Just Like Tom Thumb's Blues > | 1985-04-27 | Grateful Dead

Bernie Worrell and the WOO Warriors

Playback	Listens	Hours
48h	1	1m
7d	7	2
30d	77	12

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	5	58m
7d	10	1
30d	13	1

Playback	Listens	Hours
48h	26	4
7d	98	13
30d	344	46

Playback	Listens	Hours
48h	159	20
7d	370	49
30d	2.4k	307

Playback	Listens	Hours
48h	5.4k	538
7d	15.4k	1.6k
30d	90.1k	9k

Playback	Listens	Hours
48h	55	4
7d	160	12
30d	1.7k	121

62 shows

76 tapes

Blueground Undergrass

Playback	Listens	Hours
48h	0	0m
7d	4	15m
30d	56	6

Playback	Listens	Hours
48h	82	10
7d	518	56
30d	2.3k	257

Playback	Listens	Hours
48h	225	32
7d	965	127
30d	5.8k	763

308 shows

512 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	3

22 shows

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	35m

Playback	Listens	Hours
48h	48	9
7d	180	31
30d	992	166

451 shows

563 tapes

Buffalo Galaxy

Playback	Listens	Hours
48h	15	2
7d	19	3
30d	56	7

Playback	Listens	Hours
48h	71	8
7d	154	15
30d	1.3k	124

Playback	Listens	Hours
48h	37	4
7d	259	26
30d	993	102

Playback	Listens	Hours
48h	22	2
7d	24	1
30d	468	28

Playback	Listens	Hours
48h	33	4
7d	47	7
30d	221	32

Playback	Listens	Hours
48h	4	14m
7d	71	5
30d	279	19

243 shows

272 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	4	1

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	1	10m
7d	1	10m
30d	17	3

Playback	Listens	Hours
48h	2	14m
7d	13	2
30d	103	10

79 shows

93 tapes

Circles Around The Sun

1.5k

Playback	Listens	Hours
48h	138	29
7d	254	53
30d	1.5k	310

Playback	Listens	Hours
48h	24	4
7d	7	2
30d	301	61

Playback	Listens	Hours
48h	79	7
7d	153	13
30d	480	41

Playback	Listens	Hours
48h	32	6
7d	114	16
30d	550	80

Playback	Listens	Hours
48h	226	31
7d	695	94
30d	4.2k	582

Playback	Listens	Hours
48h	439	59
7d	978	134
30d	5.8k	810

796 shows

1,056 tapes

Dave Harrington

Playback	Listens	Hours
48h	0	0m
7d	5	1
30d	18	5

Playback	Listens	Hours
48h	7	37m
7d	58	5
30d	227	21

Playback	Listens	Hours
48h	2.5k	406
7d	7.3k	1.2k
30d	39.8k	6.3k

Playback	Listens	Hours
48h	46	5
7d	67	8
30d	171	18

Playback	Listens	Hours
48h	19	1
7d	340	21
30d	1.5k	97

Playback	Listens	Hours
48h	74	8
7d	281	32
30d	1.8k	220

Playback	Listens	Hours
48h	702	149
7d	2.1k	441
30d	13.5k	2.8k

Playback	Listens	Hours
48h	3	42m
7d	31	4
30d	227	24

Playback	Listens	Hours
48h	213	34
7d	552	83
30d	3.4k	515

155 shows

209 tapes

Domocile

Playback	Listens	Hours
48h	34	8
7d	21	5
30d	78	18

Playback	Listens	Hours
48h	88	9
7d	348	37
30d	1.8k	180

Playback	Listens	Hours
48h	3	9m
7d	47	7
30d	279	45

Playback	Listens	Hours
48h	247	22
7d	440	38
30d	3.1k	277

Playback	Listens	Hours
48h	35	5
7d	55	10
30d	516	91

Playback	Listens	Hours
48h	8	58m
7d	26	4
30d	153	20

Playback	Listens	Hours
48h	127	21
7d	234	39
30d	1.8k	285

150 shows

288 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	6	1

Playback	Listens	Hours
48h	71	10
7d	235	30
30d	2.1k	304

830 shows

1,049 tapes

Electric Beethoven

Playback	Listens	Hours
48h	1	1m
7d	1	1m
30d	26	9

Playback	Listens	Hours
48h	16	54m
7d	114	6
30d	683	38

156 shows

174 tapes

Eric Krasno

Playback	Listens	Hours
48h	7	1
7d	19	3
30d	75	11

121 shows

180 tapes

Everyone Orchestra

Playback	Listens	Hours
48h	0	0m
7d	2	4m
30d	50	11

182 shows

286 tapes

Forgotten Space

Playback	Listens	Hours
48h	0	0m
7d	2	6m
30d	63	8

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	5	54m

Playback	Listens	Hours
48h	14	2
7d	67	8
30d	277	31

Playback	Listens	Hours
48h	0	0m
7d	1	5m
30d	129	8

Playback	Listens	Hours
48h	61	5
7d	5	27m
30d	154	12

Playback	Listens	Hours
48h	6	17m
7d	33	2
30d	158	10

Playback	Listens	Hours
48h	620	93
7d	1.8k	276
30d	10k	1.6k

246 shows

1,221 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	11m

14 shows

G. Love and Special Sauce

593

Playback	Listens	Hours
48h	53	5
7d	67	6
30d	593	52

Playback	Listens	Hours
48h	109	14
7d	161	20
30d	991	115

397 shows

476 tapes

Garage A Trois

Playback	Listens	Hours
48h	17	2
7d	4	35m
30d	98	14

Playback	Listens	Hours
48h	25	5
7d	24	5
30d	325	69

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	1	11m
7d	1	11m
30d	11	2

Playback	Listens	Hours
48h	2	51m
7d	2	51m
30d	105	21

Playback	Listens	Hours
48h	64	9
7d	163	20
30d	877	103

370 shows

499 tapes

Godspeed You Black Emperor!

