Eyes Of The World > | 1985-04-27 | Grateful Dead

Bernie Worrell and the WOO Warriors

Playback	Listens	Hours
48h	0	0m
7d	7	2
30d	67	8

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	2	22m
7d	32	5
30d	43	6

Playback	Listens	Hours
48h	81	12
7d	166	23
30d	467	64

Playback	Listens	Hours
48h	117	16
7d	358	48
30d	2.4k	307

Playback	Listens	Hours
48h	6.2k	603
7d	16k	1.6k
30d	89.6k	9k

Playback	Listens	Hours
48h	105	8
7d	235	17
30d	1.8k	126

62 shows

76 tapes

Blueground Undergrass

Playback	Listens	Hours
48h	22	2
7d	3	20m
30d	26	3

Playback	Listens	Hours
48h	158	18
7d	259	31
30d	2.3k	253

Playback	Listens	Hours
48h	356	42
7d	751	93
30d	5.7k	746

308 shows

512 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	3

22 shows

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	35m

3 shows

8 tapes

Brothers Past

Playback	Listens	Hours
48h	28	4
7d	127	22
30d	1k	173

451 shows

563 tapes

Buffalo Galaxy

Playback	Listens	Hours
48h	7	36m
7d	16	2
30d	55	7

Playback	Listens	Hours
48h	35	3
7d	168	17
30d	1.3k	130

Playback	Listens	Hours
48h	19	2
7d	152	16
30d	965	100

Playback	Listens	Hours
48h	52	2
7d	70	4
30d	493	29

Playback	Listens	Hours
48h	8	1
7d	56	6
30d	230	32

Playback	Listens	Hours
48h	42	3
7d	10	47m
30d	271	18

243 shows

272 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	4	1

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	0	0m
7d	1	10m
30d	17	3

Playback	Listens	Hours
48h	0	0m
7d	8	3
30d	104	12

79 shows

93 tapes

Circles Around The Sun

1.5k

Playback	Listens	Hours
48h	89	20
7d	331	72
30d	1.5k	301

Playback	Listens	Hours
48h	7	59m
7d	44	7
30d	286	57

Playback	Listens	Hours
48h	81	6
7d	198	17
30d	575	50

Playback	Listens	Hours
48h	14	2
7d	125	20
30d	566	84

Playback	Listens	Hours
48h	278	40
7d	764	107
30d	4.2k	579

Playback	Listens	Hours
48h	439	63
7d	1.3k	170
30d	6.1k	855

797 shows

1,057 tapes

Dave Harrington

Playback	Listens	Hours
48h	7	2
7d	5	1
30d	22	6

Playback	Listens	Hours
48h	3	22m
7d	11	41m
30d	202	18

Playback	Listens	Hours
48h	2.9k	466
7d	6.7k	1.1k
30d	40.2k	6.4k

Playback	Listens	Hours
48h	21	3
7d	98	12
30d	239	27

Playback	Listens	Hours
48h	91	6
7d	133	10
30d	1.4k	89

Playback	Listens	Hours
48h	87	10
7d	264	31
30d	1.7k	210

Playback	Listens	Hours
48h	743	160
7d	2.4k	502
30d	13.4k	2.8k

Playback	Listens	Hours
48h	20	2
7d	35	4
30d	207	22

Playback	Listens	Hours
48h	189	30
7d	534	85
30d	3.2k	485

Playback	Listens	Hours
48h	0	0m
7d	43	10
30d	102	25

Playback	Listens	Hours
48h	128	13
7d	352	35
30d	1.7k	173

Playback	Listens	Hours
48h	5	40m
7d	44	7
30d	267	43

Playback	Listens	Hours
48h	205	19
7d	742	66
30d	3.3k	294

Playback	Listens	Hours
48h	13	2
7d	85	14
30d	463	81

Playback	Listens	Hours
48h	1	9m
7d	26	3
30d	156	20

Playback	Listens	Hours
48h	139	23
7d	476	78
30d	1.9k	303

151 shows

290 tapes

EGi

Playback	Listens	Hours
48h	1	8m
7d	0	0m
30d	0	0m

47 shows

50 tapes

ekoostik hookah

Playback	Listens	Hours
48h	147	19
7d	281	41
30d	2k	275

831 shows

1,050 tapes

Electric Beethoven

Playback	Listens	Hours
48h	2	29m
7d	3	30m
30d	14	5

Playback	Listens	Hours
48h	65	3
7d	103	6
30d	684	38

156 shows

174 tapes

Eric Krasno

Playback	Listens	Hours
48h	19	2
7d	10	2
30d	60	9

121 shows

180 tapes

Everyone Orchestra

Playback	Listens	Hours
48h	0	0m
7d	6	52m
30d	53	12

Playback	Listens	Hours
48h	0	0m
7d	41	4
30d	102	12

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	5	54m

Playback	Listens	Hours
48h	24	3
7d	54	6
30d	296	33

Playback	Listens	Hours
48h	4	15m
7d	13	53m
30d	131	8

Playback	Listens	Hours
48h	6	31m
7d	108	9
30d	229	18

Playback	Listens	Hours
48h	1	3m
7d	15	1
30d	157	10

Playback	Listens	Hours
48h	681	105
7d	1.7k	273
30d	10.1k	1.6k

246 shows

1,221 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	11m

14 shows

G. Love and Special Sauce

618

Playback	Listens	Hours
48h	123	12
7d	137	13
30d	618	54

Playback	Listens	Hours
48h	73	8
7d	285	34
30d	1.2k	138

Playback	Listens	Hours
48h	0	0m
7d	46	5
30d	136	18

Playback	Listens	Hours
48h	10	2
7d	39	8
30d	322	68

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	0	0m
7d	1	11m
30d	11	2

51 shows

65 tapes

Ghost Light

Playback	Listens	Hours
48h	0	0m
7d	2	51m
30d	72	16

Playback	Listens	Hours
48h	135	16
7d	200	25
30d	892	107

374 shows

508 tapes

Godspeed You Black Emperor!

