Wharf Rat > | 1985-09-05 | Grateful Dead

View NotesSBD + AUD Matrix 2 Source Mix (44/16)
---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 14-JUN-2018 - Trader Little Helper
- Tagged 14-JUN-2018 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

SOURCE 2 OF 23

2:34:32

SBD

Transferrer:

Kevin Tobin

SHNID:

gd1985-09-05.dts.mtx.tobin.102049.flac16

Source:

DTS-Audio-CD 5.1 Mix; SBD (shn id 12180) SBD >> ? > CDR > EAC > SHN + AUD1 (shn id 79778) Sennheiser 441s (7-9 feet high) > Sony D5 > Maxell MX 90s; Tapers: Justin, Adam & Monica

SOURCE 3 OF 23

gd1985-09-05.sbd.tobin.102034.flac16

View Notespitch correction and patches by Kevin To (update of <a href="http://db.etree.org/shn/12180" rel="nofollow">source ID 12180</a>)

SOURCE 4 OF 23

gd1985-09-05.mtx.tobin.102032.flac16

Source:

Matrix 4 Source Mix - SBD (shn id 12180) SBD >> ? > CDR > EAC > SHN + AUD1 (shn id 79778) Sennheiser 441s (7-9 feet high) > Sony D5 > Maxell MX 90s; Tapers: Justin, Adam & Monica

SOURCE 5 OF 23

gd85-09-05.sbd.weiner.12180.sbeok.shnf

Source:

SBD >> ? > CDR > EAC > SHN

Taper Notes:

View NotesSBD >> ? > CDR > EAC > SHN; via Howard Weiner, Dan Michael

SOURCE 6 OF 23

Scott Clugston, Charlie Miller

SHNID:

gd1985-09-05.167116.nak300.mattes.miller.clugston.flac2496

Source:

Ted Mattes' Master Audience Cassettes; Nakamichi 300 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Ted Mattes for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies an 0:08 patch in the "Big River > Peggy O" transition, the noodle into "Let It Grow" (0:11), as well as a 0:22 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
October 2020

SOURCE 7 OF 23

Scott Clugston, Charlie Miller

SHNID:

gd1985-09-05.167115.nak300.mattes.miller.clugston.flac1648

Source:

Ted Mattes' Master Audience Cassettes; Nakamichi 300 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Ted Mattes for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies an 0:08 patch in the "Big River > Peggy O" transition, the noodle into "Let It Grow" (0:11), as well as a 0:22 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
October 2020

SOURCE 8 OF 23

Scott Clugston, Charlie Miller

SHNID:

gd1985-09-05.163566.neumann.km84i.hecht.miller.clugston.flac2496

Source:

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Chris Hecht for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Ted Mattes for the Nakamichi 300 source which supplies some crowd and beginning of "Cold Rain & Snow" (0:52 total), a 0:33 patch in "Me & My Uncle", as well as an 0:08 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
October 2020

SOURCE 9 OF 23

Scott Clugston, Charlie Miller

SHNID:

gd1985-09-05.163565.neumann.km84i.hecht.miller.clugston.flac1648

Source:

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Chris Hecht for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Ted Mattes for the Nakamichi 300 source which supplies some crowd and beginning of "Cold Rain & Snow" (0:52 total), a 0:33 patch in "Me & My Uncle", as well as an 0:08 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
October 2020

SOURCE 10 OF 23

Scott Clugston and Charlie Miller

SHNID:

gd1985-09-05.148578.senn.me80.hessberg.miller.clugston.flac2496

Source:

Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's and all the folks responsible for the shnid27250 Schoeps CMC4 MK41 source which supplies a 0:24 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
October 2019

SOURCE 11 OF 23

Scott Clugston and Charlie Miller

SHNID:

gd1985-09-05.148577.senn.me80.hessberg.miller.clugston.flac1648

Source:

Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's and all the folks responsible for the shnid27250 Schoeps CMC4 MK41 source which supplies a 0:24 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
October 2019

SOURCE 12 OF 23

Charlie Miller and Joe Noel

Lineage:

Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; 24 bit to 16 bit with MusicConverter using sox-14-4-2

Taper Notes:

View NotesPatch info (9/5):
- source #027680 (Schoeps)
- s1t01; all
- s1t02; start - 00:48 & 
- s1t03; 00:15 - end (crowd)
- s1t07; 05:22 - end of set

Notes:
- speed corrected
- tape pauses cross faded
- tape flip patched
- first 40 some odd seconds of CR&S was marred with a heavy hiss
- eight count BIODTL
- after the tape flip (btw. Stagger Lee & M&MU) the mics sound like they get muffled.  Any adjust thereafter made for a terrible hiss.  The Oade recording was used, after remastering, to supplement the remainder of the show.
* contains first Hey Jude finale 
- This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2

SOURCE 13 OF 23

Charlie Miller and Joe Noel

Lineage:

Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96

Taper Notes:

View NotesPatch info (9/5):
- source #027680 (Schoeps)
- s1t01; all
- s1t02; start - 00:48 &
- s1t03; 00:15 - end (crowd)
- s1t07; 05:22 - end of set

Notes:
- speed corrected
- tape pauses cross faded
- tape flip patched
- first 40 some odd seconds of CR&S was marred with a heavy hiss
- eight count BIODTL
- after the tape flip (btw. Stagger Lee & M&MU) the mics sound like they get muffled.  Any adjust thereafter made for a terrible hiss.  The Oade recording was used, after remastering, to supplement the remainder of the set.