385

Playback	Listens	Hours
48h	35	11
7d	80	24
30d	385	102

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	177	25

Playback	Listens	Hours
48h	2.6k	554
7d	6.3k	1.3k
30d	36.2k	7.4k

Playback	Listens	Hours
48h	28	2
7d	61	6
30d	277	26

363 shows

589 tapes

Grahame Lesh and Friends

2.5k

Playback	Listens	Hours
48h	146	20
7d	331	47
30d	2.5k	360

34 shows

109 tapes

Grampas Grass

Playback	Listens	Hours
48h	0	0m
7d	20	3
30d	39	6

Playback	Listens	Hours
48h	427	54
7d	1.1k	138
30d	6.2k	708

Playback	Listens	Hours
48h	65	7
7d	193	20
30d	953	102

226 shows

313 tapes

GrooveSession

Playback	Listens	Hours
48h	0	0m
7d	6	1
30d	21	3

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	2	6m
7d	3	8m
30d	34	2

53 shows

57 tapes

Guitarmageddon

Playback	Listens	Hours
48h	0	0m
7d	8	1
30d	22	3

Playback	Listens	Hours
48h	13	39m
7d	42	3
30d	381	27

749 shows

1,030 tapes

Hard Working Americans

186

Playback	Listens	Hours
48h	13	1
7d	13	1
30d	186	20

Playback	Listens	Hours
48h	14	2
7d	87	14
30d	438	73

187 shows

226 tapes

Horseshoes and Hand Grenades

Playback	Listens	Hours
48h	0	0m
7d	22	2
30d	32	3

Playback	Listens	Hours
48h	12	1
7d	40	4
30d	211	22

674 shows

846 tapes

Infamous Stringdusters

1.7k

Playback	Listens	Hours
48h	22	2
7d	197	18
30d	1.7k	162

629 shows

1,016 tapes

J.Wail

Playback	Listens	Hours
48h	1	4m
7d	0	0m
30d	67	13

Playback	Listens	Hours
48h	334	24
7d	965	62
30d	5.7k	366

Playback	Listens	Hours
48h	3	15m
7d	45	5
30d	258	25

364 shows

491 tapes

Jazz Mandolin Project

102

Playback	Listens	Hours
48h	21	3
7d	6	2
30d	102	17

221 shows

278 tapes

Jeff Austin and Chris Castino

109

Playback	Listens	Hours
48h	0	0m
7d	30	3
30d	109	10

12 shows

Jerry Joseph and the Jackmormons

Jeff Austin And Friends

127

Playback	Listens	Hours
48h	9	49m
7d	57	6
30d	127	12

34 shows

47 tapes

Jeff Austin Band

Playback	Listens	Hours
48h	128	17
7d	144	20
30d	1k	124

112 shows

162 tapes

2.8k

Playback	Listens	Hours
48h	131	23
7d	474	85
30d	2.8k	459

1,124 shows

1,519 tapes

Jerry's Middle Finger

4.6k

Playback	Listens	Hours
48h	150	22
7d	542	76
30d	4.6k	655

256 shows

307 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	1	10m
7d	0	0m
30d	24	3

2 shows

5 tapes

Joe Russo's Almost Dead

44.5k

Playback	Listens	Hours
48h	2.7k	522
7d	9.6k	1.8k
30d	44.5k	8.4k

Playback	Listens	Hours
48h	44	6
7d	109	12
30d	466	52

Playback	Listens	Hours
48h	266	22
7d	455	41
30d	2.4k	213

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	0	0m
7d	7	31m
30d	41	4

Playback	Listens	Hours
48h	0	0m
7d	65	5
30d	193	15

Playback	Listens	Hours
48h	4	13m
7d	15	1
30d	128	13

73 shows

108 tapes

Karl Denson's Tiny Universe

158

Playback	Listens	Hours
48h	0	0m
7d	6	56m
30d	158	21

Playback	Listens	Hours
48h	391	35
7d	1k	90
30d	4.6k	450

1,055 shows

1,395 tapes

Kikagaku Moyo

Playback	Listens	Hours
48h	7	2
7d	16	2
30d	92	12

43 shows

54 tapes

King Gizzard & the Lizard Wizard

15.5k

Playback	Listens	Hours
48h	807	112
7d	2.8k	365
30d	15.5k	2.1k

Playback	Listens	Hours
48h	87	12
7d	404	57
30d	1.7k	232

315 shows

400 tapes

Kung Fu

Playback	Listens	Hours
48h	0	0m
7d	13	2
30d	85	12

Playback	Listens	Hours
48h	59	12
7d	54	10
30d	803	154

Playback	Listens	Hours
48h	74	8
7d	91	10
30d	925	110

71 shows

140 tapes

Leftover Salmon

Playback	Listens	Hours
48h	269	24
7d	705	59
30d	4k	357

Playback	Listens	Hours
48h	224	48
7d	489	82
30d	3.2k	548

Playback	Listens	Hours
48h	286	27
7d	906	83
30d	5.9k	554

Playback	Listens	Hours
48h	99	8
7d	256	20
30d	1.4k	109

Playback	Listens	Hours
48h	200	37
7d	295	49
30d	1.1k	188

436 shows

618 tapes

Marco Benevento

Playback	Listens	Hours
48h	1	1m
7d	1	20m
30d	72	8

Playback	Listens	Hours
48h	83	7
7d	459	42
30d	2.2k	214

Playback	Listens	Hours
48h	40	4
7d	43	5
30d	198	22

349 shows

446 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	160	28
7d	704	104
30d	4.7k	754

Playback	Listens	Hours
48h	24	1
7d	77	5
30d	404	23

Playback	Listens	Hours
48h	1	10m
7d	7	34m
30d	138	14

157 shows

172 tapes

Minutemen

Playback	Listens	Hours
48h	1	1m
7d	29	46m
30d	69	2

Playback	Listens	Hours
48h	97	6
7d	137	10
30d	1.2k	85

Playback	Listens	Hours
48h	819	117
7d	1.6k	258
30d	10.1k	1.7k

1,980 shows

4,444 tapes

Mogwai

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	64	7

380 shows

481 tapes

Moon Taxi

Playback	Listens	Hours
48h	29	3
7d	33	3
30d	82	7

Playback	Listens	Hours
48h	287	31
7d	905	92
30d	4.9k	496

410 shows

596 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	27	2

46 shows

51 tapes

Neal Francis

Playback	Listens	Hours
48h	22	2
7d	14	1
30d	88	9

Playback	Listens	Hours
48h	15	3
7d	80	13
30d	651	89

137 shows

249 tapes

Nels Cline

Playback	Listens	Hours
48h	6	29m
7d	3	1
30d	11	3

62 shows

73 tapes

New Riders of the Purple Sage

1.9k

Playback	Listens	Hours
48h	72	6
7d	290	25
30d	1.9k	159

410 shows

596 tapes

North Mississippi Allstars

1.3k

Playback	Listens	Hours
48h	31	3
7d	244	25
30d	1.3k	131

Playback	Listens	Hours
48h	98	10
7d	83	10
30d	760	82

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	1	3m
7d	0	0m
30d	2	12m

Playback	Listens	Hours
48h	5	57m
7d	21	4
30d	109	20

Playback	Listens	Hours
48h	4	36m
7d	11	2
30d	124	18

Playback	Listens	Hours
48h	108	23
7d	240	48
30d	1.6k	291

689 shows

920 tapes

Phil Lesh and Friends

16.2k

Playback	Listens	Hours
48h	797	143
7d	2.8k	482
30d	16.2k	2.8k

788 shows

2,858 tapes

Pigeons Playing Ping Pong

1.8k

Playback	Listens	Hours
48h	141	21
7d	426	63
30d	1.8k	290

Playback	Listens	Hours
48h	295	36
7d	859	114
30d	4.1k	537

293 shows

435 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	12m

16 shows

16 tapes

Railroad Earth

Playback	Listens	Hours
48h	347	47
7d	725	94
30d	4k	515

1,236 shows

2,196 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	27	2

Playback	Listens	Hours
48h	9	1
7d	79	9
30d	400	50

279 shows

398 tapes

Ratdog

Playback	Listens	Hours
48h	536	71
7d	1.2k	163
30d	7k	918

Playback	Listens	Hours
48h	36	3
7d	243	19
30d	1.2k	95

Playback	Listens	Hours
48h	112	9
7d	471	39
30d	1.6k	142

Playback	Listens	Hours
48h	225	20
7d	234	21
30d	2.3k	206

581 shows

729 tapes

Ryan Jewell

Playback	Listens	Hours
48h	2	29m
7d	0	0m
30d	7	2

10 shows

11 tapes

Ryley Walker

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	6	1

Playback	Listens	Hours
48h	194	18
7d	796	74
30d	3.9k	365

128 shows

192 tapes

Scott Metzger

Playback	Listens	Hours
48h	9	53m
7d	0	0m
30d	85	10

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	0	0m
7d	37	4
30d	54	7

28 shows

Ted Leo and the Pharmacists

Sigur Rós

Playback	Listens	Hours
48h	25	2
7d	18	2
30d	59	7

Playback	Listens	Hours
48h	66	6
7d	244	19
30d	1.6k	136

Playback	Listens	Hours
48h	252	38
7d	504	78
30d	2.7k	432

Playback	Listens	Hours
48h	108	25
7d	313	71
30d	1.2k	279

Playback	Listens	Hours
48h	3	14m
7d	59	3
30d	308	18

87 shows

95 tapes

Stanton Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	21	3

Playback	Listens	Hours
48h	66	12
7d	81	19
30d	749	118

Playback	Listens	Hours
48h	119	25
7d	271	64
30d	1.8k	390

370 shows

565 tapes

Strangefolk

Playback	Listens	Hours
48h	149	21
7d	220	29
30d	2k	272

667 shows

1,139 tapes

String Cheese Incident

18.9k

Playback	Listens	Hours
48h	1.1k	186
7d	3.7k	599
30d	18.9k	3.1k

1,281 shows

2,074 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	24	3
7d	0	0m
30d	44	4

Playback	Listens	Hours
48h	20	4
7d	35	7
30d	216	39

Playback	Listens	Hours
48h	9	1
7d	47	6
30d	167	22

Playback	Listens	Hours
48h	68	8
7d	181	20
30d	896	95

727 shows

1,114 tapes

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	726	85
7d	2.2k	261
30d	13.2k	1.6k