395

Playback	Listens	Hours
48h	54	16
7d	101	31
30d	395	110

Playback	Listens	Hours
48h	13	2
7d	48	5
30d	187	24

Playback	Listens	Hours
48h	3.4k	686
7d	7.6k	1.6k
30d	37.3k	7.7k

Playback	Listens	Hours
48h	30	2
7d	86	7
30d	273	25

363 shows

589 tapes

Grahame Lesh and Friends

2.4k

Playback	Listens	Hours
48h	75	12
7d	291	42
30d	2.4k	338

34 shows

109 tapes

Grampas Grass

Playback	Listens	Hours
48h	31	4
7d	30	4
30d	55	8

Playback	Listens	Hours
48h	385	44
7d	1.4k	163
30d	6.5k	750

Playback	Listens	Hours
48h	66	8
7d	192	20
30d	952	102

226 shows

313 tapes

GrooveSession

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	12	2

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	15	55m
7d	34	2
30d	67	4

53 shows

57 tapes

Guitarmageddon

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	21	3

Playback	Listens	Hours
48h	4	17m
7d	65	3
30d	421	29

749 shows

1,030 tapes

Hard Working Americans

187

Playback	Listens	Hours
48h	0	0m
7d	30	3
30d	187	20

Playback	Listens	Hours
48h	18	3
7d	65	12
30d	426	68

187 shows

226 tapes

Horseshoes and Hand Grenades

Playback	Listens	Hours
48h	0	0m
7d	1	5m
30d	26	2

Playback	Listens	Hours
48h	22	2
7d	15	1
30d	215	22

674 shows

846 tapes

Infamous Stringdusters

1.6k

Playback	Listens	Hours
48h	59	5
7d	88	8
30d	1.6k	152

629 shows

1,016 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	1	4m
30d	67	13

Playback	Listens	Hours
48h	482	33
7d	919	63
30d	5.2k	337

Playback	Listens	Hours
48h	16	2
7d	49	5
30d	233	23

364 shows

491 tapes

Jazz Mandolin Project

125

Playback	Listens	Hours
48h	3	42m
7d	26	4
30d	125	20

221 shows

279 tapes

Jeff Austin and Chris Castino

112

Playback	Listens	Hours
48h	0	0m
7d	3	11m
30d	112	10

12 shows

Jerry Joseph and the Jackmormons

Jeff Austin And Friends

139

Playback	Listens	Hours
48h	1	3m
7d	24	3
30d	139	14

Playback	Listens	Hours
48h	59	7
7d	288	42
30d	1.2k	156

112 shows

162 tapes

2.7k

Playback	Listens	Hours
48h	215	36
7d	411	73
30d	2.7k	447

1,124 shows

1,519 tapes

Jerry's Middle Finger

4.3k

Playback	Listens	Hours
48h	217	27
7d	408	58
30d	4.3k	608

257 shows

308 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	0	0m
7d	2	19m
30d	7	1

2 shows

5 tapes

Joe Russo's Almost Dead

46.3k

Playback	Listens	Hours
48h	3.4k	646
7d	8.5k	1.7k
30d	46.3k	8.8k

Playback	Listens	Hours
48h	60	9
7d	135	17
30d	502	59

Playback	Listens	Hours
48h	107	10
7d	614	49
30d	2.7k	233

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	0	0m
7d	3	40m
30d	43	5

Playback	Listens	Hours
48h	17	1
7d	0	0m
30d	152	11

79 shows

98 tapes

Karina Rykman

Playback	Listens	Hours
48h	0	0m
7d	15	1
30d	81	7

73 shows

108 tapes

Karl Denson's Tiny Universe

189

Playback	Listens	Hours
48h	32	5
7d	42	6
30d	189	26

Playback	Listens	Hours
48h	320	28
7d	987	91
30d	4.8k	458

1,056 shows

1,395 tapes

Kikagaku Moyo

Playback	Listens	Hours
48h	0	0m
7d	19	3
30d	90	13

43 shows

54 tapes

King Gizzard & the Lizard Wizard

15.7k

Playback	Listens	Hours
48h	1.1k	140
7d	2.9k	376
30d	15.7k	2.1k

Playback	Listens	Hours
48h	71	9
7d	335	44
30d	1.6k	228

315 shows

400 tapes

Kung Fu

Playback	Listens	Hours
48h	1	11m
7d	0	0m
30d	64	9

Playback	Listens	Hours
48h	3	43m
7d	98	18
30d	677	129

Playback	Listens	Hours
48h	54	6
7d	164	19
30d	822	97

Playback	Listens	Hours
48h	226	22
7d	860	78
30d	4.3k	381

Playback	Listens	Hours
48h	155	24
7d	550	102
30d	3.1k	541

Playback	Listens	Hours
48h	446	42
7d	1.1k	100
30d	6.1k	566

Playback	Listens	Hours
48h	31	2
7d	214	17
30d	1.5k	115

Playback	Listens	Hours
48h	143	28
7d	416	78
30d	1.1k	204

436 shows

621 tapes

Marco Benevento

Playback	Listens	Hours
48h	3	12m
7d	2	22m
30d	68	7

Playback	Listens	Hours
48h	140	11
7d	340	29
30d	2.2k	210

Playback	Listens	Hours
48h	2	20m
7d	58	6
30d	253	28

349 shows

446 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	246	39
7d	614	101
30d	4.5k	712

Playback	Listens	Hours
48h	25	2
7d	108	8
30d	464	28

Playback	Listens	Hours
48h	28	2
7d	18	2
30d	156	16

157 shows

172 tapes

Minutemen

Playback	Listens	Hours
48h	13	33m
7d	46	1
30d	80	2

Playback	Listens	Hours
48h	22	1
7d	212	15
30d	1.2k	81

Playback	Listens	Hours
48h	660	105
7d	2.2k	330
30d	10.3k	1.7k

1,981 shows

4,477 tapes

Mogwai

Playback	Listens	Hours
48h	2	12m
7d	2	12m
30d	60	6

Playback	Listens	Hours
48h	17	1
7d	42	4
30d	120	11

Playback	Listens	Hours
48h	268	29
7d	712	77
30d	4.9k	499

412 shows

599 tapes

Nathan Moore

Playback	Listens	Hours
48h	2	16m
7d	0	0m
30d	27	2

46 shows

51 tapes

Neal Francis

Playback	Listens	Hours
48h	1	6m
7d	25	2
30d	77	7

Playback	Listens	Hours
48h	53	8
7d	59	9
30d	613	84

137 shows

249 tapes

Nels Cline

Playback	Listens	Hours
48h	0	0m
7d	13	1
30d	24	4

62 shows

73 tapes

New Riders of the Purple Sage

Playback	Listens	Hours
48h	173	15
7d	307	25
30d	2k	163

410 shows

596 tapes

North Mississippi Allstars

1.3k

Playback	Listens	Hours
48h	63	6
7d	178	17
30d	1.3k	130

Playback	Listens	Hours
48h	44	4
7d	169	17
30d	813	85

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	1	3m
30d	3	15m

Playback	Listens	Hours
48h	0	0m
7d	15	2
30d	122	22

Playback	Listens	Hours
48h	0	0m
7d	8	1
30d	107	16

Playback	Listens	Hours
48h	84	15
7d	249	51
30d	1.5k	289

689 shows

920 tapes

Phil Lesh and Friends

15.9k

Playback	Listens	Hours
48h	1.1k	182
7d	2.5k	448
30d	15.9k	2.8k

788 shows

2,860 tapes

Pigeons Playing Ping Pong

1.9k

Playback	Listens	Hours
48h	180	25
7d	391	57
30d	1.9k	297

321 shows

461 tapes

Pink Talking Fish

Playback	Listens	Hours
48h	302	39
7d	847	106
30d	4k	525

293 shows

435 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	12m

Playback	Listens	Hours
48h	289	37
7d	862	114
30d	4.2k	545

1,236 shows

2,197 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	23	2

Playback	Listens	Hours
48h	30	4
7d	86	11
30d	392	48

279 shows

398 tapes

Ratdog

Playback	Listens	Hours
48h	607	77
7d	1.3k	174
30d	7k	925

Playback	Listens	Hours
48h	110	10
7d	187	15
30d	1.2k	100

Playback	Listens	Hours
48h	76	6
7d	271	22
30d	1.5k	130

Playback	Listens	Hours
48h	130	11
7d	432	39
30d	2.4k	212

581 shows

729 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	2	29m
30d	2	29m

10 shows

11 tapes

Ryley Walker

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	5	1

77 shows

96 tapes

Sam Grisman Project

Playback	Listens	Hours
48h	351	33
7d	653	62
30d	4k	375

128 shows

192 tapes

Scott Metzger

Playback	Listens	Hours
48h	0	0m
7d	10	1
30d	72	8

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	54	7

Playback	Listens	Hours
48h	13	1
7d	60	6
30d	109	13

Playback	Listens	Hours
48h	51	4
7d	245	21
30d	1.5k	129

Playback	Listens	Hours
48h	240	36
7d	497	78
30d	2.6k	423

Playback	Listens	Hours
48h	70	16
7d	324	78
30d	1.3k	314

Playback	Listens	Hours
48h	47	3
7d	68	4
30d	273	15

87 shows

95 tapes

Stanton Moore

Playback	Listens	Hours
48h	1	21m
7d	1	21m
30d	14	2

Playback	Listens	Hours
48h	13	2
7d	132	23
30d	756	120

Playback	Listens	Hours
48h	213	47
7d	386	89
30d	1.9k	412

370 shows

565 tapes

Strangefolk

Playback	Listens	Hours
48h	128	16
7d	384	53
30d	2k	275

667 shows

1,139 tapes

String Cheese Incident

19.3k

Playback	Listens	Hours
48h	1.2k	197
7d	3.4k	541
30d	19.3k	3.1k

1,282 shows

2,076 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	3	11m
7d	26	3
30d	69	8

Playback	Listens	Hours
48h	32	6
7d	76	14
30d	271	49

Playback	Listens	Hours
48h	6	44m
7d	21	3
30d	174	23

Playback	Listens	Hours
48h	58	6
7d	112	12
30d	798	85

727 shows

1,114 tapes

Ted Leo and the Pharmacists

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	862	103
7d	1.9k	230
30d	12.8k	1.5k

