1985-09-06 | Grateful Dead

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 20-JUL-2017 - Trader Little Helper
- Tagged 20-JUL-2017 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

SOURCE 2 OF 14

2:00:03

SBD

Transferrer:

Kevin Tobin DTS-Audio-CD 5.1 Mix

SHNID:

gd1985-09-06.138826.dts.tobin.flac16

Source:

DTS-Audio-CD 5.1 Mix: SBD (shnid = 12181SBD >> ? > CDR > EAC > SHN; via Howard Weiner, Chad Magdanz + AUD (shnid = 28164) Oade Master: 90 X-Y Schoeps CMC441 & 10 ft spaced Schoeps CMC42s> custom M118 x2> custom Oade mixer> Oade MOD PCM-F1 @ first row behind board;

Lineage:

Master PCM> DAW (via SEKD Prodif)> Wav> cdwav> flac; Transferred by Doug Oade, tracked by Darrin Sacks - dts mixing by Kevin Tobin

Taper Notes:

View Notes--------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 20-JUL-2017 - Trader Little Helper
- Tagged 20-JUL-2017 - Tag&Rename
---------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production

SOURCE 3 OF 14

2:00:03

SBD

Transferrer:

Kevin Tobin SBD + AUD Matrix 2 Source Mix

SHNID:

gd1985-09-06.138825.mtx.tobin.flac16

Source:

Matrix 2 Source Mix - SBD (shnid = 12181SBD >> ? > CDR > EAC > SHN; via Howard Weiner, Chad Magdanz + AUD (shnid = 28164) Oade Master: 90 X-Y Schoeps CMC441 & 10 ft spaced Schoeps CMC42s> custom M118 x2> custom Oade mixer> Oade MOD PCM-F1 @ first row behind board;

Lineage:

Master PCM> DAW (via SEKD Prodif)> Wav> cdwav> flac; Transferred by Doug Oade, tracked by Darrin Sacks - matrix mixing by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 20-JUL-2017 - Trader Little Helper
- Tagged 20-JUL-2017 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

SOURCE 4 OF 14

gd85-09-06.sbd.weiner.12181.sbeok.shnf

Source:

SBD >> ? > CDR > EAC > SHN

Taper Notes:

View NotesSBD >> ? > CDR > EAC > SHN; via Howard Weiner, Chad Magdanz

SOURCE 5 OF 14

Scott Clugston and Charlie Miller

SHNID:

gd1985-09-06.148580.senn.me80.hessberg.miller.clugston.flac2496

Source:

Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's and all the folks responsible for the shnid27250 Schoeps CMC4 MK41 source which supplies a 0:13 patch in "The Wheel > Black Peter" transition
- Wheel space included in "The Wheel"
- Pitch corrected

Mastered by Scott Clugston
October 2019

SOURCE 6 OF 14

Scott Clugston and Charlie Miller

SHNID:

gd1985-09-06.148579.senn.me80.hessberg.miller.clugston.flac1648

Source:

Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's and all the folks responsible for the shnid27250 Schoeps CMC4 MK41 source which supplies a 0:13 patch in "The Wheel > Black Peter" transition
- Wheel space included in "The Wheel"
- Pitch corrected

Mastered by Scott Clugston
October 2019

SOURCE 7 OF 14

Charlie Miller and SIRMick

SHNID:

gd1985-09-06.142608.s2.aud.bryant.miller.sirmick.flac2496

Taper Notes:

View NotesNotes:

- pitch corrected
- 8 second patch in "Space" to cover tape flip - source used shnid 119585 - Thank you Michael Darby and Keo.  This needed to be pitch corrected.

Thanks to Robert Bryant for making his masters available.

Thanks to Charlie Miller for the transfer.

edited and mastered
SIRMick
July 2018

SOURCE 8 OF 14

2:03:46

Taper:

Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney

Transferrer:

Kyle Holbrook

SHNID:

gd1985-09-06.153180.beyerm201.holbrook-murtha.flac2448

Source:

Microphones: Beyer m201 (hypercardioid) XY 90º (no windscreens) Recorder: Sony TC-D5M No Dolby Location: third row OTS- 110' from stage; 5 feet ROC This Source: Master AUDCA Maxell MX90 No NR [KH]

Lineage:

Taper Notes:

View NotesDedicated to Kenny Davis RIP

/     tape paused between songs
//    tape flip

SOURCE 9 OF 14

2:03:46

Taper:

Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney

Transferrer:

Kyle Holbrook

SHNID:

gd1985-09-06.153179.beyerm201.holbrook-murtha.flac1644

Source:

Microphones: Beyer m201 (hypercardioid) XY 90º (no windscreens) Recorder: Sony TC-D5M No Dolby Location: third row OTS- 110' from stage; 5 feet ROC This Source: Master AUDCA Maxell MX90 No NR [KH]

Lineage:

Taper Notes:

View NotesDedicated to Kenny Davis RIP

/     tape paused between songs
//    tape flip

SOURCE 10 OF 14

gd1985-09-06.Senn421.Darby.119586.Flac1644

Source:

Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Huge Thanks out to Mr. Darby
for recording and sharing his source for this second
show of the Red Rocks 1985 run!Another excellent share
from the Darby collection of Masters!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!

SOURCE 11 OF 14

gd1985-09-06.Senn421.Darby.119585.Flac2448

Source:

Taper Notes:

View NotesComments:Another Huge Huge Thanks out to Mr. Darby
for recording and sharing his source for this second
show of the Red Rocks 1985 run!Another excellent share
from the darby collection of Masters!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!

SOURCE 12 OF 14

gd1985-09-06.nak300.morris.106790.flac16

Source:

Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90)

Lineage:

Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)

Taper Notes:

View NotesEdit (master cass record paused) between Drums and Space.
Tape flip in Drums at 3:36 spliced using Soundforge 9.0.
Recorded by Bob Morris -- thanks to Sam for help.

SOURCE 13 OF 14

Adam, Justin & Monica

Transferrer:

Alex Ford

SHNID:

gd1985-09-06.senn441.mccue.ford.80444.sbeok.flac16

Source:

Sennheiser 441s > Sony D5 > Maxell MX 90s

Lineage:

MAC > Nakamichi CD2 [azimuth adjusted] > rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 > Trader's Little Helper > FLAC16

Taper Notes:

View NotesTransfer: MAC > Nakamichi CD2 [azimuth adjusted] > rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 > Trader's Little Helper > FLAC16

Master Audience Cassettes provided by Mark McCue. 
Transfer, edits, conversion & upload to bt.etree.org by Alex Ford November 2006.


Set I: 

d1t01  crowd/tuning
d1t02  Hell In A Bucket >
d1t03  Sugaree 
d1t04  It's All Over Now  
d1t05  Bird Song 
d1t06  El Paso 
d1t07  Don't Ease Me In 

Set II: 

d1t08  Iko Iko  
d1t09  Looks Like Rain  
d2t01  He's Gone > 
d2t02  Spoonful > @
d2t03  Drums > 
d2t04  Space > 
d2t05  The Wheel > 
d2t06  Black Peter > 
d2t07  Throwing Stones > 
d2t08  Not Fade Away 
d2t09  NFA crowd chant
Encore: 
d2t10  U.S. Blues 



Notes:

- Sector boundary errors fixed and verified w/ Trader's Little Helper

- Oade source (SHN ID #28164) used for the following patches:
d1t04 It's All Over Now 9:25 - 0:10 of d1t05 Bird Song
d1t06 El Paso 5:04 - 0:05 of d1t07 Don't Ease Me In (tape flip)
d2t03 Drums 9:22-10:05 (tape flip)
d2t08 Not Fade Away 5:49 - 1:22 of d2t09 NFA crowd chant

- @ without Jerry
- Minor wind noise during the show. The Sennheiser 441s have built in wind screens.

SOURCE 14 OF 14

Doug Oade and Darrin Sacks

SHNID:

gd85-09-06.schoeps-oade.sacks.28164.sbeok.flacf

Source:

Audience: Schoeps CMC441 + CMC42's

Lineage:

Schoeps CMC441 + CMC42's (XY) > custom M118 x2 > custom Oade mixer > Oade Mod Sony PCM-F1 > Master PCM > Sekd Prodif > DAW > CD Wave > FLAC16

Taper Notes:

View Notes<b>flac16</b>; Oade Master: 90 X-Y Schoeps CMC441 & 10 ft spaced Schoeps CMC42s> custom M118 x2> custom Oade mixer> Oade MOD PCM-F1 @ first row behind board; Transfer: Master PCM> DAW (via SEKD Prodif)> Wav> cdwav> flac; Transferred by Doug Oade, tracked by Darrin Sacks