Man Smart (Woman are Smarter) -> | 1985-04-27 | Grateful Dead

Bernie Worrell and the WOO Warriors

Playback	Listens	Hours
48h	0	0m
7d	3	17m
30d	20	3

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	0	0m
7d	20	3
30d	44	7

Playback	Listens	Hours
48h	39	6
7d	151	22
30d	491	68

Playback	Listens	Hours
48h	76	11
7d	228	32
30d	2.1k	276

Playback	Listens	Hours
48h	5.6k	553
7d	14.7k	1.5k
30d	89.2k	8.9k

Playback	Listens	Hours
48h	200	15
7d	369	23
30d	1.8k	125

62 shows

76 tapes

Blueground Undergrass

Playback	Listens	Hours
48h	13	1
7d	22	2
30d	48	5

Playback	Listens	Hours
48h	128	14
7d	428	51
30d	2.3k	257

Playback	Listens	Hours
48h	250	32
7d	849	100
30d	5.6k	737

308 shows

512 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	3

22 shows

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	1	13m
30d	3	48m

3 shows

8 tapes

Brothers Past

Playback	Listens	Hours
48h	69	11
7d	73	12
30d	1k	175

451 shows

563 tapes

Buffalo Galaxy

Playback	Listens	Hours
48h	0	0m
7d	20	2
30d	75	9

Playback	Listens	Hours
48h	40	4
7d	112	10
30d	1.2k	119

Playback	Listens	Hours
48h	147	15
7d	211	23
30d	1.1k	111

Playback	Listens	Hours
48h	13	33m
7d	67	3
30d	395	23

Playback	Listens	Hours
48h	33	4
7d	39	5
30d	236	32

Playback	Listens	Hours
48h	0	0m
7d	43	3
30d	313	21

243 shows

272 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	47m

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	0	0m
7d	1	9m
30d	18	3

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	71	9

79 shows

93 tapes

Circles Around The Sun

1.6k

Playback	Listens	Hours
48h	124	25
7d	331	68
30d	1.6k	320

Playback	Listens	Hours
48h	24	4
7d	35	7
30d	273	54

Playback	Listens	Hours
48h	57	5
7d	230	19
30d	688	59

Playback	Listens	Hours
48h	39	6
7d	63	9
30d	547	81

798 shows

855 tapes

Daniel Donato

Playback	Listens	Hours
48h	432	55
7d	714	98
30d	4k	558

Playback	Listens	Hours
48h	405	55
7d	1.4k	189
30d	6.4k	900

797 shows

1,057 tapes

Dave Harrington

Playback	Listens	Hours
48h	0	0m
7d	12	3
30d	23	6

Playback	Listens	Hours
48h	0	0m
7d	10	60m
30d	193	17

Playback	Listens	Hours
48h	2.5k	418
7d	6.9k	1.1k
30d	40.3k	6.4k

Playback	Listens	Hours
48h	38	4
7d	65	8
30d	250	28

Playback	Listens	Hours
48h	95	6
7d	182	13
30d	1.2k	77

Playback	Listens	Hours
48h	130	15
7d	241	29
30d	1.6k	196

Playback	Listens	Hours
48h	919	186
7d	2.3k	481
30d	13.4k	2.8k

Playback	Listens	Hours
48h	28	3
7d	45	5
30d	178	19

Playback	Listens	Hours
48h	195	30
7d	557	89
30d	3.3k	500

Playback	Listens	Hours
48h	0	0m
7d	11	2
30d	107	25

Playback	Listens	Hours
48h	65	6
7d	294	32
30d	1.8k	180

Playback	Listens	Hours
48h	10	2
7d	39	6
30d	286	46

Playback	Listens	Hours
48h	118	11
7d	635	57
30d	3.3k	291

Playback	Listens	Hours
48h	5	55m
7d	62	10
30d	427	74

Playback	Listens	Hours
48h	40	7
7d	19	2
30d	147	19

Playback	Listens	Hours
48h	153	27
7d	435	77
30d	1.7k	287

151 shows

290 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	1	8m
30d	1	8m

47 shows

50 tapes

ekoostik hookah

Playback	Listens	Hours
48h	135	19
7d	358	50
30d	2k	283

831 shows

1,050 tapes

Electric Beethoven

Playback	Listens	Hours
48h	7	2
7d	2	29m
30d	10	4

Playback	Listens	Hours
48h	59	3
7d	174	9
30d	719	40

156 shows

174 tapes

Eric Krasno

Playback	Listens	Hours
48h	0	0m
7d	19	2
30d	77	11

122 shows

181 tapes

Everyone Orchestra

Playback	Listens	Hours
48h	0	0m
7d	4	48m
30d	47	11

Playback	Listens	Hours
48h	0	0m
7d	22	2
30d	101	12

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	0	0m
7d	3	52m
30d	8	2

Playback	Listens	Hours
48h	5	34m
7d	25	3
30d	304	34

103 shows

118 tapes

Fruit Bats

Playback	Listens	Hours
48h	25	2
7d	26	2
30d	74	5

Playback	Listens	Hours
48h	0	0m
7d	39	3
30d	222	18

Playback	Listens	Hours
48h	0	0m
7d	30	2
30d	165	11

Playback	Listens	Hours
48h	624	95
7d	1.6k	250
30d	10.3k	1.6k

246 shows

1,221 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	11m

14 shows

G. Love and Special Sauce

671

Playback	Listens	Hours
48h	26	2
7d	180	17
30d	671	59

Playback	Listens	Hours
48h	70	8
7d	206	23
30d	1.2k	142

Playback	Listens	Hours
48h	9	2
7d	2	18m
30d	126	16

Playback	Listens	Hours
48h	6	1
7d	31	7
30d	326	70

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	7	54m
7d	0	0m
30d	8	1

51 shows

65 tapes

Ghost Light

Playback	Listens	Hours
48h	0	0m
7d	4	46m
30d	75	17

Playback	Listens	Hours
48h	124	15
7d	325	38
30d	1.1k	129

374 shows

508 tapes

Godspeed You Black Emperor!

395

Playback	Listens	Hours
48h	12	4
7d	83	24
30d	395	111

Playback	Listens	Hours
48h	0	0m
7d	15	2
30d	172	22

Playback	Listens	Hours
48h	4.6k	981
7d	10.3k	2.2k
30d	41.3k	8.6k

Playback	Listens	Hours
48h	0	0m
7d	63	6
30d	277	25

363 shows

589 tapes

Grahame Lesh and Friends

Playback	Listens	Hours
48h	117	18
7d	228	35
30d	2k	289

37 shows

112 tapes

Grampas Grass

Playback	Listens	Hours
48h	27	3
7d	50	6
30d	82	11

Playback	Listens	Hours
48h	332	38
7d	1.1k	125
30d	6.5k	747

Playback	Listens	Hours
48h	71	8
7d	164	19
30d	974	106

226 shows

313 tapes

GrooveSession

Playback	Listens	Hours
48h	1	10m
7d	1	2m
30d	13	2

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	1	5m
7d	31	2
30d	53	3

53 shows

57 tapes

Guitarmageddon

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	21	3

Playback	Listens	Hours
48h	29	2
7d	14	1
30d	423	29

755 shows

1,036 tapes

Hard Working Americans

163

Playback	Listens	Hours
48h	15	2
7d	17	2
30d	163	17

Playback	Listens	Hours
48h	37	8
7d	63	10
30d	407	67

187 shows

226 tapes

Horseshoes and Hand Grenades

Playback	Listens	Hours
48h	0	0m
7d	1	5m
30d	26	2

Playback	Listens	Hours
48h	0	0m
7d	37	3
30d	232	23

674 shows

846 tapes

Infamous Stringdusters

1.6k

Playback	Listens	Hours
48h	103	9
7d	233	19
30d	1.6k	146

629 shows

1,016 tapes

J.Wail

Playback	Listens	Hours
48h	9	2
7d	0	0m
30d	52	10

Playback	Listens	Hours
48h	186	12
7d	1.1k	75
30d	5.2k	343

Playback	Listens	Hours
48h	34	4
7d	54	5
30d	259	25

364 shows

491 tapes

Jazz Mandolin Project

115

Playback	Listens	Hours
48h	0	0m
7d	11	3
30d	115	19

222 shows

280 tapes

Jeff Austin and Chris Castino

136

Playback	Listens	Hours
48h	19	2
7d	24	2
30d	136	12

12 shows

Jerry Joseph and the Jackmormons

Jeff Austin And Friends

137

Playback	Listens	Hours
48h	21	2
7d	10	1
30d	137	14

Playback	Listens	Hours
48h	116	16
7d	242	33
30d	1.3k	166

112 shows

162 tapes

2.7k

Playback	Listens	Hours
48h	147	25
7d	432	72
30d	2.7k	438

1,124 shows

1,519 tapes

Jerry's Middle Finger

4.2k

Playback	Listens	Hours
48h	250	35
7d	595	81
30d	4.2k	588

259 shows

310 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	2	19m
7d	4	31m
30d	10	1