Playback	Listens	Hours
48h	9	23m
7d	13	36m
30d	206	9

Playback	Listens	Hours
48h	80	10
7d	171	22
30d	1.8k	220

Playback	Listens	Hours
48h	32	5
7d	60	9
30d	377	59

473 shows

627 tapes

The California Honeydrops

513

Playback	Listens	Hours
48h	30	4
7d	40	5
30d	513	65

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	36m

Playback	Listens	Hours
48h	146	21
7d	303	44
30d	2.6k	380

Playback	Listens	Hours
48h	0	0m
7d	24	3
30d	385	33

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	20	2

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	0	0m
7d	1	1m
30d	19	1

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	2	12m
30d	3	14m

Playback	Listens	Hours
48h	53	8
7d	24	4
30d	400	68

Playback	Listens	Hours
48h	9	2
7d	20	3
30d	115	13

Playback	Listens	Hours
48h	110	6
7d	933	52
30d	1.9k	108

Playback	Listens	Hours
48h	84	6
7d	101	7
30d	1.1k	81

Playback	Listens	Hours
48h	15	3
7d	16	5
30d	267	57

Playback	Listens	Hours
48h	98	11
7d	196	21
30d	899	94

Playback	Listens	Hours
48h	93	12
7d	249	34
30d	1.7k	253

Playback	Listens	Hours
48h	528	49
7d	1.1k	103
30d	6.3k	633

1,452 shows

1,651 tapes

The Walkmen

Playback	Listens	Hours
48h	1	5m
7d	0	0m
30d	64	5

Playback	Listens	Hours
48h	49	5
7d	146	14
30d	877	89

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	5	55m
7d	0	0m
30d	9	2

Playback	Listens	Hours
48h	68	8
7d	251	24
30d	1.4k	148

Playback	Listens	Hours
48h	70	5
7d	215	14
30d	882	58

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	22	2

Playback	Listens	Hours
48h	601	81
7d	1.2k	151
30d	7.5k	1.1k

464 shows

464 tapes

Turkuaz

Playback	Listens	Hours
48h	2	12m
7d	0	0m
30d	38	4

Playback	Listens	Hours
48h	102	17
7d	396	61
30d	1.8k	292

Playback	Listens	Hours
48h	277	38
7d	1.1k	162
30d	4.9k	733

Playback	Listens	Hours
48h	11	52m
7d	58	5
30d	340	29

Playback	Listens	Hours
48h	82	7
7d	233	18
30d	1.6k	120

Playback	Listens	Hours
48h	970	78
7d	2.5k	198
30d	13.6k	1.1k

623 shows

1,138 tapes

White Denim

Playback	Listens	Hours
48h	0	0m
7d	4	18m
30d	56	5

Playback	Listens	Hours
48h	9.7k	1.2k
7d	26.9k	3.2k
30d	139k	16.5k

Playback	Listens	Hours
48h	16	2
7d	113	16
30d	876	121

1,416 shows

2,242 tapes

Yonder Mountain String Band

11.4k

Playback	Listens	Hours
48h	874	87
7d	2.2k	227
30d	11.4k	1.1k

Playback	Listens	Hours
48h	71	12
7d	278	44
30d	1.1k	170

20 shows

Oakland-Alameda County Coliseum

Zebu

Playback	Listens	Hours
48h	0	0m
7d	1	3m
30d	2	7m

Playback	Listens	Hours
48h	110	21
7d	381	65
30d	1.8k	320

461 shows

665 tapes

Zoofunkyou

Playback	Listens	Hours
48h	0	0m
7d	4	30m
30d	21	4

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	1.6k	221
7d	3.5k	447
30d	28.7k	3.9k

