Let It Grow | 1985-06-24 | Grateful Dead

View Notes*Matrix*

----------------------------------------------------
SBD(s):

Recording Info:
SBD -> Cassette Master -> PCM -> Dat -> CD

Editing Info:
CD -> EAC -> Cool Edit Pro v2.0 -> Samplitude v7.02 Professional -> SHN
(3 Discs Audio / 2 Discs SHN)

Transfered and Edited By Charlie Miller
[email protected]
7/28/04

Notes:
-- Set 2 may be from either a PCM Master or a VHS Master. The reason I say this is I could not find a tape flip and the recording is more dynamic than Set 1.
----------------------------------------------------
AUDs:

Set 1
-----

Nak 300 > D5 > CM > CDR

DAE and shorten encoding by C. Vinci

Set 2
-----
Recorded by Jim Oade
Transferred by Doug Oade, tracked by Darrin Sacks ([email protected])

Field:
Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1

Transfer:
Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac 
---------------------------------------------------
Thank you to Charlie Miller and John Lyons for the SBD transfer,
to Chris Vinci and Mike Lai for the set 1 AUD transfer
to the Oade Brothers and Darrin Sacks for the set 2 AUD transfer,
and to Mr. B. for helping me verify the set 1 pitch.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
September 23, 2008

Notes:

1) Cuts in the AUD between songs during set 1. I left the SBD portions in for the occasional, interesting stage conversation.

2) Based on C. Miller's notes above, the set 2 SBD source appears to be a VHS master, since there is some speed fluctuation. Since I used the Oade AUD for set 2, set 2 is a completely different matrix than set 1 that sounds significantly better.

3) One momentary cut in the AUD during Space in set 2.

4) Set 2 is seamless.

5) The crowd after Good Lovin' seems VERY thoroughly pleased - thank you Oade!

SOURCE 2 OF 14

2:33:34

SBD

Matrixing by Timothy Pytlik

SHNID:

gd1985-06-24.mtx.pytlik.32310.sbeok.flac16

Source:

See info file

Lineage:

SHN (SBD) -> foobar2000 -> WAV (bit-compare ok) + SHN (AUD) -> foobar2000 -> WAV (bit-compare ok) -> Adobe Audition 1.5 (32-bit mixing, time stretching, moderate hiss reduction, moderate noise reduction, track splitting on CD sector boundaries) -> WAV -> FLAC Frontend v 1.7.1 -> FLAC (level 8)

Taper Notes:

View NotesNotes:
-During the abovementioned left channel dropouts in the audience source on U.S. Blues, I copied the right channel into the empty left channel, and these inserts were crossfaded with the existing left channel at their beginning and end.
-The soundboard source of the second set appears to be a VHS master, as a 16kHz pilot tone shows up quite clearly in spectral analysis.

SOURCE 3 OF 14

gd85-06-24.sbd.miller.25315.sbeok.shnf

Source:

SBD > Cassette Master > PCM > DAT > CD

Lineage:

CD > EAC > Cool Edit Pro v2.0 > Samplitude v7.02 Professional > SHN. Transferred and Edited By Charlie Miller

Taper Notes:

View NotesSBD > Cassette Master > PCM > DAT > CD; Transfer: CD > EAC > Cool Edit Pro v2.0 > Samplitude v7.02 Professional > SHN. Transferred and Edited By Charlie Miller
[email protected]

SOURCE 4 OF 14

gd1985-06-24.sbd.harrell.8198.shnf

Source:

SBD > Master Cassette

Lineage:

Master Cassette > DAT x 3 > CDR > EAC > MKW > SHN

Taper Notes:

View NotesNotes:
d2t01 @ 1:11 - subsecond (11 frames to be exact) dropout smoothed with patch from:

 SBD -> CM -> PCM -> DAT
Thanks to Pete Delgado and Doug Nawrocki, fixed version by Patrick Murphy.

Sector boundaries fixed with shntool (all of set 2, including encore fixed at once)
Brief static at beginning of Let it Grow.
There's a tape flip somewhere in set 2, but I couldn't find it.