2 shows

5 tapes

Joe Russo's Almost Dead

44.8k

Playback	Listens	Hours
48h	2.6k	474
7d	8.6k	1.6k
30d	44.8k	8.5k

Playback	Listens	Hours
48h	26	3
7d	200	23
30d	591	68

Playback	Listens	Hours
48h	103	9
7d	386	35
30d	2.6k	232

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	5	29m
7d	7	1
30d	34	3

Playback	Listens	Hours
48h	6	23m
7d	17	1
30d	158	12

79 shows

98 tapes

Karina Rykman

Playback	Listens	Hours
48h	31	3
7d	13	1
30d	77	7

73 shows

108 tapes

Karl Denson's Tiny Universe

198

Playback	Listens	Hours
48h	19	2
7d	53	8
30d	198	28

Playback	Listens	Hours
48h	263	28
7d	696	67
30d	4.5k	438

1,056 shows

1,395 tapes

Kikagaku Moyo

Playback	Listens	Hours
48h	0	0m
7d	6	1
30d	92	13

43 shows

54 tapes

King Gizzard & the Lizard Wizard

15.8k

Playback	Listens	Hours
48h	1.1k	143
7d	3k	391
30d	15.8k	2.1k

Playback	Listens	Hours
48h	109	16
7d	322	43
30d	1.7k	238

315 shows

400 tapes

Kung Fu

Playback	Listens	Hours
48h	1	9m
7d	5	46m
30d	69	9

Playback	Listens	Hours
48h	42	7
7d	37	7
30d	638	121

Playback	Listens	Hours
48h	35	4
7d	162	19
30d	816	96

Playback	Listens	Hours
48h	275	28
7d	570	55
30d	4.2k	378

Playback	Listens	Hours
48h	227	38
7d	515	81
30d	3.1k	531

458 shows

714 tapes

Little Feat

Playback	Listens	Hours
48h	207	19
7d	1.1k	101
30d	6k	563

Playback	Listens	Hours
48h	72	7
7d	152	13
30d	1.4k	108

Playback	Listens	Hours
48h	99	20
7d	344	67
30d	1.3k	230

436 shows

621 tapes

Marco Benevento

Playback	Listens	Hours
48h	0	0m
7d	20	1
30d	80	8

Playback	Listens	Hours
48h	284	26
7d	379	33
30d	2.3k	216

Playback	Listens	Hours
48h	6	28m
7d	29	3
30d	266	29

349 shows

446 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	184	30
7d	596	94
30d	4.3k	681

Playback	Listens	Hours
48h	4	11m
7d	58	5
30d	468	28

Playback	Listens	Hours
48h	0	0m
7d	39	3
30d	171	17

157 shows

172 tapes

Minutemen

Playback	Listens	Hours
48h	0	0m
7d	19	42m
30d	71	2

Playback	Listens	Hours
48h	52	3
7d	92	7
30d	1.1k	76

Playback	Listens	Hours
48h	816	137
7d	2.1k	350
30d	10.3k	1.7k

1,986 shows

4,483 tapes

Mogwai

Playback	Listens	Hours
48h	0	0m
7d	6	41m
30d	56	6

Playback	Listens	Hours
48h	0	0m
7d	23	2
30d	126	11

Playback	Listens	Hours
48h	264	28
7d	646	67
30d	4.8k	494

412 shows

599 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	10	1
30d	36	3

46 shows

51 tapes

Neal Francis

Playback	Listens	Hours
48h	0	0m
7d	3	15m
30d	54	5

Playback	Listens	Hours
48h	26	3
7d	119	18
30d	562	79

137 shows

249 tapes

Nels Cline

Playback	Listens	Hours
48h	0	0m
7d	1	15m
30d	25	5

62 shows

73 tapes

New Riders of the Purple Sage

1.9k

Playback	Listens	Hours
48h	91	9
7d	336	27
30d	1.9k	157

410 shows

597 tapes

North Mississippi Allstars

1.3k

Playback	Listens	Hours
48h	103	10
7d	178	18
30d	1.3k	127

Playback	Listens	Hours
48h	78	8
7d	190	19
30d	880	93

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	15m

Playback	Listens	Hours
48h	16	3
7d	15	2
30d	116	20

130 shows

260 tapes

Percy Hill

Playback	Listens	Hours
48h	0	0m
7d	4	38m
30d	96	14

Playback	Listens	Hours
48h	84	16
7d	152	29
30d	1.4k	272

689 shows

920 tapes

Phil Lesh and Friends

15.8k

Playback	Listens	Hours
48h	963	168
7d	2.6k	456
30d	15.8k	2.8k

788 shows

2,861 tapes

Pigeons Playing Ping Pong

1.9k

Playback	Listens	Hours
48h	139	23
7d	364	53
30d	1.9k	297

Playback	Listens	Hours
48h	254	31
7d	795	97
30d	4.1k	532

293 shows

435 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	217	27
7d	881	117
30d	4.4k	572

1,236 shows

2,197 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	23	2

Playback	Listens	Hours
48h	32	4
7d	157	22
30d	462	59

Playback	Listens	Hours
48h	466	62
7d	1.4k	178
30d	7.1k	941

Playback	Listens	Hours
48h	126	10
7d	271	23
30d	1.3k	105

Playback	Listens	Hours
48h	347	24
7d	291	24
30d	1.6k	137

Playback	Listens	Hours
48h	96	7
7d	357	31
30d	2.5k	216

581 shows

729 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	29m

10 shows

11 tapes

Ryley Walker

Playback	Listens	Hours
48h	5	39m
7d	0	0m
30d	3	48m

77 shows

96 tapes

Sam Grisman Project

Playback	Listens	Hours
48h	186	17
7d	727	70
30d	4k	380

128 shows

193 tapes

Scott Metzger

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	71	8

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	26	5
7d	0	0m
30d	54	7

Playback	Listens	Hours
48h	0	0m
7d	38	4
30d	127	15

Playback	Listens	Hours
48h	43	4
7d	157	13
30d	1.4k	119

Playback	Listens	Hours
48h	234	36
7d	459	70
30d	2.6k	419

Playback	Listens	Hours
48h	89	20
7d	249	60
30d	1.3k	314

Playback	Listens	Hours
48h	19	1
7d	77	4
30d	292	16

87 shows

95 tapes

Stanton Moore

Playback	Listens	Hours
48h	0	0m
7d	14	2
30d	27	4

Playback	Listens	Hours
48h	50	10
7d	134	20
30d	708	114

Playback	Listens	Hours
48h	114	27
7d	347	78
30d	1.8k	400

Playback	Listens	Hours
48h	94	14
7d	264	34
30d	1.8k	254

667 shows

1,139 tapes

String Cheese Incident

19.8k

Playback	Listens	Hours
48h	1.4k	249
7d	3.7k	600
30d	19.8k	3.2k

1,284 shows

2,079 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	27	2
7d	13	2
30d	77	9