Playback	Listens	Hours
48h	1	3m
7d	18	53m
30d	206	9

52 shows

58 tapes

The Big Wu

Playback	Listens	Hours
48h	4	30m
7d	198	24
30d	2k	237

Playback	Listens	Hours
48h	16	3
7d	70	10
30d	407	64

473 shows

627 tapes

The California Honeydrops

525

Playback	Listens	Hours
48h	1	22m
7d	36	5
30d	525	67

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	11	2

Playback	Listens	Hours
48h	129	19
7d	414	60
30d	2.7k	388

Playback	Listens	Hours
48h	4	20m
7d	18	3
30d	391	34

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	0	0m
7d	11	57m
30d	20	2

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	0	0m
7d	5	18m
30d	20	1

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	6	36m

Playback	Listens	Hours
48h	0	0m
7d	114	19
30d	418	71

Playback	Listens	Hours
48h	1	6m
7d	8	41m
30d	104	12

Playback	Listens	Hours
48h	407	24
7d	591	33
30d	1.4k	79

Playback	Listens	Hours
48h	25	2
7d	120	8
30d	1.3k	92

Playback	Listens	Hours
48h	5	2
7d	39	8
30d	316	64

246 shows

327 tapes

The New Mastersounds

Playback	Listens	Hours
48h	73	8
7d	216	22
30d	1k	105

Playback	Listens	Hours
48h	68	9
7d	219	32
30d	1.7k	260

Playback	Listens	Hours
48h	359	34
7d	1.2k	110
30d	6.5k	646

1,451 shows

1,648 tapes

The Walkmen

Playback	Listens	Hours
48h	0	0m
7d	3	12m
30d	66	6

Playback	Listens	Hours
48h	58	5
7d	173	17
30d	973	100

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	0	0m
7d	1	9m
30d	10	2

Playback	Listens	Hours
48h	110	10
7d	284	29
30d	1.3k	140

Playback	Listens	Hours
48h	84	6
7d	145	10
30d	929	63

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	44	4

Playback	Listens	Hours
48h	345	47
7d	1.1k	158
30d	7.6k	1.1k

464 shows

464 tapes

Turkuaz

Playback	Listens	Hours
48h	0	0m
7d	3	15m
30d	58	6

Playback	Listens	Hours
48h	129	22
7d	256	45
30d	1.8k	284

436 shows

724 tapes

Umphrey's McGee

Playback	Listens	Hours
48h	418	64
7d	910	140
30d	5k	754

Playback	Listens	Hours
48h	32	2
7d	51	4
30d	375	31

Playback	Listens	Hours
48h	76	5
7d	277	19
30d	1.8k	129

Playback	Listens	Hours
48h	720	55
7d	2.1k	177
30d	13.7k	1.1k

623 shows

1,138 tapes

White Denim

Playback	Listens	Hours
48h	3	15m
7d	14	1
30d	75	6

Playback	Listens	Hours
48h	9.4k	1.1k
7d	24.5k	2.9k
30d	138k	16.3k

Playback	Listens	Hours
48h	27	3
7d	145	18
30d	867	122

1,416 shows

2,242 tapes

Yonder Mountain String Band

11.4k

Playback	Listens	Hours
48h	831	83
7d	1.5k	145
30d	11.4k	1.1k

Playback	Listens	Hours
48h	105	16
7d	266	40
30d	1.1k	164

20 shows

26 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	4m

Playback	Listens	Hours
48h	167	30
7d	444	79
30d	1.8k	321

461 shows

665 tapes

Zoofunkyou

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	17	3

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	627	83
7d	2.4k	301
30d	30.6k	4.2k