Playback	Listens	Hours
48h	830	121
7d	4.4k	628
30d	15.5k	2.2k

Playback	Listens	Hours
48h	2.6k	327
7d	6.2k	797
30d	37.6k	5k

Playback	Listens	Hours
48h	2.3k	294
7d	6.5k	803
30d	42.7k	5.6k

Playback	Listens	Hours
48h	3.5k	465
7d	12.5k	1.6k
30d	51.8k	6.9k

Playback	Listens	Hours
48h	2.5k	333
7d	12.6k	1.8k
30d	57.5k	7.6k

Playback	Listens	Hours
48h	6.1k	749
7d	12.1k	1.5k
30d	53.9k	6.7k

Playback	Listens	Hours
48h	3.9k	437
7d	7.9k	922
30d	24.6k	2.8k

Playback	Listens	Hours
48h	6.6k	740
7d	9.3k	1.1k
30d	47.3k	5.3k

Playback	Listens	Hours
48h	2.2k	242
7d	2.4k	268
30d	12.9k	1.5k

Playback	Listens	Hours
48h	2.4k	270
7d	10.7k	1.3k
30d	35.3k	4.1k

Playback	Listens	Hours
48h	1.7k	219
7d	2.9k	378
30d	27.2k	3.4k

Playback	Listens	Hours
48h	3.9k	501
7d	9k	1.2k
30d	26.2k	3.5k

Playback	Listens	Hours
48h	1.5k	183
7d	3.3k	404
30d	26.8k	3.3k

Playback	Listens	Hours
48h	1.8k	222
7d	4.2k	540
30d	28.2k	3.6k

Playback	Listens	Hours
48h	8.8k	1k
7d	12.6k	1.4k
30d	77.4k	9k

Playback	Listens	Hours
48h	1.4k	203
7d	4k	548
30d	21.2k	3k

Playback	Listens	Hours
48h	2.4k	321
7d	5.4k	732
30d	37.7k	5k

Playback	Listens	Hours
48h	9.2k	1.3k
7d	19.8k	2.8k
30d	206.1k	28.5k

Playback	Listens	Hours
48h	8.1k	1.1k
7d	26.2k	3.6k
30d	121.6k	16.5k

Playback	Listens	Hours
48h	383	39
7d	2.2k	237
30d	7.7k	796

Playback	Listens	Hours
48h	8.4k	1k
7d	25.9k	3.5k
30d	85.8k	11k

Playback	Listens	Hours
48h	4.8k	616
7d	10.2k	1.3k
30d	77.2k	10.2k

Playback	Listens	Hours
48h	2.7k	336
7d	8.6k	1.1k
30d	52.6k	6.6k

Playback	Listens	Hours
48h	3.4k	391
7d	5k	553
30d	33.5k	3.8k

Playback	Listens	Hours
48h	1.3k	148
7d	3.7k	422
30d	38.7k	4.2k

Playback	Listens	Hours
48h	1.8k	228
7d	2.9k	423
30d	28.3k	4.2k

Playback	Listens	Hours
48h	322	44
7d	1.1k	153
30d	7.4k	956

41 shows

125 tapes

1967

Playback	Listens	Hours
48h	157	22
7d	626	81
30d	2k	275

Playback	Listens	Hours
48h	228	19
7d	673	49
30d	5.3k	357

Playback	Listens	Hours
48h	44	3
7d	98	6
30d	628	37

2 shows

2 tapes

1985

12/31SBD

Oakland-Alameda County Coliseum

248

Playback	Listens	Hours
48h	7	41m
7d	33	4
30d	248	29

4:59:06

19 tapes

12/30SBD

261

Playback	Listens	Hours
48h	14	2
7d	81	9
30d	261	27

4:28:26

17 tapes

11/22SBD

100

Playback	Listens	Hours
48h	4	26m
7d	22	3
30d	100	13

2:15:35

11 tapes

11/21SBD

202

Playback	Listens	Hours
48h	0	0m
7d	42	4
30d	202	22

2:15:55

11/20SBD

454

Playback	Listens	Hours
48h	46	5
7d	98	11
30d	454	51

Playback	Listens	Hours
48h	0	0m
7d	11	1
30d	170	19

Playback	Listens	Hours
48h	0	0m
7d	3	19m
30d	142	17

East Rutherford, NJ, USA

303

Playback	Listens	Hours
48h	31	4
7d	79	10
30d	303	37

East Rutherford, NJ, USA

180

Playback	Listens	Hours
48h	1	1m
7d	59	7
30d	180	20

4:40:11

Community War Memorial Auditorium

11/08SBD

Rochester, NY, USA

269

Playback	Listens	Hours
48h	8	1
7d	73	8
30d	269	30

2:12:53

Community War Memorial Auditorium

11/07SBD

Rochester, NY, USA

168

Playback	Listens	Hours
48h	3	19m
7d	33	4
30d	168	18

Playback	Listens	Hours
48h	21	2
7d	42	5
30d	265	30

Playback	Listens	Hours
48h	1	5m
7d	36	4
30d	458	49

Playback	Listens	Hours
48h	2	12m
7d	76	10
30d	270	35

Playback	Listens	Hours
48h	46	5
7d	157	17
30d	375	41

2:40:08

17 tapes

10/31SBD

Carolina Coliseum, U. of South Carolina

Columbia, SC, USA

341

Playback	Listens	Hours
48h	33	3
7d	56	6
30d	341	33

Playback	Listens	Hours
48h	14	2
7d	40	5
30d	330	40

Playback	Listens	Hours
48h	14	2
7d	49	6
30d	199	24

Playback	Listens	Hours
48h	0	0m
7d	54	5
30d	334	33

Pembroke Pines, FL, USA

102

Playback	Listens	Hours
48h	0	0m
7d	18	3
30d	102	13

2:21:11

12 tapes

9/15SBD

Devore Field, Southwestern College

Chula Vista, CA, USA

331

Playback	Listens	Hours
48h	36	4
7d	51	6
30d	331	38

2:21:39

12 tapes

9/12SBD

120

Playback	Listens	Hours
48h	3	20m
7d	42	5
30d	120	15

2:30:28

9/11SBD

Playback	Listens	Hours
48h	3	26m
7d	0	0m
30d	84	9

2:22:15

12 tapes

9/10SBD

Playback	Listens	Hours
48h	0	0m
7d	7	42m
30d	47	5

2:15:03

10 tapes

9/07SBD

Red Rocks Amphitheatre

Morrison, CO, USA

393

Playback	Listens	Hours
48h	24	3
7d	35	4
30d	393	44

5:00:50

22 tapes

9/06SBD

Red Rocks Amphitheatre

Morrison, CO, USA

Playback	Listens	Hours
48h	2	15m
7d	21	3
30d	91	11

2:10:32

Southern Star Amphitheater

9/05SBD

Red Rocks Amphitheatre

Morrison, CO, USA

218

Playback	Listens	Hours
48h	6	58m
7d	26	4
30d	218	28

Playback	Listens	Hours
48h	1	9m
7d	11	1
30d	354	36

Oklahoma City, OK, USA

529

Playback	Listens	Hours
48h	26	3
7d	53	6
30d	529	57

Playback	Listens	Hours
48h	0	0m
7d	8	1
30d	128	16

2:36:45

13 tapes

8/30SBD

Houston, TX, USA

158

Playback	Listens	Hours
48h	29	4
7d	22	3
30d	158	20

2:15:38

Ventura County Fairgrounds

8/24SBD

Boreal Ridge Ski Resort

Donner's Summit, CA, USA

128

Playback	Listens	Hours
48h	20	2
7d	4	21m
30d	128	15

2:12:43

5 tapes

7/14SBD

Ventura, CA, USA

444

Playback	Listens	Hours
48h	43	5
7d	69	8
30d	444	50

2:41:38

11 tapes

7/13SBD

Ventura County Fairgrounds

Ventura, CA, USA

347

Playback	Listens	Hours
48h	31	4
7d	72	10
30d	347	47

Playback	Listens	Hours
48h	0	0m
7d	25	3
30d	197	24

2:25:58

18 tapes

7/01SBD

Merriweather Post Pavilion

Columbia, MD, USA

428

Playback	Listens	Hours
48h	56	8
7d	78	11
30d	428	60

2:46:28

Merriweather Post Pavilion

6/30SBD

Columbia, MD, USA

1.7k

Playback	Listens	Hours
48h	135	16
7d	216	26
30d	1.7k	214

Playback	Listens	Hours
48h	38	5
7d	90	11
30d	903	110

2:27:36

Saratoga Performing Arts Center

6/27SBD

Saratoga Springs, NY, USA

819

Playback	Listens	Hours
48h	27	3
7d	93	10
30d	819	84

Cuyahoga Falls, OH, USA

490

Playback	Listens	Hours
48h	38	4
7d	76	9
30d	490	53

2:29:46

13 tapes

6/24SBD

River Bend Music Center

Cincinnati, OH, USA

611

Playback	Listens	Hours
48h	57	7
7d	146	17
30d	611	70

2:35:44

Alpine Valley Music Theatre

6/22SBD

East Troy, WI, USA

311

Playback	Listens	Hours
48h	95	11
7d	73	8
30d	311	35

2:30:32

Alpine Valley Music Theatre

6/21SBD

East Troy, WI, USA

351

Playback	Listens	Hours
48h	540	59
7d	108	12
30d	351	41

Playback	Listens	Hours
48h	153	19
7d	5.6k	664
30d	6.1k	735

Playback	Listens	Hours
48h	57	6
7d	1.2k	129
30d	4.6k	514

Playback	Listens	Hours
48h	142	16
7d	361	42
30d	2.8k	337

Playback	Listens	Hours
48h	28	3
7d	18	2
30d	501	58

Playback	Listens	Hours
48h	41	5
7d	102	11
30d	653	77

2:50:08

Marin Veterans Memorial Auditorium

4/21SBD

San Rafael, CA

Playback	Listens	Hours
48h	0	0m
7d	7	33m
30d	27	2

Playback	Listens	Hours
48h	23	3
7d	30	3
30d	244	27

Playback	Listens	Hours
48h	51	6
7d	106	13
30d	754	93

Philadelphia, PA, USA

294

Playback	Listens	Hours
48h	49	5
7d	51	5
30d	294	30

Philadelphia, PA, USA

229

Playback	Listens	Hours
48h	8	1
7d	28	4
30d	229	31

Philadelphia, PA, USA

328

Playback	Listens	Hours
48h	25	3
7d	128	16
30d	328	40

2:28:31

Cumberland County Civic Center

4/04SBD

Providence Civic Center

Providence, RI, USA

281

Playback	Listens	Hours
48h	8	50m
7d	23	2
30d	281	30

2:33:15

22 tapes

4/03SBD

Providence Civic Center

Providence, RI, USA

199

Playback	Listens	Hours
48h	30	4
7d	70	10
30d	199	29

2:51:34

26 tapes

4/01

Portland, ME, USA

137

Playback	Listens	Hours
48h	4	26m
7d	16	2
30d	137	16

2:22:23

37 tapes

3/31SBD

Cumberland County Civic Center

Portland, ME, USA

262

Playback	Listens	Hours
48h	2	17m
7d	49	6
30d	262	32

Playback	Listens	Hours
48h	13	2
7d	47	6
30d	155	18

Playback	Listens	Hours
48h	15	2
7d	67	9
30d	331	42

Playback	Listens	Hours
48h	15	1
7d	18	2
30d	161	19

2:13:05

3/25SBD

Springfield Civic Center

Springfield, MA, USA

357

Playback	Listens	Hours
48h	20	3
7d	53	7
30d	357	47

2:46:52

30 tapes

3/24SBD

Springfield Civic Center

Springfield, MA, USA

140

Playback	Listens	Hours
48h	24	3
7d	25	3
30d	140	17

Playback	Listens	Hours
48h	2	16m
7d	14	2
30d	161	21

Playback	Listens	Hours
48h	0	0m
7d	66	7
30d	284	29

2:21:56

17 tapes

3/13SBD

316

Playback	Listens	Hours
48h	47	5
7d	43	6
30d	316	40

2:23:36

9 tapes

3/12

120

Playback	Listens	Hours
48h	0	0m
7d	36	4
30d	120	15

2:13:21

8 tapes

3/10

Playback	Listens	Hours
48h	4	26m
7d	20	3
30d	74	10

2:18:50

3/09SBD

476

Playback	Listens	Hours
48h	12	2
7d	79	10
30d	476	62

2:14:44

13 tapes

2/XXSBD

Twilight Zone Sessions

Playback	Listens	Hours
48h	8	13m
7d	4	9m
30d	66	2

13:28

1 tape

2/20SBD

187

Playback	Listens	Hours
48h	14	1
7d	17	2
30d	187	23

2:16:03

2/19SBD

259

Playback	Listens	Hours
48h	42	5
7d	31	4
30d	259	30

1:58:18

5 tapes

2/18SBD

252

Playback	Listens	Hours
48h	32	4
7d	23	3
30d	252	29

2:26:39

Sources

Taper: Joani Walker and Paul Scotton

2:32:57

SBD

Joani Walker and Paul Scotton

gd1985-04-27.152284.sbd.walker.scotton.miller.clugston.flac2496

Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes

1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

View NotesNotes:
- Thanks to Joani Walker and Paul Scotton for the 1st generation cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:21 patch in the "Eyes Of the World > Goin' Down The Road Feeling Bad" transition, as well as a 0:32 patch in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
April 2020