Playback	Listens	Hours
48h	0	0m
7d	60	11
30d	282	51

Playback	Listens	Hours
48h	22	3
7d	21	3
30d	140	19

Playback	Listens	Hours
48h	61	7
7d	133	14
30d	822	87

727 shows

1,114 tapes

Ted Leo and the Pharmacists

Playback	Listens	Hours
48h	10	50m
7d	9	47m
30d	10	49m

Playback	Listens	Hours
48h	1.1k	125
7d	2.2k	258
30d	12.5k	1.5k

Playback	Listens	Hours
48h	1	1m
7d	21	55m
30d	182	8

Playback	Listens	Hours
48h	82	11
7d	250	32
30d	1.7k	205

Playback	Listens	Hours
48h	10	1
7d	60	9
30d	391	61

473 shows

627 tapes

The California Honeydrops

490

Playback	Listens	Hours
48h	19	3
7d	69	8
30d	490	62

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	36m

Playback	Listens	Hours
48h	274	36
7d	478	65
30d	2.7k	384

Playback	Listens	Hours
48h	25	2
7d	9	41m
30d	382	33

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	20	2

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	1	4m
7d	0	0m
30d	19	1

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	14m

Playback	Listens	Hours
48h	0	0m
7d	70	11
30d	362	61

Playback	Listens	Hours
48h	2	12m
7d	34	5
30d	138	17

Playback	Listens	Hours
48h	492	25
7d	786	42
30d	2.4k	131

443 shows

501 tapes

The National

Playback	Listens	Hours
48h	32	2
7d	170	12
30d	1k	77

Playback	Listens	Hours
48h	11	3
7d	111	17
30d	294	60

Playback	Listens	Hours
48h	43	4
7d	164	17
30d	930	98

Playback	Listens	Hours
48h	114	16
7d	232	31
30d	1.5k	231

Playback	Listens	Hours
48h	692	67
7d	1.1k	106
30d	6.6k	654

1,452 shows

1,651 tapes

The Walkmen

Playback	Listens	Hours
48h	0	0m
7d	1	5m
30d	58	5

Playback	Listens	Hours
48h	86	9
7d	119	13
30d	857	86

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	9	2
7d	5	55m
30d	14	3

Playback	Listens	Hours
48h	97	11
7d	179	18
30d	1.4k	147

Playback	Listens	Hours
48h	39	3
7d	202	13
30d	855	57

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	18	2

Playback	Listens	Hours
48h	465	67
7d	1.3k	179
30d	7.6k	1.1k

464 shows

464 tapes

Turkuaz

Playback	Listens	Hours
48h	41	4
7d	15	2
30d	53	5

Playback	Listens	Hours
48h	122	19
7d	257	41
30d	1.7k	275

Playback	Listens	Hours
48h	369	56
7d	835	119
30d	4.9k	729

Playback	Listens	Hours
48h	33	3
7d	20	2
30d	326	28

Playback	Listens	Hours
48h	101	7
7d	249	19
30d	1.6k	121

Playback	Listens	Hours
48h	810	66
7d	2.5k	213
30d	13.2k	1.1k

623 shows

1,140 tapes

White Denim

Playback	Listens	Hours
48h	6	57m
7d	7	36m
30d	62	5

Playback	Listens	Hours
48h	9.8k	1.2k
7d	26.4k	3.1k
30d	139.6k	16.5k

Playback	Listens	Hours
48h	97	18
7d	116	20
30d	874	125

1,416 shows

2,242 tapes

Yonder Mountain String Band

11k

Playback	Listens	Hours
48h	1.1k	107
7d	1.8k	180
30d	11k	1k

Playback	Listens	Hours
48h	136	23
7d	228	39
30d	1.2k	181

21 shows

29 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	93	16
7d	250	43
30d	1.7k	302

461 shows

665 tapes

Zoofunkyou

Playback	Listens	Hours
48h	3	17m
7d	7	45m
30d	24	4

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	2.3k	323
7d	4.8k	630
30d	27.5k	3.7k