Playback	Listens	Hours
48h	1.7k	230
7d	3.7k	589
30d	13k	1.9k

Playback	Listens	Hours
48h	2k	259
7d	6.8k	892
30d	40k	5.3k

Playback	Listens	Hours
48h	2.9k	344
7d	8k	1.1k
30d	44.9k	6k

Playback	Listens	Hours
48h	6.1k	749
7d	9.5k	1.2k
30d	44.7k	6k

Playback	Listens	Hours
48h	6.4k	919
7d	12.8k	1.8k
30d	54.4k	7.1k

Playback	Listens	Hours
48h	3.1k	397
7d	6.6k	821
30d	48.4k	6k

Playback	Listens	Hours
48h	2.1k	252
7d	3.4k	405
30d	20.1k	2.3k

Playback	Listens	Hours
48h	1.5k	173
7d	13.5k	1.6k
30d	43.2k	4.8k

Playback	Listens	Hours
48h	623	71
7d	2.4k	270
30d	12.7k	1.4k

Playback	Listens	Hours
48h	4.8k	574
7d	13.9k	1.6k
30d	33.3k	3.9k

Playback	Listens	Hours
48h	926	120
7d	8.9k	1k
30d	27.1k	3.3k

Playback	Listens	Hours
48h	2.3k	316
7d	3.3k	414
30d	20.7k	2.7k

Playback	Listens	Hours
48h	1.1k	140
7d	3.6k	448
30d	42.3k	5.2k

Playback	Listens	Hours
48h	1.3k	165
7d	4.6k	580
30d	30k	3.7k

Playback	Listens	Hours
48h	2k	226
7d	15.6k	1.8k
30d	70.8k	8.2k

Playback	Listens	Hours
48h	1.5k	202
7d	3.7k	520
30d	21.2k	3k

Playback	Listens	Hours
48h	1.8k	240
7d	4.6k	626
30d	37.7k	5k

Playback	Listens	Hours
48h	6.4k	895
7d	22.2k	3.1k
30d	241.3k	33.3k

Playback	Listens	Hours
48h	10.3k	1.4k
7d	36k	4.9k
30d	103.1k	14k

Playback	Listens	Hours
48h	1.5k	164
7d	1k	107
30d	6.4k	651

Playback	Listens	Hours
48h	8.3k	1.1k
7d	14.2k	1.9k
30d	87.5k	11.3k

Playback	Listens	Hours
48h	3.3k	433
7d	11.8k	1.6k
30d	90.6k	11.6k

Playback	Listens	Hours
48h	4.4k	549
7d	6.8k	868
30d	57.5k	7k

Playback	Listens	Hours
48h	1.6k	180
7d	4.5k	493
30d	33.6k	3.8k

Playback	Listens	Hours
48h	1.4k	157
7d	4k	469
30d	38.8k	4.2k

Playback	Listens	Hours
48h	868	139
7d	3.6k	539
30d	28.6k	4.3k

Playback	Listens	Hours
48h	405	55
7d	1.6k	201
30d	7.5k	963

Playback	Listens	Hours
48h	200	26
7d	306	43
30d	1.7k	230

23 shows

55 tapes

1966

Playback	Listens	Hours
48h	253	17
7d	950	65
30d	7k	471

Playback	Listens	Hours
48h	34	2
7d	83	5
30d	637	37

2 shows

2 tapes

1985

12/31SBD

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

265

Playback	Listens	Hours
48h	26	3
7d	9	60m
30d	265	30

4:59:06

19 tapes

12/30SBD

245

Playback	Listens	Hours
48h	43	5
7d	42	5
30d	245	26

4:28:26

17 tapes

11/22SBD

130

Playback	Listens	Hours
48h	5	35m
7d	27	4
30d	130	17

2:15:35

11 tapes

11/21SBD

216

Playback	Listens	Hours
48h	8	42m
7d	86	9
30d	216	24

2:15:55

11/20SBD

Community War Memorial Auditorium

452

Playback	Listens	Hours
48h	28	3
7d	106	12
30d	452	51

Playback	Listens	Hours
48h	0	0m
7d	73	8
30d	161	18

Playback	Listens	Hours
48h	0	0m
7d	63	7
30d	145	17

East Rutherford, NJ, USA

256

Playback	Listens	Hours
48h	46	6
7d	63	8
30d	256	31

East Rutherford, NJ, USA

187

Playback	Listens	Hours
48h	30	3
7d	46	5
30d	187	21

4:40:11

27 tapes

11/08SBD

Rochester, NY, USA

238

Playback	Listens	Hours
48h	37	4
7d	68	8
30d	238	26

2:12:53

27 tapes

11/07SBD

Community War Memorial Auditorium

Rochester, NY, USA

135

Playback	Listens	Hours
48h	20	2
7d	51	6
30d	135	15

Playback	Listens	Hours
48h	31	4
7d	4	31m
30d	261	30

Playback	Listens	Hours
48h	21	2
7d	14	1
30d	460	50

Playback	Listens	Hours
48h	34	4
7d	41	5
30d	223	29

Playback	Listens	Hours
48h	7	42m
7d	26	3
30d	259	28

2:40:08

17 tapes

10/31SBD

Carolina Coliseum, U. of South Carolina

Columbia, SC, USA

313

Playback	Listens	Hours
48h	49	5
7d	77	8
30d	313	29

Playback	Listens	Hours
48h	0	0m
7d	45	5
30d	358	43

Playback	Listens	Hours
48h	4	30m
7d	24	3
30d	165	20

Playback	Listens	Hours
48h	12	1
7d	25	2
30d	358	35

Pembroke Pines, FL, USA

Playback	Listens	Hours
48h	11	2
7d	11	1
30d	89	11

2:21:11

12 tapes

9/15SBD

Devore Field, Southwestern College

Chula Vista, CA, USA

293

Playback	Listens	Hours
48h	22	2
7d	14	2
30d	293	33

2:21:39

12 tapes

9/12SBD

133

Playback	Listens	Hours
48h	9	1
7d	30	4
30d	133	17

2:30:28

9/11SBD

126

Playback	Listens	Hours
48h	0	0m
7d	20	2
30d	126	14

2:22:15

12 tapes

9/10SBD

Playback	Listens	Hours
48h	0	0m
7d	9	53m
30d	68	7

2:15:03

10 tapes

9/07SBD

Red Rocks Amphitheatre

Morrison, CO, USA

482

Playback	Listens	Hours
48h	17	2
7d	105	12
30d	482	54

5:00:50

22 tapes

9/06SBD

Red Rocks Amphitheatre

Morrison, CO, USA

Playback	Listens	Hours
48h	0	0m
7d	28	3
30d	94	11

2:10:32

Southern Star Amphitheater

9/05SBD

Red Rocks Amphitheatre

Morrison, CO, USA

230

Playback	Listens	Hours
48h	22	3
7d	6	1
30d	230	30

Playback	Listens	Hours
48h	0	0m
7d	42	4
30d	394	40

Oklahoma City, OK, USA

502

Playback	Listens	Hours
48h	25	2
7d	141	15
30d	502	54

Playback	Listens	Hours
48h	1	8m
7d	2	27m
30d	129	17

2:36:45

13 tapes

8/30SBD

Houston, TX, USA

161

Playback	Listens	Hours
48h	2	10m
7d	37	4
30d	161	20

2:15:38

Ventura County Fairgrounds

8/24SBD

Boreal Ridge Ski Resort

Donner's Summit, CA, USA

154

Playback	Listens	Hours
48h	4	21m
7d	30	4
30d	154	18

2:12:43

5 tapes

7/14SBD

Ventura, CA, USA

415

Playback	Listens	Hours
48h	37	4
7d	22	3
30d	415	46

2:41:38

11 tapes

7/13SBD

Ventura County Fairgrounds

Ventura, CA, USA

419

Playback	Listens	Hours
48h	31	4
7d	78	10
30d	419	57

Playback	Listens	Hours
48h	16	2
7d	48	6
30d	195	24

2:25:58

18 tapes

7/01SBD

Merriweather Post Pavilion

Columbia, MD, USA

450

Playback	Listens	Hours
48h	4	39m
7d	127	18
30d	450	63

2:46:28

Merriweather Post Pavilion

6/30SBD

Columbia, MD, USA

1.6k

Playback	Listens	Hours
48h	65	8
7d	372	45
30d	1.6k	206

Playback	Listens	Hours
48h	57	8
7d	116	13
30d	921	112

2:27:36

Saratoga Performing Arts Center

6/27SBD

Saratoga Springs, NY, USA

833

Playback	Listens	Hours
48h	12	1
7d	108	11
30d	833	85

Cuyahoga Falls, OH, USA

467

Playback	Listens	Hours
48h	21	2
7d	34	4
30d	467	51

2:29:46

13 tapes

6/24SBD

River Bend Music Center

Cincinnati, OH, USA

526

Playback	Listens	Hours
48h	31	4
7d	71	8
30d	526	60

2:35:44

Alpine Valley Music Theatre

6/22SBD

East Troy, WI, USA

315

Playback	Listens	Hours
48h	41	5
7d	18	2
30d	315	36

2:30:32

Alpine Valley Music Theatre

6/21SBD

East Troy, WI, USA

317

Playback	Listens	Hours
48h	54	6
7d	36	4
30d	317	37

Playback	Listens	Hours
48h	2.7k	331
7d	4.2k	493
30d	4.8k	570

Playback	Listens	Hours
48h	374	42
7d	3.9k	434
30d	4.4k	486

Playback	Listens	Hours
48h	113	13
7d	2.3k	269
30d	2.7k	322

Playback	Listens	Hours
48h	2	17m
7d	64	8
30d	594	69

Playback	Listens	Hours
48h	0	0m
7d	85	10
30d	704	84

2:50:08

Marin Veterans Memorial Auditorium

4/21SBD

San Rafael, CA

Playback	Listens	Hours
48h	7	33m
7d	8	38m
30d	20	2

Playback	Listens	Hours
48h	0	0m
7d	30	4
30d	223	25

Playback	Listens	Hours
48h	64	8
7d	97	12
30d	726	90

Philadelphia, PA, USA

292

Playback	Listens	Hours
48h	19	2
7d	62	7
30d	292	31

Philadelphia, PA, USA

235

Playback	Listens	Hours
48h	4	41m
7d	72	10
30d	235	31

Philadelphia, PA, USA

233

Playback	Listens	Hours
48h	55	7
7d	86	11
30d	233	29

2:28:31

Cumberland County Civic Center

4/04SBD

Providence Civic Center

Providence, RI, USA

301

Playback	Listens	Hours
48h	4	27m
7d	27	3
30d	301	32

2:33:15

22 tapes

4/03SBD

Providence Civic Center

Providence, RI, USA

190

Playback	Listens	Hours
48h	20	3
7d	61	9
30d	190	28

2:51:34

26 tapes

4/01

Portland, ME, USA

151

Playback	Listens	Hours
48h	5	32m
7d	7	50m
30d	151	18

2:22:23

37 tapes

3/31SBD

Cumberland County Civic Center

Portland, ME, USA

265

Playback	Listens	Hours
48h	22	2
7d	42	5
30d	265	33

Playback	Listens	Hours
48h	5	35m
7d	13	1
30d	160	18

Playback	Listens	Hours
48h	21	3
7d	77	10
30d	313	40

Playback	Listens	Hours
48h	2	17m
7d	8	1
30d	159	20

2:13:05

27 tapes

3/25SBD

Springfield Civic Center

Springfield, MA, USA

343

Playback	Listens	Hours
48h	18	2
7d	59	7
30d	343	45

2:46:52

30 tapes

3/24SBD

Springfield Civic Center

Springfield, MA, USA

138

Playback	Listens	Hours
48h	0	0m
7d	11	1
30d	138	16

Playback	Listens	Hours
48h	1	11m
7d	1	11m
30d	186	24

Playback	Listens	Hours
48h	35	4
7d	40	4
30d	276	28

2:21:56

17 tapes

3/13SBD

305

Playback	Listens	Hours
48h	1	13m
7d	46	6
30d	305	39

2:23:36

9 tapes

3/12

Playback	Listens	Hours
48h	0	0m
7d	12	1
30d	86	10

2:13:21

8 tapes

3/10

Playback	Listens	Hours
48h	6	50m
7d	3	26m
30d	56	8

2:18:50

3/09SBD

507

Playback	Listens	Hours
48h	52	7
7d	116	15
30d	507	66

2:14:44

13 tapes

2/XXSBD

Twilight Zone Sessions

Playback	Listens	Hours
48h	2	7m
7d	12	17m
30d	67	2

13:28

1 tape

2/20SBD

220

Playback	Listens	Hours
48h	1	6m
7d	8	51m
30d	220	27

2:16:03

2/19SBD

245

Playback	Listens	Hours
48h	17	2
7d	49	6
30d	245	28

1:58:18

5 tapes

2/18SBD

264

Playback	Listens	Hours
48h	2	11m
7d	61	7
30d	264	30

2:26:39

Sources

Taper: Joani Walker and Paul Scotton

2:32:57

SBD

Joani Walker and Paul Scotton

gd1985-04-27.152284.sbd.walker.scotton.miller.clugston.flac2496

Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes

1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

View NotesNotes:
- Thanks to Joani Walker and Paul Scotton for the 1st generation cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:21 patch in the "Eyes Of the World > Goin' Down The Road Feeling Bad" transition, as well as a 0:32 patch in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
April 2020

