1984-06-23 | Grateful Dead

View NotesNotes:
- Thanks to Rob Eaton for the source Dat
- Thanks to Charlie Miller for the transfer
- 1st soundboard in circulation for this date (Dec 2017)
- Reels used for MSC -> Reel transfer were recorded on previously. During the transfer, presumably a dirty and/or mis-aligned erase head allowed the previously recorded material to bleed through in the right channel. During quieter passages, the previously recorded material could be heard in the right channel.
- 1st set is mono, it came from Rob that way, probably because the right channel bleed through issue was more severe
- There are some level fluctuations throughout the 1st set, most notably during "Alabama Getaway" and the beginnings of "Peggy O" and "Big Railroad Blues"
- 2nd set is stereo, however, during the quieter moments, the bleed through of the previously recorded material could be heard  in the right channel. Because of this, the between song tunings, the drums and space segment, as well as the encore break are in mono. Some bleed through can be heard at various parts depending on the loudness of both the pre-recorded material and the show itself.
- Noodle into Truckin' included in "Truckin"
- Top handful of best Black Peter's, imo, a.k.a. "The Harrisburg Black Peter" tm Joe Noel
- Far from perfect, but don't be deterred, it's listenable - especially the 2nd set. And so far, it's the best we've got

Mastered by Scott Clugston
12/7/2017

SOURCE 2 OF 17

2:24:53

Taper:

Jim Vita

Transferrer:

Scott Clugston, Charlie Miller

SHNID:

gd1984-06-23.164770.senn421.vita.miller.clugston.flac1648

Source:

Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell UDXLII-S)

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Dan McSheffrey and the folks responsible for the Neumann U84 source which supplies an 0:08 patch in the "The Music Never Stopped > Don't Ease Me In" transition (0:08 total), as well as a 0:09 patch in "Space"
- Truckin' space included in "Truckin'"
- Pitch corrected

Mastered by Scott Clugston
March 2023

SOURCE 3 OF 17

Charlie Miller and Joe Noel

SHNID:

gd1984-06-23.141597.FOB.Senn441.Ackerman.Miller.Noel.t-flac1644

Source:

Ray Ackerman’s Master Audience Cassettes; Four (4) Sennheiser 441's > Yamaha mixer > SonyD5 > SonyD6 > Cassette > DAT (FOB); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Kyocera D811 > Sony PCM 2600 using SBM > DAT 16/44

Taper Notes:

View NotesPatch info:
- source 14951 (Sennheiser 441) supplies
- s2t05 - 6:26 - 6:50 & 7:24 - 8:31

Notes:
- tape pauses & flip (s1) cross faded
- tape flip (s2) patched
- four of a kind beats a pair, every time.
- This is the Harrisburg Black Peter

SOURCE 4 OF 17

2:22:51

Taper:

Dan McSheffrey, Rich Gastwirt

Transferrer:

Charlie Miller and Joe Noel

SHNID:

gd1984-06-23.139571.FOB.Neumann.McSheffrey.Gastwirt.Miller.Noel.t-flac16

Source:

<b>flac16/48kHz</b>; Dan McSheffrey recording: Neumann KM84 > Cassette Master (Sony TC-D5M) > Dat (FOB); Charlie Miller

Lineage:

Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48; Edited & Mastered by Joe Noel in Audacity: Wave > Flac 16/48; Checksum & tags created in xACT

Taper Notes:

View NotesPatch info:
- source 14951 (senn 441) supplies
- s1t08 - last 02 seconds
- s1t09 - first 15 seconds
- s2t02 - 5:54 - 6:15
- s2t05 - 6:41 - 6:49 & 8:15 - 9:25