Playback	Listens	Hours
48h	1.2k	172
7d	2.6k	382
30d	15.5k	2.2k

Playback	Listens	Hours
48h	1.9k	263
7d	7.3k	934
30d	37.7k	5k

Playback	Listens	Hours
48h	1.4k	171
7d	5.1k	620
30d	40.6k	5.2k

Playback	Listens	Hours
48h	4.4k	594
7d	8.9k	1.2k
30d	54.3k	7.2k

Playback	Listens	Hours
48h	7.4k	951
7d	9.6k	1.3k
30d	61k	8k

Playback	Listens	Hours
48h	2.9k	361
7d	12.8k	1.6k
30d	57.3k	7.2k

Playback	Listens	Hours
48h	2.8k	325
7d	10.1k	1.2k
30d	27.5k	3.2k

Playback	Listens	Hours
48h	2k	227
7d	12.3k	1.4k
30d	49.7k	5.6k

Playback	Listens	Hours
48h	845	94
7d	4.6k	512
30d	14.8k	1.7k

Playback	Listens	Hours
48h	7k	778
7d	6.1k	710
30d	37.2k	4.3k

Playback	Listens	Hours
48h	2.9k	348
7d	4.5k	560
30d	28.9k	3.5k

Playback	Listens	Hours
48h	3.3k	427
7d	8.3k	1.1k
30d	28.1k	3.7k

Playback	Listens	Hours
48h	1.4k	170
7d	3.5k	437
30d	23.8k	2.9k

Playback	Listens	Hours
48h	1.5k	196
7d	4.1k	520
30d	27.6k	3.5k

Playback	Listens	Hours
48h	1.8k	207
7d	16.3k	1.9k
30d	80.9k	9.4k

Playback	Listens	Hours
48h	1.6k	236
7d	3.6k	508
30d	21.1k	3k

Playback	Listens	Hours
48h	4.3k	526
7d	5.4k	727
30d	37.4k	5k

Playback	Listens	Hours
48h	6.7k	923
7d	20k	2.8k
30d	180.9k	25.2k

Playback	Listens	Hours
48h	8k	1.1k
7d	25.4k	3.4k
30d	134.1k	18.2k

Playback	Listens	Hours
48h	259	28
7d	779	82
30d	7.4k	766

Playback	Listens	Hours
48h	6.3k	777
7d	23.1k	2.8k
30d	87.5k	11.2k

Playback	Listens	Hours
48h	6.2k	793
7d	15.1k	2k
30d	78.1k	10.3k

Playback	Listens	Hours
48h	2.6k	320
7d	6.4k	799
30d	44.3k	5.5k

Playback	Listens	Hours
48h	1.5k	168
7d	6.7k	758
30d	35.5k	4.1k

Playback	Listens	Hours
48h	3.9k	372
7d	3.3k	377
30d	36.1k	3.9k

Playback	Listens	Hours
48h	775	105
7d	3.5k	480
30d	28k	4.1k

Playback	Listens	Hours
48h	452	54
7d	960	126
30d	7.3k	937

Playback	Listens	Hours
48h	123	19
7d	340	47
30d	2.1k	287

Playback	Listens	Hours
48h	179	12
7d	682	53
30d	5.2k	355

Playback	Listens	Hours
48h	21	1
7d	84	5
30d	590	34

2 shows

2 tapes

1985

12/31SBD

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

245

Playback	Listens	Hours
48h	18	2
7d	15	2
30d	245	28

4:59:06

19 tapes

12/30SBD

267

Playback	Listens	Hours
48h	19	2
7d	45	5
30d	267	28

4:28:26

17 tapes

11/22SBD

106

Playback	Listens	Hours
48h	14	2
7d	13	2
30d	106	14

2:15:35

11 tapes

11/21SBD

189

Playback	Listens	Hours
48h	13	1
7d	17	2
30d	189	20

2:15:55

11/20SBD

Community War Memorial Auditorium

461

Playback	Listens	Hours
48h	55	6
7d	98	11
30d	461	52

Playback	Listens	Hours
48h	0	0m
7d	9	1
30d	169	19

Playback	Listens	Hours
48h	1	6m
7d	0	0m
30d	140	16

East Rutherford, NJ, USA

318

Playback	Listens	Hours
48h	6	32m
7d	41	5
30d	318	39

East Rutherford, NJ, USA

181

Playback	Listens	Hours
48h	13	1
7d	9	56m
30d	181	20

4:40:11

27 tapes

11/08SBD

Rochester, NY, USA

274

Playback	Listens	Hours
48h	10	1
7d	23	2
30d	274	31

2:12:53

27 tapes

11/07SBD

Community War Memorial Auditorium

Rochester, NY, USA

151

Playback	Listens	Hours
48h	16	2
7d	11	1
30d	151	16

Playback	Listens	Hours
48h	2	15m
7d	22	3
30d	264	31

Playback	Listens	Hours
48h	0	0m
7d	5	35m
30d	265	29

Playback	Listens	Hours
48h	28	4
7d	42	5
30d	264	34

Playback	Listens	Hours
48h	75	8
7d	209	23
30d	400	44

2:40:08

18 tapes

10/31SBD

Carolina Coliseum, U. of South Carolina

Columbia, SC, USA

403

Playback	Listens	Hours
48h	6	29m
7d	77	7
30d	403	38

Playback	Listens	Hours
48h	53	6
7d	36	4
30d	324	39

Playback	Listens	Hours
48h	18	2
7d	66	8
30d	202	24

Playback	Listens	Hours
48h	6	43m
7d	38	4
30d	309	30

Pembroke Pines, FL, USA

Playback	Listens	Hours
48h	1	7m
7d	9	1
30d	89	12

2:21:11

12 tapes

9/15SBD

Devore Field, Southwestern College

Chula Vista, CA, USA

340

Playback	Listens	Hours
48h	21	3
7d	57	7
30d	340	39

2:25:59

9/12SBD

137

Playback	Listens	Hours
48h	1	4m
7d	34	4
30d	137	18

2:30:28

9/11SBD

104

Playback	Listens	Hours
48h	0	0m
7d	20	2
30d	104	12

2:22:15

12 tapes

9/10SBD

Playback	Listens	Hours
48h	6	35m
7d	0	0m
30d	47	5

2:15:03

10 tapes

9/07SBD

Red Rocks Amphitheatre

Morrison, CO, USA

369

Playback	Listens	Hours
48h	27	3
7d	27	3
30d	369	42

5:00:50

22 tapes

9/06SBD

Red Rocks Amphitheatre

Morrison, CO, USA

Playback	Listens	Hours
48h	0	0m
7d	22	3
30d	94	11

2:10:32

Southern Star Amphitheater

9/05SBD

Red Rocks Amphitheatre

Morrison, CO, USA

224

Playback	Listens	Hours
48h	14	2
7d	10	1
30d	224	29

Playback	Listens	Hours
48h	10	1
7d	21	2
30d	330	34

Oklahoma City, OK, USA

517

Playback	Listens	Hours
48h	24	2
7d	32	4
30d	517	55

Playback	Listens	Hours
48h	0	0m
7d	5	39m
30d	128	16

2:36:45

13 tapes

8/30SBD

Houston, TX, USA

192

Playback	Listens	Hours
48h	14	2
7d	54	7
30d	192	24

2:15:38

Ventura County Fairgrounds

8/24SBD

Boreal Ridge Ski Resort

Donner's Summit, CA, USA

151

Playback	Listens	Hours
48h	6	53m
7d	27	3
30d	151	17

2:12:43

5 tapes

7/14SBD

Ventura, CA, USA

455

Playback	Listens	Hours
48h	13	1
7d	62	7
30d	455	51

2:41:38

11 tapes

7/13SBD

Ventura County Fairgrounds

Ventura, CA, USA

337

Playback	Listens	Hours
48h	18	2
7d	37	5
30d	337	45

Playback	Listens	Hours
48h	6	56m
7d	1	5m
30d	156	19

2:25:58

18 tapes

7/01SBD

Merriweather Post Pavilion

Columbia, MD, USA

431

Playback	Listens	Hours
48h	19	3
7d	99	14
30d	431	61

2:46:28

Merriweather Post Pavilion

6/30SBD

Columbia, MD, USA

1.7k

Playback	Listens	Hours
48h	92	11
7d	269	32
30d	1.7k	205

Playback	Listens	Hours
48h	74	9
7d	77	9
30d	869	106

2:27:36

Saratoga Performing Arts Center

6/27SBD

Saratoga Springs, NY, USA

743

Playback	Listens	Hours
48h	103	11
7d	110	11
30d	743	76

Cuyahoga Falls, OH, USA

475

Playback	Listens	Hours
48h	2.2k	225
7d	101	11
30d	475	51

2:29:46

13 tapes

6/24SBD

River Bend Music Center

Cincinnati, OH, USA

638

Playback	Listens	Hours
48h	3.1k	362
7d	168	19
30d	638	73

2:35:44

Alpine Valley Music Theatre

6/22SBD

East Troy, WI, USA

1.6k

Playback	Listens	Hours
48h	78	9
7d	1.3k	151
30d	1.6k	179

2:30:32

Alpine Valley Music Theatre

6/21SBD

East Troy, WI, USA

1.1k

Playback	Listens	Hours
48h	22	3
7d	765	86
30d	1.1k	120

Playback	Listens	Hours
48h	79	10
7d	357	44
30d	6.2k	744

Playback	Listens	Hours
48h	36	4
7d	156	17
30d	4.7k	523

Playback	Listens	Hours
48h	117	13
7d	211	24
30d	2.9k	343

Playback	Listens	Hours
48h	16	2
7d	57	7
30d	521	60

Playback	Listens	Hours
48h	55	6
7d	135	15
30d	617	73

2:50:08

Marin Veterans Memorial Auditorium

4/21SBD

San Rafael, CA

Playback	Listens	Hours
48h	1	4m
7d	0	0m
30d	21	2

Playback	Listens	Hours
48h	9	1
7d	48	5
30d	252	28

Playback	Listens	Hours
48h	22	3
7d	116	14
30d	750	92

Philadelphia, PA, USA

332

Playback	Listens	Hours
48h	0	0m
7d	86	8
30d	332	34

Philadelphia, PA, USA

228

Playback	Listens	Hours
48h	31	4
7d	26	4
30d	228	31

Philadelphia, PA, USA

332

Playback	Listens	Hours
48h	35	4
7d	58	8
30d	332	41

2:28:31

Cumberland County Civic Center

4/04SBD

Providence Civic Center

Providence, RI, USA

259

Playback	Listens	Hours
48h	6	42m
7d	24	3
30d	259	27

2:33:15

22 tapes

4/03SBD

Providence Civic Center

Providence, RI, USA

165

Playback	Listens	Hours
48h	15	2
7d	43	6
30d	165	23

2:51:34

26 tapes

4/01

Portland, ME, USA

122

Playback	Listens	Hours
48h	9	1
7d	21	2
30d	122	14

2:22:23

37 tapes

3/31SBD

Cumberland County Civic Center

Portland, ME, USA

275

Playback	Listens	Hours
48h	43	5
7d	34	5
30d	275	33

Playback	Listens	Hours
48h	0	0m
7d	49	6
30d	170	20

Playback	Listens	Hours
48h	49	6
7d	70	9
30d	375	48

Playback	Listens	Hours
48h	4	21m
7d	18	2
30d	161	19

2:13:05

27 tapes

3/25SBD

Springfield Civic Center

Springfield, MA, USA

368

Playback	Listens	Hours
48h	25	4
7d	54	8
30d	368	49

2:46:52

30 tapes

3/24SBD

Springfield Civic Center

Springfield, MA, USA

120

Playback	Listens	Hours
48h	4	29m
7d	26	3
30d	120	14

Playback	Listens	Hours
48h	46	6
7d	23	3
30d	157	21

Playback	Listens	Hours
48h	21	2
7d	33	3
30d	282	29

2:21:56

17 tapes

3/13SBD

361

Playback	Listens	Hours
48h	10	59m
7d	91	11
30d	361	46

2:23:36

9 tapes

3/12

111

Playback	Listens	Hours
48h	7	47m
7d	36	4
30d	111	13

2:13:21

8 tapes

3/10

Playback	Listens	Hours
48h	0	0m
7d	15	2
30d	67	9

2:18:50

3/09SBD

492

Playback	Listens	Hours
48h	36	4
7d	75	10
30d	492	65

2:14:44

13 tapes

2/XXSBD

Twilight Zone Sessions

Playback	Listens	Hours
48h	35	59m
7d	8	13m
30d	74	2

13:28

1 tape

2/20SBD

181

Playback	Listens	Hours
48h	11	1
7d	47	6
30d	181	21

2:16:03

2/19SBD

275

Playback	Listens	Hours
48h	13	2
7d	46	6
30d	275	32

1:58:18

5 tapes

2/18SBD

306

Playback	Listens	Hours
48h	14	2
7d	81	9
30d	306	35

2:26:39

Sources

Taper: Joani Walker and Paul Scotton

2:32:57

SBD

Joani Walker and Paul Scotton

gd1985-04-27.152284.sbd.walker.scotton.miller.clugston.flac2496

Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes

1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

View NotesNotes:
- Thanks to Joani Walker and Paul Scotton for the 1st generation cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:21 patch in the "Eyes Of the World > Goin' Down The Road Feeling Bad" transition, as well as a 0:32 patch in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
April 2020