Taper: Joani Walker and Paul Scotton

2:32:57

SBD

Joani Walker and Paul Scotton

gd1985-04-27.152283.sbd.walker.scotton.miller.clugston.flac1648

Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes

1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

gd1985-04-27.sbd.miller.25467.sbeok.shnf

View NotesNotes:
- Thanks to Joani Walker and Paul Scotton for the 1st generation cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:21 patch in the "Eyes Of the World > Goin' Down The Road Feeling Bad" transition, as well as a 0:32 patch in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
April 2020

Transferrer: Charlie Miller

SBD -> Master Cassette -> Dat (44.1k)

Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN

gd1985-04-27.mtx.haugh.78681.flac24

View Notes-- This is a lot cleaner than what currently circulates (No diginoise/static).
-- Seamless transition between Discs 2 and 3.
-- 2nd Set is more dynamic than 1st set, plus there is no tape flip.
-- 2nd Set may be from PCM or VHS/Beta Hi-Fi.
-- Sounds keeps improving as show goes progresses.

Taper: See info file

DVD-AUDIO 24/48 SBD+AUD Matrix Mix

See info file

gd1985-04-27.mtx.haugh.78504.flac16

View Notes---------------------------------------------------------

Source Info

SBD
SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif
Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN
Transferred and Edited By Charlie Miller
[email protected]

AUD1
MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky.
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96
WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using
Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.  
Transfer and mastering by C.Ladner.

AUD2
MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR
[aluminum core (Set II)]  Mic Config: mics on T bar knee high
pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth
adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave
Editor > Flac Frontend (encoded@level 6) >FLAC16
Location: on the lawn, 25 feet from the stage, DFC
Taper: Adam, Justin & Monica - Mark McCue Masters
All cuts, fades and edits made in CEP 2.0, normalized to 100%.
Sector boundaries verified with TLH. Transfer, minor editing
and conversion by Alex Ford 3/10 & 11/2006.

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out.  Thanks also to
the Lossless Legs Community (www.shnflac.net) for getting me
these 3 spectacular sources.  Also a thanks for some of the
images used in creation of the artwork.  I found them years
ago on the net and do not have anyway to properly credit.

---------------------------------------------------------

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch all of the sources.  SF8.0 was used for the EQ setting
post mixdown. This is a 65% SBD, 20% AUD1, 15% AUD2 mix.      
- Mixed by [email protected]
- FLAC conversion done 28-SEPT-2006  
- Artwork at 300dpi by [email protected]
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear double jewel case.

---------------------------------------------------------

Notes

After spending several months and likely more than 150 hrs
on this project I rushed my way through this text file and
the artwork.  I just want to be done with it.  Hopefully it
will be acceptable and without too many typos or errors.

The SBD has a strange sound characteristic that can be heard
through the first few songs and then disappears.  As Charlie
Miller noted in his text file "sounds keeps improving as show
progresses".  Which is indeed true.  The sound keeps cycling
from normal to "overly bright".  Could it be a bad Dolby
encode or decode scenario?   Only when you listening very
critically.  It does not subtract from these really great
recordings and great show IMO.

Both AUD recordings are very good.  The Nak700 sounds like it
was on a stand and doesn't have the close crowd feeling of a
typical FOB.  Some post-processing was obviously done to
maximize the levels, which does cut down a bit on the dynamic
range.  The Senn 421 has a much rowdier feel with closer
crowd, clapping and a good feel for a live show.

All 3 sources had different stoppages between songs in the
first set, most notably was during "Let Phil Sing".  Here
we had missing "crowd" material with no overlap.  I employ
several techniques, fades, crossfades, volume changes and
"borrowing" crowd cheer from different parts of the same
recording to fill in the sound and make the new recording flow
uninterrupted.  Take a listen to the first set, the missing
material now flows smooth and is most likely undetectable.

d1t01 "Bill Graham Intro" The first 20 seconds is entirely
from the NAK700 source, then the Senn 421 source fades in
and then finally the SBD also joins the mix.  No music was
missing.  This is smooth and is most likely undetectable.

D2 and D3 can be assembled seamlessly on longer media.

d2t01 "Scarlet Begonias" The first 10 seconds is just the
SBD and the NAK700 source, then the Senn 421 source fades in
and also joins the mix.  This is smooth and is most likely
undetectable.

d3t04 "The Other One" 36.334 seconds of "fake" patch was
used to cover a missing part of the SBD source.  Most likely
a repeating musical portion from earlier in the song was used.  
In short, "The Other One" was patch with the very same "The
Other One".  This was a very tricky edit to find and remove.  
It is now patched with a matrix mix of AUD1 and AUD2 for
1:00.119 with 2 second crossfade on each.  B/c this is a
change in source it is detectable by the listener.

d1t09 "Bill Graham Intro" is entirely from the NAK700 source.

This represents the 24 bit files that are the result of all my
editing and the multitrack mixdown preserved in 24 bit. It is
unclear exactly what we have in the way of high resolution.
However it seems what we have here would not be represented
accurately in 16/44. What you are getting is the full result
of the matrix mix process. How much different does this sound?
is this better? A little and yes. This is more accurate and
has more dynamic range.  24/48 resolution versus a 16/44 of
the same material will usually result in very subtle but
important differences.  Most of it relying on the quality of
the DVD-A player and the D to A conversion.  With that in
mind, this 24 bit copy is no different.  Small but important
gains over the same material in 16/44.  This is just one
man's take.  Take it or leave it.

---------------------------------------------------------

Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -3
AUD1 -7
AUD2 -8.5

SET TWO

Stereo Matrix
SBD -3.5
AUD1 -7
AUD2 -8.5

---------------------------------------------------------

Editorial Comments

This show is like a wearing my favorite slippers.  Familiar
and very comfortable.  I first obtained this show in 1985
about 2 weeks after the show.  I was a new 16 yr. old driver
and was giving a "friend of a friend" a ride in my car.  
This guy was a pretty hard core hippie and he produced the
cassette of the second set.  I was floored.  At the time, and
considering my age, I had no idea anyone could get a copy of
a show THAT fast.  And what a show it is.  Needless to say
the next five years or so were spent wearing out that cassette.

This show is most notable for the only "Scarlet > Eyes" but
is loaded with great renditions, sick jamming and inspired
playing.  The first set songs are all played really well.
The final Tom Thumb > Cold Rain > Music is fantastic.  Phil
is just out-of-hand throughout.  'Nuff said.

This Scarlet is my favorite, period.  A bold statement but
one I can stand tall behind.  Great long intro, nice middle
of the song solo, they come around twice (I LOVE THAT!) before
the Wind in The Willows but the ensuing jam towards Fire is
inspired.  Brent chasing Jerry, Brent chasing Bob.  Jerry is
traveling 100 miles an hour and the band is right behind. A
real nice Fire tease and Jerry picks his moment to lead the
gang into Eyes.  WOW!  

Eyes is also full of spit and fire with too many acid laced
licks to count.  Even GDTRFB is fast paced and fun, with Woman
still keeping your interest.  Isn't that a change?  Not the
longest pre-drums, 40+ mins, but understandable as clearly
Garcia needed to soak his hand in ice.

Normally topping an all Garcia tri-fecta to opened set two,
Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they
do, beat it to death.  The next 45+ mins is transcendental,
perfect, seamless, inspired, rocking/soothing and any other
accolade you can toss in for good measure.  This time a  new
tri-fecta, Truckin' > Other One > Black Peter, takes center
stage in the post drums part.  Note by note, second by second
the band just clicks.  It reminds me of the type of playing
they were capable of during 2/27-28, 3/1-2 when the band
was just so in tune with each other and what they are doing.
While clearly much different, take a listen.  These guys
are so tuned in to what each other is doing it is 6 as 1.

