by Rob Eaton
-- The mix used for the broadcast sucks, the cymbals are too loud and the keys are buried
-- The FM patch source (shnid=15405) needed to be pitch corrected +2.0%
-- Thanks to Andy Lemieux, Robert Bryant and Scott Clugston for the patch sources
-- Thanks to Joe B. Jones for the pitch correction settings
-- 151253 24 -> 16 @ 44.1

SOURCE 8 OF 22

2:49:15

Transferrer:

Recording, Transfer and Mastering by Rob Eaton Additional Mastering by Charlie Miller charliemiller87@earthlink.net December 24, 2020

SHNID:

gd1984-06-21.151253.fm.eaton.miller.flac2496

Source:

FM > Cassette Master (Tascam 122)

Lineage:

Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools 12 > WAV (24-bit/96k)

Taper Notes:

View NotesNotes:
-- Thanks to Rob Eaton for sharing his recording
-- Encores with Rick Danko and Levon Helm
-- The station ID's were previously removed by Rob Eaton
-- The mix used for the broadcast sucks, the cymbals are too loud and the keys are buried
-- The FM patch source (shnid=15405) needed to be pitch corrected +2.0%
-- Thanks to Andy Lemieux, Robert Bryant and Scott Clugston for the patch sources
-- Thanks to Joe B. Jones for the pitch correction settings

SOURCE 9 OF 22

2:43:13

Taper:

Robert Bryant patched out of Oade Brothers

Transferrer:

Charlie Miller and Scott Clugston

SHNID:

gd1984-06-21.140158.fob.schoeps.cmc4.mk41.oade.bryant.miller.clugston.flac2496

Source:

(FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90)

Taper Notes:

View NotesNotes:
- Thanks to Robert Bryant for the Master Cassette source (patched out of the Oade brothers)
- Thanks to Charlie Miller for the transfer
- Thanks to the folks responsible for the shnid32640 nakamichi 300 source which supplies the Wavy Gravy Intro and some crowd/tuning before "Touch Of Grey" (3:52 total), the crowd before and the beginning of "Looks Like Rain" (0:22 total), the transition between "Samson & Delilah" and "Terrapin Station" (0:22 total), as well as a 0:16 patch in "Drums"
- PA mix issues during "Touch Of Grey"
- Between song transitions smoothed
- Encores with Rick Danko & Levon Helm

Mastered by Scott Clugston
12/6/17

SOURCE 10 OF 22

2:43:13

Taper:

Robert Bryant patched out of Oade Brothers

Transferrer:

Charlie Miller and Scott Clugston

SHNID:

gd1984-06-21.140157.fob.schoeps.cmc4.mk41.oade.bryant.miller.clugston.flac1644

Source:

(FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90)

Taper Notes:

View NotesNotes:
- Thanks to Robert Bryant for the Master Cassette source (patched out of the Oade brothers)
- Thanks to Charlie Miller for the transfer
- Thanks to the folks responsible for the shnid32640 nakamichi 300 source which supplies the Wavy Gravy Intro and some crowd/tuning before "Touch Of Grey" (3:52 total), the crowd before and the beginning of "Looks Like Rain" (0:22 total), the transition between "Samson & Delilah" and "Terrapin Station" (0:22 total), as well as a 0:16 patch in "Drums"
- PA mix issues during "Touch Of Grey"
- Between song transitions smoothed
- Encores with Rick Danko & Levon Helm

Mastered by Scott Clugston
12/6/17

SOURCE 11 OF 22

2:46:35

SHNID:

gd1984-06-21.164801.senn421.vita.miller.clugston.flac2496

SOURCE 12 OF 22

2:46:35

SHNID:

gd1984-06-21.164800.senn421.vita.miller.clugston.flac1648

SOURCE 13 OF 22

2:45:07

Taper:

Executive Crew Chris Kidwell, Sean Murtha?, Tom Pinney, Kyle Holbrook

Transferrer:

Kyle Holbrook

SHNID:

gd1984-06-21.148198.beyerm88.holbrook.flac2448

Source:

MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 100-120 feet from stage DFC

Lineage:

kamichi MR2 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8

Taper Notes:

View NotesNotes:
The Band Opened
& Bobby said: "So this is the Dead at Wonderland?" to cheers in the crowd.
** W/Members of the Band Rick Danko & Levon Helm
// tape flip

SOURCE 14 OF 22

2:45:07

Taper:

Executive Crew Chris Kidwell, Sean Murtha?, Tom Pinney, Kyle Holbrook

Transferrer:

Kyle Holbrook

SHNID:

gd1984-06-21.148197.beyerm88.holbrook.flac1644

Source:

MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 100-120 feet from stage DFC

Lineage:

kamichi MR2 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8

Taper Notes:

View NotesNotes:
The Band Opened
& Bobby said: "So this is the Dead at Wonderland?" to cheers in the crowd.
** W/Members of the Band Rick Danko & Levon Helm
// tape flip

SOURCE 15 OF 22

2:44:22

Taper:

Executive Crew Chris Kidwell, Sean Murtha?, Tom Pinney, Kyle Holbrook

Transferrer:

Kyle Holbrook

SHNID:

gd1984-06-21.147383.mke2002.holbrook.flac2448

Source:

MAUD CA: Sennheiser MKE2002 Binaurals on dummy head > Sony TCD5M|maxell MX90 x2 no NR Location: 100-120 feet from stage DFC

Lineage:

Nakamichi MR2 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8

Taper Notes:

View Notes*** Listening to this recording on headphones will greatly enhance the experience as the binaural recording method uses microphones at the ears.