Taper: Joani Walker and Paul Scotton

2:32:57

SBD

Joani Walker and Paul Scotton

gd1985-04-27.152283.sbd.walker.scotton.miller.clugston.flac1648

Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes

1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

gd1985-04-27.sbd.miller.25467.sbeok.shnf

View NotesNotes:
- Thanks to Joani Walker and Paul Scotton for the 1st generation cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:21 patch in the "Eyes Of the World > Goin' Down The Road Feeling Bad" transition, as well as a 0:32 patch in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
April 2020

Transferrer: Charlie Miller

SBD -> Master Cassette -> Dat (44.1k)

Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN

gd1985-04-27.mtx.haugh.78681.flac24

View Notes-- This is a lot cleaner than what currently circulates (No diginoise/static).
-- Seamless transition between Discs 2 and 3.
-- 2nd Set is more dynamic than 1st set, plus there is no tape flip.
-- 2nd Set may be from PCM or VHS/Beta Hi-Fi.
-- Sounds keeps improving as show goes progresses.

Taper: See info file

DVD-AUDIO 24/48 SBD+AUD Matrix Mix

See info file

gd1985-04-27.mtx.haugh.78504.flac16

View Notes---------------------------------------------------------

Source Info

SBD
SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif
Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN
Transferred and Edited By Charlie Miller
[email protected]

AUD1
MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky.
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96
WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using
Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.  
Transfer and mastering by C.Ladner.

AUD2
MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR
[aluminum core (Set II)]  Mic Config: mics on T bar knee high
pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth
adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave
Editor > Flac Frontend (encoded@level 6) >FLAC16
Location: on the lawn, 25 feet from the stage, DFC
Taper: Adam, Justin & Monica - Mark McCue Masters
All cuts, fades and edits made in CEP 2.0, normalized to 100%.
Sector boundaries verified with TLH. Transfer, minor editing
and conversion by Alex Ford 3/10 & 11/2006.

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out.  Thanks also to
the Lossless Legs Community (www.shnflac.net) for getting me
these 3 spectacular sources.  Also a thanks for some of the
images used in creation of the artwork.  I found them years
ago on the net and do not have anyway to properly credit.

---------------------------------------------------------

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch all of the sources.  SF8.0 was used for the EQ setting
post mixdown. This is a 65% SBD, 20% AUD1, 15% AUD2 mix.      
- Mixed by [email protected]
- FLAC conversion done 28-SEPT-2006  
- Artwork at 300dpi by [email protected]
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear double jewel case.

---------------------------------------------------------

Notes

After spending several months and likely more than 150 hrs
on this project I rushed my way through this text file and
the artwork.  I just want to be done with it.  Hopefully it
will be acceptable and without too many typos or errors.

The SBD has a strange sound characteristic that can be heard
through the first few songs and then disappears.  As Charlie
Miller noted in his text file "sounds keeps improving as show
progresses".  Which is indeed true.  The sound keeps cycling
from normal to "overly bright".  Could it be a bad Dolby
encode or decode scenario?   Only when you listening very
critically.  It does not subtract from these really great
recordings and great show IMO.

Both AUD recordings are very good.  The Nak700 sounds like it
was on a stand and doesn't have the close crowd feeling of a
typical FOB.  Some post-processing was obviously done to
maximize the levels, which does cut down a bit on the dynamic
range.  The Senn 421 has a much rowdier feel with closer
crowd, clapping and a good feel for a live show.

All 3 sources had different stoppages between songs in the
first set, most notably was during "Let Phil Sing".  Here
we had missing "crowd" material with no overlap.  I employ
several techniques, fades, crossfades, volume changes and
"borrowing" crowd cheer from different parts of the same
recording to fill in the sound and make the new recording flow
uninterrupted.  Take a listen to the first set, the missing
material now flows smooth and is most likely undetectable.

d1t01 "Bill Graham Intro" The first 20 seconds is entirely
from the NAK700 source, then the Senn 421 source fades in
and then finally the SBD also joins the mix.  No music was
missing.  This is smooth and is most likely undetectable.

D2 and D3 can be assembled seamlessly on longer media.

d2t01 "Scarlet Begonias" The first 10 seconds is just the
SBD and the NAK700 source, then the Senn 421 source fades in
and also joins the mix.  This is smooth and is most likely
undetectable.

d3t04 "The Other One" 36.334 seconds of "fake" patch was
used to cover a missing part of the SBD source.  Most likely
a repeating musical portion from earlier in the song was used.  
In short, "The Other One" was patch with the very same "The
Other One".  This was a very tricky edit to find and remove.  
It is now patched with a matrix mix of AUD1 and AUD2 for
1:00.119 with 2 second crossfade on each.  B/c this is a
change in source it is detectable by the listener.

d1t09 "Bill Graham Intro" is entirely from the NAK700 source.

This represents the 24 bit files that are the result of all my
editing and the multitrack mixdown preserved in 24 bit. It is
unclear exactly what we have in the way of high resolution.
However it seems what we have here would not be represented
accurately in 16/44. What you are getting is the full result
of the matrix mix process. How much different does this sound?
is this better? A little and yes. This is more accurate and
has more dynamic range.  24/48 resolution versus a 16/44 of
the same material will usually result in very subtle but
important differences.  Most of it relying on the quality of
the DVD-A player and the D to A conversion.  With that in
mind, this 24 bit copy is no different.  Small but important
gains over the same material in 16/44.  This is just one
man's take.  Take it or leave it.

---------------------------------------------------------

Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -3
AUD1 -7
AUD2 -8.5

SET TWO

Stereo Matrix
SBD -3.5
AUD1 -7
AUD2 -8.5

---------------------------------------------------------

Editorial Comments

This show is like a wearing my favorite slippers.  Familiar
and very comfortable.  I first obtained this show in 1985
about 2 weeks after the show.  I was a new 16 yr. old driver
and was giving a "friend of a friend" a ride in my car.  
This guy was a pretty hard core hippie and he produced the
cassette of the second set.  I was floored.  At the time, and
considering my age, I had no idea anyone could get a copy of
a show THAT fast.  And what a show it is.  Needless to say
the next five years or so were spent wearing out that cassette.

This show is most notable for the only "Scarlet > Eyes" but
is loaded with great renditions, sick jamming and inspired
playing.  The first set songs are all played really well.
The final Tom Thumb > Cold Rain > Music is fantastic.  Phil
is just out-of-hand throughout.  'Nuff said.

This Scarlet is my favorite, period.  A bold statement but
one I can stand tall behind.  Great long intro, nice middle
of the song solo, they come around twice (I LOVE THAT!) before
the Wind in The Willows but the ensuing jam towards Fire is
inspired.  Brent chasing Jerry, Brent chasing Bob.  Jerry is
traveling 100 miles an hour and the band is right behind. A
real nice Fire tease and Jerry picks his moment to lead the
gang into Eyes.  WOW!  

Eyes is also full of spit and fire with too many acid laced
licks to count.  Even GDTRFB is fast paced and fun, with Woman
still keeping your interest.  Isn't that a change?  Not the
longest pre-drums, 40+ mins, but understandable as clearly
Garcia needed to soak his hand in ice.

Normally topping an all Garcia tri-fecta to opened set two,
Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they
do, beat it to death.  The next 45+ mins is transcendental,
perfect, seamless, inspired, rocking/soothing and any other
accolade you can toss in for good measure.  This time a  new
tri-fecta, Truckin' > Other One > Black Peter, takes center
stage in the post drums part.  Note by note, second by second
the band just clicks.  It reminds me of the type of playing
they were capable of during 2/27-28, 3/1-2 when the band
was just so in tune with each other and what they are doing.
While clearly much different, take a listen.  These guys
are so tuned in to what each other is doing it is 6 as 1.