Taper: Joani Walker and Paul Scotton

2:32:57

SBD

Joani Walker and Paul Scotton

gd1985-04-27.152283.sbd.walker.scotton.miller.clugston.flac1648

Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes

1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

gd1985-04-27.sbd.miller.25467.sbeok.shnf

View NotesNotes:
- Thanks to Joani Walker and Paul Scotton for the 1st generation cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:21 patch in the "Eyes Of the World > Goin' Down The Road Feeling Bad" transition, as well as a 0:32 patch in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
April 2020

Transferrer: Charlie Miller

SBD -> Master Cassette -> Dat (44.1k)

Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN

gd1985-04-27.mtx.haugh.78681.flac24

View Notes-- This is a lot cleaner than what currently circulates (No diginoise/static).
-- Seamless transition between Discs 2 and 3.
-- 2nd Set is more dynamic than 1st set, plus there is no tape flip.
-- 2nd Set may be from PCM or VHS/Beta Hi-Fi.
-- Sounds keeps improving as show goes progresses.

Taper: See info file

DVD-AUDIO 24/48 SBD+AUD Matrix Mix

See info file

gd1985-04-27.mtx.haugh.78504.flac16

View Notes---------------------------------------------------------

Source Info

SBD
SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif
Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN
Transferred and Edited By Charlie Miller
[email protected]

AUD1
MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky.
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96
WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using
Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.  
Transfer and mastering by C.Ladner.

AUD2
MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR
[aluminum core (Set II)]  Mic Config: mics on T bar knee high
pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth
adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave
Editor > Flac Frontend (encoded@level 6) >FLAC16
Location: on the lawn, 25 feet from the stage, DFC
Taper: Adam, Justin & Monica - Mark McCue Masters
All cuts, fades and edits made in CEP 2.0, normalized to 100%.
Sector boundaries verified with TLH. Transfer, minor editing
and conversion by Alex Ford 3/10 & 11/2006.

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out.  Thanks also to
the Lossless Legs Community (www.shnflac.net) for getting me
these 3 spectacular sources.  Also a thanks for some of the
images used in creation of the artwork.  I found them years
ago on the net and do not have anyway to properly credit.

---------------------------------------------------------

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch all of the sources.  SF8.0 was used for the EQ setting
post mixdown. This is a 65% SBD, 20% AUD1, 15% AUD2 mix.      
- Mixed by [email protected]
- FLAC conversion done 28-SEPT-2006  
- Artwork at 300dpi by [email protected]
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear double jewel case.

---------------------------------------------------------

Notes

After spending several months and likely more than 150 hrs
on this project I rushed my way through this text file and
the artwork.  I just want to be done with it.  Hopefully it
will be acceptable and without too many typos or errors.

The SBD has a strange sound characteristic that can be heard
through the first few songs and then disappears.  As Charlie
Miller noted in his text file "sounds keeps improving as show
progresses".  Which is indeed true.  The sound keeps cycling
from normal to "overly bright".  Could it be a bad Dolby
encode or decode scenario?   Only when you listening very
critically.  It does not subtract from these really great
recordings and great show IMO.

Both AUD recordings are very good.  The Nak700 sounds like it
was on a stand and doesn't have the close crowd feeling of a
typical FOB.  Some post-processing was obviously done to
maximize the levels, which does cut down a bit on the dynamic
range.  The Senn 421 has a much rowdier feel with closer
crowd, clapping and a good feel for a live show.

All 3 sources had different stoppages between songs in the
first set, most notably was during "Let Phil Sing".  Here
we had missing "crowd" material with no overlap.  I employ
several techniques, fades, crossfades, volume changes and
"borrowing" crowd cheer from different parts of the same
recording to fill in the sound and make the new recording flow
uninterrupted.  Take a listen to the first set, the missing
material now flows smooth and is most likely undetectable.

d1t01 "Bill Graham Intro" The first 20 seconds is entirely
from the NAK700 source, then the Senn 421 source fades in
and then finally the SBD also joins the mix.  No music was
missing.  This is smooth and is most likely undetectable.

D2 and D3 can be assembled seamlessly on longer media.

d2t01 "Scarlet Begonias" The first 10 seconds is just the
SBD and the NAK700 source, then the Senn 421 source fades in
and also joins the mix.  This is smooth and is most likely
undetectable.

d3t04 "The Other One" 36.334 seconds of "fake" patch was
used to cover a missing part of the SBD source.  Most likely
a repeating musical portion from earlier in the song was used.  
In short, "The Other One" was patch with the very same "The
Other One".  This was a very tricky edit to find and remove.  
It is now patched with a matrix mix of AUD1 and AUD2 for
1:00.119 with 2 second crossfade on each.  B/c this is a
change in source it is detectable by the listener.

d1t09 "Bill Graham Intro" is entirely from the NAK700 source.

This represents the 24 bit files that are the result of all my
editing and the multitrack mixdown preserved in 24 bit. It is
unclear exactly what we have in the way of high resolution.
However it seems what we have here would not be represented
accurately in 16/44. What you are getting is the full result
of the matrix mix process. How much different does this sound?
is this better? A little and yes. This is more accurate and
has more dynamic range.  24/48 resolution versus a 16/44 of
the same material will usually result in very subtle but
important differences.  Most of it relying on the quality of
the DVD-A player and the D to A conversion.  With that in
mind, this 24 bit copy is no different.  Small but important
gains over the same material in 16/44.  This is just one
man's take.  Take it or leave it.

---------------------------------------------------------

Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -3
AUD1 -7
AUD2 -8.5

SET TWO

Stereo Matrix
SBD -3.5
AUD1 -7
AUD2 -8.5

---------------------------------------------------------

Editorial Comments

This show is like a wearing my favorite slippers.  Familiar
and very comfortable.  I first obtained this show in 1985
about 2 weeks after the show.  I was a new 16 yr. old driver
and was giving a "friend of a friend" a ride in my car.  
This guy was a pretty hard core hippie and he produced the
cassette of the second set.  I was floored.  At the time, and
considering my age, I had no idea anyone could get a copy of
a show THAT fast.  And what a show it is.  Needless to say
the next five years or so were spent wearing out that cassette.

This show is most notable for the only "Scarlet > Eyes" but
is loaded with great renditions, sick jamming and inspired
playing.  The first set songs are all played really well.
The final Tom Thumb > Cold Rain > Music is fantastic.  Phil
is just out-of-hand throughout.  'Nuff said.

This Scarlet is my favorite, period.  A bold statement but
one I can stand tall behind.  Great long intro, nice middle
of the song solo, they come around twice (I LOVE THAT!) before
the Wind in The Willows but the ensuing jam towards Fire is
inspired.  Brent chasing Jerry, Brent chasing Bob.  Jerry is
traveling 100 miles an hour and the band is right behind. A
real nice Fire tease and Jerry picks his moment to lead the
gang into Eyes.  WOW!  

Eyes is also full of spit and fire with too many acid laced
licks to count.  Even GDTRFB is fast paced and fun, with Woman
still keeping your interest.  Isn't that a change?  Not the
longest pre-drums, 40+ mins, but understandable as clearly
Garcia needed to soak his hand in ice.

Normally topping an all Garcia tri-fecta to opened set two,
Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they
do, beat it to death.  The next 45+ mins is transcendental,
perfect, seamless, inspired, rocking/soothing and any other
accolade you can toss in for good measure.  This time a  new
tri-fecta, Truckin' > Other One > Black Peter, takes center
stage in the post drums part.  Note by note, second by second
the band just clicks.  It reminds me of the type of playing
they were capable of during 2/27-28, 3/1-2 when the band
was just so in tune with each other and what they are doing.
While clearly much different, take a listen.  These guys
are so tuned in to what each other is doing it is 6 as 1.