Notes:
- tape pauses cross faded
- This is the Harrisburg Black Peter

SOURCE 5 OF 17

2:29:55

SHNID:

gd1984-06-23.167000.neumann.u87.akg414.blend.eaton.miller.clugston.flac2496

SOURCE 6 OF 17

2:29:55

SHNID:

gd1984-06-23.166999.neumann.u87.akg414.blend.eaton.miller.clugston.flac1648

SOURCE 7 OF 17

2:24:53

SHNID:

gd1984-06-23.164771.senn421.vita.miller.clugston.flac2496

SOURCE 8 OF 17

2:22:26

Taper:

david barfield + david lane

Transferrer:

david barfield

SHNID:

gd1984-06-23.140516.nak300.flac2496

Source:

source: nak 300 (12’ dfc by board) > tcd5m > master = maxwell udxl ii (1) / mx 90 (2) +dolby > master via tascam 122 mk ii > apogee rosetta 200(24/96) > audacity (normalize, tracks, fades) > flac24/96 > xact (tags, ffp, md5)

SOURCE 9 OF 17

gd1984-06-23.138874.aud.lamarre.berger.flac24

Source:

source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xlIIS90’s, dolby b; to left of board; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017

SOURCE 10 OF 17

gd1984-06-23.138873.aud.lamarre.berger.flac16

SOURCE 11 OF 17

gd1984-06-23.124088.chasingwilma.flac24

Source:

lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

SOURCE 12 OF 17

gd1984-06-23.109812.beyer-senn-daweez.D5scott.flac16

Source:

Source: 2 Beyer M160 & 1 Sennheiser 421 microphones (up front) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes;

Lineage:

Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files

Taper Notes:

View Notes-----------------------------------------------------------------------------------------------------------------------------------------------------------------
R.I.P. Sandy - aka "Bigfoot"  He was a friend of mine and "Da Weez" who had nothing to do with this recording, but we all sure do miss him!
-----------------------------------------------------------------------------------------------------------------------------------------------------------------

SOURCE 13 OF 17

2:25:14

SHNID:

gd1984-06-23.beyerm201.holbrook.burke.81548.flac24

Source:

Beyer M201 > Sony TC-D5M > Maxell XLII-S (No Dolby)

Lineage:

Maxell XLII-S > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 > CD Wave > Flac Frontend, Level 6

SOURCE 14 OF 17

gd1984-06-23.beyerm201.holbrook.burke.81280.sbeok.flac16

Source:

Beyer M201 > Sony TC-D5M > Maxell XLII-S (No Dolby)

Lineage:

Maxell XLII-S > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 > Wavelab 5.01b (resample, dither - MegaBitMax (Medium Noise Shaping, Normal Dither Amount)) > CD Wave > Flac Frontend, Level 6

Taper Notes:

View NotesTape flips after My Brother Esau, Don't Ease Me In and during Space

SOURCE 15 OF 17

2:24:36

SHNID:

gd84-06-23.aud.cohen.minches.18226.sbeok.shnf

Source:

Nak 700> D-5 taped by Mark Cohen, A:D transfer by Mark Cohen, final mastering and encoding by David Minches

Taper Notes:

View NotesNak 700> D-5 taped by Mark Cohen, A:D transfer by Mark Cohen, final mastering and encoding by David Minches

SOURCE 16 OF 17

gd84-06-23.senn.miller.14951.sbeok.shnf

Source:

Recording Info:(FOB) Senn 441 -> PCM -> Dat

Taper Notes:

View NotesRecording Info:
(FOB) Senn 441 -> PCM -> Dat; 
Transfer Info:
Dat (Tascam DA20) ->
CD (Tascam CDRW700) ->
EAC (Plextor 24/10/40A) ->
Cool Edit Pro v1.2 ->
SHN (2 Discs SHN / 2 Discs Audio); 
Seeded to etree by Charlie Miller

SOURCE 17 OF 17

CDR > EAC > SHN by Willy

SHNID:

gd84-06-23.naks.willy.14566.sbeok.shnf

Source:

AUD (Nak 100's)>MC>DAT>CDR

Taper Notes:

View NotesAUD (Nak 100's)>MC>DAT>CDR; via Paul B; Seeded to etree by Willy

Another installment of The Music Never Stopped Project!