---------------------------------------------------------

Taper: See info file

SBD + AUD Matrix 3 Source Mix

See info file

gd85-04-27.fixedsbd.mattman.20683.sbeok.shnf

View Notes---------------------------------------------------------

Source Info

SBD
SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif
Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN
Transferred and Edited By Charlie Miller
[email protected]

AUD1
MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky.
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96
WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using
Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.  
Transfer and mastering by C.Ladner.

AUD2
MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR
[aluminum core (Set II)]  Mic Config: mics on T bar knee high
pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth
adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave
Editor > Flac Frontend (encoded@level 6) >FLAC16
Location: on the lawn, 25 feet from the stage, DFC
Taper: Adam, Justin & Monica - Mark McCue Masters
All cuts, fades and edits made in CEP 2.0, normalized to 100%.
Sector boundaries verified with TLH. Transfer, minor editing
and conversion by Alex Ford 3/10 & 11/2006.

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out.  Thanks also to
the Lossless Legs Community (www.shnflac.net) for getting me
these 3 spectacular sources.  Also a thanks for some of the
images used in creation of the artwork.  I found them years
ago on the net and do not have anyway to properly credit.

---------------------------------------------------------

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch all of the sources.  SF8.0 was used for the EQ setting
post mixdown. This is a 65% SBD, 20% AUD1, 15% AUD2 mix.      
- Mixed by [email protected]
- FLAC conversion done 28-SEPT-2006  
- Artwork at 300dpi by [email protected]
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear double jewel case.

---------------------------------------------------------

Notes

After spending several months and likely more than 150 hrs
on this project I rushed my way through this text file and
the artwork.  I just want to be done with it.  Hopefully it
will be acceptable and without too many typos or errors.

The SBD has a strange sound characteristic that can be heard
through the first few songs and then disappears.  As Charlie
Miller noted in his text file "sounds keeps improving as show
progresses".  Which is indeed true.  The sound keeps cycling
from normal to "overly bright".  Could it be a bad Dolby
encode or decode scenario?   Only when you listening very
critically.  It does not subtract from these really great
recordings and great show IMO.

Both AUD recordings are very good.  The Nak700 sounds like it
was on a stand and doesn't have the close crowd feeling of a
typical FOB.  Some post-processing was obviously done to
maximize the levels, which does cut down a bit on the dynamic
range.  The Senn 421 has a much rowdier feel with closer
crowd, clapping and a good feel for a live show.

All 3 sources had different stoppages between songs in the
first set, most notably was during "Let Phil Sing".  Here
we had missing "crowd" material with no overlap.  I employ
several techniques, fades, crossfades, volume changes and
"borrowing" crowd cheer from different parts of the same
recording to fill in the sound and make the new recording flow
uninterrupted.  Take a listen to the first set, the missing
material now flows smooth and is most likely undetectable.

d1t01 "Bill Graham Intro" The first 20 seconds is entirely
from the NAK700 source, then the Senn 421 source fades in
and then finally the SBD also joins the mix.  No music was
missing.  This is smooth and is most likely undetectable.

D2 and D3 can be assembled seamlessly on longer media.

d2t01 "Scarlet Begonias" The first 10 seconds is just the
SBD and the NAK700 source, then the Senn 421 source fades in
and also joins the mix.  This is smooth and is most likely
undetectable.

d3t04 "The Other One" 36.334 seconds of "fake" patch was
used to cover a missing part of the SBD source.  Most likely
a repeating musical portion from earlier in the song was used.  
In short, "The Other One" was patch with the very same "The
Other One".  This was a very tricky edit to find and remove.  
It is now patched with a matrix mix of AUD1 and AUD2 for
1:00.119 with 2 second crossfade on each.  B/c this is a
change in source it is detectable by the listener.

d1t09 "Bill Graham Intro" is entirely from the NAK700 source.

---------------------------------------------------------

Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -3
AUD1 -7
AUD2 -8.5

SET TWO

Stereo Matrix
SBD -3.5
AUD1 -7
AUD2 -8.5

---------------------------------------------------------

Editorial Comments

This show is like a wearing my favorite slippers.  Familiar
and very comfortable.  I first obtained this show in 1985
about 2 weeks after the show.  I was a new 16 yr. old driver
and was giving a "friend of a friend" a ride in my car.  
This guy was a pretty hard core hippie and he produced the
cassette of the second set.  I was floored.  At the time, and
considering my age, I had no idea anyone could get a copy of
a show THAT fast.  And what a show it is.  Needless to say
the next five years or so were spent wearing out that cassette.

This show is most notable for the only "Scarlet > Eyes" but
is loaded with great renditions, sick jamming and inspired
playing.  The first set songs are all played really well.
The final Tom Thumb > Cold Rain > Music is fantastic.  Phil
is just out-of-hand throughout.  'Nuff said.

This Scarlet is my favorite, period.  A bold statement but
one I can stand tall behind.  Great long intro, nice middle
of the song solo, they come around twice (I LOVE THAT!) before
the Wind in The Willows but the ensuing jam towards Fire is
inspired.  Brent chasing Jerry, Brent chasing Bob.  Jerry is
traveling 100 miles an hour and the band is right behind. A
real nice Fire tease and Jerry picks his moment to lead the
gang into Eyes.  WOW!  

Eyes is also full of spit and fire with too many acid laced
licks to count.  Even GDTRFB is fast paced and fun, with Woman
still keeping your interest.  Isn't that a change?  Not the
longest pre-drums, 40+ mins, but understandable as clearly
Garcia needed to soak his hand in ice.

Normally topping an all Garcia tri-fecta to opened set two,
Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they
do, beat it to death.  The next 45+ mins is transcendental,
perfect, seamless, inspired, rocking/soothing and any other
accolade you can toss in for good measure.  This time a  new
tri-fecta, Truckin' > Other One > Black Peter, takes center
stage in the post drums part.  Note by note, second by second
the band just clicks.  It reminds me of the type of playing
they were capable of during 2/27-28, 3/1-2 when the band
was just so in tune with each other and what they are doing.
While clearly much different, take a listen.  These guys
are so tuned in to what each other is doing it is 6 as 1.

---------------------------------------------------------

Source 6 of 28

Pitch-corrected version of <a href="http://db.etree.org/shninfo_detail.php?shnid=17265">shnid=17265</a>.

SBD > MC > DAT > CDR > EAC > mkwACT

View NotesPitch-corrected version of <a href="http://db.etree.org/shninfo_detail.php?shnid=17265" rel="nofollow">shnid=17265</a>.

Source 7 of 28

gd85-04-27.sbd.jerugim.359.sbeok.shnf

View NotesSource:
SBD > MC > DAT > CDR > EAC > mkwACT

Doesn't have missed lyric in The Other One. Seems like it may be still missing some music but, if it is, the d/o is much less drastic.

Source 8 of 28

SBDMC> DAT> CDR

View NotesSBDMC> DAT> CDR; CDR> EAC> SHN; conversion & upload, A. Jerugim;
no known flaws

Taper: Mark Terry

gd1985-04-27.172444.nak300.terry.miller.clugston.flac2496

Mark Terry's Master Audience Cassettes; Nakamichi 300 mics > Sony WM-D6C (Maxell XLII-S90)

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496

View NotesNotes:
- Thanks to Mark Terry for the master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:34 patch in the "Eyes Of The World > Goin' Down The Road Feeling Bad" transition, as well as a 0:25 patch in the "Truckin' > The Other One" transition
- Pitch corrected

Mastered by Scott Clugston
May 2025

Taper: Mark Terry

gd1985-04-27.172443.nak300.terry.miller.clugston.flac1648

Mark Terry's Master Audience Cassettes; Nakamichi 300 mics > Sony WM-D6C (Maxell XLII-S90)

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496

View NotesNotes:
- Thanks to Mark Terry for the master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:34 patch in the "Eyes Of The World > Goin' Down The Road Feeling Bad" transition, as well as a 0:25 patch in the "Truckin' > The Other One" transition
- Pitch corrected

Mastered by Scott Clugston
May 2025

Taper: Bob Wagner

gd1985-04-27.163485.nak700.wagner.miller.clugston.flac2496

Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496

View NotesNotes:
- Thanks to Bob Wagner for master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:17 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
July 2022

Taper: Bob Wagner

gd1985-04-27.163484.nak700.wagner.miller.clugston.flac1648

Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496

View NotesNotes:
- Thanks to Bob Wagner for master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:17 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
July 2022