---------------------------------------------------------

Taper: See info file

SBD + AUD Matrix 3 Source Mix

See info file

gd85-04-27.fixedsbd.mattman.20683.sbeok.shnf

View Notes---------------------------------------------------------

Source Info

SBD
SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif
Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN
Transferred and Edited By Charlie Miller
[email protected]

AUD1
MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky.
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96
WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using
Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.  
Transfer and mastering by C.Ladner.

AUD2
MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR
[aluminum core (Set II)]  Mic Config: mics on T bar knee high
pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth
adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave
Editor > Flac Frontend (encoded@level 6) >FLAC16
Location: on the lawn, 25 feet from the stage, DFC
Taper: Adam, Justin & Monica - Mark McCue Masters
All cuts, fades and edits made in CEP 2.0, normalized to 100%.
Sector boundaries verified with TLH. Transfer, minor editing
and conversion by Alex Ford 3/10 & 11/2006.

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out.  Thanks also to
the Lossless Legs Community (www.shnflac.net) for getting me
these 3 spectacular sources.  Also a thanks for some of the
images used in creation of the artwork.  I found them years
ago on the net and do not have anyway to properly credit.

---------------------------------------------------------

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch all of the sources.  SF8.0 was used for the EQ setting
post mixdown. This is a 65% SBD, 20% AUD1, 15% AUD2 mix.      
- Mixed by [email protected]
- FLAC conversion done 28-SEPT-2006  
- Artwork at 300dpi by [email protected]
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear double jewel case.

---------------------------------------------------------

Notes

After spending several months and likely more than 150 hrs
on this project I rushed my way through this text file and
the artwork.  I just want to be done with it.  Hopefully it
will be acceptable and without too many typos or errors.

The SBD has a strange sound characteristic that can be heard
through the first few songs and then disappears.  As Charlie
Miller noted in his text file "sounds keeps improving as show
progresses".  Which is indeed true.  The sound keeps cycling
from normal to "overly bright".  Could it be a bad Dolby
encode or decode scenario?   Only when you listening very
critically.  It does not subtract from these really great
recordings and great show IMO.

Both AUD recordings are very good.  The Nak700 sounds like it
was on a stand and doesn't have the close crowd feeling of a
typical FOB.  Some post-processing was obviously done to
maximize the levels, which does cut down a bit on the dynamic
range.  The Senn 421 has a much rowdier feel with closer
crowd, clapping and a good feel for a live show.

All 3 sources had different stoppages between songs in the
first set, most notably was during "Let Phil Sing".  Here
we had missing "crowd" material with no overlap.  I employ
several techniques, fades, crossfades, volume changes and
"borrowing" crowd cheer from different parts of the same
recording to fill in the sound and make the new recording flow
uninterrupted.  Take a listen to the first set, the missing
material now flows smooth and is most likely undetectable.

d1t01 "Bill Graham Intro" The first 20 seconds is entirely
from the NAK700 source, then the Senn 421 source fades in
and then finally the SBD also joins the mix.  No music was
missing.  This is smooth and is most likely undetectable.

D2 and D3 can be assembled seamlessly on longer media.

d2t01 "Scarlet Begonias" The first 10 seconds is just the
SBD and the NAK700 source, then the Senn 421 source fades in
and also joins the mix.  This is smooth and is most likely
undetectable.

d3t04 "The Other One" 36.334 seconds of "fake" patch was
used to cover a missing part of the SBD source.  Most likely
a repeating musical portion from earlier in the song was used.  
In short, "The Other One" was patch with the very same "The
Other One".  This was a very tricky edit to find and remove.  
It is now patched with a matrix mix of AUD1 and AUD2 for
1:00.119 with 2 second crossfade on each.  B/c this is a
change in source it is detectable by the listener.

d1t09 "Bill Graham Intro" is entirely from the NAK700 source.

---------------------------------------------------------

Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -3
AUD1 -7
AUD2 -8.5

SET TWO

Stereo Matrix
SBD -3.5
AUD1 -7
AUD2 -8.5

---------------------------------------------------------

Editorial Comments

This show is like a wearing my favorite slippers.  Familiar
and very comfortable.  I first obtained this show in 1985
about 2 weeks after the show.  I was a new 16 yr. old driver
and was giving a "friend of a friend" a ride in my car.  
This guy was a pretty hard core hippie and he produced the
cassette of the second set.  I was floored.  At the time, and
considering my age, I had no idea anyone could get a copy of
a show THAT fast.  And what a show it is.  Needless to say
the next five years or so were spent wearing out that cassette.

This show is most notable for the only "Scarlet > Eyes" but
is loaded with great renditions, sick jamming and inspired
playing.  The first set songs are all played really well.
The final Tom Thumb > Cold Rain > Music is fantastic.  Phil
is just out-of-hand throughout.  'Nuff said.

This Scarlet is my favorite, period.  A bold statement but
one I can stand tall behind.  Great long intro, nice middle
of the song solo, they come around twice (I LOVE THAT!) before
the Wind in The Willows but the ensuing jam towards Fire is
inspired.  Brent chasing Jerry, Brent chasing Bob.  Jerry is
traveling 100 miles an hour and the band is right behind. A
real nice Fire tease and Jerry picks his moment to lead the
gang into Eyes.  WOW!  

Eyes is also full of spit and fire with too many acid laced
licks to count.  Even GDTRFB is fast paced and fun, with Woman
still keeping your interest.  Isn't that a change?  Not the
longest pre-drums, 40+ mins, but understandable as clearly
Garcia needed to soak his hand in ice.

Normally topping an all Garcia tri-fecta to opened set two,
Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they
do, beat it to death.  The next 45+ mins is transcendental,
perfect, seamless, inspired, rocking/soothing and any other
accolade you can toss in for good measure.  This time a  new
tri-fecta, Truckin' > Other One > Black Peter, takes center
stage in the post drums part.  Note by note, second by second
the band just clicks.  It reminds me of the type of playing
they were capable of during 2/27-28, 3/1-2 when the band
was just so in tune with each other and what they are doing.
While clearly much different, take a listen.  These guys
are so tuned in to what each other is doing it is 6 as 1.

---------------------------------------------------------

Source 6 of 28

Pitch-corrected version of <a href="http://db.etree.org/shninfo_detail.php?shnid=17265">shnid=17265</a>.

SBD > MC > DAT > CDR > EAC > mkwACT

View NotesPitch-corrected version of <a href="http://db.etree.org/shninfo_detail.php?shnid=17265" rel="nofollow">shnid=17265</a>.

Source 7 of 28

gd85-04-27.sbd.jerugim.359.sbeok.shnf

View NotesSource:
SBD > MC > DAT > CDR > EAC > mkwACT

Doesn't have missed lyric in The Other One. Seems like it may be still missing some music but, if it is, the d/o is much less drastic.

Source 8 of 28

SBDMC> DAT> CDR

View NotesSBDMC> DAT> CDR; CDR> EAC> SHN; conversion & upload, A. Jerugim;
no known flaws

Taper: Mark Terry

gd1985-04-27.172444.nak300.terry.miller.clugston.flac2496

Mark Terry's Master Audience Cassettes; Nakamichi 300 mics > Sony WM-D6C (Maxell XLII-S90)

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496

View NotesNotes:
- Thanks to Mark Terry for the master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:34 patch in the "Eyes Of The World > Goin' Down The Road Feeling Bad" transition, as well as a 0:25 patch in the "Truckin' > The Other One" transition
- Pitch corrected

Mastered by Scott Clugston
May 2025

Taper: Mark Terry

gd1985-04-27.172443.nak300.terry.miller.clugston.flac1648

Mark Terry's Master Audience Cassettes; Nakamichi 300 mics > Sony WM-D6C (Maxell XLII-S90)

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496

View NotesNotes:
- Thanks to Mark Terry for the master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:34 patch in the "Eyes Of The World > Goin' Down The Road Feeling Bad" transition, as well as a 0:25 patch in the "Truckin' > The Other One" transition
- Pitch corrected

Mastered by Scott Clugston
May 2025

Taper: Bob Wagner

gd1985-04-27.163485.nak700.wagner.miller.clugston.flac2496

Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496

View NotesNotes:
- Thanks to Bob Wagner for master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:17 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
July 2022

Taper: Bob Wagner

gd1985-04-27.163484.nak700.wagner.miller.clugston.flac1648

Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496

View NotesNotes:
- Thanks to Bob Wagner for master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:17 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
July 2022