SOURCE 16 OF 22

gd1984-06-21.137832.fm.flac1648

Source:

<B>flac16/48kHz</b>; FM > MC > DAT; DAT @ 48kHz > Sony PCM-R500 > Tascam SS-R1 > Canare Coax > Samplitude Pro X2 Suite (Build 256) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.2.9 Live Show Tagger; Transfer & edits by Jeff Mitchell

Taper Notes:

View NotesTech Notes:
- Dupree's was missing from this DAT, #15405 was used as a patch
- some banter at the end of Might As Well was missing, #15405 was used as a patch
- there was a spot in Terrapin where the audio was duplicated, this was removed & the missing portion was patched using #15405

SOURCE 17 OF 22

gd1984-06-21.132582.Nak100CP4.Hill.Keo.Flac1644

Source:

Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

SOURCE 18 OF 22

gd1984-06-21.117777.beyer-senn.daweez.d5scott.flac16

Source:

Source: 2 Beyer M160 & 1 Sennheiser 421 microphones (18th row)> Nak MX100 w/2001 > Sony TC-D5M - analog master cassettes;

Lineage:

Sony TCD5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files

Taper Notes:

View Notes---------------------------------
R.I.P. Sandy - aka "Bigfoot"  
---------------------------------

SOURCE 19 OF 22

gd1984-06-21.beyerm201.holbrook.burke.91024.sbeok.flac16

Source:

beyerdynamic M201 > Sony TC-D5M > Maxell MX90 (No Dolby)

Lineage:

Maxell MX90 > Nakamichi LX-5 (No Dolby, Azimuth Adjusted) > Canare Star Quad interconnects > Sound Devices 722 (Line In, +10.0 dB) > IBM ThinkPad T41

Taper Notes:

View NotesNotes: 
 As of March, 2008 the master cassette with the majority of set one on it has been temporarily misplaced by Kyle.  When it's located it will be transferred and put into circulation.

 The tape flips occur after Fire On The Mountain and during Space.

 ^ There is a three second dropout beginning at 08:03 of Throwing Stones. 
 * with Rick Danko and Levon Helm
 # Final New Orleans.  The last New Orleans was played on November 11, 1970 (879 shows).

 The Band opened.
 The show was a benefit for the SEVA Foundation and was broadcast nationwide via FM radio.
 Sylvia Tyson played outside the beer tent after the show for Circle Of Gold tickets.

Personnel: 
 Jerry Garcia - Lead Guitar, Vocals
 Mickey Hart - Drums
 Bill Kreutzmann - Drums 
 Phil Lesh - Bass Guitar 
 Brent Mydland - Keyboards, Vocals
 Bob Weir - Rhythm Guitar, Vocals

SOURCE 20 OF 22

gd1984-06-21.beyerm201.holbrook.burke.90982.flac24

Source:

beyerdynamic M201 > Sony TC-D5M > Maxell MX90 (No Dolby)

Lineage:

Maxell MX90 > Nakamichi LX-5 (No Dolby, Azimuth Adjusted) > Canare Star Quad interconnects > Sound Devices 722 (Line In, +10.0 dB) > IBM ThinkPad T41

Taper Notes:

View NotesNotes: 
 As of March, 2008 the master cassette with the majority of set one on it has been temporarily misplaced by Kyle.  When it's located it will be transferred and put into circulation.

 The tape flips occur after Fire On The Mountain and during Space.

 ^ There is a three second dropout beginning at 08:03 of Throwing Stones. 
 * with Rick Danko and Levon Helm
 # Final New Orleans.  The last New Orleans was played on November 11, 1970 (879 shows).

 The Band opened.
 The show was a benefit for the SEVA Foundation and was broadcast nationwide via FM radio.
 Sylvia Tyson played outside the beer tent after the show for Circle Of Gold tickets.

Personnel: 
 Jerry Garcia - Lead Guitar, Vocals
 Mickey Hart - Drums
 Bill Kreutzmann - Drums 
 Phil Lesh - Bass Guitar 
 Brent Mydland - Keyboards, Vocals
 Bob Weir - Rhythm Guitar, Vocals

SOURCE 21 OF 22

gd1984-06-21.nak300.ackerman.andrewf.32640.sbeok.flac16

Source:

Two Nakamichi CM-300's with CP-4 shotguns capsules, plus one Nakamichi CM-300 with CP-1 cardioid capsule blend mic > Nakamichi MX-100 mixer > passed thru Sony TC-D5M > Sony TC-D6 > MAC > ? > CD > EAC > WavMerge > Soundforge > CD-Wave > TLH v.1.0.0.72 > FLAC

Taper Notes:

View Notes* with Rick Danko and Levon Helm 

To cover the tape flips, I used a first-generation tape made with Sennheiser 441's > Sony TC-D5M that was also recorded behind the soundboard. I used Soundforge for the patches, and to make fades where needed. The cross-faded patches are located at:
-- 3:10 of BIODTL thru 0:04 of Dupree's,
-- 0:46 thru 1:20 of Space,
-- 0:01 thru 0:26 of The Wheel.
The entire show is now seamless and uninterupted by tape-flips. You can fit this onto two 80-minute discs if you cut out the five tuning and stage announcement tracks. There's some PA-mix issues during the first part of Bucket, then things improve nicely.

SOURCE 22 OF 22

gd84-06-21.sbe.tbrame.15405.sbeok.shnf

Source:

FM>MC>PCM>DAT>Cool Edit Pro>CDR>SHN

Taper Notes:

View NotesFM>MC>PCM>DAT>Cool Edit Pro>CDR>SHN; Via Andy L; EAC'ed and SHN'ed by tbrame