Estimated Prophet > | 1985-06-28 | Grateful Dead

View NotesNotes:
- Thanks to Rob Eaton for the 1st generation cassettes > DAT (16/48) transfer and Tim Dalton for the source DAT (16/48)
- Thanks to Charlie Miller for Tim Dalton's DAT transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:28 patch in "Deal", as well as a 5:32 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
June 2020

SOURCE 2 OF 24

2:13:07

SBD

gd1985-06-28.sbd.miller.107066.flac16

Source:

SBD -> Cassette Master -> Dat -> CD

Lineage:

CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC

Taper Notes:

View NotesNotes:
-- Disc change is seamless
-- Dozens of flaws cleaned up
-- There is some PA static in the 2nd set that I could not remove
-- Thanks to Joe B. Jones for his help with the pitch correction

SOURCE 3 OF 24

Matrix by Dave Usborne

SHNID:

gd1985-06-28.132533.mtx.dusborne.flac16

Source:

2 Source Matrix by Dusborne; Soundboard (shnid:107066) SBD -> Cassette Master -> Dat -> CD; CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; and Audience (shnid:114680) Nakamichi CM-300 (CP-4) x2 > Cassette Master; Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor > flac16 by Bob Morris

Taper Notes:

View NotesMatrix by dusborne

01-26-2015
------------------------------------------------------------------------------

Tagging notes:
Show information is embedded within the header of each flac file. 
It will display on any player capable of directly playing flac files. 
If converted to wav during processing, all tags will be stripped, 
however audio data will remain unaffected. 
If you must transcode to a lossy format, do so directly Flac > Lossy.
Use ffp to validate audio integrity.
Md5 values will change if tagging is altered.

Dave Usborne 01-26-2015

SOURCE 4 OF 24

gd1985-06-28.nakcm304.suraci.89009.flac24

Source:

Nakamichi CM304's>Sony D5M *At SBD, Stand at 9 Feet

Lineage:

Nak CR5A>Lunatec V3(analog out)>722@24/96 Adobe Audition>Cdwav/tracking>flac24

Taper Notes:

View Notes// not much missing. got in late. had to setup in the rain.
* Front right corner of board.


Note: This source is also available in 16 bit for your streaming pleasure.

SOURCE 5 OF 24

gd1985-06-28.nakcm304.suraci.79609.flac16

Source:

Nakamichi CM304's>Sony D5M *At SBD, Stand at 9 Feet

Lineage:

Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16

Taper Notes:

View Notes// not much missing. 
* Front right corner of board.
Notes: This is the 16Bit version. 24 Bit is archived on DVDA.

SOURCE 6 OF 24

gd1985-06-28.sbd.sirmick.77931.sbeok.flac16

Source:

Soundboard > ??? (cass or pcm) > DAT > DAT

Lineage:

DAT > WAV > SHN > WAV > FLAC

Taper Notes:

View Notesnotes:

- d1t01 - removed most of the static present in the first 8.5 seconds
- d1t02 - strangeness at 1:10 (this is present on all sbds and auds so presumably a technical issue)
- d1t13 - Phil's mic doesn't come on until 0:15
- d2t03 - I removed most of the static that was present in the first 50 secs.  There is a small dropout at 43 seconds in the left channel.  However, there are a number of problems that remain
- d2to6 - I spent a goood deal of time cleaning up the "static" only to read afterward that Phil had blown a speaker and that was the reason for it.  Now maybe I should have reverted to the track before I "cleaned" it but I decided to leave it.  That means that it isn't historically correct but I think it sounds better and that's my reason for doing so.

seamless join between discs

Thanks to "S" Productions for this source

seeded to abgd

edited and mastered
SIRMick
September 2006

SOURCE 7 OF 24

gd1985-06-28.sbd.braverman.26144.shnf

Source:

SBD > CM > DAT > DAT > DAT

Lineage:

DAT 60ES > M-Audio Audiophile USB > CDWAV (48) > Goldwave (normalization 100%, patch, and resample 44.1) > CDWAV tracking > mkwACT SHN

Taper Notes:

View NotesNotes:
No obvious tape filps or dropouts
Phil's mic does not come on until after the 1st few words of Tom Thumb.
Static and L channel irregularities during the beginning of drums.  This sounds like a PA problem.
The last 2 minutes of Day Job was missing and was patched with:
http://db.etree.org/shninfo_detail.php?shnid=5822 (from the internet archive) which sounds very similar to this source.

Outstanding Bird Song> Comes A Time > Deal

My DAT was recorded 12/10/93 FWIW

Transfer: October 2004 [email protected]
db.etree.org/jbraveman

To clear up the confusion about the proper order of the songs in set I these are the lyrics.  Weir sings superstitious 1st then with some of the lyrics from Down in the Bottom and finishes back with Superstitous.