Taper: Chris Hecht

gd1985-04-27.148416.neumann.km84i.hecht.miller.clugston.flac2496

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bill Koucky and Chris Ladner for the shnid76584 Nakamichi 700 source which supplies the crowd and beginning of "Dancing In The Street", the end of "Cold Rain & Snow" and beginning of "The Music Never Stopped (5:17 total), the crowd and beginning of "Scarlet Begonias" (3:48 total), as well as a 0:42 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
September 2019

Taper: Chris Hecht

gd1985-04-27.148415.neumann.km84i.hecht.miller-clugston.flac1648

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

Joe Noel and Charlie Miller

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bill Koucky and Chris Ladner for the shnid76584 Nakamichi 700 source which supplies the crowd and beginning of "Dancing In The Street", the end of "Cold Rain & Snow" and beginning of "The Music Never Stopped (5:17 total), the crowd and beginning of "Scarlet Begonias" (3:48 total), as well as a 0:42 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
September 2019

Taper: Walt Keeler

gd1985-04-27.145335.s2.fob.sony..ecm150.keeler.miller.noel.t-flac16

Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90)

Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k)

Joe Noel and Charlie Miller

View NotesEdited & Mastered by Joe Noel;
WAV > Audacity > Flac 24/96
October 28, 2018

This file set is 16 bit @ 44.1

Patch info:
- shnid 10203 (Nakamichi CM-100)
- s2t06; last four seconds
- s2t07; first twenty-seven seconds

Notes:
- Thank you Walt, thank you for getting real close.
- Thank you Charlie for transferring & coordinating.
- Thanks to Greg Holtz for the patch source.
- Pitch corrected

Taper: Walt Keeler

gd1985-04-27.143491.s2.FOB.ECM150.Keeler.Miller.Noel.t-flac2496

Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90)

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k)

gd1985-04-27.166645.akgC-33e.fob.Hoey.flac24

View NotesPatch info:
- shnid 10203 (Nakamichi CM-100)
- s2t06; last four seconds
- s2t07; first twenty-seven seconds

Notes:
- Thank you Walt, thank you for getting real close.
- Thank you Charlie for transferring & coordinating.
- Thanks to Greg Holtz for the patch source.
- Pitch corrected

Taper: Hoey

AKG C-33e stereo mic > akg 48v phantom power supply > Marantz PMD 430 (dbx nr Maxell MX90)

Nakamichi Dragon > dbx model 224 processor (decode) > Audio Antiquary mastering preamp (Telefunken C3g tube) > QES Labs PAD-2 mkII LE (a > d @ 24bit 96kHz) > Peak Pro 7 > xACT (flac tags)

Taper: Recording by Craig Rogers

2:50:08

Recording by Craig Rogers

Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021

gd1985-04-27.151947.Mouth.AKG.Master.Cassette.Rogers.Noel.t-flac16

Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show

Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96

View NotesPatch info:
- shnid 148416 (Neumann, Chris Hecht) supplies
- s2t06; 03:51 - 06:56
- s2t07; 03:32 - 04:00

Notes;
- Thanks to Craig Rogers for taping & sharing
- Thanks to everyone involved with the patch source
- Special thanks to Jerry Garcia for allowing these recordings.
- Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue
- This source has been pitch corrected
- The tape pauses were cross faded.
- There was a taper bust during GDTRFB, but the tapers keep rolling!
- Notwithstanding the bust, this is a huge recording from the mouth.
- If you're gonna get busted, this is how you want it to go down.  They didn't loose their masters & they only missed 3 minutes of music (drums).
- Give these boys the 13 Point Lightning Bolt!
- This is an Uher Archive production.
- [email protected]
- Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Mar 2, 2021

Taper: Recording by Craig Rogers

2:50:07

Recording by Craig Rogers

Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021

gd1985-04-27.151970.Mouth.AKG.Rogers.Noel.fixed.151703.t-flac2496

Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show

Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96

Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021

View NotesPatch info:
- shnid 148416 (Neumann, Chris Hecht) supplies
- s2t06; 03:51 - 06:56
- s2t07; 03:32 - 04:00

Notes;
- Thanks to Craig Rogers for taping & sharing
- Thanks to everyone involved with the patch source
- Special thanks to Jerry Garcia for allowing these recordings.
- Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue
- This source has been pitch corrected
- The tape pauses were cross faded.
- There was a taper bust during GDTRFB, but the tapers keep rolling!
- Notwithstanding the bust, this is a huge recording from the mouth.
- If you're gonna get busted, this is how you want it to go down.  They didn't loose their masters & they only missed 3 minutes of music (drums).
- Give these boys the 13 Point Lightning Bolt!
- This is an Uher Archive production.
- [email protected]


Notes (fix);
- channels were reversed, this has been corrected.

Taper: Craig Rogers

gd1985-04-27.151703.Mouth.AKG.Master.Cassette.Rogers.Noel.t-flac2496

Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes

Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96

View NotesNotes;
- Thanks to Craig Rogers for taping & sharing
- Thanks to everyone involved with the patch source
- Special thanks to Jerry Garcia for allowing these recordings.
- Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue
- This source has been pitch corrected
- The tape pauses were cross faded.
- There was a taper bust during GDTRFB, but the tapers keep rolling!
- Notwithstanding the bust, this is a huge recording from the mouth.
- If you're gonna get busted, this is how you want it to go down.  They didn't loose their masters & they only missed 3 minutes of music (drums).
- Give these boys the 13 Point Lightning Bolt!
- This is an Uher Archive production.
- [email protected]

Transferrer: 5.1 LPCM Surround Sound Mix (48/24) by amdig & Kevin Tobin

2:33:35

5.1 LPCM Surround Sound Mix (48/24) by amdig & Kevin Tobin

gd1985-04-27.148527.5-1.amdig.flac2448

5.1 LPCM Surround Sound Mix (48/24)

View Notes---------------------------------------------------------
- DVD-A extraction 11-DEC-2019 - DVD Audio Extractor v8.0.0
- FLAC conversion 11-DEC-2019 - Trader Little Helper
- Tagged 11-DEC-2019 - Tag&Rename
---------------------------------------------------------

Source 22 of 28

2:36:46

gd1985-04-27.148348.aud.flac2496

Analog Audience maxell mx 90's 3 tapes Namakamichi CM 700 Mics and Custom ps/preamp mixer - > modified dbx 224 (mod'd to run from battery pack) - > Sony TC D5M (dbx encoded)

Nakamichi CR7a - > dbx nx40 (dbx decoded) - > Audio Technica mixer/line amplifier - > Korg MR 2000 at 1 bit 5.6 MHz - > Audiogate software to create 24-96 files

Taper: chasingwilma

gd1985-04-27.124981.chasingwilma.flac24

lineage: sennheiser 421 (fob)> d-5> d-5> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

Taper: Greg Holtz

gd1985-04-27.nak100.holtz.jaz.102035.flac16

Nakamichi CM-100's with CP-4 shotgun caps > Sony TC-D5

Cassette Master, TDK MA-R90 Alluminum Core-> Tascam 112 -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII compact flash -> USB -> Wave Lab 5.0 w/UAD -> R8brain for Sample Rate Conversion to 16bit 44.1kHz -> Traders Little Helper flac8

Transferrer: Brion Green and ChrisJ

Brion Green and ChrisJ

gd1985-04-27.nak700.anon.lmpp.99835.flac16

Nakamichi 700's > d6 > MAC

MAC > Nakamichi DR-1 > HD-P2 > 24/96 WAve > Wavelab 5 > UAD Plugs > r8brain Pro > Izotope Ozone 3 Mbit > 16/44.1 Wave > Flac

gd1985-04-27.dts.haugh.78437.flac16

View NotesNotes:

- This source sounds absolutely great. HUGE thanks to Anon for this one. One of my favorite auds I've had the 
pleasure to work on to date!!! Thank you sir!!!!

- Encore patched from SHNID 76584

Transferrer: Dan Haugh

View Notes---------------------------------------------------------

Source Info

SBD
SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif
Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN
Transferred and Edited By Charlie Miller
[email protected]

AUD1
MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky.
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96
WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using
Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.  
Transfer and mastering by C.Ladner.