SOURCE 5 OF 14

gd85-06-24.sbd.murphy.2274.sbefail.shnf

Source:

SBD -> CM -> PCM -> DAT, via Pete Delgado

Lineage:

D8 -> Montego II

Taper Notes:

View NotesSBD -> CM -> PCM -> DAT, via Pete Delgado; Transfer: D8 -> Montego II
-> Cool Edit 2k, Doug Nawrocki; note fade in to d1t1; note "2:55 in Samson until about 3:35 in He's Gone the right channel drops way down"- <a href="http://db.etree.org/shninfo_detail.php?shnid=2274" rel="nofollow">fixed version</a> prepared later

SOURCE 6 OF 14

Charlie Miller and Joe Noel

Lineage:

Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2

Taper Notes:

View NotesNotes:
- files have been speed corrected
- tape pauses & flip cross faded
- levels are hot for the first minute
- rhythm section raffle announcement
- officially released as part of 30 Trips Around The Sun
- This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2

SOURCE 7 OF 14

Charlie Miller and Joe Noel

SHNID:

gd1985-06-24.140890.s1.unkown.Bryant.Miller.Noel.t-flac2496

Lineage:

Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT

Taper Notes:

View NotesNotes:
- files have been speed corrected
- tape pauses & flip cross faded
- levels are hot for the first minute
- rhythm section raffle announcement
- officially released as part of 30 Trips Around The Sun

SOURCE 8 OF 14

2:32:43

SHNID:

gd1985-06-24.154534.senn.me80.hessberg.miller.clugston.flac2496

SOURCE 9 OF 14

2:32:43

SHNID:

gd1985-06-24.154533.senn.me80.hessberg.miller.clugston.flac1648

SOURCE 10 OF 14

2:33:33

Taper:

Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney, Gary Steel?, Eddie Wahba

Transferrer:

Kyle Holbrook

SHNID:

gd1985-06-24.152623.akgc422-davis-murtha.holbrook.flac2448

Source:

Microphones: AKG C422|AKG S42 XY 90º Cardioid see *** Recorder: Sony TC-D5M [mic master] Location: Lawn ~150' from stage This Source: Master AUDCA Maxell MX90 No NR [SM]

Lineage:

Taper Notes:

View NotesSecond AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP

*    Bob Says "And the lucky winner of the raffle gets to hold the rhythm section hostage"
//   tape flip

SOURCE 11 OF 14

2:33:33

Taper:

Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney, Gary Steel?, Eddie Wahba

Transferrer:

Kyle Holbrook

SHNID:

gd1985-06-24.152622.akgc422-davis-murtha.holbrook.flac1644

Source:

Microphones: AKG C422|AKG S42 XY 90º Cardioid see *** Recorder: Sony TC-D5M [mic master] Location: Lawn ~150' from stage This Source: Master AUDCA Maxell MX90 No NR [SM]

Lineage:

Taper Notes:

View NotesSecond AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP

*    Bob Says "And the lucky winner of the raffle gets to hold the rhythm section hostage"
//   tape flip

SOURCE 12 OF 14

gd1985-06-24.118986.BeyerM160.daweez.d5scott.flac16

Source:

Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes;

Lineage:

Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files

Taper Notes:

View Notes---------------------------------
R.I.P. Sandy - aka "Bigfoot"  
---------------------------------

SOURCE 13 OF 14

Doug Oade - Darren Sacks

SHNID:

gd85-06-24.set2.oade-schoeps.sacks.24662.sbeok.flacf

Source:

Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1

Lineage:

Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac

Taper Notes:

View NotesSet II Only; Recorded by Jim Oade 
Transferred by Doug Oade, tracked by Darrin Sacks; Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer:
Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac

SOURCE 14 OF 14

gd85-06-24.nak300.lai.360.sbeok.shnf

Source:

Nak 300 > D5 > CM > CDR

Taper Notes:

View NotesNak 300 > D5 > CM > CDR; via Chris Vinci, Mike Lai; Some left channel dropouts
at beginning of USB