Taper: Chris Hecht

gd1985-04-27.148416.neumann.km84i.hecht.miller.clugston.flac2496

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bill Koucky and Chris Ladner for the shnid76584 Nakamichi 700 source which supplies the crowd and beginning of "Dancing In The Street", the end of "Cold Rain & Snow" and beginning of "The Music Never Stopped (5:17 total), the crowd and beginning of "Scarlet Begonias" (3:48 total), as well as a 0:42 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
September 2019

Taper: Chris Hecht

gd1985-04-27.148415.neumann.km84i.hecht.miller-clugston.flac1648

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

Joe Noel and Charlie Miller

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bill Koucky and Chris Ladner for the shnid76584 Nakamichi 700 source which supplies the crowd and beginning of "Dancing In The Street", the end of "Cold Rain & Snow" and beginning of "The Music Never Stopped (5:17 total), the crowd and beginning of "Scarlet Begonias" (3:48 total), as well as a 0:42 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
September 2019

Taper: Walt Keeler

gd1985-04-27.145335.s2.fob.sony..ecm150.keeler.miller.noel.t-flac16

Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90)

Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k)

Joe Noel and Charlie Miller

View NotesEdited & Mastered by Joe Noel;
WAV > Audacity > Flac 24/96
October 28, 2018

This file set is 16 bit @ 44.1

Patch info:
- shnid 10203 (Nakamichi CM-100)
- s2t06; last four seconds
- s2t07; first twenty-seven seconds

Notes:
- Thank you Walt, thank you for getting real close.
- Thank you Charlie for transferring & coordinating.
- Thanks to Greg Holtz for the patch source.
- Pitch corrected

Taper: Walt Keeler

gd1985-04-27.143491.s2.FOB.ECM150.Keeler.Miller.Noel.t-flac2496

Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90)

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k)

gd1985-04-27.166645.akgC-33e.fob.Hoey.flac24

View NotesPatch info:
- shnid 10203 (Nakamichi CM-100)
- s2t06; last four seconds
- s2t07; first twenty-seven seconds

Notes:
- Thank you Walt, thank you for getting real close.
- Thank you Charlie for transferring & coordinating.
- Thanks to Greg Holtz for the patch source.
- Pitch corrected

Taper: Hoey

AKG C-33e stereo mic > akg 48v phantom power supply > Marantz PMD 430 (dbx nr Maxell MX90)

Nakamichi Dragon > dbx model 224 processor (decode) > Audio Antiquary mastering preamp (Telefunken C3g tube) > QES Labs PAD-2 mkII LE (a > d @ 24bit 96kHz) > Peak Pro 7 > xACT (flac tags)

Taper: Recording by Craig Rogers

2:50:08

Recording by Craig Rogers

Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021

gd1985-04-27.151947.Mouth.AKG.Master.Cassette.Rogers.Noel.t-flac16

Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show

Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96

View NotesPatch info:
- shnid 148416 (Neumann, Chris Hecht) supplies
- s2t06; 03:51 - 06:56
- s2t07; 03:32 - 04:00

Notes;
- Thanks to Craig Rogers for taping & sharing
- Thanks to everyone involved with the patch source
- Special thanks to Jerry Garcia for allowing these recordings.
- Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue
- This source has been pitch corrected
- The tape pauses were cross faded.
- There was a taper bust during GDTRFB, but the tapers keep rolling!
- Notwithstanding the bust, this is a huge recording from the mouth.
- If you're gonna get busted, this is how you want it to go down.  They didn't loose their masters & they only missed 3 minutes of music (drums).
- Give these boys the 13 Point Lightning Bolt!
- This is an Uher Archive production.
- [email protected]
- Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Mar 2, 2021

Taper: Recording by Craig Rogers

2:50:07

Recording by Craig Rogers

Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021

gd1985-04-27.151970.Mouth.AKG.Rogers.Noel.fixed.151703.t-flac2496

Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show

Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96

Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021

View NotesPatch info:
- shnid 148416 (Neumann, Chris Hecht) supplies
- s2t06; 03:51 - 06:56
- s2t07; 03:32 - 04:00

Notes;
- Thanks to Craig Rogers for taping & sharing
- Thanks to everyone involved with the patch source
- Special thanks to Jerry Garcia for allowing these recordings.
- Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue
- This source has been pitch corrected
- The tape pauses were cross faded.
- There was a taper bust during GDTRFB, but the tapers keep rolling!
- Notwithstanding the bust, this is a huge recording from the mouth.
- If you're gonna get busted, this is how you want it to go down.  They didn't loose their masters & they only missed 3 minutes of music (drums).
- Give these boys the 13 Point Lightning Bolt!
- This is an Uher Archive production.
- [email protected]


Notes (fix);
- channels were reversed, this has been corrected.

Taper: Craig Rogers

gd1985-04-27.151703.Mouth.AKG.Master.Cassette.Rogers.Noel.t-flac2496

Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes

Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96

View NotesNotes;
- Thanks to Craig Rogers for taping & sharing
- Thanks to everyone involved with the patch source
- Special thanks to Jerry Garcia for allowing these recordings.
- Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue
- This source has been pitch corrected
- The tape pauses were cross faded.
- There was a taper bust during GDTRFB, but the tapers keep rolling!
- Notwithstanding the bust, this is a huge recording from the mouth.
- If you're gonna get busted, this is how you want it to go down.  They didn't loose their masters & they only missed 3 minutes of music (drums).
- Give these boys the 13 Point Lightning Bolt!
- This is an Uher Archive production.
- [email protected]

Transferrer: 5.1 LPCM Surround Sound Mix (48/24) by amdig & Kevin Tobin

2:33:35

5.1 LPCM Surround Sound Mix (48/24) by amdig & Kevin Tobin

gd1985-04-27.148527.5-1.amdig.flac2448

5.1 LPCM Surround Sound Mix (48/24)

View Notes---------------------------------------------------------
- DVD-A extraction 11-DEC-2019 - DVD Audio Extractor v8.0.0
- FLAC conversion 11-DEC-2019 - Trader Little Helper
- Tagged 11-DEC-2019 - Tag&Rename
---------------------------------------------------------

Source 22 of 28

2:36:46

gd1985-04-27.148348.aud.flac2496

Analog Audience maxell mx 90's 3 tapes Namakamichi CM 700 Mics and Custom ps/preamp mixer - > modified dbx 224 (mod'd to run from battery pack) - > Sony TC D5M (dbx encoded)

Nakamichi CR7a - > dbx nx40 (dbx decoded) - > Audio Technica mixer/line amplifier - > Korg MR 2000 at 1 bit 5.6 MHz - > Audiogate software to create 24-96 files

Taper: chasingwilma

gd1985-04-27.124981.chasingwilma.flac24

lineage: sennheiser 421 (fob)> d-5> d-5> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

Taper: Greg Holtz

gd1985-04-27.nak100.holtz.jaz.102035.flac16

Nakamichi CM-100's with CP-4 shotgun caps > Sony TC-D5

Cassette Master, TDK MA-R90 Alluminum Core-> Tascam 112 -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII compact flash -> USB -> Wave Lab 5.0 w/UAD -> R8brain for Sample Rate Conversion to 16bit 44.1kHz -> Traders Little Helper flac8

Transferrer: Brion Green and ChrisJ

Brion Green and ChrisJ

gd1985-04-27.nak700.anon.lmpp.99835.flac16

Nakamichi 700's > d6 > MAC

MAC > Nakamichi DR-1 > HD-P2 > 24/96 WAve > Wavelab 5 > UAD Plugs > r8brain Pro > Izotope Ozone 3 Mbit > 16/44.1 Wave > Flac

gd1985-04-27.dts.haugh.78437.flac16

View NotesNotes:

- This source sounds absolutely great. HUGE thanks to Anon for this one. One of my favorite auds I've had the 
pleasure to work on to date!!! Thank you sir!!!!

- Encore patched from SHNID 76584

Transferrer: Dan Haugh

View Notes---------------------------------------------------------

Source Info

SBD
SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif
Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN
Transferred and Edited By Charlie Miller
[email protected]

AUD1
MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky.
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96
WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using
Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.  
Transfer and mastering by C.Ladner.