AUD2
MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR
[aluminum core (Set II)]  Mic Config: mics on T bar knee high
pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth
adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave
Editor > Flac Frontend (encoded@level 6) >FLAC16
Location: on the lawn, 25 feet from the stage, DFC
Taper: Adam, Justin & Monica - Mark McCue Masters
All cuts, fades and edits made in CEP 2.0, normalized to 100%.
Sector boundaries verified with TLH. Transfer, minor editing
and conversion by Alex Ford 3/10 & 11/2006.

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out.  Thanks also to
the Lossless Legs Community (www.shnflac.net) for getting me
these 3 spectacular sources.  Also a thanks for some of the
images used in creation of the artwork.  I found them years
ago on the net and do not have anyway to properly credit.

---------------------------------------------------------

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch all of the sources.  SF8.0 used to adjust the volume for
the front, center, surround and LFE channels.  SF8.0 was used
for the EQ setting on all the sources post mixdown. Surcode CD
Pro DTS was used to encode to DTS.      
- Mixed by [email protected]
- FLAC conversion done 28-SEPT-2006  
- Artwork at 300dpi by [email protected]
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear double jewel case.

---------------------------------------------------------

DTS-Audio-CD Info

Front
Left Channel SBD+AUD DEQ'd Matrix 75%-SBD/25%-AUD2
Right Channel SBD+AUD DEQ'd Matrix 75%-SBD/25%-AUD2

Center
Mono Mix -5db SBD DEQ'd

Surround
Left Channel AUD+AUD DEQ'd Matrix 60%-AUD1/40%-AUD2
Right Channel AUD+AUD DEQ'd Matrix 60%-AUD1/40%-AUD2

Sub/LFE
Mono Mix -5db SBD DEQ'd Matrix 50%-SBD/50%-AUD2

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Notes

After spending several months and likely more than 150 hrs
on this project I rushed my way through this text file and
the artwork.  I just want to be done with it.  Hopefully it
will be acceptable and without too many typos or errors.

The SBD has a strange sound characteristic that can be heard
through the first few songs and then disappears.  As Charlie
Miller noted in his text file "sounds keeps improving as show
progresses".  Which is indeed true.  The sound keeps cycling
from normal to "overly bright".  Could it be a bad Dolby
encode or decode scenario?   Only when you listening very
critically.  It does not subtract from these really great
recordings and great show IMO.

Both AUD recordings are very good.  The Nak700 sounds like it
was on a stand and doesn't have the close crowd feeling of a
typical FOB.  Some post-processing was obviously done to
maximize the levels, which does cut down a bit on the dynamic
range.  The Senn 421 has a much rowdier feel with closer
crowd, clapping and a good feel for a live show.

All 3 sources had different stoppages between songs in the
first set, most notably was during "Let Phil Sing".  Here
we had missing "crowd" material with no overlap.  I employ
several techniques, fades, crossfades, volume changes and
"borrowing" crowd cheer from different parts of the same
recording to fill in the sound and make the new recording flow
uninterrupted.  Take a listen to the first set, the missing
material now flows smooth and is most likely undetectable.

d1t01 "Bill Graham Intro" The first 20 seconds is entirely
from the NAK700 source, then the Senn 421 source fades in
and then finally the SBD also joins the mix.  No music was
missing.  This is smooth and is most likely undetectable.

d2t01 "Scarlet Begonias" The first 10 seconds is just the
SBD and the NAK700 source, then the Senn 421 source fades in
and also joins the mix.  This is smooth and is most likely
undetectable.

d3t04 "The Other One" 36.334 seconds of "fake" patch was
used to cover a missing part of the SBD source.  Most likely
a repeating musical portion from earlier in the song was used.  
In short, "The Other One" was patch with the very same "The
Other One".  This was a very tricky edit to find and remove.  
It is now patched with a matrix mix of AUD1 and AUD2 for
1:00.119 with 2 second crossfade on each.  B/c this is a
change in source it is detectable by the listener.

d1t09 "Bill Graham Intro" is entirely from the NAK700 source.

The mixdown of the AUD+AUD matrix mix was done a few db's
lower than the from SBD+AUD matrix mix.  In my experience
louder rear channels is an undiserable effect.  

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Multitrack Mixdown Settings

SET ONE SET TWO

Front Matrix Front Matrix
SBD -.5 SBD -1
AUD2 -7 AUD2 -7.5

Stereo Matrix Stereo Matrix
SBD -1 SBD -1
AUD2 -5.5 AUD2 -6

Rear Matrix Rear Matrix
AUD1 -4 AUD1 -4
AUD2 -9 AUD2 -9

Sub/LFE Matrix Sub/LFE Matrix
SBD -7db SBD -7.5db
AUD2 -5.5db AUD2 -6db

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Editorial Comments

This show is like a wearing my favorite slippers.  Familiar
and very comfortable.  I first obtained this show in 1985
about 2 weeks after the show.  I was a new 16 yr. old driver
and was giving a "friend of a friend" a ride in my car.  
This guy was a pretty hard core hippie and he produced the
cassette of the second set.  I was floored.  At the time, and
considering my age, I had no idea anyone could get a copy of
a show THAT fast.  And what a show it is.  Needless to say
the next five years or so were spent wearing out that cassette.

This show is most notable for the only "Scarlet > Eyes" but
is loaded with great renditions, sick jamming and inspired
playing.  The first set songs are all played really well.
The final Tom Thumb > Cold Rain > Music is fantastic.  Phil
is just out-of-hand throughout.  'Nuff said.

This Scarlet is my favorite, period.  A bold statement but
one I can stand tall behind.  Great long intro, nice middle
of the song solo, they come around twice (I LOVE THAT!) before
the Wind in The Willows but the ensuing jam towards Fire is
inspired.  Brent chasing Jerry, Brent chasing Bob.  Jerry is
traveling 100 miles an hour and the band is right behind. A
real nice Fire tease and Jerry picks his moment to lead the
gang into Eyes.  WOW!  

Eyes is also full of spit and fire with too many acid laced
licks to count.  Even GDTRFB is fast paced and fun, with Woman
still keeping your interest.  Isn't that a change?  Not the
longest pre-drums, 40+ mins, but understandable as clearly
Garcia needed to soak his hand in ice.

Normally topping an all Garcia tri-fecta to opened set two,
Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they
do, beat it to death.  The next 45+ mins is transcendental,
perfect, seamless, inspired, rocking/soothing and any other
accolade you can toss in for good measure.  This time a  new
tri-fecta, Truckin' > Other One > Black Peter, takes center
stage in the post drums part.  Note by note, second by second
the band just clicks.  It reminds me of the type of playing
they were capable of during 2/27-28, 3/1-2 when the band
was just so in tune with each other and what they are doing.
While clearly much different, take a listen.  These guys
are so tuned in to what each other is doing it is 6 as 1.

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More On DTS

Today's audio standards are moving towards multi-channel sound
like DTS, Dolby Digital and DVD-Audio.  While the Audio-CD
standard (Red Book) hasn't changed to accommodate these new
sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD.  To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure that
your receiver will recognize a DTS-Audio-CD, so the first
time you're trying to playback a DTS-Audio-CD you must do
a test to determine if it can. Begin with the volume very
low, start the disc and rise the volume gradually. NEVER
listen to a DTS-Audio-CD through the analogue audio outputs
of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any normal
Audio-CD from FLAC files.

---------------------------------------------------------

Taper: B. Koucky

gd1985-04-27.nak700.koucky.gmb.76584.sbeok.flac16

MAC: (FOB) Nak700s > Sony D5 > TDK MA 90s.

MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96 WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.

View NotesComments:
Crisp upclose sounding aud with some minor phasing issues. Thanks to Bill for taping, preserving, and sharing his recording with me for transfer.
Seeded by the green mountain bros at candyman FTP and planetFLAC - August 2006.

Taper: Adam, Justin & Monica

Adam, Justin & Monica

Alex Ford

gd1985-04-27.senn421.mccue.ford.32648.sbeok.flac

MAC: (FOB) Sennheiser 421's > Sony D5 > TDK MA 90 (Set I) & TDK MAR [aluminum core (Set II)]

MAC>NMAC>Nakamichi Cassette Deck 2(azimuth adjusted)>Audiophile 2496>WinXP Pro>CEP 2.0>CD Wave Editor>Flac Frontend(encoded@level 6)>FLAC16.