SOURCE 14 OF 23

2:25:27

Taper:

Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney

Transferrer:

Kyle Holbrook

SHNID:

gd1985-09-05.153178.akgc422.davis-holbrook.flac2448

Source:

Microphones: s1: AKG C422 (Cardioid) > AKG S42 XY 90º s2: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M Location: last row OTS- 120' from stage; 25 feet ROC This Source: Master AUDCA Maxell MX90 No NR [KH]

Lineage:

Taper Notes:

View Notes//  tape flip
/   tape paused between songs
#  level variation from both PA and Recorder at start
&  missed about 7 seconds of start
!  missed about 10 seconds of start
NOTE: The wind is apparent on all of set 2 of this recording. We used factory windscreens and it was not enough to reduce those winds at Red Rocks. The AKG c422 became intermittent due to fast transient distortions from high winds during set 1 and was substituted with the Beyer m201's for set 2.

Twelth AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP

SOURCE 15 OF 23

2:25:27

Taper:

Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney

Transferrer:

Kyle Holbrook

SHNID:

gd1985-09-05.153177.akgc422.davis-holbrook.flac1644

Source:

Lineage:

Taper Notes:

View Notes//  tape flip
/   tape paused between songs
#  level variation from both PA and Recorder at start
&  missed about 7 seconds of start
!  missed about 10 seconds of start
NOTE: The wind is apparent on all of set 2 of this recording. We used factory windscreens and it was not enough to reduce those winds at Red Rocks. The AKG c422 became intermittent due to fast transient distortions from high winds during set 1 and was substituted with the Beyer m201's for set 2.

Twelth AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP

SOURCE 16 OF 23

gd1985-09-05.142291.pp-aud.darby.tobin.flac1644

Source:

flac16; Patched & Pitch Corrected Audience - (original shnid = 119572) Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo - pitch correction and patches by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
Patching during end of Space. Speedwise the audience was a very fast when compared to other recordings - .8 seconds per minute. 

Brokedown House Production

SOURCE 17 OF 23

gd1985-09-05.142290.pp-aud.darby.tobin.flac2448

Source:

flac24; Patched & Pitch Corrected Audience - (original shnid = 119572) Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo - pitch correction and patches by Kevin Tobin

Taper Notes:

View NotesPatching during end of Space. Speedwise the audience was a very fast when compared to other recordings - .8 seconds per minute. 

Brokedown House Production

SOURCE 18 OF 23

gd1985-09-05.Senn421.Darby.119573.Flac1644

Source:

Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:A Huge Huge Thanks out to Mr. Darby for
recording and sharing his source for this smoking
start of this 1985 Red Rocks run of shows!!Another
excellent share from the Darby collection of Master
Audience recordings!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!

SOURCE 19 OF 23

gd1985-09-05.Senn421.Darby.119572.Flac2448

Source:

Taper Notes:

View NotesComments:A Huge Huge Thanks out to Mr. Darby for
recording and sharing his source for this smoking
start of this 1985 Red Rocks run of shows!!Another
excellent share from the Darby collection of Master
Audience recordings!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!

SOURCE 20 OF 23

gd1985-09-05.nak300.morris.106789.flac16

Source:

Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90)

Lineage:

Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)

Taper Notes:

View NotesTape flips between: Big River & Peggy-O; Drums & Space.
Recorded by Bob Morris -- thanks to Sam for help.

SOURCE 21 OF 23

2:22:29

Taper:

Adam, Justin & Monica

Transferrer:

Alex Ford

SHNID:

gd1985-09-05.senn441.mccue.ford.79778.sbeok.flac16

Source:

MAC: Sennheiser 441s (7-9 feet high) > Sony D5 > Maxell MX 90s

Lineage:

MAC > Nakamichi CD2 [azimuth adjusted] > rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 >Trade's Little Helper > FLAC16

Taper Notes:

View NotesNotes:

- files encoded @ level 6. sector boundaries fixed & verified with trader's little helper.
- the encore was placed on disc 01 to fit the show on 2 discs.
- cd covers and McCue cassette collection photo are included with this fileset.
- d2t06 Drums 4:24-6:23 patched with Master Audience Cassette > DAT > CDR (shn id #11493).

SOURCE 22 OF 23

Doug Oade and Darrin Sacks

SHNID:

gd1985-09-05.schoeps.oade.sacks.27680.sbeok.flac16

Source:

Oade Master -- 90 X-Y Schoeps CMC441 & 10 ft spaced Schoeps CMC42s -> custom M118 x2 -> custom Oade mixer -> Oade MOD PCM-F1 @ first row behind board

Lineage:

Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > flac

Taper Notes:

View NotesNote:  Show can be burned to 2 x 80 minute disks if the Brokedown encore is placed at the end of set 1.

Seeded 1/7/05 --

SOURCE 23 OF 23

gd85-09-05.aud.barbella.11493.sbeok.shnf

Source:

Audience Recording

Lineage:

Master Audience Cassette > DAT > CDR

Taper Notes:

View NotesMaster Audience Cassette > DAT > CDR; via Jack Straw; Seeded to etree by steve barbella