I Ain't Superstitious
by Willie Dixon
recording of 19??
from Chess single no. 1823, copyright notice

Well, I ain't superstitious, black cat just cross my trail
Well, I ain't superstitious, oh the black cat just cross my trail
Don't sweep me with no broom, I might get put in jail

When my right hand itches, I gets money for sure
When my right hand itches, I gets money for sure
But, when my left eye jumps, somebody's got to go

Well, I ain't superstitious, black cat just cross my trail
Well, I ain't superstitious, black cat just cross my trail
Don't sweep me with no broom, I just might get put in jail

Well, the dogs are howlin, all over the neighborhood
Whoa, the dogs are howlin, all over the neighborhood
That is true sign of death, baby, that ain't no good

Well, I'm not superstitious, blow that black cat across my trail
Well, I'm not superstitious, a black cat across my trail
Don't sweep me with no broom, I just might get put in jail
That's bad luck for me



Down In The Bottom
by Willie Dixon
recording of 1962
from The Rocking Chair (Vogue 600111), copyright notice

Well now, baby meet me in the bottom, bring me my running shoes
Well now, baby meet me in the bottom, bring me my running shoes
Well, I'll come out the window, I won't have time to lose.

When you see me streaking by, please don't be late
When you see me streaking by, please don't be late
Well, when you see me moving, though my life is at stake

Well, I hope you'll see me, when I come streaking by
Well, I hope you'll see me, when I come streaking by
She got a bad old man, you know I'm too young to die

I got to leave here. Get caught in there

SOURCE 8 OF 24

gd1985-06-28.sbd.mattman.23593.shnf

Source:

Set 1 Source: SBD (pitch corrected shnid = 5822). Set 2 Source: SBD>Reel>PCM>DAT.

Lineage:

Remastering by MattMan: SHN>WAV>ADOBE AUDITION>CDWAV>SHNTOOL>mkwACT.

Taper Notes:

View NotesNotes:
-I received these sources in SHN via ftp.
-After joining the files with shntool, I used Adobe Audition to correct pitch to A = 440Hz.
-Set 1 pitched up from 100 to 99%, and set 2 pitched up from 100 to 98%.
-Set 2 is slightly clearer.
-Digi drop outs in d1t01.

Peace. MattMan. [email protected]. April 2004.

SOURCE 9 OF 24

gd85-06-28.sbd.lemon2.5822.sbeok.shnf

Source:

Liberated Bootleg

Taper Notes:

View NotesSBD? liberated bootleg; via lemon2

SOURCE 10 OF 24

Scott Clugston and Charlie Miller

SHNID:

gd1985-06-28.154538.senn.me80.hessberg.miller.clugston.flac2496

Source:

Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies an 0:19 patch in "Deal", as well as a 3:22 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
July 2020

SOURCE 11 OF 24

Scott Clugston and Charlie Miller

SHNID:

gd1985-06-28.154537.senn.me80.hessberg.miller.clugston.flac1648

Source:

Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies an 0:19 patch in "Deal", as well as a 3:22 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
July 2020

SOURCE 12 OF 24

Sirmick and Charlie Miller

SHNID:

gd1985-06-28.145352.aud.bryant.miller.sirmick.flac16

Lineage:

Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24

Taper Notes:

View NotesNotes:

- Pitch correction
- Patches

Tape Flip near end of  "Comes A Time"
Tape flip during "Drums"

patch source shnid 89009 - Thank you Tony Suraci.

Thanks to Robert Bryant for this recording and Charlie Miller for the transfer.

edited and mastered
SIRMick
April 2018

SOURCE 13 OF 24

Charlie Miller and SIRMick

SHNID:

gd1985-06-28.141599.aud.bryant.miller.sirmick.flac2496

Taper Notes:

View NotesNotes:

- Pitch correction
- Patches

Tape Flip near end of  "Comes A Time"
Tape flip during "Drums"

patch source shnid 89009 - Thank you Tony Suraci.

Thanks to Robert Bryant for this recording and Charlie Miller for the transfer.

edited and mastered
SIRMick
April 2018

SOURCE 14 OF 24

Doug Oade & Scott Clugston

SHNID:

gd1985-06-28.151829.schoeps.cmc4.mk41.oade.miller.clugston.flac16

Source:

1st Set and Morning Dew thru Encore: Oade brothers Master Audience Cassettes ; Schoeps CMC4 MK41 mics > Sony D5M 2nd Set thru I Need A Miracle: Oade brothers Master Audience PCM; Schoeps CMC4 MK41 mics > Modified Sony PCM-F1

Taper Notes:

View NotesNotes:
- Thanks to the Oade brothers and crew for the source cassettes and PCM, as well as Doug Oade for the transfers to HDD
- Thanks to Charlie Miller for coordinating this effort
- Cassette source pitch corrected

Mastered by Scott Clugston
February 2021

SOURCE 15 OF 24

gd1985-06-28.137289.senn441.phase-fix.mccue.ford.sbeok.flac16

Source:

Phase Fix of <a href="http://db.etree.org/shn/33339">source ID 33339</a>; (FOB) 2 Sennheiser 441's (PAS) > Sony D5 > Master Cassettes; Location: 10 yard line, DFC; Original

Lineage:

MAC> Sony D5> Tascam Stand Alone burner(tracked on the fly)> EAC> HD> CDR> EAC> WinXP Pro> wav files joined> CD Wave Editor(retracking)> Flac Frontend> flac16; New edits: WaveLab 7.2.1 (phase fix and minor edits) > retrack > xAct> flac16; Taped and transferred by Mark McCue; Phase fix/minor edits by Alex Ford

Taper Notes:

View Notes* Phase Fix of SHNID 33339 *

SOURCE 16 OF 24

gd1985-06-28.126158.senn441.chasingwilma.flac24

Source:

lineage: sennheiser 441> d-5> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; taper: jay f; conversion rate: 96000/24 bit

SOURCE 17 OF 24

gd1985-06-28.126140.chasingwilma.flac24

Source:

source: (3) audio technica atm 11> optimus> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

SOURCE 18 OF 24

gd1985-06-28.nak300.morris.114680.sbeok.flac16

Source:

Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor > flac16; Microphones on tripod stand at 7 ft height under an umbrella in the rain; Recorded by Bob Morris

Taper Notes:

View NotesNotes:
 - Tape flips spliced (Soundforge 9.0) in Deal (at 0:07) & Drums (at 8:05).
 - Microphones on tripod stand at 7 ft height under an umbrella in the rain.
 - Crowd/other tapers notably noisy in a few 1st set passages.
 - Recorded by Bob Morris -- thanks to Sam for help. 
 - Transfer (Nov 2009) & edits (Nov 2009, Jun 2011) by Bob Morris.
 - Thanks to dnick926 for help with shnid's etc.
 - One DVD Flac

SOURCE 19 OF 24

gd1985-06-28.nak300.morris.114490.flac24

Source:

Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24

Taper Notes:

View NotesNotes:
 - Tape flips spliced in Deal (at 0:05) and in Drums (at 8:02).
 - Microphones on tripod stand at 7 ft height under umbrella in the rain.
 - Crowd/other tapers notably noisy in a few 1st set passages.
 - Recorded on the field by Bob Morris -- thanks to Sam for help. 
 - Transfer (Nov 2009) & 2496 conversion /  edits (Jun 2011) by Bob Morris.

SOURCE 20 OF 24

gd1985-06-28.111343.BeyerM160.daweez.d5scott.flac16

Source:

<b>flac16:</b> Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes

Lineage:

Sony TC-D5M (original record deck) >Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files

Taper Notes:

View NotesI patched out of The Weasel for this show. My second set master didn't hold up so well over the years. 
We were really close. We were the first set of microphones from the stage.  
The mic stand was dead center, right over the tube that covered the cables that ran from the stage to the soundboard.
I remember it raining during the 1st set and I also remember Jerry in a jacket that night. 
I wish I had brought my camera with me. There has to be pictures from that show somewhere. 
If so, could someone post it?  
 ---------------------------------
R.I.P. Sandy - aka "Bigfoot" 
---------------------------------

SOURCE 21 OF 24

gd1985-06-28.senn.hubbard.76159.sbeok.shnf

Source:

Sennheiser 4xx's > Marantz PMDxxx > MC.

Lineage:

Playback on recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Sound Forge normalization > WAV > CDWave > WAVs > mkwAC > SHNs.

Taper Notes:

View NotesDisks can be combined on longer media for extended play

SOURCE 22 OF 24

gd1985-06-28.senn441.mccue.ford.33339.sbeok.flac16

Source:

2 Sennheiser 441's > Sony D5 > Master Cassettes

Lineage:

MAC>Sony D5>Tascam Stand Alone burner(tracked on the fly)>EAC>HD>CDR>EAC>WinXP Pro>wav files joined>CD Wave Editor(retracking)>Flac Frontend>FLAC16

Taper Notes:

View NotesNotes:
 - * d1t10 Phil's vocal mic cuts in @ 0:16  
 - 2 Sennheiser 421's were also on mic stand
 - 8 other decks were connected to this rig
 - photo labled taper's view00.jpg was taken from exact recording location

SOURCE 23 OF 24

gd85-06-28.fob-senn441.lizzard.25985.sbeok.shnf

Source:

Audience: Sennheiser 441's

Lineage:

Sennheiser 441's (FOB) > Sony D-5M

Taper Notes:

View NotesFOB Sony D-5M Sennheiser 441's Recorded by Steve (the Lizzard)
http://db.etree.org/shninfo_detail.php?shnid=22517  sbe's were repaired with shntool

SOURCE 24 OF 24

gd1985-06-28.senn441.lizard.22517.sbefail.shnf

Source:

FOB Sony D-5M Sennheiser 441's