---------------------------------------------------------

Taper: See info file

SBD + AUD Matrix 3 Source Mix

See info file

gd85-04-27.fixedsbd.mattman.20683.sbeok.shnf

View Notes---------------------------------------------------------

Source Info

SBD
SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif
Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN
Transferred and Edited By Charlie Miller
[email protected]

AUD1
MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky.
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96
WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using
Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.  
Transfer and mastering by C.Ladner.

AUD2
MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR
[aluminum core (Set II)]  Mic Config: mics on T bar knee high
pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth
adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave
Editor > Flac Frontend (encoded@level 6) >FLAC16
Location: on the lawn, 25 feet from the stage, DFC
Taper: Adam, Justin & Monica - Mark McCue Masters
All cuts, fades and edits made in CEP 2.0, normalized to 100%.
Sector boundaries verified with TLH. Transfer, minor editing
and conversion by Alex Ford 3/10 & 11/2006.

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out.  Thanks also to
the Lossless Legs Community (www.shnflac.net) for getting me
these 3 spectacular sources.  Also a thanks for some of the
images used in creation of the artwork.  I found them years
ago on the net and do not have anyway to properly credit.

---------------------------------------------------------

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch all of the sources.  SF8.0 was used for the EQ setting
post mixdown. This is a 65% SBD, 20% AUD1, 15% AUD2 mix.      
- Mixed by [email protected]
- FLAC conversion done 28-SEPT-2006  
- Artwork at 300dpi by [email protected]
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear double jewel case.

---------------------------------------------------------

Notes

After spending several months and likely more than 150 hrs
on this project I rushed my way through this text file and
the artwork.  I just want to be done with it.  Hopefully it
will be acceptable and without too many typos or errors.

The SBD has a strange sound characteristic that can be heard
through the first few songs and then disappears.  As Charlie
Miller noted in his text file "sounds keeps improving as show
progresses".  Which is indeed true.  The sound keeps cycling
from normal to "overly bright".  Could it be a bad Dolby
encode or decode scenario?   Only when you listening very
critically.  It does not subtract from these really great
recordings and great show IMO.

Both AUD recordings are very good.  The Nak700 sounds like it
was on a stand and doesn't have the close crowd feeling of a
typical FOB.  Some post-processing was obviously done to
maximize the levels, which does cut down a bit on the dynamic
range.  The Senn 421 has a much rowdier feel with closer
crowd, clapping and a good feel for a live show.

All 3 sources had different stoppages between songs in the
first set, most notably was during "Let Phil Sing".  Here
we had missing "crowd" material with no overlap.  I employ
several techniques, fades, crossfades, volume changes and
"borrowing" crowd cheer from different parts of the same
recording to fill in the sound and make the new recording flow
uninterrupted.  Take a listen to the first set, the missing
material now flows smooth and is most likely undetectable.

d1t01 "Bill Graham Intro" The first 20 seconds is entirely
from the NAK700 source, then the Senn 421 source fades in
and then finally the SBD also joins the mix.  No music was
missing.  This is smooth and is most likely undetectable.

D2 and D3 can be assembled seamlessly on longer media.

d2t01 "Scarlet Begonias" The first 10 seconds is just the
SBD and the NAK700 source, then the Senn 421 source fades in
and also joins the mix.  This is smooth and is most likely
undetectable.

d3t04 "The Other One" 36.334 seconds of "fake" patch was
used to cover a missing part of the SBD source.  Most likely
a repeating musical portion from earlier in the song was used.  
In short, "The Other One" was patch with the very same "The
Other One".  This was a very tricky edit to find and remove.  
It is now patched with a matrix mix of AUD1 and AUD2 for
1:00.119 with 2 second crossfade on each.  B/c this is a
change in source it is detectable by the listener.

d1t09 "Bill Graham Intro" is entirely from the NAK700 source.

---------------------------------------------------------

Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -3
AUD1 -7
AUD2 -8.5

SET TWO

Stereo Matrix
SBD -3.5
AUD1 -7
AUD2 -8.5

---------------------------------------------------------

Editorial Comments

This show is like a wearing my favorite slippers.  Familiar
and very comfortable.  I first obtained this show in 1985
about 2 weeks after the show.  I was a new 16 yr. old driver
and was giving a "friend of a friend" a ride in my car.  
This guy was a pretty hard core hippie and he produced the
cassette of the second set.  I was floored.  At the time, and
considering my age, I had no idea anyone could get a copy of
a show THAT fast.  And what a show it is.  Needless to say
the next five years or so were spent wearing out that cassette.

This show is most notable for the only "Scarlet > Eyes" but
is loaded with great renditions, sick jamming and inspired
playing.  The first set songs are all played really well.
The final Tom Thumb > Cold Rain > Music is fantastic.  Phil
is just out-of-hand throughout.  'Nuff said.

This Scarlet is my favorite, period.  A bold statement but
one I can stand tall behind.  Great long intro, nice middle
of the song solo, they come around twice (I LOVE THAT!) before
the Wind in The Willows but the ensuing jam towards Fire is
inspired.  Brent chasing Jerry, Brent chasing Bob.  Jerry is
traveling 100 miles an hour and the band is right behind. A
real nice Fire tease and Jerry picks his moment to lead the
gang into Eyes.  WOW!  

Eyes is also full of spit and fire with too many acid laced
licks to count.  Even GDTRFB is fast paced and fun, with Woman
still keeping your interest.  Isn't that a change?  Not the
longest pre-drums, 40+ mins, but understandable as clearly
Garcia needed to soak his hand in ice.

Normally topping an all Garcia tri-fecta to opened set two,
Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they
do, beat it to death.  The next 45+ mins is transcendental,
perfect, seamless, inspired, rocking/soothing and any other
accolade you can toss in for good measure.  This time a  new
tri-fecta, Truckin' > Other One > Black Peter, takes center
stage in the post drums part.  Note by note, second by second
the band just clicks.  It reminds me of the type of playing
they were capable of during 2/27-28, 3/1-2 when the band
was just so in tune with each other and what they are doing.
While clearly much different, take a listen.  These guys
are so tuned in to what each other is doing it is 6 as 1.

---------------------------------------------------------

Source 6 of 28

Pitch-corrected version of <a href="http://db.etree.org/shninfo_detail.php?shnid=17265">shnid=17265</a>.

SBD > MC > DAT > CDR > EAC > mkwACT

View NotesPitch-corrected version of <a href="http://db.etree.org/shninfo_detail.php?shnid=17265" rel="nofollow">shnid=17265</a>.

Source 7 of 28

gd85-04-27.sbd.jerugim.359.sbeok.shnf

View NotesSource:
SBD > MC > DAT > CDR > EAC > mkwACT

Doesn't have missed lyric in The Other One. Seems like it may be still missing some music but, if it is, the d/o is much less drastic.

Source 8 of 28

SBDMC> DAT> CDR

View NotesSBDMC> DAT> CDR; CDR> EAC> SHN; conversion & upload, A. Jerugim;
no known flaws

Taper: Mark Terry

gd1985-04-27.172444.nak300.terry.miller.clugston.flac2496

Mark Terry's Master Audience Cassettes; Nakamichi 300 mics > Sony WM-D6C (Maxell XLII-S90)

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496

View NotesNotes:
- Thanks to Mark Terry for the master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:34 patch in the "Eyes Of The World > Goin' Down The Road Feeling Bad" transition, as well as a 0:25 patch in the "Truckin' > The Other One" transition
- Pitch corrected

Mastered by Scott Clugston
May 2025

Taper: Mark Terry

gd1985-04-27.172443.nak300.terry.miller.clugston.flac1648

Mark Terry's Master Audience Cassettes; Nakamichi 300 mics > Sony WM-D6C (Maxell XLII-S90)

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496

View NotesNotes:
- Thanks to Mark Terry for the master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:34 patch in the "Eyes Of The World > Goin' Down The Road Feeling Bad" transition, as well as a 0:25 patch in the "Truckin' > The Other One" transition
- Pitch corrected

Mastered by Scott Clugston
May 2025

Taper: Bob Wagner

gd1985-04-27.163485.nak700.wagner.miller.clugston.flac2496

Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496

View NotesNotes:
- Thanks to Bob Wagner for master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:17 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
July 2022

Taper: Bob Wagner

gd1985-04-27.163484.nak700.wagner.miller.clugston.flac1648

Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496

View NotesNotes:
- Thanks to Bob Wagner for master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:17 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
July 2022