AUD2
MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR
[aluminum core (Set II)]  Mic Config: mics on T bar knee high
pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth
adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave
Editor > Flac Frontend (encoded@level 6) >FLAC16
Location: on the lawn, 25 feet from the stage, DFC
Taper: Adam, Justin & Monica - Mark McCue Masters
All cuts, fades and edits made in CEP 2.0, normalized to 100%.
Sector boundaries verified with TLH. Transfer, minor editing
and conversion by Alex Ford 3/10 & 11/2006.

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out.  Thanks also to
the Lossless Legs Community (www.shnflac.net) for getting me
these 3 spectacular sources.  Also a thanks for some of the
images used in creation of the artwork.  I found them years
ago on the net and do not have anyway to properly credit.

---------------------------------------------------------

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch all of the sources.  SF8.0 used to adjust the volume for
the front, center, surround and LFE channels.  SF8.0 was used
for the EQ setting on all the sources post mixdown. Surcode CD
Pro DTS was used to encode to DTS.      
- Mixed by [email protected]
- FLAC conversion done 28-SEPT-2006  
- Artwork at 300dpi by [email protected]
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear double jewel case.

---------------------------------------------------------

DTS-Audio-CD Info

Front
Left Channel SBD+AUD DEQ'd Matrix 75%-SBD/25%-AUD2
Right Channel SBD+AUD DEQ'd Matrix 75%-SBD/25%-AUD2

Center
Mono Mix -5db SBD DEQ'd

Surround
Left Channel AUD+AUD DEQ'd Matrix 60%-AUD1/40%-AUD2
Right Channel AUD+AUD DEQ'd Matrix 60%-AUD1/40%-AUD2

Sub/LFE
Mono Mix -5db SBD DEQ'd Matrix 50%-SBD/50%-AUD2

---------------------------------------------------------

Notes

After spending several months and likely more than 150 hrs
on this project I rushed my way through this text file and
the artwork.  I just want to be done with it.  Hopefully it
will be acceptable and without too many typos or errors.

The SBD has a strange sound characteristic that can be heard
through the first few songs and then disappears.  As Charlie
Miller noted in his text file "sounds keeps improving as show
progresses".  Which is indeed true.  The sound keeps cycling
from normal to "overly bright".  Could it be a bad Dolby
encode or decode scenario?   Only when you listening very
critically.  It does not subtract from these really great
recordings and great show IMO.

Both AUD recordings are very good.  The Nak700 sounds like it
was on a stand and doesn't have the close crowd feeling of a
typical FOB.  Some post-processing was obviously done to
maximize the levels, which does cut down a bit on the dynamic
range.  The Senn 421 has a much rowdier feel with closer
crowd, clapping and a good feel for a live show.

All 3 sources had different stoppages between songs in the
first set, most notably was during "Let Phil Sing".  Here
we had missing "crowd" material with no overlap.  I employ
several techniques, fades, crossfades, volume changes and
"borrowing" crowd cheer from different parts of the same
recording to fill in the sound and make the new recording flow
uninterrupted.  Take a listen to the first set, the missing
material now flows smooth and is most likely undetectable.

d1t01 "Bill Graham Intro" The first 20 seconds is entirely
from the NAK700 source, then the Senn 421 source fades in
and then finally the SBD also joins the mix.  No music was
missing.  This is smooth and is most likely undetectable.

d2t01 "Scarlet Begonias" The first 10 seconds is just the
SBD and the NAK700 source, then the Senn 421 source fades in
and also joins the mix.  This is smooth and is most likely
undetectable.

d3t04 "The Other One" 36.334 seconds of "fake" patch was
used to cover a missing part of the SBD source.  Most likely
a repeating musical portion from earlier in the song was used.  
In short, "The Other One" was patch with the very same "The
Other One".  This was a very tricky edit to find and remove.  
It is now patched with a matrix mix of AUD1 and AUD2 for
1:00.119 with 2 second crossfade on each.  B/c this is a
change in source it is detectable by the listener.

d1t09 "Bill Graham Intro" is entirely from the NAK700 source.

The mixdown of the AUD+AUD matrix mix was done a few db's
lower than the from SBD+AUD matrix mix.  In my experience
louder rear channels is an undiserable effect.  

---------------------------------------------------------

Multitrack Mixdown Settings

SET ONE SET TWO

Front Matrix Front Matrix
SBD -.5 SBD -1
AUD2 -7 AUD2 -7.5

Stereo Matrix Stereo Matrix
SBD -1 SBD -1
AUD2 -5.5 AUD2 -6

Rear Matrix Rear Matrix
AUD1 -4 AUD1 -4
AUD2 -9 AUD2 -9

Sub/LFE Matrix Sub/LFE Matrix
SBD -7db SBD -7.5db
AUD2 -5.5db AUD2 -6db

---------------------------------------------------------

Editorial Comments

This show is like a wearing my favorite slippers.  Familiar
and very comfortable.  I first obtained this show in 1985
about 2 weeks after the show.  I was a new 16 yr. old driver
and was giving a "friend of a friend" a ride in my car.  
This guy was a pretty hard core hippie and he produced the
cassette of the second set.  I was floored.  At the time, and
considering my age, I had no idea anyone could get a copy of
a show THAT fast.  And what a show it is.  Needless to say
the next five years or so were spent wearing out that cassette.

This show is most notable for the only "Scarlet > Eyes" but
is loaded with great renditions, sick jamming and inspired
playing.  The first set songs are all played really well.
The final Tom Thumb > Cold Rain > Music is fantastic.  Phil
is just out-of-hand throughout.  'Nuff said.

This Scarlet is my favorite, period.  A bold statement but
one I can stand tall behind.  Great long intro, nice middle
of the song solo, they come around twice (I LOVE THAT!) before
the Wind in The Willows but the ensuing jam towards Fire is
inspired.  Brent chasing Jerry, Brent chasing Bob.  Jerry is
traveling 100 miles an hour and the band is right behind. A
real nice Fire tease and Jerry picks his moment to lead the
gang into Eyes.  WOW!  

Eyes is also full of spit and fire with too many acid laced
licks to count.  Even GDTRFB is fast paced and fun, with Woman
still keeping your interest.  Isn't that a change?  Not the
longest pre-drums, 40+ mins, but understandable as clearly
Garcia needed to soak his hand in ice.

Normally topping an all Garcia tri-fecta to opened set two,
Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they
do, beat it to death.  The next 45+ mins is transcendental,
perfect, seamless, inspired, rocking/soothing and any other
accolade you can toss in for good measure.  This time a  new
tri-fecta, Truckin' > Other One > Black Peter, takes center
stage in the post drums part.  Note by note, second by second
the band just clicks.  It reminds me of the type of playing
they were capable of during 2/27-28, 3/1-2 when the band
was just so in tune with each other and what they are doing.
While clearly much different, take a listen.  These guys
are so tuned in to what each other is doing it is 6 as 1.

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel sound
like DTS, Dolby Digital and DVD-Audio.  While the Audio-CD
standard (Red Book) hasn't changed to accommodate these new
sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD.  To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure that
your receiver will recognize a DTS-Audio-CD, so the first
time you're trying to playback a DTS-Audio-CD you must do
a test to determine if it can. Begin with the volume very
low, start the disc and rise the volume gradually. NEVER
listen to a DTS-Audio-CD through the analogue audio outputs
of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any normal
Audio-CD from FLAC files.

---------------------------------------------------------

Taper: B. Koucky

gd1985-04-27.nak700.koucky.gmb.76584.sbeok.flac16

MAC: (FOB) Nak700s > Sony D5 > TDK MA 90s.

MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96 WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.

View NotesComments:
Crisp upclose sounding aud with some minor phasing issues. Thanks to Bill for taping, preserving, and sharing his recording with me for transfer.
Seeded by the green mountain bros at candyman FTP and planetFLAC - August 2006.

Taper: Adam, Justin & Monica

Adam, Justin & Monica

Alex Ford

gd1985-04-27.senn421.mccue.ford.32648.sbeok.flac

MAC: (FOB) Sennheiser 421's > Sony D5 > TDK MA 90 (Set I) & TDK MAR [aluminum core (Set II)]

MAC>NMAC>Nakamichi Cassette Deck 2(azimuth adjusted)>Audiophile 2496>WinXP Pro>CEP 2.0>CD Wave Editor>Flac Frontend(encoded@level 6)>FLAC16.