Taper: Chris Hecht

gd1985-04-27.148416.neumann.km84i.hecht.miller.clugston.flac2496

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bill Koucky and Chris Ladner for the shnid76584 Nakamichi 700 source which supplies the crowd and beginning of "Dancing In The Street", the end of "Cold Rain & Snow" and beginning of "The Music Never Stopped (5:17 total), the crowd and beginning of "Scarlet Begonias" (3:48 total), as well as a 0:42 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
September 2019

Taper: Chris Hecht

gd1985-04-27.148415.neumann.km84i.hecht.miller-clugston.flac1648

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

Joe Noel and Charlie Miller

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bill Koucky and Chris Ladner for the shnid76584 Nakamichi 700 source which supplies the crowd and beginning of "Dancing In The Street", the end of "Cold Rain & Snow" and beginning of "The Music Never Stopped (5:17 total), the crowd and beginning of "Scarlet Begonias" (3:48 total), as well as a 0:42 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
September 2019

Taper: Walt Keeler

gd1985-04-27.145335.s2.fob.sony..ecm150.keeler.miller.noel.t-flac16

Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90)

Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k)

Joe Noel and Charlie Miller

View NotesEdited & Mastered by Joe Noel;
WAV > Audacity > Flac 24/96
October 28, 2018

This file set is 16 bit @ 44.1

Patch info:
- shnid 10203 (Nakamichi CM-100)
- s2t06; last four seconds
- s2t07; first twenty-seven seconds

Notes:
- Thank you Walt, thank you for getting real close.
- Thank you Charlie for transferring & coordinating.
- Thanks to Greg Holtz for the patch source.
- Pitch corrected

Taper: Walt Keeler

gd1985-04-27.143491.s2.FOB.ECM150.Keeler.Miller.Noel.t-flac2496

Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90)

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k)

gd1985-04-27.166645.akgC-33e.fob.Hoey.flac24

View NotesPatch info:
- shnid 10203 (Nakamichi CM-100)
- s2t06; last four seconds
- s2t07; first twenty-seven seconds

Notes:
- Thank you Walt, thank you for getting real close.
- Thank you Charlie for transferring & coordinating.
- Thanks to Greg Holtz for the patch source.
- Pitch corrected

Taper: Hoey

AKG C-33e stereo mic > akg 48v phantom power supply > Marantz PMD 430 (dbx nr Maxell MX90)

Nakamichi Dragon > dbx model 224 processor (decode) > Audio Antiquary mastering preamp (Telefunken C3g tube) > QES Labs PAD-2 mkII LE (a > d @ 24bit 96kHz) > Peak Pro 7 > xACT (flac tags)

Taper: Recording by Craig Rogers

2:50:08

Recording by Craig Rogers

Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021

gd1985-04-27.151947.Mouth.AKG.Master.Cassette.Rogers.Noel.t-flac16

Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show

Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96

View NotesPatch info:
- shnid 148416 (Neumann, Chris Hecht) supplies
- s2t06; 03:51 - 06:56
- s2t07; 03:32 - 04:00

Notes;
- Thanks to Craig Rogers for taping & sharing
- Thanks to everyone involved with the patch source
- Special thanks to Jerry Garcia for allowing these recordings.
- Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue
- This source has been pitch corrected
- The tape pauses were cross faded.
- There was a taper bust during GDTRFB, but the tapers keep rolling!
- Notwithstanding the bust, this is a huge recording from the mouth.
- If you're gonna get busted, this is how you want it to go down.  They didn't loose their masters & they only missed 3 minutes of music (drums).
- Give these boys the 13 Point Lightning Bolt!
- This is an Uher Archive production.
- [email protected]
- Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Mar 2, 2021

Taper: Recording by Craig Rogers

2:50:07

Recording by Craig Rogers

Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021

gd1985-04-27.151970.Mouth.AKG.Rogers.Noel.fixed.151703.t-flac2496

Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show

Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96

Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021

View NotesPatch info:
- shnid 148416 (Neumann, Chris Hecht) supplies
- s2t06; 03:51 - 06:56
- s2t07; 03:32 - 04:00

Notes;
- Thanks to Craig Rogers for taping & sharing
- Thanks to everyone involved with the patch source
- Special thanks to Jerry Garcia for allowing these recordings.
- Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue
- This source has been pitch corrected
- The tape pauses were cross faded.
- There was a taper bust during GDTRFB, but the tapers keep rolling!
- Notwithstanding the bust, this is a huge recording from the mouth.
- If you're gonna get busted, this is how you want it to go down.  They didn't loose their masters & they only missed 3 minutes of music (drums).
- Give these boys the 13 Point Lightning Bolt!
- This is an Uher Archive production.
- [email protected]


Notes (fix);
- channels were reversed, this has been corrected.

Taper: Craig Rogers

gd1985-04-27.151703.Mouth.AKG.Master.Cassette.Rogers.Noel.t-flac2496

Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes

Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96

View NotesNotes;
- Thanks to Craig Rogers for taping & sharing
- Thanks to everyone involved with the patch source
- Special thanks to Jerry Garcia for allowing these recordings.
- Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue
- This source has been pitch corrected
- The tape pauses were cross faded.
- There was a taper bust during GDTRFB, but the tapers keep rolling!
- Notwithstanding the bust, this is a huge recording from the mouth.
- If you're gonna get busted, this is how you want it to go down.  They didn't loose their masters & they only missed 3 minutes of music (drums).
- Give these boys the 13 Point Lightning Bolt!
- This is an Uher Archive production.
- [email protected]

Transferrer: 5.1 LPCM Surround Sound Mix (48/24) by amdig & Kevin Tobin

2:33:35

5.1 LPCM Surround Sound Mix (48/24) by amdig & Kevin Tobin

gd1985-04-27.148527.5-1.amdig.flac2448

5.1 LPCM Surround Sound Mix (48/24)

View Notes---------------------------------------------------------
- DVD-A extraction 11-DEC-2019 - DVD Audio Extractor v8.0.0
- FLAC conversion 11-DEC-2019 - Trader Little Helper
- Tagged 11-DEC-2019 - Tag&Rename
---------------------------------------------------------

Source 22 of 28

2:36:46

gd1985-04-27.148348.aud.flac2496

Analog Audience maxell mx 90's 3 tapes Namakamichi CM 700 Mics and Custom ps/preamp mixer - > modified dbx 224 (mod'd to run from battery pack) - > Sony TC D5M (dbx encoded)

Nakamichi CR7a - > dbx nx40 (dbx decoded) - > Audio Technica mixer/line amplifier - > Korg MR 2000 at 1 bit 5.6 MHz - > Audiogate software to create 24-96 files

Taper: chasingwilma

gd1985-04-27.124981.chasingwilma.flac24

lineage: sennheiser 421 (fob)> d-5> d-5> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

Taper: Greg Holtz

gd1985-04-27.nak100.holtz.jaz.102035.flac16

Nakamichi CM-100's with CP-4 shotgun caps > Sony TC-D5

Cassette Master, TDK MA-R90 Alluminum Core-> Tascam 112 -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII compact flash -> USB -> Wave Lab 5.0 w/UAD -> R8brain for Sample Rate Conversion to 16bit 44.1kHz -> Traders Little Helper flac8

Transferrer: Brion Green and ChrisJ

Brion Green and ChrisJ

gd1985-04-27.nak700.anon.lmpp.99835.flac16

Nakamichi 700's > d6 > MAC

MAC > Nakamichi DR-1 > HD-P2 > 24/96 WAve > Wavelab 5 > UAD Plugs > r8brain Pro > Izotope Ozone 3 Mbit > 16/44.1 Wave > Flac

gd1985-04-27.dts.haugh.78437.flac16

View NotesNotes:

- This source sounds absolutely great. HUGE thanks to Anon for this one. One of my favorite auds I've had the 
pleasure to work on to date!!! Thank you sir!!!!

- Encore patched from SHNID 76584

Transferrer: Dan Haugh

View Notes---------------------------------------------------------

Source Info

SBD
SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif
Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN
Transferred and Edited By Charlie Miller
[email protected]

AUD1
MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky.
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96
WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using
Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.  
Transfer and mastering by C.Ladner.

AUD2
MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR
[aluminum core (Set II)]  Mic Config: mics on T bar knee high
pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth
adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave
Editor > Flac Frontend (encoded@level 6) >FLAC16
Location: on the lawn, 25 feet from the stage, DFC
Taper: Adam, Justin & Monica - Mark McCue Masters
All cuts, fades and edits made in CEP 2.0, normalized to 100%.
Sector boundaries verified with TLH. Transfer, minor editing
and conversion by Alex Ford 3/10 & 11/2006.

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out.  Thanks also to
the Lossless Legs Community (www.shnflac.net) for getting me
these 3 spectacular sources.  Also a thanks for some of the
images used in creation of the artwork.  I found them years
ago on the net and do not have anyway to properly credit.

---------------------------------------------------------

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch all of the sources.  SF8.0 used to adjust the volume for
the front, center, surround and LFE channels.  SF8.0 was used
for the EQ setting on all the sources post mixdown. Surcode CD
Pro DTS was used to encode to DTS.      
- Mixed by [email protected]
- FLAC conversion done 28-SEPT-2006  
- Artwork at 300dpi by [email protected]
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear double jewel case.

---------------------------------------------------------

DTS-Audio-CD Info

Front
Left Channel SBD+AUD DEQ'd Matrix 75%-SBD/25%-AUD2
Right Channel SBD+AUD DEQ'd Matrix 75%-SBD/25%-AUD2

Center
Mono Mix -5db SBD DEQ'd

Surround
Left Channel AUD+AUD DEQ'd Matrix 60%-AUD1/40%-AUD2
Right Channel AUD+AUD DEQ'd Matrix 60%-AUD1/40%-AUD2

Sub/LFE
Mono Mix -5db SBD DEQ'd Matrix 50%-SBD/50%-AUD2

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Notes

After spending several months and likely more than 150 hrs
on this project I rushed my way through this text file and
the artwork.  I just want to be done with it.  Hopefully it
will be acceptable and without too many typos or errors.

The SBD has a strange sound characteristic that can be heard
through the first few songs and then disappears.  As Charlie
Miller noted in his text file "sounds keeps improving as show
progresses".  Which is indeed true.  The sound keeps cycling
from normal to "overly bright".  Could it be a bad Dolby
encode or decode scenario?   Only when you listening very
critically.  It does not subtract from these really great
recordings and great show IMO.

Both AUD recordings are very good.  The Nak700 sounds like it
was on a stand and doesn't have the close crowd feeling of a
typical FOB.  Some post-processing was obviously done to
maximize the levels, which does cut down a bit on the dynamic
range.  The Senn 421 has a much rowdier feel with closer
crowd, clapping and a good feel for a live show.

All 3 sources had different stoppages between songs in the
first set, most notably was during "Let Phil Sing".  Here
we had missing "crowd" material with no overlap.  I employ
several techniques, fades, crossfades, volume changes and
"borrowing" crowd cheer from different parts of the same
recording to fill in the sound and make the new recording flow
uninterrupted.  Take a listen to the first set, the missing
material now flows smooth and is most likely undetectable.

d1t01 "Bill Graham Intro" The first 20 seconds is entirely
from the NAK700 source, then the Senn 421 source fades in
and then finally the SBD also joins the mix.  No music was
missing.  This is smooth and is most likely undetectable.

d2t01 "Scarlet Begonias" The first 10 seconds is just the
SBD and the NAK700 source, then the Senn 421 source fades in
and also joins the mix.  This is smooth and is most likely
undetectable.

d3t04 "The Other One" 36.334 seconds of "fake" patch was
used to cover a missing part of the SBD source.  Most likely
a repeating musical portion from earlier in the song was used.  
In short, "The Other One" was patch with the very same "The
Other One".  This was a very tricky edit to find and remove.  
It is now patched with a matrix mix of AUD1 and AUD2 for
1:00.119 with 2 second crossfade on each.  B/c this is a
change in source it is detectable by the listener.

d1t09 "Bill Graham Intro" is entirely from the NAK700 source.

The mixdown of the AUD+AUD matrix mix was done a few db's
lower than the from SBD+AUD matrix mix.  In my experience
louder rear channels is an undiserable effect.  

---------------------------------------------------------

Multitrack Mixdown Settings

SET ONE SET TWO

Front Matrix Front Matrix
SBD -.5 SBD -1
AUD2 -7 AUD2 -7.5

Stereo Matrix Stereo Matrix
SBD -1 SBD -1
AUD2 -5.5 AUD2 -6

Rear Matrix Rear Matrix
AUD1 -4 AUD1 -4
AUD2 -9 AUD2 -9

Sub/LFE Matrix Sub/LFE Matrix
SBD -7db SBD -7.5db
AUD2 -5.5db AUD2 -6db

---------------------------------------------------------

Editorial Comments

This show is like a wearing my favorite slippers.  Familiar
and very comfortable.  I first obtained this show in 1985
about 2 weeks after the show.  I was a new 16 yr. old driver
and was giving a "friend of a friend" a ride in my car.  
This guy was a pretty hard core hippie and he produced the
cassette of the second set.  I was floored.  At the time, and
considering my age, I had no idea anyone could get a copy of
a show THAT fast.  And what a show it is.  Needless to say
the next five years or so were spent wearing out that cassette.

This show is most notable for the only "Scarlet > Eyes" but
is loaded with great renditions, sick jamming and inspired
playing.  The first set songs are all played really well.
The final Tom Thumb > Cold Rain > Music is fantastic.  Phil
is just out-of-hand throughout.  'Nuff said.

This Scarlet is my favorite, period.  A bold statement but
one I can stand tall behind.  Great long intro, nice middle
of the song solo, they come around twice (I LOVE THAT!) before
the Wind in The Willows but the ensuing jam towards Fire is
inspired.  Brent chasing Jerry, Brent chasing Bob.  Jerry is
traveling 100 miles an hour and the band is right behind. A
real nice Fire tease and Jerry picks his moment to lead the
gang into Eyes.  WOW!  

Eyes is also full of spit and fire with too many acid laced
licks to count.  Even GDTRFB is fast paced and fun, with Woman
still keeping your interest.  Isn't that a change?  Not the
longest pre-drums, 40+ mins, but understandable as clearly
Garcia needed to soak his hand in ice.

Normally topping an all Garcia tri-fecta to opened set two,
Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they
do, beat it to death.  The next 45+ mins is transcendental,
perfect, seamless, inspired, rocking/soothing and any other
accolade you can toss in for good measure.  This time a  new
tri-fecta, Truckin' > Other One > Black Peter, takes center
stage in the post drums part.  Note by note, second by second
the band just clicks.  It reminds me of the type of playing
they were capable of during 2/27-28, 3/1-2 when the band
was just so in tune with each other and what they are doing.
While clearly much different, take a listen.  These guys
are so tuned in to what each other is doing it is 6 as 1.

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel sound
like DTS, Dolby Digital and DVD-Audio.  While the Audio-CD
standard (Red Book) hasn't changed to accommodate these new
sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD.  To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure that
your receiver will recognize a DTS-Audio-CD, so the first
time you're trying to playback a DTS-Audio-CD you must do
a test to determine if it can. Begin with the volume very
low, start the disc and rise the volume gradually. NEVER
listen to a DTS-Audio-CD through the analogue audio outputs
of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any normal
Audio-CD from FLAC files.

---------------------------------------------------------

Taper: B. Koucky

gd1985-04-27.nak700.koucky.gmb.76584.sbeok.flac16

MAC: (FOB) Nak700s > Sony D5 > TDK MA 90s.

MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96 WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.

View NotesComments:
Crisp upclose sounding aud with some minor phasing issues. Thanks to Bill for taping, preserving, and sharing his recording with me for transfer.
Seeded by the green mountain bros at candyman FTP and planetFLAC - August 2006.

Taper: Adam, Justin & Monica

Adam, Justin & Monica

Alex Ford

gd1985-04-27.senn421.mccue.ford.32648.sbeok.flac

MAC: (FOB) Sennheiser 421's > Sony D5 > TDK MA 90 (Set I) & TDK MAR [aluminum core (Set II)]

MAC>NMAC>Nakamichi Cassette Deck 2(azimuth adjusted)>Audiophile 2496>WinXP Pro>CEP 2.0>CD Wave Editor>Flac Frontend(encoded@level 6)>FLAC16.